2 855 résultats
1986réf. feb487661986: First Armenian Edition of The Canterbury Tales Քենթրբերիի պատմվածքներ Հայաստան
1928réf. 194391Oxford: Basil Blackwell printed at the Shakespeare Head Press Stratford-upon-Avon 1928-29. With hand-coloured pilgrims wandering along the bottom of the pages First Shakespeare Head edition number 38 of 350 sets for sale on Kelmscott handmade paper with the original publisher's prospectus. Franklin describes Shakespeare Head as "the most mature and sophisticated" private press of the interwar period. This beautiful production was one of its best. "The first impression is of care in planning of thought for the reader. A friendly craftsmanship comes from all the pen and brush work in these books. The illustrations enter as pleasant surprises rather than necessary parts of the plan. The edition seems complete without them but we are delighted to find them" Franklin p. 149. The Shakespeare Head was founded in 1904 by the Elizabethan scholar Arthur Henry Bullen whose goal was to produce the first collected edition of Shakespeare published in the town of his birth. After Bullen's death in 1920 the press was taken over by the Oxford bookseller Basil Blackwell who employed Bernard Newdigate as designer. Under Newdigate the press followed the traditions of William Morris and released its greatest productions. 8 vols quarto. Woodcuts by Lynton Lamb and Hugh Chesterman many hand-coloured text printed in red blue and black in Caslon type. Original cream holland-backed blue boards paper spine labels lettered in red and black fore and bottom edges uncut each volume with inlaid spare spine label. Gatherings mostly unopened. Minor rubbing and marks to bindings inner hinges starting but firm. A near-fine set. Franklin p. 352. hardcover
1913réf. 000047London: Philip Lee Warner for the Medici Society 1913. Three volumes complete - Volume One - x 235pp 5; Volume Two - x 217pp 5 and Volume Three - x 183pp 5. Original full vellum in DJ's gilt title to spines and upper covers t.e.g. DJ spines faded with ink number as issued to spines. Hint of foxing to fore-edge of text block otherwise bright and clean. With thirty-six colour full-page tissue-guarded tipped in illustrations by W. Russell Flint twelve in each volume as called for. Limited edition of five hundred copies this being copy one hundred and eighty eight as per the number on the spines of the DJ's. An attractive set. First Thus. Full Vellum. Very Good/Good. Illus. by Flint W. Russell. 4to. Limited Edition. Philip Lee Warner for the Medici Society Hardcover
1913réf. 141456London: printed by the Riccardi Press and published for the Medici Society by Philip Lee Warner 1913. First Riccardi Press edition number 196 of 500 copies printed on Riccardi paper deluxe issue bound in limp vellum and each volume with its original dust jacket and slipcase. The Riccardi Press Chaucer is a most handsome production attractively illustrated by William Russell Flint and is among the most desirable productions of the press. The printed dust jackets show that of the 500 copies on paper they could be purchased in boards at £7 17s. 6d. or as here in limp vellum at £9 9s. There were an additional 12 copies printed on vellum for sale at £47 5s. 3 vols quarto. With 36 mounted colour plates by William Russell Flint with captioned tissue guards. Original limp vellum spine and front covers lettered in gilt green cloth ties top edges gilt others uncut. With the printed dust jackets each numbered "196" by hand to spine and card slipcases. The vols themselves in fine bright condition the jackets tanned to spine panels and a little rubbed with a portion of loss though no loss to titles from the head of vol. 3 the slipcases lightly worn and tanned in places but all intact. hardcover
1913réf. 189195London: Philip Lee Warner The Medici Society 1913. Here biginneth the book of the tales of Canterbury First Flint edition number 55 of 500 copies printed on handmade paper at the Riccardi Press; there were also 12 copies printed on vellum. William Russell Flint 1880-1969 is renowned for his watercolours of women. In this edition the majority of the illustrations concentrate on female subjects: "Flint drew women wherever possible using for example a woman to represent April in the General Prologue female figures to illustrate the 'old gods' referred to at the opening of the Knight's Tale and barmaids aplenty in the picture accompanying the Pardoner's Story of the revellers" Echard pp. 137-8. 3 vols quarto. Colour frontispieces title pages printed in blue and black 33 colour plates all with captioned tissue guards by William Russell Flint. Original brown quarter linen cloth blue sides paper labels to the spines and front covers lettered in black top edges gilt others untrimmed green silk bookmarker in each volume printed bookmarkers and Riccardi Press catalogue loosely inserted in two volumes. With dust jackets. Contemporary gift inscription in vol. I contemporary bookplates in each volume. A few spots of wear to edges a few spots of foxing; jacket spines toned loss to head of spine and rear panel of vol. I affecting text on rear panel flaps unpriced as issued. A very good set. S. Echard Printing the Middle Ages 2013; Keith S. Gardner Sir William Russell Flint. a Catalogue Raisonné. 1994 p. 119. hardcover
