685 résultats
1947réf. 117006Paris : Aux Libres Horizons 1947. BRASILLACH Rocher.Psaumes. Paris Aux Libres Horizons1947 290x195mm illustrénon paginé en feuille sous couverture rempliée. Exemplaire numéroté n.° HC XIII tiré sur papier pur fil. Accrocs sur le haut du dos autrement bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Aux Libres Horizons hardcover
1951réf. 12067Lausanne 1951- 1974. BRASILLACH Robert.Cahiers des Amis de Robert Brasillach. Lot de 9 num. 2 4 5 6 7 13 14 15 et 19. Lausanne 1951- 1974 225x155mm 594 pages broché. Le numéro 19 est un tirage de luxe numéroté de 80 exp. sur papier vergé. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance unknown
1938réf. 590672New York: W.W. Norton & Company Inc and The Museum of Modern Art 1938. Hardcover. Very Good/Very Good. First American edition. Translated and edited by Iris Barry. xii 412pp. Illustrated with black and white photographic plates. Chipping along the spine endleaves very lightly foxed page edges a bit toned and soiled very good in an about very good dust jacket with chips and tears along the spine and edges spine lightly sunned. W.W. Norton & Company Inc and The Museum of Modern Art hardcover
1938réf. 536567New York: W.W. Norton and The Museum of Modern Art 1938. Hardcover. Fine/Very Good. First American edition. Translated and edited by Iris Barry. Fine in a bright very good or better dust jacket wrapper with a few small chips at the upper extremities. An especially bright copy. W.W. Norton and The Museum of Modern Art hardcover
1940réf. 208371ª Ed. portuguesa.- Lisboa: Livraria Classica Ed. 1939-1940.- 2 Vols. 322 p. 1 h.; 334 p. 1 h. ; 8º 19 x 125 cm; Conservando todas sus barbas; Texto en portugués; Rústica Ed.- RARO. Las cubiertas ligeramente ajadas. Por lo demás en buen estado. GUERRA CIVIL 1936-1939 Y EXILIO Livro no português Livraria Classica Ed. paperback
réf. 28412Paris Fayard juin 1938. 1 vol. 130 x 210 mm de 496 p. Broché à toutes marges sous chemise et étui. . Édition originale. Un des 30 premiers exemplaires sur Hollande n° 63. . Paris, Fayard, (juin) 1938. 1 vol. (130 x 210 mm) de 496 p. Broché, à toutes marges sous chemise et étui. unknown
réf. 3-56976Paris Librairie Plon 1937 16mo brossura originale pp. 392. Parzialmente intonso. unknown
1963réf. 150159Au club de l'Honnête Homme 1963. Hardcover. Livre en français. Couverture rigide. 12 forts volumes relés en cuir bleu sous jaquettes rhodoïd. ref. 150159 Au club de l'Honnête Homme hardcover
réf. 44198Gallimard In-12 160pp. unknown
1938réf. mon0000059297W. W. Norton & Co./The Museum of 1938-01-01. Hardcover. Good. 1.6000 8.5000 5.7000. 1938 first edition hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the red & black cloth spine and red cover. 412 pages. W. W. Norton & Co./The Museum of hardcover
réf. 51-5746Cercle Grolier 1953 . In-4. En feuilles sous emboitage. Exemplaire n°126/200 imprimé pour le Professeur Jacques Delarue suite supplémentaire sur chine numérotée 12/15 et menu du Cercle Grolier signé par l'artise. 29 lithographies originales de Edmond Heuzé dans le texte et à pleine page. Pour un tirage total à 200 exemplaires. A l'automne 1944 Robert Brasillach a été arrêté par la Résistance pour ses écrits collaborationnistes et antisémites dans "Je suis Partout et interné à Fresnes"en attente de son jugement. Dans ses derniers mois d'existence Robert Brasillach rédige alors comme il le peut - du papier arraché ici et là un stylo caché dans une pipe - ses derniers écrits : les Poèmes de Fresnes. Bel exemplaire Cercle Grolier, 1953, unknown
réf. B9781008949683Paperback / softback. New. paperback
1938réf. 5731JNew York: Norton - Museum of Modern Art 1938. First Edition - American. Translated and edited by Iris Barry founder of the Museum of Modern Art Film Department. The landmark and controversial study of film. Very good in a lightly used dust jacket with some tiny chipping small tears and the fold at the front flap internally reinforced by a paper conserbationist. Norton - Museum of Modern Art unknown
réf. 2207242056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 40412030like new. unknown
réf. 0244824053.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2213629757.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1938réf. 31584New York: Norton 1938. First edition. Red cloth fine in slightly faded dust jacket. Norton unknown
1981réf. 3722058Plon 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:9782259008433 Plon paperback
réf. 232221924X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961réf. 2901Paris: Vitte 1961. #99. 196ppTable. Le septieme de la collection Singuliers et Mal Connus. Couverture illustree. Edition Numerotee. Broche. Tres Bel Ex. 19 X 12. Vitte Hardcover
1938réf. 1309046George Allen and Unwin 1938. hardcover. Used-Very Good/Good. 1st British edition. Prior owner's inked name. Clean crisp copy with no markings. Tears and damage to jacket George Allen and Unwin hardcover
1519réf. 98455Paris: Revue universelle November 1-15 1936. November 1-15 1936. Very good. - Octavo 10 inches high by 6-1/2 inches wide. Softcover 2 issues bound in printed gray wrappers titled in black on the front covers and the spines. The edges of the covers are lightly creased with a couple of very tiny tears and minor chipping to the head of the spines. Volume LXVII No. 15 November 1 1936 pages 257-384 & 4 pages of ads on orange stock; Volume LXVII No. 16 November 15 1936 pages 385-512 & 8 pages of ads on orange stock. There are minor creases & chipping to the overlapping edges of a few of the deckle-edged pages. Very good. First edition the publication in book form is advertised on the back cover of the November 15 volume. Near the beginning of the Spanish Civil War the Nationalist Colonel José Moscardo Ituarte the military governor of the Toledo Province held the Alcazar against overwhelming Republican forces during the Siege of the Alcazar. With a poorly armed group of fighters he held out for General Francisco Franco's Nationalist forces for 70 days from 22 July to 27 September 1936. The cadets were loyal to the Francoist army. This short work chronicles the siege of the Alcazar in Toledo by Republican forces.The work is pro-Nationalist with Falangist and Carlist songs reprinted in its pages. Robert Brasillach 1909-1945 was a fascist and an antisemite. He was executed after the war for being a collaborator. His biographer Alice Kaplan called him the "James Dean of French fascism". Paris: Revue universelle, November 1-15, 1936. paperback
1935réf. 011474Paris: Denoel et Steele 1935 421 pp. 1; TPB. In French. The History of Cinema. Pages: clean ivory tight f.e. deckled; a.e. tanned. Cover: fragile white wraps red/black titles front black titles/text spine/back; moderate shelfwear 1" head torn away 2"tear front tail joint detached from book mildly soiled. Scarce softback. Denoel et Steele paperback
1938réf. 26045NY: NORTON. Very Good with no dust jacket. 1938. First American Edition. Cloth. A very good or better copy in red cloth lacking the dj. Exceedingly faint stain at upper righthand corner of front cover. Neat bookshop stamp at base of front endpaper A sound copy. . NORTON. hardcover