1902Best.-Nr. 22182London: Essex House Press Edward Arnold 1902. leather_bound. Full limp vellum. Very good. 45 pages. 18 x 12 cm. Limited edition copy 94 of 165 printed on vellum with front cover Arts & Crafts rose in blind and entitled "Soul Is Form." Hand colored woodcut frontispiece plus a central two panel plate and elaborate colored initials throughout by Edith Harwood. Bookplate of Henry Walters Morrieson front cover pastedown. "The Essex House Press was then an Arts & Crafts press par excellence.it reveals more of Art Nouveau in many of the books than one would have expected from so devoted a follower of Morris." CAVE: PRIVATE PRESS p.125 noting Ashbee's work at Essex House. Slight cover soiling at top edges. Essex House Press (Edward Arnold) unknown
1902Best.-Nr. 22182London: Essex House Press Edward Arnold 1902. leather_bound. Full limp vellum. Very good. 45 pages. 18 x 12 cm. Limited edition copy 94 of 165 printed on vellum with front cover Arts & Crafts rose in blind and entitled "Soul Is Form." Hand colored woodcut frontispiece plus a central two panel plate and elaborate colored initials throughout by Edith Harwood. Bookplate of Henry Walters Morrieson front cover pastedown. "The Essex House Press was then an Arts & Crafts press par excellence.it reveals more of Art Nouveau in many of the books than one would have expected from so devoted a follower of Morris." CAVE: PRIVATE PRESS p.125 noting Ashbee's work at Essex House. Slight cover soiling at top edges. Essex House Press (Edward Arnold) unknown books
1721Best.-Nr. 433London: Bernard Lintot 1721. First Urry edition. Modern rebacked calf over contemporary calf boards. Very Good. 'Except for Shakespeare Chaucer is foremost among writers in the English language' Bloom The Western Canon 105. John Urry's 1721 first edition of The Works of Geoffrey Chaucer is a landmark early modern publication in Chaucer studies notable for its scholarly approach and historical significance. Urry's work was the first new edition in nearly a century to consult medieval manuscripts directly. Urry's edition also added three tales never before printed including The Tale of Beryn drawn from the late 15th-century Northumberland manuscript. Condition. Very Good. Complete. BOOK INFO Published in 1721 by Bernard Lintot in London. First Urry edition first printing. Bound in contemporary calf-covered boards. Modern rebacked spine with raised bands and the original gilt-lettered spine label laid down. Folio 15 1/2" x 10 1/4". Collated and complete: liv 626 81 1 pp. Original initial and terminal blanks present. Portrait frontispiece of John Urry engraved portrait of Chaucer title-page vignette showing Chaucer's tomb 26 copper engraved illustrations to decorate each of the Canterbury Tales and the one extra for Sir Thopaz woodcut decorated initials and chapter head- and tail-pieces footnotes. English text in Roman type printed in double columns. Lovely wide-margined copy. ABOUT THE AUTHOR Geoffrey Chaucer c. 1343 - October 1400 was an English poet writer and civil servant best known for The Canterbury Tales. He has been called the 'father of English literature' or alternatively the 'father of English poetry'. He was the first writer to be buried in what has since become Poets' Corner in Westminster Abbey. A prolific writer Chaucer has been seen as crucial in legitimizing the literary use of Middle English at a time when the dominant literary languages in England were still Anglo-Norman French and Latin. The Canterbury Tales are an anthology of twenty-four short stories written in Middle English by Geoffrey Chaucer between 1387 and 1400. The Canterbury Tales are widely regarded as Chaucer's magnum opus and they are revered as one of the paramount works of English literature. The Tales had a major effect upon the development of English literature itself popularizing English vernacular in mainstream English literature as opposed to French or Latin. CONDITION REPORT: VERY GOOD antiquarian condition for a 300-year-old work. Original endpapers. Exterior and binding; hinges cracked binding holding tight. Rebacked spine. Heavily worn and rubbed boards and edges with multiple areas of restoration and repair. Top edge darkened per usual. Interior: Pages are generally lightly toned to moderately toned with some leaves browning and a few bright-white leaves. Browning and oxidation heaviest toward extremities. Front pastedown with extensive faded writing in pencil and partially erased writing and layers of old bookshop stickers at the foot as well as a small pasted-in bookseller listing description at the head. Grubby endpapers and first few and last few leaves with toning and foxing. Tattered edges of endpapers. Additional signs of handling: marginal finger soiling per usual some creasing and smudging a few leaves with short marginal reading tears. Small worm trail on page 43 of the Index to the rear pastedown. Bernard Lintot unknown