1721réf. 38380London: Bernard Lintot. Very Good. 1721. Hardcover. Oversized recent quarter leather with hand tooled spine gilt titled red label marbled boards. Large folio by John Urry. "Compared with the former editions and many valuable MSS. Out of which three tales are added which were never before printed; . Together with a glossary. The author's life and a preface." 626 pages plus numerous additional pages of the life of Chaucer. 81 page glossary errata sheet at rear. Full page engravings of Urry and Chaucer additional remarkable engravings for each tale plus typographical decorations. Some light foxing margins at some pages have ink notes not affecting text. A few page corners professionallly repaired some wrinkling to glossary pages. Tight binding and hinges; trace wear to board edges. Limited edition. ; Folio 13" - 23" tall . Bernard Lintot hardcover
1913réf. 1029212CHAUCER Geoffrey. The Canterbury Tales of Geoffrey Chaucer. Illustrated after Drawings by W. Russell Flint. London: Philip Lee Warner 1913. 4to vol. 1: x 239pp. vol. 2: x 221pp. vol. 3: x 187pp. Beige quarter-cloth with light blue boards and paper labels affixed to the front and spine extra paper labels tipped-in to the rear of each volume. 36 mounted color plates 12 in each volume. Vol. 1: Head of spine lightly rubbed lower spine end a tad so free endpapers discolored where not covered by jacket flap else a fine copy in original dust jacket spine heavily sunned small chip at top of spine panel – no loss to printed area light edge wear at top of rear flap. Vol. 2: Spine ends lightly rubbed free endpapers faintly discolored where not covered by jacket flap else a fine copy in original dust jacket spine heavily sunned a few tiny chips at spine panel ends. Vol. 3: free endpapers lightly discolored where not covered by jacket flaps else a fine copy in original dust jacket spine heavily sunned covers less so but a bit discolored a few tiny chips at spine panel ends. All three volumes housed in original carboard slipcases all sunned and worn with one slipcase split open at one ends the other two having small splits. A beautiful set rarely found in the original jackets and slipcases. First W. Russell Flint-illustrated edition in 3 volumes. #500/500 numbered copies of the limited trade edition. Here is a breathtaking edition of one of the most enduring works in English literature: Geoffrey Chaucer's Canterbury Tales featuring the stunning masterful watercolors of the renowned Sir William Russell Flint! Philip Lee Warner hardcover
réf. 1271682002. Hammersmith: Printed by William Morris at the Kelmscott Press 1896. London: The Folio Society 2002. Large folio 16 3/8 x 11 3/8 inches; 415 x 288 mm. 4 blank ii 2 554 1 limitation 1 blank pp. Printed in black and red in William Morris's Chaucer type with titles of the longer poems in Troy type the text arranged in double columns and edited by F.S. Ellis. Illustrated throughout with eighty-seven magnificent woodcuts after the designs of Sir Edward Burne-Jones redrawn by Robert Catterson-Smith and engraved by W. H. Hooper together with the celebrated woodcut title-page fourteen variously repeated ornamental borders eighteen repeated frames twenty-six large decorative initial words numerous smaller initials and Morris's famous printer's device. The decorative woodcuts were engraved by C. E. Keates W. H. Hooper and W. Spielmeyer. Guard sheet between title and first text leaf. Both volumes housed in the original blue cloth clamshell case with cream morocco spine label lettered in gilt. Clamshell with only minor wear and light soiling to the lower spine; the book itself in fine condition. § An extraordinary achievement in modern fine printing and bookbinding. Printed by Cambridge University Press for The Folio Society and completed on 20 February 2002 this magnificent edition is widely regarded as the finest facsimile ever produced of William Morris's Kelmscott Chaucer. Every aspect of the original masterpiece - its monumental format typography illustrations paper and sumptuous binding-has been recreated with remarkable fidelity. Issued in a strictly limited edition of only 1010 copies of which just 1000 were offered for sale this is copy