18 146 résultats
1980Mm 150x210 Collana "Testimonianze". Brossura originale, 212 pagine con numerose figure in nero e a colori nel testo in lingua italiana. Buona copia, spedizione in 24 ore dalla conferma dell'ordine.
réf. 4174Editions du Chêne, 15/21, Paris, 1975. In-8, broché sous couverture rempliée et illustrée en couleur, 215 pp. Introduction - I. A l'école de l'Antiquité. - II. "L'art perdu des Grecs". - III. Un nouveau type de livre. - IV. "Lambeth, quartier exquis". - V. "Les Nuits". - VI. Les amis authentiques. - VII. Le trait tout-puissant. - ...
2000Robin Hamlyn, Michael Phillips William Blake. Londra, Tate Publishing 2000 english, 300 Opera in lingua inglese con copertina morbida in brossura, immagini a colori e in b/n. slb21
réf. 25Les Editions Rieder, Maîtres de l'art moderne, Paris, 1928. In-12, broché, env. 140 pp. William Blake -Note bibliographique - Table des planches - Planches.
réf. 4173Editions du Chêne, collection "Les Arts de l'Imaginaire", Paris, 1977. In-4, broché sous couverture illustrée en couleur, s.p. [50 pp.]. Introduction - Planches commentées.
réf. ART7072M1977, Chêne. In-4, broché, non paginé, 40 reproductions couleurs. Quelques rousseurs sur premières pages. Exemplaire satisfaisant
2002réf. 41025London: Alan Cristea Gallery 2002. First edition. 4to. 63 1 pp. Publisher's grey cloth black lettered to the spine dust jacket with wide flaps with loosely inserted two letters between McKeever and the Blake Trust regarding the copyright of Morton Paley's transcription of the Blake's text and a photocopies of their reply and their forwarding on of the query to Paley. Colour illustrated. A lovely copy. London: Alan Cristea Gallery unknown
réf. 104966The William Blake Trust / Princeton University Press. 1998. The William Blake Trust / Princeton University Press. Princeton. 1998. First edition thus. Large 4to paperback. Illustrated in colour. Head and tail of spine slightly worn otherwise a lovely clean and fresh copy. paperback
2000réf. 98719Tate Publishing London. 2000. Tate Publishing. 2000. 4to paperback. PRESENTATION COPY from Marilyn Butler with handwritten postcard signed by Marilyn loosely inserted. Slight wear to covers o/w contents very clean and fresh. paperback
réf. 31427-Tate Publishing 2019-. Exhibition catalogue. First paperback edition first impression 2019. 224 pages. Illustrated in colour throughout. Superb catalogue for Blake followers. Spine uncreased. Paperback near fine. William Blake is a universal artist an inspiration to visual artists musicians poets and performers worldwide as well as everyone who aspires to the ideals of personal spiritual and creative liberty. His heroic story has inspired and invigorated generations: his personal struggles in a period of political terror and oppression his technical innovation his vision and political commitment are perhaps never more pertinent. This book presents Blake as a visual artist for the twenty-first century. Accompanying the first major survey of William Blake s work to be held since 2000 William Blake: the Artist presents a comprehensive overview of his work as a printmaker poet and painter foregrounding his relationship with the art world of his time and telling the stories behind some of the most iconic images in the history of British art. The chronological narrative and biographical focus helps the reader understand the life and the historical forces at work; and provides a framework for presenting up-to-date scholarship with an emphatically art historical rather than literary focus. Chapters include: 1. Blake be an Artist! - Blake and the Academy aspiring to history painting 2. Prophetic and Visionary art - Blake in the 1790s Illuminated Books Songs of Innocence and Experience America Europe Newton 3. Blake among the Civil Servants - Blake s patrons and their boring day jobs watercolours and paintings of 1790s and 1800s / Visions of Albion -1800-3 turning point in his career as a visionary artist Milton and Jerusalem begun this was two separate chapters but Martin and Amy plan to elide the two parts into one 4. Fresco Painting Restored key exhibition and publication projects 1808-1812 the failed 1809 exhibition Blake s aspirations as a public artist 5. Hidden Blake late works retiring from the world but rediscovered by a new generation Dante Illustrations Jerusalem. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 40 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. British artist Blake William Martin Myrone & Amy Concannon 9781849766333 -Tate Publishing (2019)- paperback
réf. 42249Lavenham: The William Blake Trust 2009. Limited edition one of 36 special copies from a total edition of 186 copies. Folio. 95 1 pp. Publisher's wine red half calf over black moiré silk gilt lettered to the spine with a matching gilt lettered label to the upper board slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card as per the originals. Just some slight dustiness to the slipcase a sumptuous production. An out-of-series set marked as such on the watercolours wallet being John Commander's own copy. Although not inscribed by him directly the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John Commander Bob Essick Detto unknown" dated "October 21 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However Cromek had other ideas and gave the work to the Italian engraver Luigi or Louis Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio reproduced faithfully here eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up including the case and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents" the auction was the last time the collection was held in one place. Lavenham: The William Blake Trust unknown
