18.330 risultati
1971rif. 55365Clarendon Press Oxford. 1971. Second Edition. DW. WITH FASCINATING HAND-WRITTEN LETTER FROM KEYNES STILL IN HAND ADDRESSED ENVELOPE loosely inserted. The letter is on William Blake Trust headed paper with the address corrected by hand by Keynes. He has completely filled the two sides of the letter even writing in the margins. The letter dated 25 May 1917 covers in much detail the way that Blake produced his coloured printing. Keynes admits much is guess work at this time. 263pp including index. Frontis with illustrations. A few stains to upper edge o/w a very nice copy in shelf worn and slightly soiled wrapper sunned to spine and slightly worn along top edge. A unique copy. Near fine. unknown
rif. 11664-Oxford University Press 2000-. First edition. xiv365 pages with index. Illustrated. Cloth. Fine in fine dustjacket. Blake's Critique of Transcendence is the first full-length book to examine in any detail or consistency the relation between Blake's text and the visual designs in The Four Zoas one of the most important works in Blake's oeuvre. It uncovers a Blake deeply engaged with the cultural discourses of his time in profound dialogue with Swedenborg Locke and Young. In the course of this conversation Blake anatomizes a remarkable variety of cultural practices including religion science and art designed to achieve transcendence. He focuses in particular on the fate of the body in cultures of transcendence developing perhaps the first theory of sexual sublimation. Blake's radical visual and verbal strategies in this poem are part of an attempt to defer the movement of transcendence long enough for the reader to see the warring elements of the fallen world as the dismembered body of humanity. Literature Blake's Critique of Transcendence. Love Jealousy and the Sublime in the Four Zoas. 019818719x -Oxford University Press, 2000- hardcover
1793rif. 259455London: Printed for John Stockdale 1793. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. Contemporary full straight-grained red morocco covers stamped in gilt with outer roll border flat spines divided into 6 compartments 2 with title and volume number the rest gilt with small tool a.e.g. marbled endpapers. Light wear to extremities some foxing to title-pages. Bookplate of Frasier W. McCann. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. A tall copy in contemporary binding of the Stockdale edition of Gay's Fables with 12 engravings by Blake who freely adapted his source material. Ray considers this one of the best examples of Blake's work as a reproductive engraver. Bentley & Nurmi 371A; Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI Printed for John Stockdale unknown
rif. 185A Limited Edition. Large Folio 6 volumes housed in two slipcases the first housing the text volume and a portfolio of plates including all 21 plates in several states 21 fascicules and the plate-by-plate commentary; the second slipcase housing The Colour Versions of the Book of Job and three separate volumes of illustrations all bound in quarter-morocco with marbled paper covered boards with solander boxes fitted inside each slipcase printed on Arches pure rag paper. Published by the Trianon Press for the William Blake Trust 1987. This particular copy is enhanced for being accompanied with the rarely found two 1987 Prospectuses with the specimen plates inside 4 additional colour plates the original order forms a compliments slip from the William Blake Trust a small envelope; all loosely inserted in the original William Blake Trust envelope. A wonderful production of this impressive and important work. The condition is near fine; a slight crease to one page in the text volume the prospectuses slightly creased some very minimal wear to the slipcases two small marks to the top edge of one of the solander boxes. The finest William Blake production by Arnold Fawcus and the Trianon Press who starting in 1950 produced the famous series of Blake facsimiles. The plates for this work were printed around 1974 but remained unassembled until 1987 when the sheets were bound up in the present form by Smith Settle of Otley Yorkshire. A total of 392 copies of this limited edition were produced although only 387 are in the limitation statement: This copy is Number 23 of 250 copies from the limitation; there were also 115 Roman numeral copies some of which were reserved for the William Blake Trust however there was no difference in the content or presentation though there were 22 lettered copies specially bound with additional material. Please contact us for shipping costs if ordering from outside the UK. Published by the Trianon Press for the William Blake Trust hardcover
1880rif. 323501London: Macmillan 1880. Second Edition. A New and Enlarged Edition Illustrated from Blake's Own Works with additional Letters and a Memoir of the Author. Plates Portraits and Facsimiles. xxi 2 1-431; ix 4 1-383 pp. Printed by R. Clay. 2 vols. 8vo. Original gilt-stamped pictorial blue cloth both volumes fine. The Henry Buxton Forman copy with his bookplate. Second Edition. A New and Enlarged Edition Illustrated from Blake's Own Works with additional Letters and a Memoir of the Author. Plates Portraits and Facsimiles. xxi 2 1-431; ix 4 1-383 pp. Printed by R. Clay. 2 vols. 8vo. The original prints - three from electrotypes of woodblocks for Virgil's Pastoral in this second edition printed on India paper and thus preferable to the prints in the first edition of Gilchrist 1863 and 17 from electrotypes made from the original copperplates of the Songs of Innocence and of Experience. One of the highspots of Victorian decorated bindings. G.E.Bentley Blake Book 1680B; H. Buxton Forman 59 Macmillan unknown