number 125. The Kelmscott Chaucer occupies a unique position in the history of the printed book. Published in 1896 in an edition of only 425 copies on paper and 13 on vellum it represents the crowning achievement of William Morris's Kelmscott Press and the supreme expression of the Arts and Crafts movement. Morris united typography illustration ornament paper and binding into a harmonious whole unequaled in the history of private press printing. As Gordon N. Ray observed it is "not only the most important of the Kelmscott Press's productions; it is also one of the great books of the world." Rather than producing a simple photographic facsimile The Folio Society undertook one of the most ambitious acts of modern fine printing ever attempted. Every significant feature of Morris's masterpiece was painstakingly recreated-from the specially manufactured laid paper and monumental page size to the intricate Burne-Jones illustrations and the sumptuous Cobden-Sanderson binding. The result is not merely a reproduction but a remarkable tribute to the original preserving with extraordinary fidelity both its visual magnificence and its physical presence. Original Kelmscott Chaucers have long been among the great trophies of nineteenth-century book collecting with fine examples today commanding well into six figures. This magnificent Folio Society edition offers perhaps the closest experience possible to owning Morris's masterpiece without entering that rarified market. Produced with exceptional scholarship craftsmanship and attention to detail it stands not simply as the finest facsimile of the Kelmscott Chaucer ever published but as one of the outstanding achievements of modern book production in its own right. References original 1896 edition: Peterson A40; Ray The Illustrator and the Book in England p. 258; Ransom p. 329; Sparling 40; Tomkinson 40; Waldorf 40; The Clark Library pp. 46-48; The Artist & the Book 45. unknown
réf. 1271682002. Hammersmith: Printed by William Morris at the Kelmscott Press 1896. London: The Folio Society 2002. Large folio 16 3/8 x 11 3/8 inches; 415 x 288 mm. 4 blank ii 2 554 1 limitation 1 blank pp. Printed in black and red in William Morris's Chaucer type with titles of the longer poems in Troy type the text arranged in double columns and edited by F.S. Ellis. Illustrated throughout with eighty-seven magnificent woodcuts after the designs of Sir Edward Burne-Jones redrawn by Robert Catterson-Smith and engraved by W. H. Hooper together with the celebrated woodcut title-page fourteen variously repeated ornamental borders eighteen repeated frames twenty-six large decorative initial words numerous smaller initials and Morris's famous printer's device. The decorative woodcuts were engraved by C. E. Keates W. H. Hooper and W. Spielmeyer. Guard sheet between title and first text leaf. Both volumes housed in the original blue cloth clamshell case with cream morocco spine label lettered in gilt. Clamshell with only minor wear and light soiling to the lower spine; the book itself in fine condition. § An extraordinary achievement in modern fine printing and bookbinding. Printed by Cambridge University Press for The Folio Society and completed on 20 February 2002 this magnificent edition is widely regarded as the finest facsimile ever produced of William Morris's Kelmscott Chaucer. Every aspect of the original masterpiece - its monumental format typography illustrations paper and sumptuous binding-has been recreated with remarkable fidelity. Issued in a strictly limited edition of only 1010 copies of which just 1000 were offered for sale this is copy number 125. The Kelmscott Chaucer occupies a unique position in the history of the printed book. Published in 1896 in an edition of only 425 copies on paper and 13 on vellum it represents the crowning achievement of William Morris's Kelmscott Press and the supreme expression of the Arts and Crafts movement. Morris united typography illustration ornament paper and binding into a harmonious whole unequaled in the history of private press printing. As Gordon N. Ray observed it is "not only the most important of the Kelmscott Press's productions; it is also one of the great books of the world." Rather than producing a simple photographic facsimile The Folio Society undertook one of the most ambitious acts of modern fine printing ever attempted. Every significant feature of Morris's masterpiece was painstakingly recreated-from the specially manufactured laid paper and monumental page size to the intricate Burne-Jones illustrations and the sumptuous Cobden-Sanderson binding. The result is not merely a reproduction but a remarkable tribute to the original preserving with extraordinary fidelity both its visual magnificence and its physical