1928Best.-Nr. 48431Oxford: The Shakespeare Head Press/Basil Blackwell 1928. First Edition. Hardcover. Very Good. 1928-29. 8 volumes. 4to. Original blue paper boards and linen spines with printed spine labels. Edition of 375 copies this is no. 47. Front and rear hinge of volume 1 fragile at the blanks before and after the text the text block a little dropped at the top as a result a few nicks and scratches to the boards light cracking in the paper spine label. Other volumes with light bumping and wear to the corners a few volumes with scuffing to the rear board but overall a nice clean set the text bright throughout and the bindings tight and square. Edited by by Alfred W. Polland. With hand-coloured initials and woodcuts the illustrations freely drawn by Hugh Chesterman from those in the Ellesmere MS. of The Canterbury Tales. Includes a loose prospectus and spare spine labels. The Shakespeare Head Press/Basil Blackwell hardcover
1782Best.-Nr. 71140At the Apollo Press, by the Martins | Edinburgh 1782 | 8.50 x 13.50 cm | 99 tomes en 34 volumes reliés
1778Best.-Nr. 9147London: Printed for T. Payne at the Mews-Gate 1778. First Tyrwhitt edition. 5 volumes 8vos 310 318 320 336 and 290pp. Contemporary tree calf red spine labels with gilt lettering. Spines dry toned and with a few cracks and chipping at caps. Joints rubbed upper joint in vol 1 cracked but holding. Few contemporary shelving numbers on front pastedowns contemporary inscription to verso of title in vol 1 "Calf leat. Mr. Hodgson." Overall a very good sound set. Beautiful 18th century Chaucer which was hailed at the time as the best-edited English classic that had appeared. Tyrwhitt consulted dozens of manuscript versions of Chaucer to put this together in 4 volumes and added a glossary as the 5th volume 3 years later. This set in an untouched period tree calf binding and scarce thus. . Printed for T. Payne at the Mews-Gate unknown
2002Best.-Nr. 210560London: The Folio Society 2002. Hardcover. Two tiny little pale stains to the goatskin on the spine near the front joint one corner just barely rubbed else this copy is in fine condition in a fine box with the booklet laid in. Photographs upon request. Number 846 of a limited edition of 1010 copies. A facsimile of the Kelmscott Chaucer of 1900 printed for The Folio Society by Cambridge University Press. Size: 11.5"x17" bound in full Nigerian goatskin with extensive gilt decorations raised bands and top edge gilt housed in a blue cloth clamshell box with a booklet "The Kelmscott Chaucer" by William S. Peterson stored in an interior pocket. The Folio Society hardcover
2002Best.-Nr. 20113London: Folio Society 2002. Book. Illus. by Edward Burne-Jones. Near Fine. Leather. Facsimile Edition. Folio. Full cream Nigerian goatskin lettered and decorated in gilt. Housed in blue cloth slipcase with cream gilt lettered leather title label.One of 1010 copies of which this is 259. This is a facsimile edition of the greatest publication of William Morris' Kelmscott Press referred to as the "Kelmscott Chaucer" and one of the wonders of publishing of the late 19th and early 20th century. This volume has been beautifully executed. Included is a booklet with an essay by William Peterson in which he indicated this was based on the Basilisk Press facsimile of 1975 which is considered the best of all facsimiles. A beautiful book. Folio Society Hardcover
Best.-Nr. 8754One of 375 numbered sets number 266. The type of the Shakespeare Head Chaucer is Caslon Old Face and the illustrations of the Canterbury pilgrims are adapted from the Ellesmere manuscript. 'The first impression is of care in planning of thought for the reader. A friendly craftsmanship comes from all the pen and brush work in these books. The illustrations enter as a pleasant surprise rather than necessary parts of the plan. The edition seems complete without them but we are delighted to find them' Franklin The Private Presses pp. 149-50. The set comprises The Canterbury Tales in the first four volumes Consolation of Philosophy Troilus and Criseyde The House of Fame The Legend of Good Women later minor poems doubtful poems A Treatise on the Astrolabe and The Romaunt of the Rose. 8 volumes large 4to 285 × 190 mm calligraphic headings by Joscelyne Gaskin printed in red and blue paraphs in red and blue manuscript 70 hand-coloured illustrations by Hugh Chesterman and Lynton Lamb. Original linen-backed boards printed spine labels edges uncut and mostly unopened original spare labels tipped in. A very nice set. Shakespeare Head Press, Basil Blackwell, Oxford.