1964rif. 578625Northampton Massachusetts: The Gehenna Press 1964. Unbound. Very Good. Publisher's Prospectus. One narrow quarto sheet measuring approximately 6" x 14" printed recto only. Illustrated with a portrait of Blake by Leonard Baskin. Light vertical crease in the left margin and light wear at the corners blank verso with modest offsetting from the cardboard stiffener just about near fine in the original mailing envelope. The Gehenna Press unknown
2005rif. 40499London: The Folio Society 2005. Three volumes - two volumes folio the commentary 8vo. Folios bound in midnight blue goatskin over blue-grey silk boards illustrated and with matching leather title labels to the upper covers commentary bound in dark teal cloth silver lettered to the spine with a blue-grey title panel to the upper cover housed together in a dark blue cloth solander box with matching silver lettered leather title label to the spine. High quality colour reproductions of Blake's illustrations throughout the folio volumes. Some light shelf wear to the case else a lovely example. London: The Folio Society unknown
1926rif. 252713London: E. Benn Limited Bouvere House. New York: Charles Scribner's Sons 1926. First edition. 82 plates. xiv 140 pp. 1 vols. 4to. Quarter linen spine and boards. Fine in dustjacket. First edition. 82 plates. xiv 140 pp. 1 vols. 4to. Bentley Blake Books 627A. Bentley Blake Books 627A E. Benn Limited Bouvere House. New York: Charles Scribner's Sons hardcover
1926rif. 41708London: E. Benn 1926. First edition edition de luxe printed on Van Gelder paper no. 119 of 100 copies. William Brendon ands Son Limited Printers Plymouth. 82 plates. xiv 140 pp. 1 vols. 4to. Quarter vellum spine and boards. Spine faded. WITHOUT PORTFOLIO. First edition edition de luxe printed on Van Gelder paper no. 119 of 100 copies. William Brendon ands Son Limited Printers Plymouth. 82 plates. xiv 140 pp. 1 vols. 4to. A sumptuous production. E. Benn unknown
1925rif. 10256London: Halton & Truscott Smith 1925. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. Original original-red batik paper over boards brown pigskin corners and spine gilt spine a little darkened light foxing to free endpapers else fine in a brown cloth protective case and inner wrapper; with the bookplate of Kenneth A. Lohf. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. A sumptuous production. Halton & Truscott Smith unknown
1982rif. 52670London: Scolar Press 1982. First edition thus folio x 243 1 pp. 11 plates in the facsimile of the 1811 edition plus 31 further illustrations. Cloth d.w. with some light marks a near fine copy. London: Scolar Press unknown
1927rif. 55262London: The Nonesuch Press 1927. First edition. Wilson a civil servant wrote a number of biographies of literary and historical figures; and as a civil servant she was one of the first women in the United Kingdom to earn equal pay for her work Wikipedia. One of 1480 numbered copies. Profusely illustrated. Quarto vellum-backed marbled boards gilt stamped spine. 4-page Addendum / Corrigenda laid-in. Minor wear to edges and vellum soiled a bit but still about very good. The Nonesuch Press unknown
1927rif. 59019London: Nonesuch Press 1927. No. 694 of 1480 copies. Frontispiece and 23 plates. 1 vols. Small thick 4to. Half vellum and marbled boards. Spine darkened else near fine. No. 694 of 1480 copies. Frontispiece and 23 plates. 1 vols. Small thick 4to. Nonesuch Press unknown
1926rif. Blake1926BLAKE William The Poems in English by JOHN MILTON in two volumes here bound together. London: Nonesuch Press 1926. Fine reproduction of Blake drawings to accompany this text. Royal 8vo viii 283-vii 357pp; full vellum with gilt-titled spine original acetate paper dust-jacket. As one might expect the vellum binding is opening cockling. One of 90 copies on Oxford India Paper this being copy 30. With a holograph letter from Francis Meynell dated August 21 1926 on Nonesuch Press stationery referring to the India Paper Milton commenting it would have been better had the top edge been rough-gilt. With a newspaper clipped book review for the two volume Milton laid inside. Nonesuch Press hardcover
1785rif. 31510London: Printed for J. Johnson 1785. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Contemporary calf brown morocco label. Skilfully rebacked rubbed some light offsetting from plates and light browning at front else a very clean and good copy with the 1797 signature of Richard Garnons Jun on the title. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Essick #I Bentley #453 Printed for J. Johnson unknown
1925rif. 000022767London: The Nonesuch Press 1925 . limited edition. hardcover. Very good. Blake William. Quartos parchment spines over marbled boards approx. 7 3/4' wide by 10" tall. Vol I: xviii 364 limitation page. Vol II: vii 1 397 2. Vol III: vii 1 430. #444 of 1500 copies printed on Vidalon handmade paper. Produced under the supervision of Francis Meynell and printed by the Chiswick Press. Includes 58 collotype plates plus frontis. photogravure from Blake's life mask. Browning and light foxing on endpapers. Offset browning on pages 156/157 of vol. 2. Covers somewhat worn at cover corners. A handsome set! 091625E. Extra shipping charges will be requested for this set. The Nonesuch Press hardcover
rif. 28047-J M Dent 1932-. First printing thus 1932. Reproduced in Facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. Single sided printing in full colour plus 25 pages of text. Pale cloth with gilt lettering cloth grubby no dustjacket otherwise very good. Visions of the Daughters of Albion -J M Dent (1932)- hardcover