presence. Original Kelmscott Chaucers have long been among the great trophies of nineteenth-century book collecting with fine examples today commanding well into six figures. This magnificent Folio Society edition offers perhaps the closest experience possible to owning Morris's masterpiece without entering that rarified market. Produced with exceptional scholarship craftsmanship and attention to detail it stands not simply as the finest facsimile of the Kelmscott Chaucer ever published but as one of the outstanding achievements of modern book production in its own right. References original 1896 edition: Peterson A40; Ray The Illustrator and the Book in England p. 258; Ransom p. 329; Sparling 40; Tomkinson 40; Waldorf 40; The Clark Library pp. 46-48; The Artist & the Book 45. unknown books
1913réf. 2091202133206223Riccardi Press 1913. Soft Cover. Fine. Number of books: 3 books in total Riccardi Press paperback
1775réf. 1272181775. CHAUCER TYRWHITT Thomas editor. The Canterbury Tales. London: T. Payne 1775-78. Five volumes. Octavo early 19th-century full navy straight-grain morocco elaborately blind-tooled spines raised bands all edges gilt. $4800.First Tyrwhitt edition of ChaucerÕs classicÑ""the best-edited English Classic that ever has appeared""Ñhandsomely bound in full morocco-gilt. From the esteemed collection of Frederic Perkins with his engraved armorial bookplates.In preparing his groundbreaking edition Tyrwhitt consulted roughly 25 manuscripts of Chaucer's Tales. ""Tyrwhitt's edition has enjoyed the highest reputation and the estimation in which it has been held is in great part deserved and ought to be permanent"" Child. ""It was considered 'the best-edited English Classic that ever has appeared' and Professor Skeat in his edition 1894 speaks of it 'as a work of high literary value to which I am greatly indebted for many necessary notes.' As late as 1891 his notes and glossary were condensed and arranged under the text in the edition of Chaucer in Sir John Lubbock's Hundred Books"" DNB. With an essay on Chaucer's language and versification as well as an introduction notes and a glossary volume published three years after the four volumes containing the Tales themselves all by Tyrwhitt. From the library of Frederic Perkins 1780-1860 noted as an important English literature collector in De Ricci English Collectors of Books and Manuscripts with his armorial bookplate. ""Perkins started collecting books about 1820 and left his library to his second son George who died in 1879. A portion chiefly musical was sold by auction in LondonÉ 17 July 1861 and a second sale rich in Shakespeare quartos and folios took placeÉ on 10 July 1889"" University of Toronto Libraries.A beautifully bound set of this important edition with distinguished provenance in fine condition. hardcover
1775réf. 1272181775. CHAUCER TYRWHITT Thomas editor. The Canterbury Tales. London: T. Payne 1775-78. Five volumes. Octavo early 19th-century full navy straight-grain morocco elaborately blind-tooled spines raised bands all edges gilt. $4800.First Tyrwhitt edition of ChaucerÕs classicÑ""the best-edited English Classic that ever has appeared""Ñhandsomely bound in full morocco-gilt. From the esteemed collection of Frederic Perkins with his engraved armorial bookplates.In preparing his groundbreaking edition Tyrwhitt consulted roughly 25 manuscripts of Chaucer's Tales. ""Tyrwhitt's edition has enjoyed the highest reputation and the estimation in which it has been held is in great part deserved and ought to be permanent"" Child. ""It was considered 'the best-edited English Classic that ever has appeared' and Professor Skeat in his edition 1894 speaks of it 'as a work of high literary value to which I am greatly indebted for many necessary notes.' As late as 1891 his notes and glossary were condensed and arranged under the text in the edition of Chaucer in Sir John Lubbock's Hundred Books"" DNB. With an essay on Chaucer's language and versification as well as an introduction notes and a glossary volume published three years after the four volumes containing the Tales themselves all by Tyrwhitt. From the library of Frederic Perkins 1780-1860 noted as an important English literature collector in De Ricci English Collectors of Books and Manuscripts with his armorial bookplate. ""Perkins started collecting books about 1820 and left his library to his second son George who died in 1879. A portion chiefly musical was sold by auction in LondonÉ 17 July 1861 and a second sale rich in Shakespeare quartos and folios took placeÉ on 10 July 1889"" University of Toronto Libraries.A beautifully bound set of this important edition with distinguished provenance in fine condition. hardcover books
