Thomas HenriLivre Rare Book
1 883 résultats
1961réf. R320117102Gallimard. 1961. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 192 pages.. . . . Classification Dewey : 840.091-XX ème siècle
réf. R150096555GALLIMARD .. 1988.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 178 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
réf. R150096564GALLIMARD .. 1986.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 169 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
réf. KN4411GBROCHE EN TRES BON ETAT. DÉDICACE DE L AUTEUR SUR LA PAGE DE GARDE.
2010réf. 148028Oxford: University Press 2010. XV, (1), 208 Seiten. 8° (17,5-22,5 cm). Orig.-Pappband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
2002réf. 2341401New York/Boston: Back Bay Books / Little Brown and Company 2002. Reprint. Trade Paperback. Fine. 5x2x8. New. Reprint. An exceptional copy. 2002 Trade Paperback. xiii 1 770 pp. This comprehensive and authoritative collection of all 1775 poems by Emily Dickinson is an essential volume for all lovers of American literature. Only eleven of Emily Dickinson's poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumous published collections - some of them featuring liberally "edited" versions of the poems - did not fully and accurately represent Dickinson's bold experiments in prosody her tragic vision and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson a three-volume critical edition compiled by Thomas H. Johnson were readers able for the first time to assess understand and appreciate the whole of Dickinson's extraordinary poetic genius. This book a distillation of the three-volume Complete Poems brings together the original texts of all 1775 poems that Emily Dickinson wrote. Back Bay Books / Little, Brown and Company paperback books
1851réf. 620000Philadelphia: Lee & Walker 1851. Softcover. Very Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album as a result the insert is still partially attached to the bifolium the bifolium is separating long the bottom half of the fold edgewear including some chips and tears and foxing throughout a complete but good only copy. For voice and piano. Plate number 368 - 5. Lee & Walker unknown books
réf. 2320886Boston: Little Brown and Company 1960. Book Club BCE/BOMC. Hard Cover. Very Good/Very Good. 6x1x9. Book club edition of the 11th printing. Jacket lightly toned light edge wear. Binding tight and square pages clean bright and unmarked. 1960 Hard Cover. xiii 770 pp. The first collection in a single volume of all of Emily Dickinson's poetry. Contains all of her 1775 poems edited with an introduction by Thomas H. Johnson. Little, Brown and Company hardcover books
réf. 15753DUDLEY THOMAS H. Address of Thomas H. Dudley President of the State Board of Agriculture Delivered . at Trenton February 2 1886. Camden 1886. 16 p. Removed from a bound volume. unknown books
1992réf. 181267San Francisco: Pomegranate Artbooks 1992. Hardcover. VG. Illustrated dj; blue cloth coversblack lettering on spine. 156 pages : illustrations some color. Contents: Preface: the artist in his studio -- Introduction -- The early work -- The paintings of social concern -- Windows mirrors and the architecture of the mind -- Innocent diversions -- Doors and walls -- The sleep of mortals the watch of angels -- The Spanish pictures -- Lovers -- Death -- Resurrection -- The seven sacraments -- The graphic work -- Stage design: the saint of Bleeker street. "Mystery magic ambiguity symbolism classical form and masterful technique characterize the art of George Tooker. For over forty-five years Tooker has painted haunting psychological landscapes that explore the human condition of modern society with the traditional medium of egg tempera employing the exacting detail and representational techniques of Renaissance masters. The absorbing images both enchant and disquiet us in their forceful depiction of the complexities of our age while clearly demonstrating the artist's love of composition and human form." "All his most famous and most frequently reproduced "public" paintings are here: The Subway Government Bureau The Waiting Room Landscape with Figures Corporate Decision and the recent Terminal. These images of contemporary men and women within almost allegorical tableaux powerfully portray the inability to communicate in times of dehumanizing technological advances reflecting the conflict between fear and terror and love and beauty in an anonymous bureaucracy from which there is apparently no exit. The "private" paintings - Lovers Dreamers Sleepers Mirrors and Windows - convey a profound sense of humanism while more romantically and lyrically evoking the same themes of conflict. Here and throughout Tooker's work the commonplace is imbued with a tone of quiet mystery that allows it to become strange and beautiful touching both our spiritual and sensual lives." "This expanded edition of the 1985 monograph now contains over 145 paintings including all work completed since 1985 bringing up to date the entire range of Tooker's important and fascinating work. Over 85 excellent color reproductions beautifully capture the luminous quality of the artist's work in egg tempera and his meticulous painting technique is described in detail through an intimate look into Tooker's studio." "A catalogue raisonne concise biography selected bibliography and lists of public collections exhibitions and awards provide the only complete reference source to Tooker's paintings and career."--Jacket. Pomegranate Artbooks hardcover books