rif. 104966The William Blake Trust / Princeton University Press. 1998. The William Blake Trust / Princeton University Press. Princeton. 1998. First edition thus. Large 4to paperback. Illustrated in colour. Head and tail of spine slightly worn otherwise a lovely clean and fresh copy. paperback
2000rif. 98719Tate Publishing London. 2000. Tate Publishing. 2000. 4to paperback. PRESENTATION COPY from Marilyn Butler with handwritten postcard signed by Marilyn loosely inserted. Slight wear to covers o/w contents very clean and fresh. paperback
rif. 31427-Tate Publishing 2019-. Exhibition catalogue. First paperback edition first impression 2019. 224 pages. Illustrated in colour throughout. Superb catalogue for Blake followers. Spine uncreased. Paperback near fine. William Blake is a universal artist an inspiration to visual artists musicians poets and performers worldwide as well as everyone who aspires to the ideals of personal spiritual and creative liberty. His heroic story has inspired and invigorated generations: his personal struggles in a period of political terror and oppression his technical innovation his vision and political commitment are perhaps never more pertinent. This book presents Blake as a visual artist for the twenty-first century. Accompanying the first major survey of William Blake s work to be held since 2000 William Blake: the Artist presents a comprehensive overview of his work as a printmaker poet and painter foregrounding his relationship with the art world of his time and telling the stories behind some of the most iconic images in the history of British art. The chronological narrative and biographical focus helps the reader understand the life and the historical forces at work; and provides a framework for presenting up-to-date scholarship with an emphatically art historical rather than literary focus. Chapters include: 1. Blake be an Artist! - Blake and the Academy aspiring to history painting 2. Prophetic and Visionary art - Blake in the 1790s Illuminated Books Songs of Innocence and Experience America Europe Newton 3. Blake among the Civil Servants - Blake s patrons and their boring day jobs watercolours and paintings of 1790s and 1800s / Visions of Albion -1800-3 turning point in his career as a visionary artist Milton and Jerusalem begun this was two separate chapters but Martin and Amy plan to elide the two parts into one 4. Fresco Painting Restored key exhibition and publication projects 1808-1812 the failed 1809 exhibition Blake s aspirations as a public artist 5. Hidden Blake late works retiring from the world but rediscovered by a new generation Dante Illustrations Jerusalem. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 40 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. British artist Blake William Martin Myrone & Amy Concannon 9781849766333 -Tate Publishing (2019)- paperback
rif. 42249Lavenham: The William Blake Trust 2009. Limited edition one of 36 special copies from a total edition of 186 copies. Folio. 95 1 pp. Publisher's wine red half calf over black moiré silk gilt lettered to the spine with a matching gilt lettered label to the upper board slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card as per the originals. Just some slight dustiness to the slipcase a sumptuous production. An out-of-series set marked as such on the watercolours wallet being John Commander's own copy. Although not inscribed by him directly the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John Commander Bob Essick Detto unknown" dated "October 21 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However Cromek had other ideas and gave the work to the Italian engraver Luigi or Louis Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio reproduced faithfully here eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up including the case and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents" the auction was the last time the collection was held in one place. Lavenham: The William Blake Trust unknown
1978rif. 51873Los Angeles: Printed by William & Victoria Dailey. The Press of the Pegacycle Lady 1978. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. Boards. Fine. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. Printed by William & Victoria Dailey. The Press of the Pegacycle Lady hardcover
1976rif. 264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
1927rif. ST7608London: Printed at the Burleigh Press Bristol for Fanfrolico Press 1927. FIRST EDITION. 203 x 133 mm. 8 x 5 1/4". 4 p.l. including a blank 55 1 pp. Original green paper boards and burgundy cloth spine with gilt lettering. With an etching by Lindsay at the front. ◆Light staining on front pastedown vestiges of bookplate otherwise very fine. A substantial analysis divided into six parts this as the book indicates "is not a critical essay on Blake's poetry but an effort to define the condition of mind his work represents and to expose its psychological machinery from the inside by employing an idiom which is as close poetically as Lindsay can make it to the nature of the subject and by accepting life as existing in terms of the values Blake creates.". [Printed at the Burleigh Press, Bristol, for] Fanfrolico Press unknown
1911rif. 221559Liverpool: The Liverpool Booksellers 1911. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bevelled brown cloth. Minor bubbling to cloth else fine. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bentley Blake Books 516 The Liverpool Booksellers unknown