18.288 resultados
2001ref. Q-0500282455Thames & Hudson 2001-04-16. paperback. New. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
ref. 1016131798.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0500282455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1333578350.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 42250London: The William Blake Trust 1987. Limited edition one of five special sets from a total edition of 387 copies. Four parts each containing subdivisions of text volumes and/or portfolios of illustrations. Dark blue half morocco the text volumes and solander boxes over marbled boards with gilt labels the portfolios and slipcases over grey cloth. Part Ia - text volume titled as above 147 1 pp.; Part Ib - "The Plates with an Introduction and Plate-by-Plate Commentary by Bo Lindberg" the introduction and 22 plates Blake's title design plus 21 in different states presented in individual fascicles; Part IIa - text volume titled "Colour Versions of William Blake's Book of Job Designs from the Circle of John Linnell. Facsimiles of the New Zealand and Collins Sets and the Fitzwilliam Plates. With an Essay by Bo Lindberg. Edited by David Bindman" 27 1 pp.; Parts IIb-d - Three portfolios containing 22 22 and 4 plates from the respective sets plus a further two images loosely inserted in the case; Parts IIIa-e - The first collection of "Additional Materials" comprising five portfolios holding numerous plates titled thus: "Label printed for original publication March 1826" "Guides and Stencils for Coloured Version of Page from 'Riches' Sketchbook not used." "Colour Versions. Collins & New Zealand Sets & Fitzwilliam Plates" ".Illustrations of the Book of Job Alternative Printing Without Plate Mark" and ".Hand coloured Maquettes and First Proofs from Pochoirs with Comments"; Parts IVa-d - The second collection of "Additional Materials" comprising four portfolios with numerous plates thus: "Proofs Guides and Stencils for Colour Plates from Colour Versions. Trianon Press Paris c.1974" ".First Proofs from the Collotype Plates with Notes by Arnold Fawcus" "Pages from the 'Riches' Sketchbook with Colour Washes not published" "Facsimiles of Subjects from the Butts Version Watercolours Printed Collotype by Emery Walker for the Pierpoint Morgan Library Edition 1935". Slight rubbing to the head of the spine of one of the solander boxes occasional slight dustiness to the slipcases excellent condition overall. John Commander's set with his name inscribed on the limitation leaf being one of five "containing extra material. specially made up for those most closely concerned with bringing the publication to completion". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. A scarce work to begin with this is a highly desirable set of this expanded and very limited issue given to an esteemed authority on Blake who had did much to promote the study and enjoyment of the artist's work over many decades. London: The William Blake Trust unknown
ref. 0413292606.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 070450054X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980ref. 220622Oxford University Press 1980. Hardcover. A Truly beautiful set as near new as you can get without being brand new. In near new price clipped dust jackets in a near new slipcase. Size: 12.25x15.25 inches. 537 watercolour drawings and 43 engravings. Oxford University Press hardcover
2001ref. SKU0505033Thames & Hudson 2001-04-01. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Thames & Hudson paperback
ref. 0198120478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0917046498.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0879556005.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 019254196X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0712346902.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995ref. Q-0517123673Gramercy 1995-06-26. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Gramercy hardcover
1980ref. Alibris.0000801Oxford England: Oxford University Press USA 1980. A Complete ed. Hard cover. Very good in very good dust jacket. Oxford University 1980 two very large volumes in slipcase with their very good dust jackets no owner's mark or underlining light wear the bottom of the slipcase spine is split on the seam tight and square Oxford University Press, USA hardcover
2003ref. Q-0753816555Phoenix 2003-08-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Phoenix hardcover
1808ref. 1238891808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. unknown