réf. 70560London 1687. Middle English FINAL BLACKLETTER EDITION Speight's third edition. Quarto 34 x 22cm pp.34 660 24. With the copper-engraved frontispiece portrait of Chaucer. Introductory matter in italic font main text blackletter. Recently re-backed with the original panelled and speckled calf boards and the original plain speckled calf laid over spine with raised bands. All edges trimmed and speckled. Delightful 'Alice' themed illustrated bookplate of Edgar F. Leo to front pastedown. Repairs to hinges and some chipping to fly-leaf margins otherwise internally crisp and clean. Heavily worn original leather binding has been restored to an attractive robust condition including repairs to the corners. Very good. A fine blackletter Chaucer editor Speight being the first to print a portrait of the poet. Includes the recently discovered conclusions to the Cook's Tale and the Squire's Tale and at the end of the prefatory matter 'three more poems. which might as well have been consigned to oblivion' Skeat also found in the 1542 and 1550 editions. ESTC: R3920. London, 1687 unknown
1602réf. 8693London Printed by Adam Islip 1602. 1602 Folio. Collates pi6 A6 b-c6 B-Z6 Aa-Zz6 Aaa-Nnn6 Ooo4 Ppp-Ttt6 Uuu8. Second Speght edition the first to contain the glossary. The Portrait after Hoccleve by John Speede is bound to face bi. Its fore edge is extended so possibly from another copy. The title within a woodcut border McKerrow & Ferguson 232. bii verso has a woodcut blazon of Chaucer arms. Civ Full page arms. Bi woodcut of the knight on horseback at the head of the Knights Tale. Historiated and decorated multiline capitals throughout. The text is set in black letter in double columns. The editorial and commentary are set in roman type. Altogether a clean handsome copy of an important edition. Early calf binding the boards are panelled with a triple line roll. Pleasantly rebacked some time ago with an old label and replacement endpapers. "This edition was considerably revised mainly with the help of Francis Thynne. It is the earliest in which thorough punctuation was attempted and in many other ways it is a distinct improvement upon Speight's first edition." Pforzheimer. Pforzheimer 178. STC 5080. London, Printed by Adam Islip, hardcover
réf. 81944London Waddington Galleries 1972. . Large folio 64.8 x 92.8 cm. One of 50 copies. 19 original full-page etchings with aquatint in black on J. Barcham Green paper numbered B98 with artist's signature in ink at rear. Publisher's full green cloth with gold-blocked design on the front cover housed in cream coloured slip-case. A monumental book with striking full-page etchings by Frink depicting the figures animals and birds that characterise her work. The etchings were printed by Cliff White at White Ink Ltd. London and illustrate 'The Prologue' 'The Knight's Tale' 'The Miller's Tale I' 'The Miller's Tale II' 'The Reeve's Tale' 'The Shipman's Tale' 'The Prioress's Tale' the 'Tale of Sir Topaz' 'The Nun's Priest's Tale' 'The Physician's Tale' 'The Pardoner's Tale' 'The Wife of Bath's Tale' 'The Summoner's Tale' 'The Clerk's Tale' 'The Merchant's Tale' 'The Squire's Tale' 'The Franklin's Tale' 'The Second Nun's Tale' and 'The Manciple's Tale.' Elisabeth Frink was born in Suffolk in 1930 and became one of Britain's most eminent sculptors. She attended both the Guildford and Chelsea Schools of Art and had her first major exhibition at the Beaux Arts Gallery in London when she was only twenty-two. Throughout her lifetime she was known as one of the most accomplished sculptors of animal and human forms: men dogs horses and birds were her most consistent subjects. Her graphic work and drawings privileged the same themes and were executed with the same simplicity and sense of texture that can be found in her sculptural work. London, Waddington Galleries, 1972. hardcover
1687réf. 160165London 1687. The last black letter edition Final Speght edition the last to be printed in black letter and the eighth collected edition overall. This is a reprint of Thomas Speght's 1602 edition with the addition on the verso of the last leaf of the first printings of the conclusions to the Cook's and the Squire's Tales then recently discovered. Thomas Speght d. 1621 developed a passion for Chaucer while studying at Cambridge and maintained this interest well after graduating. He worked on several editions of the complete works the first published in 1598; his notes were more elaborate than in any other previous edition and he was the first to provide a glossary. The present 1687 edition "remained in use even after the publication of John Urry's much reviled Chaucer edition of 1721. Thomas Tyrwhitt editing the Canterbury Tales in the 1770s used the 1602 and 1687 editions of Speght taking the latter as his base text. With a