1782Best.-Nr. 71140Edinburgh: At the Apollo Press by the Martins 1782. Fine. Twenty Years of Bells Poets in a Single Library At the Apollo Press by the Martins Edinburgh 1782 8.50 x 13.50 cm 99 tomes en 34 volumes reliés Bell's Edition. The Poets of Great Britain Complete from Chaucer to Churchill Edinburgh Apollo Press by the Martins and London Apollo Press by George Cawthorn 1782-1804 18mo 8.5 x 13.5 cm. An important gathering of volumes from John Bells celebrated series uniformly bound at the time: 34 physical volumes numbered 1 to 35 with volume 8 lacking that volume having contained parts 5 and 6 of Edmund Spensers poetical works. The present set therefore comprises 97 parts actually present out of the 99 that this particular gathering would contain if complete. It brings together thirty-nine British poets from Chaucer to Charles Churchill together with the collaborative translation of Ovids Metamorphoses edited by Sir Samuel Garth with contributions by Dryden Addison Congreve Pope Gay and other eminent hands. The volumes derive from printings issued over more than twenty years: some belong to the Edinburgh campaigns of the Apollo Press others to later London reprints or reissues under George Cawthorn. Uniform contemporary English full tan calf. Smooth spines decorated with repeated gilt tools including a small kneeling figure at the head of each spine framed by multiple gilt rolls; green morocco lettering-pieces. The paper generally clean with occasional browning and foxing particularly to some of the engraved plates. Several headcaps and joints show localised wear or splitting as detailed below. Contents: The poetical works of Geof. Chaucer. 1782. 14 parts in 5 volumes volumes 1 to 5. Losses at head of volumes 1 and 4. Upper joint of volume 1 partly split upper joint of volume 2 split. The poetical works of John Sheffield Duke of Buckingham. 1801. One medallion portrait and one engraved title-frontispiece. Volume 5. The poetical works of Edmund Spenser. 1787-1788. Six parts present of eight bound in three volumes; volume 8 of the set containing parts 5 and 6 is lacking. Head of part 7 slightly worn. Upper joint of part 7 partly split. The poetical works of Samuel Butler. 1797. 3 parts in volume 10. One medallion portrait and 3 engraved title-frontispieces. Ovid translated by eminent persons edited by Sir Samuel Garth. 1801. 4 parts volume 11. 2 engraved title-frontispieces. Loss at head. Joints narrowly split at head. The poetical works of John Donne. 1799-1800. 3 parts volume 12. One medallion portrait and 3 engraved title-frontispieces. Upper joint narrowly split at head. The poetical works of William Congreve. 1784. 1 part volume 13. One medallion portrait and one engraved title-frontispiece. Upper joint narrowly split at head. The poetical works of Abraham Cowley. 1784. 4 parts volumes 13 and 14. One medallion portrait and 2 engraved title-frontispieces. The poetical works of John Cunningham. 1797. 1 part volume 14. One medallion portrait and one engraved title-frontispiece. Losses at head. Joint split at head. The poetical works of James Hammond. 1803. 1 part volume 15. The poetical works of Lord Lyttelton. 1788. 1 part volume 15. One medallion portrait and one engraved title-frontispiece. The poetical works of Edmund Waller. 1784. 2 parts volume 16. One medallion portrait and 2 engraved title-frontispieces. Small tear with loss in the lowest spine compartment. The poetical works of Thomas Parnell. 1786. 2 parts volume 17. One medallion portrait and one engraved title-frontispiece. Headcap slightly and partly worn upper joint narrowly split at foot. The poetical works of John Pomfret. 1787. 1 part volume 17. One engraved title-frontispiece. The poetical works of Thomas Gray. 1800. 1 part volume 18. Slight loss at head. Upper joint narrowly split at head. The poetical works of John Hughes. 1796. 2 parts volume 18. One medallion portrait and 2 engraved title-frontispieces. The poetical works of Joseph Addison. 1803. 1 part At the Apollo Press, by the Martins unknown
1928Best.-Nr. 004187Stratford-on-Avon: Shakespeare Head Press / Basil Blackwell 1928. Limited Edition . Cloth. Very Good. Quarto. Shakespeare Head Press. Original Holland-backed blue boards flat cloth spine with printed paper labels. Eight volumes complete; Number 228 of 375 copies 350 for sale. Quarto: 7 7/8" x 11 1/2". Edited by by Alfred W. Polland with headings and intitials drawn in color by Jocelyn V. Gaskin and with hand-colored woodcuts in the text by Hugh Chesterman all based on those in the Ellesmere manuscript. Printed in Caslon Old Face type on Batchelor's Kelmscott handmade paper by Bernard Newdigate. The set includes The Canterbury Tales three volumes Earlier Minor Poems Boece de Consolacione Philosophie Troilus and Criseyde The House of Fame The Legende of Good Women Later Minor Poems Doubtful Minor Poems A Treatise on the Astroblabe abnd the Romaunt of the Rose. The Shakespeare Head Press Chaucer stands with the Kelmscott and Golden Cockerel editions as extraordinary examples of fine press printing. Showing just minimal spine toning and light wear corners tight internally clean and bright. Size: Quarto Shakespeare Head Press / Basil Blackwell hardcover