1988réf. 542056New York: Free Press 1988. Hardcover. Fine/Near Fine. First edition. Tall octavo. 259pp. Illustrated. Small owner label on front pastedown else fine in lightly worn near fine dust jacket with the spine lettering faintly sunned. Briefly Inscribed to Charles Dearborn on the half-title. Kean was Governor of New Jersey from 1982 to 1990. Free Press hardcover books
1988réf. 18709Macmillan 1988. KEAN Thomas H. THE POLITICS OF INCLUSION. NY: Macmillan 1988. Tall 8vo. cloth in dust jacket; 259 pages. First Edition first printing. Signed by Kean on the half-title page. Near fine in nice d/j. $25.00. Macmillan unknown books
1988réf. 210989New York: Free Press 1988. Hardcover. Fine/Near Fine. First edition. Fine in near fine dustwrapper with spine lightly faded. Kean was Governor of New Jersey from 1982-1990. Laid in is the invitation to the Governor's Ball in 1982. Free Press hardcover books
1988réf. 134583New York: The Free Press 1988. Hardcover. Fine/Fine. First edition. Fine in fine dustwrapper. Inscribed by the author on the front fly. The Free Press hardcover books
1952réf. 300485Boston: Little Brown 1952. Hardcover. Near Fine/Very Good. Later printing. Near fine in a very good dustwrapper. Little, Brown hardcover books
1984réf. 317126Philadelphia: Philadelphia Parents of Gays 1984. Newsletter. Three 8.5x11 inch sheets printed both sides and stapled upper-left corner horizontal fold creases for mailing and light wear. Cover story is an obituary for Board member Irene Johnson. Philadelphia Parents of Gays unknown books
2003réf. 3203Portland ME: Wolfe Editions 2003. Limited Edition. Fine. Limited Edition. The text is taken from "Whistling Washing and other Aspects of Printing as an Art" by T. H. Littlefield a student of Ray Nash at Dartmouth College. The article appeared in "Ray nash and the Graphic Arts Workshop at Dartmouth College." A pristine copy. Bright and unmarred. 12x15 inch broadside. Handset letterpress printed. Wolfe Editions unknown books
réf. 73579hardcover. many illus. most in color. 4to cloth d.w. N.Y. 1974. unknown books
1909réf. 285279Chicago: Charles C. Thomoson Co 1909. hardcover. good. Illustrated with black and white plates and diagrams. 223 pages 8vo red cloth with gilt stamping darkened and rubbed front hinge cracked. Chicago: Charles C. Thompson Co. 1909. A good copy. Previous bookseller's label and previous owner's name on front free endpaper. Charles C. Thomoson Co unknown books
réf. R320070755CASSEL AND COMPAGNY, LIMITED. NON DATE. In-12. Broché. Etat passable, Couv. convenable, Dos abîmé, Intérieur acceptable. 157 pages - Augmenté de nombreuses illustrations en noir et blanc in et hors texte - Ouvrage partiellement desolidarisé / VENDU EN L'ETAT. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1961réf. R240156474Gallimard. 1961. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages. Petite annotation au crayon de papier en page de garde. PLats jaspés. Dos cuir à 2 pièces de titre.. . . . Classification Dewey : 840.091-XX ème siècle
1882réf. 6940London: George Bell and Sons 1882. Hardcover. Good exlibrary. Red cloth. xi 392 24 pp. Contents include Preliminary Remarks; Origin and Progress of Imitative Art; The Different Kinds of Imitative Art; Round Sculpture or Statuary; Pediments Friezes Bas-Reliefs; Ancient Painting; Modern Painting which concludes with Michelangelo's Last Judgement. Includes 24 pages of ads at rear. Scarce. George Bell and Sons hardcover books
1982réf. 143559Madison Wisconsin: Madison Art Center 1982. Softcover. VG. Plain white wraps; Color illus. dj.; Unpaginated approx. 48 pp.; Profusely illustrated. Published in conjunction with the exhibition of the same name which appeared at the Madison Art Center and the Grand Rapids Art Museum in 1982 and 1983. Includes a lengthy introduction by Thomas H. Garver. Madison Art Center paperback books
1855réf. 623879Baltimore: John Cole 1855. Softcover. Good. Sheet music. Folio. Single bifolium making four pages. Notched and worn along the fold from once being bound within an album a dampstain to the top fore edge of the front cover with corresponding staining to the interior soiling to the exterior and foxing throughout a complete but good only copy. For voice and piano. Plate number 428. John Cole unknown books