1978réf. 51873Los Angeles: Printed by William & Victoria Dailey. The Press of the Pegacycle Lady 1978. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. Boards. Fine. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. Printed by William & Victoria Dailey. The Press of the Pegacycle Lady hardcover
1976réf. 264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
1927réf. ST7608London: Printed at the Burleigh Press Bristol for Fanfrolico Press 1927. FIRST EDITION. 203 x 133 mm. 8 x 5 1/4". 4 p.l. including a blank 55 1 pp. Original green paper boards and burgundy cloth spine with gilt lettering. With an etching by Lindsay at the front. ◆Light staining on front pastedown vestiges of bookplate otherwise very fine. A substantial analysis divided into six parts this as the book indicates "is not a critical essay on Blake's poetry but an effort to define the condition of mind his work represents and to expose its psychological machinery from the inside by employing an idiom which is as close poetically as Lindsay can make it to the nature of the subject and by accepting life as existing in terms of the values Blake creates.". [Printed at the Burleigh Press, Bristol, for] Fanfrolico Press unknown
1911réf. 221559Liverpool: The Liverpool Booksellers 1911. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bevelled brown cloth. Minor bubbling to cloth else fine. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bentley Blake Books 516 The Liverpool Booksellers unknown
1953réf. 635746The Grolier Club of New York 1953. Hardcover. Used-Very Good. Light wear to cloth. Previous owener's bookplate on fpep. Otherwise fine. The Grolier Club of New York hardcover
1895réf. 77254London:: Seely and Co. 1895. publisher's printed wrappers. The text block is separated from the wrappers and essentially disbound. A few chips to wrappers. 8vo. Illustrated. The Portfolio: Monographs on Artistic Subjects with Many Illustrations; Published Monthly. Seely and Co., unknown
réf. 0930606388.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1932réf. 1072551932. N.p.; n.d.: Probably USA: c. 1932-33. 4to 19 manuscript ff. numbered. Enclosed in a blue cloth box bookplates of Kenneth A. Lohf. Age-toned rust from paper clip very good. § An interesting unpublished manuscript written out for Binyon by his wife Cicily probably being the text of an essay or talk given by Binyon while in the US in 1932/33 for the Norton lectures. Hatcher in his biography of Binyon notes a lecture with the exact title as given here. It has never been published. It was last sold at Christie's East Dec 2 1994 lot 20 $550. unknown
1957réf. 1007191957. London: British Museum 1957. 4t0 32pp. Blue printed wrappers stapled some fading and soiling. Very good. § This extremely scarce pamphlet is a most useful and fascinating catalogue of an extraordinary exhibition at the BM; there are over 100 entries and the exhibition in addition to showing all the treasures of the BM was augmented with many items loaned by Geoffrey Keynes. The catalogue is a typescript reproduced on cheap paper and few copies can have survived. Bentley Blake Books 680. unknown
2000réf. CL260602003L1005Thames & Hudson 2000-10-01. hardcover. Very Good. 8x5x0. Hardback--book perfect--dust cover mild edge wear Thames & Hudson hardcover
2000réf. 2602H-94987A-58AThames & Hudson 2000-10-01. hardcover. Good. 8x1x11. 2 BLUE SPOTS ON SIDE PAGE EDGES OTHERWISE this Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity check your package for this month's charity. Reuse-Recycle-Rebook! Thames & Hudson hardcover
réf. 0500510148-7-1-13_29Thames & Hudson. Acceptable. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Thames & Hudson unknown
2000réf. __0500282455Thames & Hudson 2000. Paperback. New. 480 pages. 11.75x8.50x1.50 inches. Thames & Hudson paperback
2007réf. 89750Gallery Publishing; D. A. P. /Distributed Art Publishers Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 148 pp. ; 66 ills. -- with a bonus offer--; The English poet and artist William Blake 1757-1827 was uncommonly aware of the evils of slavery in his time having illustrated Narrative of a Five Year's Expedition against the Revolted Negroes of Surinam 1791 John Stedman's firsthand account of the brutal suppression of a slave revolt in South America. But for Blake the interest was not only in physical but mental enslavement. The ubiquity of "mind-forg'd manacles" as he put it in his great poem "London" in a rapidly industrializing Europe compelled some of his most dramatic and complex text and images. With over 60 color reproductions from Blake's illuminated books watercolors and engravings all from the collection of The British Museum William Blake and Slavery: Mind-forg'd Manacles presents a strong statement on this great artist's pungent and independent political vision. It includes an essay on the theme of slavery in Blake's visual imagery by the exhibition curator and leading Blake scholar David Bindman as well as a text on Olaudah Equiano an African ex-slave who campaigned for the abolition of slavery by the novelist and literary critic Darryl Pinckney. This book commemorates both the bicentennial anniversary of the abolition of the slave trade in the British Empire and the two-hundred-and-fiftieth anniversary of Blake's birth. . 2007. 1853322598 . Gallery Publishing; D. A. P. /Distributed Art Publishers (Distribution) paperback