1967Best.-Nr. 122334455753The First UK printing published by Editions Alecto London in 1967. Elephant Folio. With frontis and fourteen mask images each are titled and initialed by the artist in pencil printed silk screen and letter-press in 24 pt Plantin. Number 65' of an edition of only 125 signed copies. The 15 proofs 50 x 37cm were issued as 15 unbound four page sections on Barcham Green rag-made housed within a paper wraparound folder. The whole housed within a blue cloth folder with silver titling and the original publisher s canvas slip-case. There were also separate editions of 50 plus 5 proofs made of all the images except Friar & Franklin . All the screen-prints are present and in excellent condition. The spine of the portfolio is faded. The slipcase is very good condition. The Prologue is held in important public and private collections world-wide. There was also a later second edition published 11years later by The Circle Press. The first edition of 1967 was begun by Editions Alecto but following difficulties Ronald King took over publication himself and it became the first book of his 'Circle Press'. The Second Edition of 5000 copies twenty groups of 250 copies each with a single different loose print in a folder accompanying each group was issued in 1978. Extremely scarce to find complete as this the first edition. More images available on request. Ashton Rare Books welcomes direct contact. Editions Alecto, London
1935Best.-Nr. 008712New York: Coward-McCann Inc. 1935. Second edition. Hardcover. This is a lovely presentation copy of the second edition of this Christmas anthology edited by Robert Frosts eldest daughter featuring several noteworthy signatures inscriptions and presentations. This copy offers a compelling and ostensibly unique convocation of associations - including the poet Robert Frost his daughter Lesley Frost infamous Frost collector Earl J. Bernheimer and newspaper columnist and syndicator George Matthew Adams. A two-page facsimile manuscript of Robert Frost's poem "Good Relief" fills two pages preceding the title page. Below his facsimile signature in six lines in black ink Frost signed and wrote "Robert Frost - second signature for Earl J. Bernheimer April 5 1936". The Editor Leslie Frost signed "Lesley Frost" below her printed name on the title page. She further signed and inscribed the front free endpaper recto in five lines three at the upper center two at the lower left: "For George Matthew Adams from Lesley Frost N.Y.C. June 1951". Already unique by inscriptions and association this copy is also noteworthy for condition approaching fine in a very good plus dust jacket. It is an attractive little book bound in blue cloth with elaborate gilt print and illustration on the spine the contents bound with red and yellow head and tail bands and yellow-stained top edges. The dust jacket is striking printed in green red and black on a silver background the holly leaves and banners design of the binding spine repeated in color on both the jacket spine and front face edges with further illustrations on both faces. This copys blue cloth binding is square clean bright tight and sharp-cornered with only trivial hints of shelf wear to extremities. The contents are clean and bright with no spotting no soiling no appreciable toning and retaining a crisp feel. The dust jacket is bright unclipped and nearly complete with only fractional loss at the spine head flap fold corners and the bottom edge of the front face. Light soiling to the rear face and minor scuffs primarily to the extremities joints and flap folds do not significantly mar the books excellent presentation. The book is housed in a marbled-paper-lined black cloth chemise nested within a black cloth slipcase with three gilt-printed dark red leather spine labels. The slipcase is intact though worn with some loss to the perimeter of the labels. The circa 1929 facsimile manuscript of Frost's poem "Good Relief" herein is the first published appearance of this poem which was never included by Robert Frost in one of his collections. "The poem was begun in Beaconsfield England in 1912." It was first printed in the