18.433 resultados
ref. 107769London: Boydell and Company c.1795. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. § Third and best state of seven see below of the single plate Blake engraved for Hogarth’s Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake’s richly detailed rendition of Hogarth’s painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer’s daughter Lucy Lockit and the lawyer’s daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Boydell and Company unknown books
1808ref. 123898Single plate. London: Cadell and Davis 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. Cadell and Davis unknown books
1808ref. 123893Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper full margins cleaned some residual soiling in the margins and a few flecks in the image. § From the first 4to edition this is one of the most powerful images in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Cadell and Davies unknown books
1813ref. 110778Single plate. London: Ackermann 1813. Single plate folio etching on wove unwatermarked paper good. § From the second folio edition. Bentley Blake Books 435. Ackermann unknown books
1808ref. 123899Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly spotted image clean. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808ref. 107329Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
ref. 108280Sheet 10.2 x 12.8 cm. image and plate mark as per Essick 3.1 x 7.8 cm. and 3.3 x 8.1 cm. respectively. Printed in pale brown on a small 8vo sheet. Delicately printed with three tiny ink spots within the margins in very fine condition. § Blake’s last engraving executed for one of his closest friends. The images invoke one of Blake’s greatest themes—the relationships between time and eternity. Opinions vary on the purpose of this plate but it should be noted that at the time 1827 it was not uncommon to paste a calling card into a book as proof of ownership. However no book once owned by Cumberland has been located with his card pasted in. It has also been suggested that the name of Cumberland in the center was executed by a writing engraver and Blake added his borders later. 39 examples of this print are known to Essick not including examples now untraced all but three on laid paper printed later and three on card but it is quite rare in commerce. Essick The Separate Plates of William Blake XXI. Bindman Complete Graphic Works of Blake 654. unknown books
1827ref. 105078Printed in black ink on thick card. London: William Blake 1827. Printed in black ink on thick card. Very finely printed in good condition though trimmed very close to the image at the left and right edges once pasted down and thus with traces of mounting on the verso and pencil notes from an earlier collector c. 1950 image and plate mark exactly as per Essick 1DD. § Blake’s last engraving executed for one of his closest friends. The images invoke one of Blake’s greatest themes—the relationships between time and eternity. Although probably intended as a calling card two books have been located with this card pasted in both written by George Cumberland Jr. Thus it has on occasion been sold as a “bookplate”. Examples on card not in Cumberland's book are exceptionally rare and have been presumed to be of the earliest printing and possibly by Blake himself. All other impressions on laid paper most often are posthumous. Thirty-nine examples in all are known to Essick not including examples now untraced of which eight are on card of which one is described as printed in green ink. Essick The Separate Plates of William Blake XXI see entry 1DD for identical measurements but not this copy. Bindman Complete Graphic Works of Blake 654. William Blake unknown books
2016ref. 2-8490652228Alba Editorial 2016. Paperback. New. 192 pages. Spanish language. 8.46x5.91x0.98 inches. Alba Editorial paperback
1996ref. 1015588vo. Hamburg: Deutscher Taschenbuch Verlag 1996. 8vo 501pp. 18 illustrations. Illustrated wrappers. Very good. § First edition inscribed by Thomas Eichhorn editor to The American Blake Foundation dated July 1st 1997. Translated with annotations by Eichhorn and with a foreword by Susanne Schmid. Not found in Bentley. Deutscher Taschenbuch Verlag unknown books
ref. 102416487X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1979ref. 46693ZOOM, coll. « special mode, album », n° 29 1979 In-4 broché cousu. Bon état d’occasion.
ref. 35486N° 90 - juin 1981 - Couverture : Quo Ying Sheng - revue illustrée - Broché
ref. 1434238407.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. 1434248984.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021ref. x-1087931959LAURA J BLAKE MCBRIDE 2021. Paperback. New. 828 pages. 9.61x6.69x1.64 inches. LAURA J BLAKE MCBRIDE paperback
ref. 42602928-nnew. unknown
ref. 42602928like new. unknown
ref. B9781087931951Paperback / softback. New. paperback
2020ref. BN546145Euromedia Group 2020. 2020. Hardcover. Zhroucený cas Zhroucený cas Blake Crouch Euromedia Group hardcover
2014ref. 2316Zero to One: Notes on Startups or How to Build the Future 2014 by Peter Thiel with Blake Masters is a provocative and influential book on entrepreneurship innovation and building transformative companies. It challenges conventional startup wisdom and argues that true progress comes from creating something entirely new "going from zero to one" rather than copying existing models "going from one to n". The Crown Publishing Group hardcover
2001ref. SKU0650267Virgin Books 2001. paperback. New. 4x0x7. New Textbook Ships with Tracking Virgin Books paperback
ref. BN117508Zero to One: Notes on Startups or How to Build the Future - Thiel Peter Zero to One: Notes on Startups or How to Build the Future - Thiel Peter unknown
ref. Q-0804139296Currency 2014-09-16. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Currency hardcover
2014ref. 000989VERY RARE! New York New York U.S.A.: Crown Publishing Group 2014. First edition. Hardback. New/new. SIGNED 2X - Signed & dated in person by Peter Thiel and Blake Masters directly on the title page. Not signed to anyone. Photos of both authors at their book signing event will be included with the signed book. 1st Edition /1st Printing with full number line: 10 9 8 7 6 5 4 3 2 1. Hardcover. Book is NEW and UNREAD opened only for signing. No marks no inscriptions. Not a book club edition not an ex-library. No dust jacket as issued. Colored board covers. This is a beautiful autographed first edition for collectors. Makes a great gift. Crown Publishing Group hardcover