period of influence stretching from the late sixteenth century to the late eighteenth then Speght's Chaucer has been the most durable of any Chaucer edition" ODNB. In this edition the list of "Old and Obscure Words in Chaucer explained" is marked with derivations and a gloss has been added translating the Latin and French "not Englished" by Chaucer. Speght's influential biography of Chaucer also included shaped all future descriptions of the poet's life up until the 1840s and notably established the common belief that he was once fined for beating a Franciscan friar in Fleet Street. The imprint here has no mention of printers as the copyright belonged to the Stationers' Company. Folio bound in fours 320 x 201 mm. Engraved frontispiece portrait of Chaucer and his progeny laid down woodcut arms on a2v part title with large woodcut arms; text printed in double columns black Gothic letter. Contemporary calf rebacked with red morocco label and tooling style spine with blind ruled raised bands red morocco label edges red. Early 19th-century armorial bookplate of one John Gordon engraved by W. Deeble artist and engraver active in Cork Ireland; the owner was likely Sir John Gordon d. 1871 surgeon and apothecary appointed Mayor of Cork in 1855. Extremities rubbed some surface crackling and light scuffs to leather spine and corners judiciously refurbished endpapers and inner hinges repaired contents mildly toned with occasional small marks couple of tiny ink burns not affecting text otherwise generally clean. A very good copy. Pforzheimer 179; Wing C3736. hardcover
1635réf. 69319Oxford: J. Lichfield 1635. Full Description: CHAUCER Geoffrey. Amorum Troili et Creseidae. Libri duo priores Anglico Latini Oxford: J. Lichfield 1635. First edition. This is the first separate English edition and the "earliest translation of any part of Chaucer into another language." Early Oxford Press. Two books in one small quarto volume 7 1/8 x 5 3/8 inches; 180 x 137 mm. 26 1-105 1; 6 1 blank 24 1 25-96 89-159 1 blank pp. Text in both English and Latin with the English printed in black letter and the Latin in italic. The English text is from William Thynne's edition of "The Works." Woodcut head and tail-pieces and initials. Title within an elaborate woodcut border. Complete but with a few errors in pagination Pt. 2 p. 25 is misprinted 21; 26 is 25 and the error is carried to 96; 97 is 89 and the error is carried to the end. Nineteenth-century quarter brown morocco over marbled paper boards. Corners tipped in vellum. Spine lettered in gilt. Top edge brown others speckled red. Page 2 trimmed close at top edge just touching page number. Small holes in leaves D3 and E just touching a few letters. Some old ink marginalia to leaf Ee. Previous owner's armorial bookplate. Overall a very good copy. A translation by Sir Francis Kinnaston of books 1-2 of "Troilus and Criseyde" by Geoffrey Chaucer. The preliminary leaves include a dedication to Patrick Young and poetry by various authors dedicated to Chaucer and Kinnaston. Provenance: Bookplate of Percy Lancelot Babington 1877-1950 Cambridge literature lecturer; published a bibliography of Victorian poet critic and historian John Addington Symonds. ESTC S107787 HBS 69319. $6500. J. Lichfield unknown
1602réf. 7296London: Printed by Adam Islip 1602. Second Speght edition. Near Fine. Second appearance of the Thomas Speght edition of Chaucer and the seventh edition of Chaucer's works overall. Folio pages 327 x 212 mm collating: 23 376 14 ff. Lacking the first blank A1 and the progenie of Chaucer plate. Textually complete including the final errata leaf. Bound by Seton & Mackenzie of Edinburgh in nineteenth century half vellum over marbled boards with elaborate gilt spine. Dampstain to corner of upper board. Edges stained red. Tear through most of leaf C3 touching text but not affecting legibility. A handsome Near Fine copy remarkably fresh and clean throughout. "This edition was considerably revised mainly with the aid of Francis Thynne. It is the earliest in which thorough punctuation was attempted and in many other ways it is a distinct improvement upon Speght's first edition" of 1598 Pforzheimer. A sumptuous collection of literature from one of England's greatest early masters. Geoffrey Chaucer is credited with setting the style of Middle English literature. He is often considered England's first "poet laureate" - after he received a reward from Richard II for one of his poems. Although Chaucer is famous chiefly for his medieval-era masterpiece The Canterbury Tales his works are also thought to have helped popularize English as a literary language. While famous in their own right Chaucer's works have also influenced just about every major luminary of English literature to come after him. Grolier 43. ESTC S107210. Pforzheimer 177. Near Fine. Printed by Adam Islip unknown