first 1929 edition of Come Christmas and printed again here in the 1935 second edition. The recipient for whom Frost inscribed this copy was one of the twentieth centurys first significant Frost collectors. A wealthy Beverly Hills bibliophile Earl J. Bernheimer began collecting Frosts books and manuscripts in 1936 - the same year Frost inscribed this copy of Come Christmas to him. Capitalizing on Frosts financial anxieties Bernheimer eventually acquired from Frost a magnificent trove of Frostiana with Frost entertaining the hope and understanding that Bernheimer would one day donate everything to a single university library. Instead owing in part to a rancorous and expensive divorce and to Frosts manifest resentment Bernheimer sold off his collection in a famous 1950 New York auction. The editor Lesley Frost Ballantine or Lesley Frost as she always liked to be known 1899-1983 was the second child of Robert and Elinor Frost. She spent her early childhood on the Derry New Hampshire farm that informed her fathers developing poetic voice and where he drafted many of his early poems. It was during her first marriage and after the birth of her first daughter Elinor named after her mother and to whom this book is dedicated that Leslie edited this collection of Christmas Poetry Song Drama and Prose. This 1935 second edition was issued when Lesley was divorced and teaching. She was an author and worked in various fields but her most well-known work was as custodian of her fathers legacy. She eventually served as the first chair of the Robert Frost Foundation oversaw restoration of the Frost farm in Derry and gained an international reputation for her correspondence with her fathers friends and for her articles and lectures on his work. George Matthew Adams 1878-1962 to whom Lesleys inscription is addressed was a newspaper columnist and founder of the George Matthew Adams News Service which syndicated columns and comic strips to more than one hundred newspapers all over the world over the course of half a century. References: Crane E17; Parini Robert Frost: A Life; Tuten and Zubizarreta; University of New Hampshire; University of Rochester ANB Coward-McCann, Inc. hardcover
Best.-Nr. 1649Printed at the Shakespeare Head Press Stratford-Upon-Avon and Publshed for the Press by Basil Blackwell Oxford 1928-29. Limited Edition no. 318 of 375 copies 8 volumes folio uncut and unopened marginal illustrations throughout coloured by hand original publisher's 1/4 buckram and paper boards printed paper labels on spines and a duplicate laid in loose in each volume a fine set. Printed at the Shakespeare Head Press Stratford-Upon-Avon and Publshed for the Press by Basil Blackwell Oxford 1928-29 hardcover
1962Best.-Nr. feb818661962: First Albanian Edition of The Canterbury Tales Përrallat e Kanterberit Shtëpia Botuese Naim Frashëri
1986Best.-Nr. feb487661986: First Armenian Edition of The Canterbury Tales Քենթրբերիի պատմվածքներ Հայաստան
1928Best.-Nr. 194391Oxford: Basil Blackwell printed at the Shakespeare Head Press Stratford-upon-Avon 1928-29. With hand-coloured pilgrims wandering along the bottom of the pages First Shakespeare Head edition number 38 of 350 sets for sale on Kelmscott handmade paper with the original publisher's prospectus. Franklin describes Shakespeare Head as "the most mature and sophisticated" private press of the interwar period. This beautiful production was one of its best. "The first impression is of care in planning of thought for the reader. A friendly craftsmanship comes from all the pen and brush work in these books. The illustrations enter as pleasant surprises rather than necessary parts of the plan. The edition seems complete without them but we are delighted to find them" Franklin p. 149. The Shakespeare Head was founded in 1904 by the Elizabethan scholar Arthur Henry Bullen whose goal was to produce the first collected edition of Shakespeare published in the town of his birth. After Bullen's death in 1920 the press was taken over by the Oxford bookseller Basil Blackwell who employed Bernard Newdigate as designer. Under Newdigate the press followed the traditions of William Morris and released its greatest productions. 8 vols quarto. Woodcuts by Lynton Lamb and Hugh Chesterman many hand-coloured text printed in red blue and black in Caslon type. Original cream holland-backed blue boards paper spine labels lettered in red and black fore and bottom edges uncut each volume with inlaid spare spine label. Gatherings mostly unopened. Minor rubbing and marks to bindings inner hinges starting but firm. A near-fine set. Franklin p. 352. hardcover
