685 risultati
1998rif. 224471998. Bizarre Magazine 1998-2001 a group of eight issues of the British counterculture periodical covering fetish subcultures alternative sexuality body modification underground music censorship and transgressive art during the late 1990s and early 2000s. Published by John Brown Publishing under the editorship of Fiona Jerome and David McComb during this period Bizarre combined investigative journalism provocative photography reader contributions and entertainment reporting covering subjects that received limited attention in mainstream British magazines. The seven issues from 1998 and one from 2001 document the magazine's treatment of sexual practices alternative fashion international underground scenes and controversies over obscenity and censorship. Its articles and imagery also record the commercial presentation of fetish aesthetics and other subcultural practices to a national readership. Bizarre Magazine. London: John Brown Publishing 1998-2001. Eight issues first editions comprising seven from 1998 and one from 2001. Perfect-bound in original color pictorial wrappers illustrated throughout in color and black-and-white. The covers employ stylized photography sexual imagery and sensational headlines including a topless woman draped with a live boa constrictor Tara O'Connor dressed in a latex dominatrix outfit and a goth model with a bleached buzz cut and facial piercings. Contents range from reporting on censorship the pornography industry and cosmetic surgery to profiles of punk performers fetish photography Japanese erotica and underground entertainment. Several issues incorporate reader-submitted material including amateur nude photography bondage imagery and personal accounts. The issues are as follows: 1 Bizarre Magazine. January/February 1998. "Banned!" Cover depicting a woman styled as one of the Droogs from Stanley Kubrick's A Clockwork Orange. Features a survey of international censorship concerning film literature and sexual expression alongside an illustrated exposé on alleged post-Soviet Russian black-market organ harvesting and reporting on the pornography industry. The issue addresses restrictions on controversial cultural material and the magazine's recurring interest in illicit markets and sensational subjects. 2 Bizarre Magazine. May 1998. "Tasty!" Includes "Porn Past Confessions" examining experiences within the adult entertainment industry and an article concerning the expanding cosmetic surgery industry and unsuccessful procedures. Contains the 16-page "Sealed Stranger Stuff" section featuring reader-submitted nude artwork and amateur bondage photography. This supplementary section documents reader participation in the magazine's presentation of fetish and erotic material. 3 Bizarre Magazine. July 1998. "Let's Rock!" Features "Top Ten Maddest Stage Performers" including punk performer GG Allin and Wendy O. Williams of the Plasmatics. Additional material includes interviews with heavy metal groupies profiles of shock-comedy performers and underground fire-breathers and a do-it-yourself body-piercing guide. The issue concentrates on extreme stage performance underground music and physical modification. 4 Bizarre Magazine. September 1998. "Kiss My Asp!" Cover photograph of a topless woman draped with a live boa constrictor. The principal feature "The Weirdest Sex Fetishes in the World-EVER!" surveys unconventional sexual practices through the magazine's characteristic combination of sensational reporting and provocative imagery. Also includes a profile of the French Foreign Legion. 5 Bizarre Magazine. October 1998. "Bollywood Babylon." Cover featuring a woman wearing South Asian adornments. Includes coverage of Indian cinema articles concerning Laotian "Opium Tribes" censorship in Indian television and notorious Mumbai criminal syndicates. The issue extends the magazine's international coverage through accounts of Asian popular culture illicit activities and restrictions on media. 6 Bizarre Magazine. November 1998. "Read Yourself Raw." A special issue examining aspects of Japanese underground culture including erotic publications and motorcycle gangs. Its coverage addresses Japanese sexual imagery and youth subcultures for a British readership extending the magazine's reporting beyond European and American alternative scenes. 7 Bizarre Magazine. December 1998. "Game On!" Cover featuring television game-show host Tara O'Connor wearing a dominatrix-style latex outfit. Contents include profiles of mercenaries reporting on "Russian Murder TV" and "The Drugs Do Work" an article concerning psychotropic substances and rave culture. Also contains a reader-submitted fetish photography section documenting the magazine's practice of incorporating amateur erotic imagery alongside its editorial features. 