1602réf. 010147London: Adam Islip 1602. Book. Very Good. Hardcover. Folio - over 12" - 15" tall. Bound in pebbled dark brown calf the back with five raised bands with ornate gilt decorations a geometric gilt ruled design to the covers marbled end papers and edges. Armorial bookplate of J. A. Knowles Renshaw front paste down. Dr. John Alfred Knowles Renshaw 1871-1926 was a noted British physician and book collector. Very Good the leather rubbed at spine ends corners edges and raised bands final two leafs and errata page repaired at bottom corner not affecting text undecipherable writing at head of illustrated title page lacking copperplate portrait of Chaucer surrounded by arms of his Progenie. Internally quite clean with a few scattered spots of browning in early pages and small hole to leaf 7 at end. 23 179 178-350 353-376 13 leaves. Title surrounded by woodcut border. Lacking initial blank a1 as always. Woodcuts of Chaucer's arms and of the knight woodcut initials. Overall a quite pleasing and handsome copy of the Second Speght edition Seventh collected edition overall of Chaucer's magnificent and influential works including The Canterbury Tales Troilus and Criseyde The Legend of Good Women The House of Fame The Testament of Love assorted ballads and many others. STC 5080 2nd edition. Adam Islip Hardcover
1635réf. 69319Oxford: J. Lichfield 1635. Full Description: CHAUCER Geoffrey. Amorum Troili et Creseidae. Libri duo priores Anglico Latini Oxford: J. Lichfield 1635. First edition. This is the first separate English edition and the "earliest translation of any part of Chaucer into another language." Early Oxford Press. Two books in one small quarto volume 7 1/8 x 5 3/8 inches; 180 x 137 mm. 26 1-105 1; 6 1 blank 24 1 25-96 89-159 1 blank pp. Text in both English and Latin with the English printed in black letter and the Latin in italic. The English text is from William Thynne's edition of "The Works." Woodcut head and tail-pieces and initials. Title within an elaborate woodcut border. Complete but with a few errors in pagination Pt. 2 p. 25 is misprinted 21; 26 is 25 and the error is carried to 96; 97 is 89 and the error is carried to the end. Nineteenth-century quarter brown morocco over marbled paper boards. Corners tipped in vellum. Spine lettered in gilt. Top edge brown others speckled red. Page 2 trimmed close at top edge just touching page number. Small holes in leaves D3 and E just touching a few letters. Some old ink marginalia to leaf Ee. Previous owner's armorial bookplate. Overall a very good copy. A translation by Sir Francis Kinnaston of books 1-2 of "Troilus and Criseyde" by Geoffrey Chaucer. The preliminary leaves include a dedication to Patrick Young and poetry by various authors dedicated to Chaucer and Kinnaston. Provenance: Bookplate of Percy Lancelot Babington 1877-1950 Cambridge literature lecturer; published a bibliography of Victorian poet critic and historian John Addington Symonds. ESTC S107787 HBS 69319. $6500. J. Lichfield unknown books
1602réf. 7296London: Printed by Adam Islip 1602. Second Speght edition. Near Fine. Second appearance of the Thomas Speght edition of Chaucer and the seventh edition of Chaucer's works overall. Folio pages 327 x 212 mm collating: 23 376 14 ff. Lacking the first blank A1 and the progenie of Chaucer plate. Textually complete including the final errata leaf. Bound by Seton & Mackenzie of Edinburgh in nineteenth century half vellum over marbled boards with elaborate gilt spine. Dampstain to corner of upper board. Edges stained red. Tear through most of leaf C3 touching text but not affecting legibility. A handsome Near Fine copy remarkably fresh and clean throughout. "This edition was considerably revised mainly with the aid of Francis Thynne. It is the earliest in which thorough punctuation was attempted and in many other ways it is a distinct improvement upon Speght's first edition" of 1598 Pforzheimer. A sumptuous collection of literature from one of England's greatest early masters. Geoffrey Chaucer is credited with setting the style of Middle English literature. He is often considered England's first "poet laureate" - after he received a reward from Richard II for one of his poems. Although Chaucer is famous chiefly for his medieval-era masterpiece The Canterbury Tales his works are also thought to have helped popularize English as a literary language. While famous in their own right Chaucer's works have also influenced just about every major luminary of English literature to come after him. Grolier 43. ESTC S107210. Pforzheimer 177. Near Fine. Printed by Adam Islip unknown books