1913Best.-Nr. 000047London: Philip Lee Warner for the Medici Society 1913. Three volumes complete - Volume One - x 235pp 5; Volume Two - x 217pp 5 and Volume Three - x 183pp 5. Original full vellum in DJ's gilt title to spines and upper covers t.e.g. DJ spines faded with ink number as issued to spines. Hint of foxing to fore-edge of text block otherwise bright and clean. With thirty-six colour full-page tissue-guarded tipped in illustrations by W. Russell Flint twelve in each volume as called for. Limited edition of five hundred copies this being copy one hundred and eighty eight as per the number on the spines of the DJ's. An attractive set. First Thus. Full Vellum. Very Good/Good. Illus. by Flint W. Russell. 4to. Limited Edition. Philip Lee Warner for the Medici Society Hardcover
1913Best.-Nr. 141456London: printed by the Riccardi Press and published for the Medici Society by Philip Lee Warner 1913. First Riccardi Press edition number 196 of 500 copies printed on Riccardi paper deluxe issue bound in limp vellum and each volume with its original dust jacket and slipcase. The Riccardi Press Chaucer is a most handsome production attractively illustrated by William Russell Flint and is among the most desirable productions of the press. The printed dust jackets show that of the 500 copies on paper they could be purchased in boards at £7 17s. 6d. or as here in limp vellum at £9 9s. There were an additional 12 copies printed on vellum for sale at £47 5s. 3 vols quarto. With 36 mounted colour plates by William Russell Flint with captioned tissue guards. Original limp vellum spine and front covers lettered in gilt green cloth ties top edges gilt others uncut. With the printed dust jackets each numbered "196" by hand to spine and card slipcases. The vols themselves in fine bright condition the jackets tanned to spine panels and a little rubbed with a portion of loss though no loss to titles from the head of vol. 3 the slipcases lightly worn and tanned in places but all intact. hardcover
1913Best.-Nr. 189195London: Philip Lee Warner The Medici Society 1913. Here biginneth the book of the tales of Canterbury First Flint edition number 55 of 500 copies printed on handmade paper at the Riccardi Press; there were also 12 copies printed on vellum. William Russell Flint 1880-1969 is renowned for his watercolours of women. In this edition the majority of the illustrations concentrate on female subjects: "Flint drew women wherever possible using for example a woman to represent April in the General Prologue female figures to illustrate the 'old gods' referred to at the opening of the Knight's Tale and barmaids aplenty in the picture accompanying the Pardoner's Story of the revellers" Echard pp. 137-8. 3 vols quarto. Colour frontispieces title pages printed in blue and black 33 colour plates all with captioned tissue guards by William Russell Flint. Original brown quarter linen cloth blue sides paper labels to the spines and front covers lettered in black top edges gilt others untrimmed green silk bookmarker in each volume printed bookmarkers and Riccardi Press catalogue loosely inserted in two volumes. With dust jackets. Contemporary gift inscription in vol. I contemporary bookplates in each volume. A few spots of wear to edges a few spots of foxing; jacket spines toned loss to head of spine and rear panel of vol. I affecting text on rear panel flaps unpriced as issued. A very good set. S. Echard Printing the Middle Ages 2013; Keith S. Gardner Sir William Russell Flint. a Catalogue Raisonné. 1994 p. 119. hardcover
1721Best.-Nr. 38380London: Bernard Lintot. Very Good. 1721. Hardcover. Oversized recent quarter leather with hand tooled spine gilt titled red label marbled boards. Large folio by John Urry. "Compared with the former editions and many valuable MSS. Out of which three tales are added which were never before printed; . Together with a glossary. The author's life and a preface." 626 pages plus numerous additional pages of the life of Chaucer. 81 page glossary errata sheet at rear. Full page engravings of Urry and Chaucer additional remarkable engravings for each tale plus typographical decorations. Some light foxing margins at some pages have ink notes not affecting text. A few page corners professionallly repaired some wrinkling to glossary pages. Tight binding and hinges; trace wear to board edges. Limited edition. ; Folio 13" - 23" tall . Bernard Lintot hardcover