8 Bizarre Magazine. March 2001. "Punk Is Dead." Cover featuring a pale-skinned goth model with a bleached buzz cut and facial piercings. The issue includes a retrospective examination of punk's commercialization and its absorption into mainstream fashion and popular culture. Its cover styling draws on goth and punk aesthetics accompanying the discussion of underground styles increasingly adopted by commercial entertainment and fashion industries. Founded in 1997 Bizarre appeared during a period when fetish fashion body piercing industrial music rave culture and other underground practices were becoming increasingly prominent in British popular media. Its coverage of pornography censorship and unconventional sexuality appeared alongside commercial advertising and highly stylized photography documenting how underground practices were presented to a broader consumer audience. The reader-submitted erotic material is particularly notable for recording direct participation in the magazine's sexual and visual culture while the 2001 punk retrospective addresses the commercialization of an earlier countercultural movement. Light wear and rubbing to extremities; interior pages bright and complete. Sealed sections where present have been opened but remain intact. Overall in very good condition. unknown
2017rif. BN459416Editorial Planeta 2017. 2017. Hardcover. La huella de una carta Autores Españoles e Iberoamericanos La huella de una carta Autores Españoles e Iberoamericanos Rosario Raro Editorial Planeta hardcover
2015rif. 2-840813969XPlaneta 2015. Hardcover. New. Spanish language. 9.13x6.30x1.50 inches. Planeta hardcover
1417rif. ST20185Amsterdam: Joannes Wolters then Jansson-Waesberg 1701-14; 1715-16. FIRST EDITIONS. 224 x 168 mm. 8 3/4 x 6 1/2". 4 p.l. 62 pp. 1 leaf errata; 2 p.l. 98 pp.; 2 p.l. 70 pp.; 1 p.l. 55 pp.; 1 p.l. 54 pp. 2 p.l. 30 pp. 1 leaf 92 pp. 2 leaves 44 pp. 4 leaves 68 pp. 8 leaves 72 pp. 1 leaf errata 12 leaves 78 pp. 10 parts in one volume. Contemporary stiff vellum smooth spine with ink titling yapp edges. WITH 42 ENGRAVED PLATES as called for by Norman six of these folding. Text in Latin and Dutch. Blake 395; Garrison-Morton 389; Heirs of Hippocrates 627; Jeremy Norman's HistoryofMedicine.com 623; Norman 1875. Vellum lightly soiled front pastedown slightly defective but the original unsophisticated binding in perfect order. Final plate with small hole due to adhesion to facing page minor damage done to image a few other trivial imperfections a couple of negligible marginal tears a faint ink stain across the top inch of text a tiny burn hole but AN UNUSUALLY BRIGHT CLEAN COPY INTERNALLY with all the important plates in exceptionally fine condition. Scarce when seen bound from its original 10 parts as here this work describes the memorable "Anatomical Treasure" of Dutch physician and anatomist Frederick Ruysch being illustrated by surrealistic charmingly macabre engravings depicting "fantastic dream-like concoctions constructed of human anatomical parts." History of Medicine Described by Norman as "probably the most original artist in the history of anatomical preparations" Ruysch 1638-1731 "enjoyed making up elaborate three-dimensional emblems of mortality from his specimens" which included fetal skeletons and preserved organs. Heirs to Hippocrates says that "the engraved illustrations deserve special mention for their whimsical almost surrealistic quality: quaintly posed skeletons surrounded by stuffed monsters strange reptiles dried plants and sea creatures." According to Norman "Ruysch's methods allowed him to prepare organs such as the liver and kidneys and keep entire corpses for years. He used a mixture of talc white wax and cinnabar for injecting vessels and an embalming fluid of alcohol made from wine or corn with black pepper added. Using his injection methods Ruysch was the first to demonstrate the occurrence of blood vessels in almost all tissues of the human body thereby destroying the Galenic belief that certain areas of the body had no vascular supply. He was also the first to show that blood vessels display diverse organ-specific patterns." Ruysch's dioramas were displayed in his home museum in Amsterdam which was open to the public; visitors included Tsar Peter the Great of Russia who purchased the collection in 1717 for the foundation of Russia's first public museum the St. Petersburg Kunstkammer. Unfortunately the Russian climate was not kind to the fragile constructions and all deteriorated over time; the dramatic plates here are the best record we have of this unique collection. Joannes Wolters, then Jansson-Waesberg unknown
2009rif. 69364München, Elisabeth Sandmann Verlag, 2009. Origi.Broschur, 4°, 180 Seiten und einer CD Audioguide im Anhang von Berhard Jugel.
