Blake, DJ Carter D JBiblio.com
GreatBookPrices · États-Unis52,74 $US≈ 47,03 €
14 413 résultats
réf. BN371932Hiersemann A. Werke. Historisch kritische Ausgabe Bühnendichtungen: Frühlings-BalletBallet des TagesBallet der NaturMasquerade der HercinieBallet der . des literarischen Vereins in Stuttgart Werke. Historisch kritische Ausgabe Bühnendichtungen: Frühlings-BalletBallet des TagesBallet der NaturMasquerade der HercinieBallet der . des literarischen Vereins in Stuttgart Tarot Rolf; Krummacher Hans H; Ulrich Anton; Spahr Blake L; Munding Maria; Meyer Julie; Boghardt Julie and Lütteken Anett Hiersemann, A unknown
réf. 1435767012.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9781435767010_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Devin Blake proudly presents his debut novel Weeping Hallow. A horror/fantasy about Sazrun the One-Winged Angel and Master of Illusions is cast down from Heaven following his desire to undermine God's authority stemming from his bel hardcover
réf. B9781435767010Hardback. New. hardcover
2023réf. Discovery-9781804890332BRILLIANCE 2023. Hardcover. New. BRILLIANCE hardcover
2023réf. Discovery-9781804890332BRILLIANCE 2023. Hardcover. New. BRILLIANCE hardcover
2018réf. 1-1423649893Gibbs Smith 2018. Hardcover. New. 32 pages. 11.25x9.25x0.50 inches. Gibbs Smith hardcover
1960réf. 35276NY: Simon and Schuster 1960. First printing. 8vo pp. 342. VG in chipped dj. A novel about Europe in the 1930s. Simon and Schuster unknown books
1959réf. mon0000211134Victor Gollancz 1959-01-01. Hardcover. Acceptable. in x in x in. Ex-library book usual markings. Well read copy with some spine wear still very useable colouring of page edges due to age. Victor Gollancz, hardcover
réf. 1491537280.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 1683246365.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 9862353937.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2022réf. 6447Borderlands Press 2022. 1st Edition 1st Printing. Hardcover. New/New. New in new dust jacket. SIGNED by the author on the limitation page signature only. LIMITED edition #62/500. New unread copy with dust jacket in protective mylar sleeve. A Wayward Pines novel basis for the TV series by the sf-Lit Award- and Goodreads Choice Award-winning author of “Dark Matter†and “Upgradeâ€Â. Rare. Where possible all books come with dust jacket in a clear protective plastic sleeve sealed in a ziplock bag wrapped in bubble wrap shipped in a box. Borderlands Press hardcover
1988réf. 173013Oxmoor 1988. First. hardcover. fine. Color photographic illustrations. Oblong folio dust wrapper. Oxmoor House 1988. First Edition. Fine. Autographed by both Dickey & Blake. Oxmoor unknown books
1988réf. 173013Oxmoor 1988. First. hardcover. fine. Color photographic illustrations. Oblong folio dust wrapper. Oxmoor House 1988. First Edition. Fine. Autographed by both Dickey & Blake. Oxmoor unknown
réf. 02067MERRIFIELD VA: POOH STIX PRESS 1992. Soft Cover. NEAR FINE. LIGHT CIRCULAR "COFFEE CUP" STAIN ON BACK COVERS ELSE CLEAN WITH VERY LIGHT WEAR TO YELLOW COVERS. A NICE COPY! HM. MERRIFIELD, VA: POOH STIX PRESS, 1992 paperback
réf. 0963432303.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 85903Editions Gallmeister 2023, format poche n° 266; collection Totem - très bon état
1969réf. 737003PN. New. 1969. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
réf. 32639Printed broadside 5" x 8" with salutation in ink manuscript. Some margin browning and light margin chipping else Very Good. Blake was Pastor of the First Congregational Church in Waupun. Beneath his printed signature is written in ink "Pastor Cong. Ch". Professor Conatty was T.J. Conatty a public school teacher in Kenosha and a prominent figure in the Wisconsin Teachers' Association. He was later implicated in a bribery scheme with James Rood Doolittle Senator from Wisconsin 1857-1869. On Conatty's behalf Doolittle was to use his influence with President Lincoln to obtain cotton permits during General Banks's occupation of New Orleans; in return Doolittle would receive 25% of the profits. We haven't ascertained whether Senator Doolittle is the "Br. Doolittle" to whom this printed letter is addressed. This unusual ephemeral Civil War broadside is unrecorded. Waupun is in southeastern Wisconsin about sixty miles northwest of Milwaukee. Not located on OCLC as of October 2023 or anywhere else. unknown books
réf. 32639Printed broadside 5" x 8" with salutation in ink manuscript. Some margin browning and light margin chipping else Very Good. Blake was Pastor of the First Congregational Church in Waupun. Beneath his printed signature is written in ink "Pastor Cong. Ch". Professor Conatty was T.J. Conatty a public school teacher in Kenosha and a prominent figure in the Wisconsin Teachers' Association. He was later implicated in a bribery scheme with James Rood Doolittle Senator from Wisconsin 1857-1869. On Conatty's behalf Doolittle was to use his influence with President Lincoln to obtain cotton permits during General Banks's occupation of New Orleans; in return Doolittle would receive 25% of the profits. We haven't ascertained whether Senator Doolittle is the "Br. Doolittle" to whom this printed letter is addressed. This unusual ephemeral Civil War broadside is unrecorded. Waupun is in southeastern Wisconsin about sixty miles northwest of Milwaukee. Not located on OCLC as of October 2023 or anywhere else. unknown
réf. 1268401972. London: Trianon Press 1972. 3 volumes folio with 116 color facsimile leaves reproduced by collotype and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake's pencillings and the tone of the paper. Marbled boards morocco backstrips slipcases a fine set as issued. § Edition limited to 518 copies in all including 100 copies for Paul Mellon personally of which 12 copies were a super de luxe issue in three volumes with extra material 36 copies were a de luxe issue also with extra material but in sheets unbound18 copies were hors commerce contents unrecorded and 352 copies either bound in 3 volumes in slipcases or as a single set of the loose sheets in a box. This is copy #125. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems. Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf-then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon's collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. unknown books
réf. 1077171972. London: Trianon Press 1972. Folio with 116 color facsimile leaves reproduced by collotype and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake's pencillings and the tone of the paper. Original sheets marbled boards morocco backstrip lettered in giltquarter brown morocco box. § Edition limited to 518 copies in all including 100 copies for Paul Mellon personally of which 12 copies were a super de luxe issue in three volumes with extra material 36 copies were a de luxe issue also with extra material but in sheets unbound18 copies were hors commerce contents unrecorded and 352 copies either bound in 3 volumes in slipcases or as a single set of the loose sheets in a box. This is copy 387. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems. Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf-then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon's collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. unknown books
réf. 1028821971. London: Trianon Press 1971. Small folio 72 pages with 16 color facsimile leaves suites of progressive plates and 116 monochrome illustrations. Marbled boards morocco backstrip slipcase. Signed by Keynes. A fine copy as issued. § Limited to 28 copies so inscribed and signed by Geoffrey Keynes this particular volume is labeled no. 2. This is the de luxe edition of the trade version of the Gray issued by the Trianon Press in 1972 using 8-color printing. Although the three-volume folio edition is a magnificent piece of book making this version is more accessible and easier to use and enjoy and the quality of the color printing is Trianon Press at its best. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems. Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf-then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon's collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. unknown books