1930Best.-Nr. 10380New York: Covici-Friede 1930. Edition De Luxe of seventy five copies on Crane's Olde Book paper this copy numbered 61. very good . Two Volumes. Folio. Bound in pigskin. Illustrated by Rockwell Kent and. Signed by Rockwell Kent. Original and modern versions in parallel columns. Paged continuously. Full-page wood-engraved illustrations printed in black and brown. Accompanied by a special portfolio of Kent plates -- Wear to the spines on both volumes. internally fine. -- Overall Condition. "Chaucer's work begins at the Tabard Inn in Southwark England where a group of pilgrims have assembled on their way to Canterbury. Harry Bailly the innkeeper suggests a contest: whoever tells the best tale will win a supper when they reach Canterbury"-worldcat. Covici-Friede unknown
1913Best.-Nr. 1029212CHAUCER Geoffrey. The Canterbury Tales of Geoffrey Chaucer. Illustrated after Drawings by W. Russell Flint. London: Philip Lee Warner 1913. 4to vol. 1: x 239pp. vol. 2: x 221pp. vol. 3: x 187pp. Beige quarter-cloth with light blue boards and paper labels affixed to the front and spine extra paper labels tipped-in to the rear of each volume. 36 mounted color plates 12 in each volume. Vol. 1: Head of spine lightly rubbed lower spine end a tad so free endpapers discolored where not covered by jacket flap else a fine copy in original dust jacket spine heavily sunned small chip at top of spine panel – no loss to printed area light edge wear at top of rear flap. Vol. 2: Spine ends lightly rubbed free endpapers faintly discolored where not covered by jacket flap else a fine copy in original dust jacket spine heavily sunned a few tiny chips at spine panel ends. Vol. 3: free endpapers lightly discolored where not covered by jacket flaps else a fine copy in original dust jacket spine heavily sunned covers less so but a bit discolored a few tiny chips at spine panel ends. All three volumes housed in original carboard slipcases all sunned and worn with one slipcase split open at one ends the other two having small splits. A beautiful set rarely found in the original jackets and slipcases. First W. Russell Flint-illustrated edition in 3 volumes. #500/500 numbered copies of the limited trade edition. Here is a breathtaking edition of one of the most enduring works in English literature: Geoffrey Chaucer's Canterbury Tales featuring the stunning masterful watercolors of the renowned Sir William Russell Flint! Philip Lee Warner hardcover
Best.-Nr. 1271682002. Hammersmith: Printed by William Morris at the Kelmscott Press 1896. London: The Folio Society 2002. Large folio 16 3/8 x 11 3/8 inches; 415 x 288 mm. 4 blank ii 2 554 1 limitation 1 blank pp. Printed in black and red in William Morris's Chaucer type with titles of the longer poems in Troy type the text arranged in double columns and edited by F.S. Ellis. Illustrated throughout with eighty-seven magnificent woodcuts after the designs of Sir Edward Burne-Jones redrawn by Robert Catterson-Smith and engraved by W. H. Hooper together with the celebrated woodcut title-page fourteen variously repeated ornamental borders eighteen repeated frames twenty-six large decorative initial words numerous smaller initials and Morris's famous printer's device. The decorative woodcuts were engraved by C. E. Keates W. H. Hooper and W. Spielmeyer. Guard sheet between title and first text leaf. Both volumes housed in the original blue cloth clamshell case with cream morocco spine label lettered in gilt. Clamshell with only minor wear and light soiling to the lower spine; the book itself in fine condition. § An extraordinary achievement in modern fine printing and bookbinding. Printed by Cambridge University Press for The Folio Society and completed on 20 February 2002 this magnificent edition is widely regarded as the finest facsimile ever produced of William Morris's Kelmscott Chaucer. Every aspect of the original masterpiece - its monumental format typography illustrations paper and sumptuous binding-has been recreated with remarkable fidelity. Issued in a strictly limited edition of only 1010 copies of which just 1000 were offered for sale this is copy number 125. The Kelmscott Chaucer occupies a unique position in the history of the printed book. Published in 1896 in an edition of only 425 copies on paper and 13 on vellum it represents the crowning achievement of William Morris's Kelmscott Press and the supreme expression of the Arts and Crafts movement. Morris united typography illustration ornament paper and binding into a harmonious whole unequaled in the history of private press printing. As Gordon N. Ray observed it is "not only the most important of the Kelmscott Press's productions; it is also one of the great books of the world." Rather than producing a simple photographic facsimile The Folio Society undertook one of the most ambitious acts of modern fine printing ever attempted. Every significant feature of Morris's masterpiece was painstakingly recreated-from the specially manufactured laid paper and