1979rif. 40180London, Academy Edit., 1979. origi.Broschur, kl.4°, 79 Seiten.
1783rif. 11426ABLeipzig, Kummer, 1783. 19 : 11 cm. 7 hojas, 106 páginas, 3 hojas, páginas (107) - 206 Con una lámina grabada, plegada. Encuadernado en medio pergamino en estilo de época. 2 partes en 1 tomo. Segunda muy aumentada edición.
rif. 146239riva Verlag 2022. 352 Seiten. Mit zahlreichen teils farbigen u. meist faks. Abbildungen. Farbig illustrierter OKart.-Einband. 21x15 cm
1848rif. 10230ABBarcelona, Imprenta Hispana, 1848. 35,5 : 30 cm. 2 hojas, 46 tablas de doble página, 2 hojas 32 mapas grabadas de doble página, coloreado en los limites. Encuadernación de media piel. Parte primera.
1963rif. 70094Paris, Pauvert 1963. Mit zahlr., tlw. ganzseit. und farb. Abbildungen. 42 S., 1 Bl. Kl.-4to. OBrosch.
1993rif. 18999München: Wilhelm Heyne Verlag, 1993. Dt. Erstausg. 303 Seiten , 18 cm kart.,
1963rif. 3110209Darmstadt: Wissenschaftliche Buchgesellschaft (WBG) 1963. 501 Seiten. Gr. 8° (23,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
rif. 56331, De Bezige Bij 2015, 2015 Softcover, 187 pagina's, Nederlands, 200 x 135 mm, boek in nieuwstaat, . ISBN 9789085426103.
1962rif. 10043Paris, Pauvert, 1962, ni-4, broché, 159 pages. Bon état.
1963rif. 68845Paris, Pauvert, 1963, in-4, broché, Bel exemplaire.
rif. 200903852Paris, Glénat, 1994 ; in-8 à l'italienne, 50 pp., cartonnage de l'éditeur. Eo edition française.
rif. 1683Broché, 27X18 cm, 22 pages, septembre-octobre 1960, n° 16, illustrations noir et blanc, J.J. Pauvert. Très bon état.
rif. 34012P., Pauvert, 1956, grand in 8° broché, 78 pages ; couverture illustrée en couleur (fanée) ; quelques rousseurs.
1966rif. 747541966 Paris, Pauvert, 1966, in 4° broché, 96 pages ; couverture illustrée.
1964rif. 747551964 Paris, Pauvert, 1964, in 4° broché ; couverture illustré par SINE ; frottis d'usage et menus défauts.
1966rif. 793911966 Paris, 1965, in 4° broché ; couverture illustrée.
1966rif. 826571966 Paris, J.-J. Pauvert, 1966, in 4° broché, 208 pages ; nombreuses illustrations ; couverture illustrée.
1818rif. 731818 Paris, chez Pillet, imprimeur-libraire, 1818, (3), 308 pp, (2). In-8 relié en demi basane vert bouteille, dos plat, orné de fleurons ; truffé d'une lettre autographe de l'auteur, frontispice dépliant.
rif. 102A Amsterdam, chez Henry du Sauzet, 1732, XXXVI, 306 pp, (5) ff, (1) ff bl. In-12 en veau marbré, dos à 5 nerfs orné de fleurons, pièce de titre en maroquin rouge, tranches rougies, petite déchirure sur f 93 et f 95.