Blake, WilliamBiblio.com
18 354 résultats
réf. 085502London: The Trianon Press 1971. In two different sized volumes comprising: Series a: coloured frontispiece black & white pictorial title page and 7 coloured plates plus 25 collotype states of all the plates 7 colour progressive states of the frontispiece plus a mounted guide sheet and stencil at the end no text; Series b: Pp. 14text and colophon printed in green tinted frontispiece pictorial title page and 10 plates 1 black & white plate plus 22 collotype states of all the plates; Series a small 8vo Series b med. 4to; uniformly bound in full tan morocco spines lettered in gilt; housed together within a compartmented marbled papered slipcase the edges of which are lightly worn; The Trianon Press Paris for The Blake Trust London 1971. Edition limited to 616 sets this being one of 50 special copies in full morocco with a set of plates showing the progressive stages of the collotype and hand-stencil process and a guide sheet and stencil. Bentley Blake Books 202.b. The Trianon Press unknown
1948réf. 10372Harvard College Library. Very Good in Very Good dust jacket; Uniquely designed binding; hand . crafted binding with metal spine with metal decorative motive cover with . red inlaid stones; red endsheets printed on hand made paper;. 1948. First Edition Thus. Hardcover. Limited edition of 600 printed by Harvard Dept of Graphic Arts; originally a relief etching of a tiny philosophical treatise now reproduced by modern offset color of the nine lettering and drawings ; all contain within a four folded phase velvet line box with ties; ; 32mo 4" - 5" tall . Harvard College Library hardcover
1971réf. 499075London: Printed by The Trianon Press for The William Blake Trust 1971. Hardcover. Fine. First edition thus of this facsimile bound in two volumes. Commentary and bibliographical history by Geoffrey Keynes. Two volumes: Quarto. 38pp. Illustrated in color by the collotype and hand-stencil process. Quarter morocco and marbled paper-covered boards. And: 12mo. 9 leaves illustrated by the collotype and hand-stencil process. Quarter morocco and marbled paper-covered boards. Both volumes are fine in publisher's slipcase. Beautifully printed on Arches pure rag paper made to match the paper used by Blake. Limited to 540 numbered copies bound in quarter morocco of a total edition of 616 copies. Printed by The Trianon Press for The William Blake Trust hardcover
1948réf. 74762Cambridge: Harvard College Library 1948. One of 600 copies. 3 1/4 x 5 inches. Title and foreword leaves plus 8 illusytrations after Blake. Publisher's marbled wrappers with paper cover label. Fine.This copy inscribed by Philip Hofer to Francis P. Farquhar; "Dear Francis sorry I have seen so little of you on this last trip East and hope we wil have better luck next time. Happy New Year Philip Hofer Jan 11 1949." Harvard College Library unknown
1886réf. 1228871886. London: Quaritch 1886. 4to printed upper wrapper; 1 blank 2 Preface 3-23 text; lower wrapper unprinted. In a fine decorative marbled calf binding by de Coverley. § Limited to 50 copies facsimilied by Muir E. Druitt H.T. Muir and J.D. Watts. This copy originally numbered copy 26 and signed by Muir Muir has crossed out "26" and written "Saturday Review." Essick notes: There is No Natural Religion. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." However the printed front wrapper of Muir's Europe facsimile 1887 indicates that "Mr. Burt's copy H--which according to Joseph Viscomi is a forgery" was also used. This would seem to be correct since copies A and L are printed in olive and green whereas plates a1 a2 and b1 in the facsimile are in brown as in copy H. Also includes plate 2 of All Religions are One the original of which is bound into There is No Natural Religion copy M and Muir's own version of the missing plate b5. Delivered to Quaritch 8 Sept. 1886. Bentley BB 249 G. unknown
1975réf. 044995Jura and Paris France; London: The Trianon Press for the William Blake Trust 1975. Book. Near Fine. Hardcover. Limited Edition. 4to - over 9¾" - 12" tall. Complete in two 2 volumes uniformly bound in brown 1/4 morocco marbled paper covered boards spine panel lettered in gilt slipcased. Main volume: 12 plates printed on rectos only. No. 401 of an edition limited to 616 total copies 540 of which were numbered rear colophon. Gift inscription on front flyleaf just a touch of foxing on two pages slight toning along spine panel otherwise as issued. Supplemental volume 9 color plates rectos only shows mild darkening and minor rub to spine panel minor foxing to two rear blanks. Slipcase shows slight shelf wear. A fine facsimile printed with collotype process on Arches rag paper with color applied via stencils. The Trianon Press for the William Blake Trust Hardcover
1971réf. 54009Clairvaux Jura and Paris France: Trianon Press 1971. Hardcover Quarto/octavo in slipcase. Hardcover. Very good. two volumes in slipcase quarter leather morocco with hand-marbled papered boards to both volumes gilt lettering to spines hand-made slipcase in matching marbled paper Number 13 of 540 printed thus of a total of 616 very slight wear to the corners to the slipcase two volumes in slipcase Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Trianon Press hardcover
1971réf. 0822553clairvaux France: The Trianon Press for the William Blake Trust 1971. Facsimile Edition. Hardcover in Slipcase. Very Good/No Dust Jacket as issued. Color Facsimile Illustrations. 4to - over 9¾" - 12" tall. Two volumes both bound in full orange morocco housed in a marbled two compartment slipcase 4to & 8vo unpag. One of 50 deluxe copies of which this is # XXXIX - bound in full morrocco and each containing a set of plates shewing the progressive stages of the colotype and hand-stencil process and a guide-sheet and stencil tipped-in at rear of smaller book. . Another spectacular facsimile production from the Trianon Press reproducing the copy residing at the library of congress produces under the supervision of Mr. Arnold Fawcus and printed on Arches pure rag paper to match the paper originally used by Blake. A facsimile of the Rosenwald copy in the Library of Congress. Prospectus laid-in. minor light wear and fading to case extremities. The Trianon Press for the William Blake Trust hardcover