monumental page size to the intricate Burne-Jones illustrations and the sumptuous Cobden-Sanderson binding. The result is not merely a reproduction but a remarkable tribute to the original preserving with extraordinary fidelity both its visual magnificence and its physical presence. Original Kelmscott Chaucers have long been among the great trophies of nineteenth-century book collecting with fine examples today commanding well into six figures. This magnificent Folio Society edition offers perhaps the closest experience possible to owning Morris's masterpiece without entering that rarified market. Produced with exceptional scholarship craftsmanship and attention to detail it stands not simply as the finest facsimile of the Kelmscott Chaucer ever published but as one of the outstanding achievements of modern book production in its own right. References original 1896 edition: Peterson A40; Ray The Illustrator and the Book in England p. 258; Ransom p. 329; Sparling 40; Tomkinson 40; Waldorf 40; The Clark Library pp. 46-48; The Artist & the Book 45. unknown
Best.-Nr. 1271682002. Hammersmith: Printed by William Morris at the Kelmscott Press 1896. London: The Folio Society 2002. Large folio 16 3/8 x 11 3/8 inches; 415 x 288 mm. 4 blank ii 2 554 1 limitation 1 blank pp. Printed in black and red in William Morris's Chaucer type with titles of the longer poems in Troy type the text arranged in double columns and edited by F.S. Ellis. Illustrated throughout with eighty-seven magnificent woodcuts after the designs of Sir Edward Burne-Jones redrawn by Robert Catterson-Smith and engraved by W. H. Hooper together with the celebrated woodcut title-page fourteen variously repeated ornamental borders eighteen repeated frames twenty-six large decorative initial words numerous smaller initials and Morris's famous printer's device. The decorative woodcuts were engraved by C. E. Keates W. H. Hooper and W. Spielmeyer. Guard sheet between title and first text leaf. Both volumes housed in the original blue cloth clamshell case with cream morocco spine label lettered in gilt. Clamshell with only minor wear and light soiling to the lower spine; the book itself in fine condition. § An extraordinary achievement in modern fine printing and bookbinding. Printed by Cambridge University Press for The Folio Society and completed on 20 February 2002 this magnificent edition is widely regarded as the finest facsimile ever produced of William Morris's Kelmscott Chaucer. Every aspect of the original masterpiece - its monumental format typography illustrations paper and sumptuous binding-has been recreated with remarkable fidelity. Issued in a strictly limited edition of only 1010 copies of which just 1000 were offered for sale this is copy number 125. The Kelmscott Chaucer occupies a unique position in the history of the printed book. Published in 1896 in an edition of only 425 copies on paper and 13 on vellum it represents the crowning achievement of William Morris's Kelmscott Press and the supreme expression of the Arts and Crafts movement. Morris united typography illustration ornament paper and binding into a harmonious whole unequaled in the history of private press printing. As Gordon N. Ray observed it is "not only the most important of the Kelmscott Press's productions; it is also one of the great books of the world." Rather than producing a simple photographic facsimile The Folio Society undertook one of the most ambitious acts of modern fine printing ever attempted. Every significant feature of Morris's masterpiece was painstakingly recreated-from the specially manufactured laid paper and monumental page size to the intricate Burne-Jones illustrations and the sumptuous Cobden-Sanderson binding. The result is not merely a reproduction but a remarkable tribute to the original preserving with extraordinary fidelity both its visual magnificence and its physical presence. Original Kelmscott Chaucers have long been among the great trophies of nineteenth-century book collecting with fine examples today commanding well into six figures. This magnificent Folio Society edition offers perhaps the closest experience possible to owning Morris's masterpiece without entering that rarified market. Produced with exceptional scholarship craftsmanship and attention to detail it stands not simply as the finest facsimile of the Kelmscott Chaucer ever published but as one of the outstanding achievements of modern book production in its own right. References original 1896 edition: Peterson A40; Ray The Illustrator and the Book in England p. 258; Ransom p. 329; Sparling 40; Tomkinson 40; Waldorf 40; The Clark Library pp. 46-48; The Artist & the Book 45. unknown books