2005ref. Q-0486446670Dover Publications 2005-08-23. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1922ref. 17769London: Humphrey Milford Oxford University Press 1922. FIRST EDITION. Tipped in frontispiece portrait and engraved title preceding 116 plates 6 in color. Original publisher’s cloth gilt lettering some rubbing on corners; interior excellent. First publication of Blake’s designs for Thomas Gray’s poems number 16 of 650 copies. The sculptor John Flaxman commissioned the project as a gift for his wife in 1797. Blake produced 116 watercolors for his friend all of which are reproduced in this limited edition. Gray 1716–1771 was a popular poet in eighteenth-century England; however due to his self-critical nature he only published thirteen poems in his lifetime. His poem Elegy Written in a Country Churchyard remains his most well-known work and earned him his popularity and legacy in English literary history. Blake 1757–1827 a poet in his own right as well as an artist was well-suited for illustrating Gray’s poems including Elegy given his romantic style and underpinnings of religion philosophy and melancholy. Humphrey Milford, Oxford University Press unknown
2007ref. 1232832007. New York: Center for the Book Arts 2007. Large 8vo 9 1/2 x 6 1/2 ins. 36pp. title-page and 12 poems on loose folded sheets each illustrated in a variety of media and signed on the verso by the illustrator. All contained in an orange folding paper wrapper. Fine. § Number 13 of an edition limited to 39 copies in all. A collaborative artist book in portfolio created by eight women students at the Center for Book Arts in New York under the direction of master printer Barbara Henry representing in letterpress and illustration twelve poems from William Blake's Songs of Innocence and of Experience. Each of the nine leaves is signed by the artist-printer. The poems and their illustrators are: The Garden of Love by Delphi Basilicato; The Fly by Amy Bronstein; A Dream by Bonnie McLaughlin; The Human Abstract by Amber McMillan; The Laughing Song/The Poison Tree by Sarah Nicholls; The Shepherd/The Tyger by Michelle Raccagni; The Blossom/The Sick Rose by Rosie Schaap; Infant Joy/Infant Sorrow by Louisa Swift; Title-page by Barbara Henry. The poems in the Songs of Innocence and of Experience contrast the spiritual freedom of childhood with the binds and hypocrisies of the adult world and are at once philosophical political and radical. Blake wrote engraved printed and colored the Songs himself making him arguably one of the first creators of an artist's book and an excellent subject for these women book artists of the 21st century. unknown
ref. GOR010249707Hardback. Very Good. hardcover
1973ref. 082813Oxford England: Oxford at Clarendon Press 1973. 1st . Hardcover. Near Fine/Near Fine. 4 vo. Frontis Portrait of Sir Geoffrey Keynes; 82 b&w illustrations. First Edition First Printing; dj w/unclipped price in mylar; 390 clean unmarked pages contains literary essays on William Black about/by: I. Blake's Early Poetry by Michael Phillips; II. Blade's 'Gothicised Imagination' and the History of England by David Bindman; III. The Altering Eye: Blake's Vision in the Tiriel Designs by Robert N. Essick; IV. Justifying One's Valuation of Blake by F. R. Leavis; V. Blake's Frame of Language by Josephine Miles; VI. Blake's Songs of Sprong by Michael J. Tolley; VII. Christ's Body by Jean H. Hagstrum; VIII. The Chapel of Gold by G. Wilson Knight; IX. Reading the Illuminations of Blake's Marriage of Heaven and Hell by David V. Erdman with Tom Dargan and Marlene Deverell- Van Meter; X. Blake's Figures of Despair: Man in his Spectre's Power by Janet Warner; XI. the Title-page of the Book of Urizen by Morris Eaves; XII. Blake Coleridge and Wordsworth: Some Cross-currents and Parallels 1789-1805 by John Beer; XIII. William Blake The Prince of the Hebrews and The Woman Clothed with the Sun by Morton D. Paley; XIV. Blake the Varleys and the Graphic Telescope by Martin Butlin; XV. References to Blake in Samuel Palmer's Letters by Raymond Lister; XVI. William Blake in the Wilderness: A Closer Look at his Reputation 1827-1863 by Suzanne R. Hoover; XVII. Geoffrey Keynes's Work on Blake: Fons et Origo and a Checklist of Writings on Blake by Geoffrey Keynes 1910-1972 by G. E. Bentley Jr. Oxford at Clarendon Press hardcover
1957ref. 1091121957. London: British Museum 1957. Slim folio 32 pp.Mimeographed typescript catalogue typed double-sided good in wrappers staple bound with no spine ; lightly browned at edges. § This extremely scarce pamphlet is a most useful and fascinating catalogue of an extraordinary exhibition at the BM; there are over 100 entries and the exhibition in addition to showing all the treasures of the BM was augmented with many items loaned by Geoffrey Keynes. The catalogue is a typescript reproduced on cheap paper and few copies can have survived. Bentley BB 680. unknown
1976ref. 50860London Trianon Press for the William Blake Trust 1976. 4to. Orig. full morocco. In the orig. matching slicase. Spine with gilt lettering. 62 pp. Frontispiece self-portrait of Blake and 11 plates reproduced in collotype in the workshops of Trianon Press. "This is a special copy No. XI" signed by Geoffrey Keynes. "32 copies numbered I-XXXII bound in full morocco printed on Lana rag paper and signed by the author." First edition of Blake's Laocoön A Last Testament. unknown