1886réf. 1085321886. London: Pickering & Co. 1886. Small slim 4to printed blue upper wrapper serving as the title-page 12 leaves with illustrations printed lithographically in reddish-brown highlighted in black of which 3 are colored. Early full brown morocco binding by Riviere dark green glazed endpapers backstrip lettered in gilt lower cover rehinged. § Large-paper copy privately printed for Pickering in an edition of 50 copies. One of the rarest Blake facsimiles and only in the large-paper edition very well executed the rest were not colored and were printed in a dark brown without highlights. Not in Bentley but Essick notes: "According to Blake Books Supplement page 140 the plates reproduced are the same as those in the Muir facsimile of 1886 apparently from copies A L and perhaps H. However Joseph Viscomi Blake and the Idea of the Book pp. 205 212-13 demonstrates that most of the plates a1 a2 a4 a8 a9 b3 b4 b12 in this Pickering facsimile were based on copy I one of the early "bogus" or facsimile copies now in the Morgan Library. The remaining plates a2 a5 a6 a7 were probably based on copy D Harvard or copy G Morgan according to Viscomi." The. unknown
1971réf. 1076621971. London: Trianon Press 1971. 2 vols. 4to and small 4to with 20 color plates. Quarter brown morocco slipcase a trifle worn. § Limited to 590 copies this copy no. 5. Bentley Blake Books 202. unknown
1972réf. 1076661972. London: Trianon Press 1972. 2 vols. 4to and small 4to with 20 color plates. Full brown morocco slipcase new. § Edition de luxe #XLIV of 50 copies with additional proof sheets progressive plates original stencil etc. "The text is a clear statement of Blake's beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as "Man's desires are limited by his perceptions none can desire what he has not perciev'd sic" and "If any could desire what he is incapable of possessing despair must be his eternal lot" Schneideman. Bentley Blake Books 202. unknown
1886réf. 302993London: Quaritch 1886. No. 40 of 50 copies signed by Muir. William Muir facsimile. 23 plates including Preface and title all hand colored save for the final plate On Homer's Poetry. 1 vols. 4to. Printed wrappers. Some splitting and marginal chipping internally fine. Brown morocco backed folding case. No. 40 of 50 copies signed by Muir. William Muir facsimile. 23 plates including Preface and title all hand colored save for the final plate On Homer's Poetry. 1 vols. 4to. Includes the title-page and All Religions are One and Muir's own version of the missing plate b5. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." The last leaf of the facsimile is the single page On Homer's Poetry. Bentley Blake Books 249g Quaritch unknown
1972réf. 3555London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe limited to 50 copies with additional proof sheets progressive plates and original stencil etc. 2 vols. 4to and small 4to. full brown morocco in original marbled paper covered slipcase. Near fine prospectus inserted loose.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic” and “If any could desire what he is incapable of possessing despair must be his eternal lot”.Bentley Blake Books 202. One of only 50 de luxe copies with additional material printed in Paris at the Trianon Press for the William Blake Trust unknown
1972réf. 6961London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic” and “If any could desire what he is incapable of possessing despair must be his eternal lot”.Bentley Blake Books 202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
réf. 55373Trianon Press Facsimiles for the William Blake Trust. Paris. 1971. First Edition Thus. Limited Edition of 540 copies of which this is No. 143. Two volumes both bound in tan quarter leather morocco with hand-marbled paper covered boards in matching marbled two compartment slipcase. 4to Facsimile copy unpaginated in colour with description and bibliographical statement to rear with 8vo copy. A very handsome set. Fine in split level slipcase that has very sl. signs of wear. hardcover
1971réf. 18507London: The Trianon Press 1971. First edition. No. 35 of 540 copies. Fine in matching slipcase with light wear. First edition. No. 35 of 540 copies. Two volumes. Folio and octavo. The plates reproduced by the collotype and hand-stencil process. Bound in gilt-titled quarter morocco with marbled sides. The Trianon Press unknown
réf. 0061997420.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011réf. 68232New York: Harper Perennial 2011. Paperback Small Quarto. Paperback. Very good. wraps 403 pp first edition Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Harper Perennial paperback
réf. 592669Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 592672Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 592670Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1788. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 592671Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1788. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1971réf. 009757Jura France: The Trianon Press for The William Blake Trust 1971. One of a limited edition of 616 copies this is copy "G"one of 26 copies numbered from A to Z issued for the Trustees of The William Blake Trust and the Publishers.This was George Goyder's copy with his small armorial bookplate on the front pastedown of the larger of the two volumes.Two volumes both bound in tan quarter leather morocco with hand-marbled paper covered boards in matching marbled hardbound slipcase. The two volumes contain altogether a total of 20of Blake's prints Series a the smaller volume with 9 prints Series b. the larger volume with 11 prints plus one substitute for missing plate III. It remains unclear what Blakes actual intentions where when devising the prints. The division into the two books was made by conjecture and deduction by those who came after which is explained in the text. The plates were reproduced in Paris at the Trianon Press in two- or three colour collotype and hand-stencil process. Printed on Arches pure rag paper to match the paper used by Blake.The editorial matter was printed by the Impremerie Darantiere Dijon the binding was by Duval Paris and the hand made slip-case by Adine Paris. Both volumes are very good indeed The slipcase is rubbed to the edges and corners. Limited Edition. Quarter Leather. Very Good/No Jacket. The Trianon Press for The William Blake Trust Hardcover
réf. 0295740108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2881243517.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