1602réf. 010147London: Adam Islip 1602. Book. Very Good. Hardcover. Folio - over 12" - 15" tall. Bound in pebbled dark brown calf the back with five raised bands with ornate gilt decorations a geometric gilt ruled design to the covers marbled end papers and edges. Armorial bookplate of J. A. Knowles Renshaw front paste down. Dr. John Alfred Knowles Renshaw 1871-1926 was a noted British physician and book collector. Very Good the leather rubbed at spine ends corners edges and raised bands final two leafs and errata page repaired at bottom corner not affecting text undecipherable writing at head of illustrated title page lacking copperplate portrait of Chaucer surrounded by arms of his Progenie. Internally quite clean with a few scattered spots of browning in early pages and small hole to leaf 7 at end. 23 179 178-350 353-376 13 leaves. Title surrounded by woodcut border. Lacking initial blank a1 as always. Woodcuts of Chaucer's arms and of the knight woodcut initials. Overall a quite pleasing and handsome copy of the Second Speght edition Seventh collected edition overall of Chaucer's magnificent and influential works including The Canterbury Tales Troilus and Criseyde The Legend of Good Women The House of Fame The Testament of Love assorted ballads and many others. STC 5080 2nd edition. Adam Islip Hardcover books
1602réf. V74414London: Adam Islip 2nd Speght edition. 1602. Hardcover. Very Good. Title surrounded by elaborate woodcut border copperplate portrait of Chaucer surrounded by arms of his Progenie woodcut arms under 2nd Title & heading Knight's tale at Fol.I woodcut initials throughout. Portrait signed "IS" John Speed 1552-1629. Folio 320x210mm early 19th century calf edge panels & inner fleurons gilt marbled end-papers re-backed with original label & 3 gilt spine compartments laid on tips worn leather rubbed & marked All Edges Gilt. Collated complete except for initial blank: 23 of 24leaves Chaucer portrait surrounded by arms of his progenie supplied from another copy 376 14 leaves explanatory indexes final errata leaf 3U8. Black Letter English text throughout. Coat of arms bookplate Edward Micholls Henriques 1837-1901 first 4 leaves slightly foxed at edges else beautifully clean and crisp with good margins throughout. Second Speght edition much revised from his 1598 first with help from Francis Thynne 1645-1608 "the earliest in which thorough punctuation was attempted and in many other ways it is a distinct improvement upon Speght's first edition. Of two hitherto unprinted pieces added to this edition the 'Treatise called Jack Upland' is non-Chaucerian but the ABC is considered genuine" Pforzheimer 178; also referenced by STC 5080 2nd edition ESTC S107210. Adam Islip (2nd Speght edition). hardcover
1930réf. 71650Chicago: Covici Friede 1930. First edition thus: illustrated by Kent and translated by Van Wyck. THE DELUXE EDITION. Number 28 of only 75 copies SIGNED BY KENT at end of second volume and with an extra suite of FIVE SEPARATE 5-PANEL PLATES EACH ONE SIGNED BY KENT. Two folio-sized full-leather volumes housed together in publisher's slipcase with three separate compartments - one for each volume and the center one for the 40 x 15.5" plates which are folded into a cloth-covered chemise. The modernized text "rendered completely and without deletions into modern verse" by Van Wyck is printed side-by-side with Chaucer's original. Near fine with spines sympathetically re-backed in complementary leather. In a very good solid slipcase with dividers and chemise still present. The chemise which is stored in center compartment and houses the extra suite of signed prints is more flimsy than one might expect allowing them to sag just a bit though they are otherwise nearly fine. Includes the original prospectus; pamphlet advertising "Limited Editions Published by Covici Friede Inc. 1929" with a foreword by Vincent Starrett and "Order Blank" laid in 24-page list of publications including announcement for THE CANTERBURY TALES; and small flyer advertising "New Covici Friede Books Spring 1929." Exceedingly scarce especially so with suite of prints intact. Covici Friede unknown
réf. elala3522London: Printed by Adam Islip for Thomas Wight 1598. Sixth Edition the first to be edited by Thomas Speght; issue with Wight imprint. This edition contains the first portrait of Chaucer the first life of Chaucer printed in English albeit largely fictitious some previously unpublished material Chaucer’s English translation of Boethius’ Consolation of Philosophy and several works incorrectly attributed to Chaucer. "Chaucer is the first great figure of modern English literature the first great humorist of modern Europe and the first great writer in whom the dramatic spirit so long vanished and seemingly extinct re-appears. Except Dante there is no poet of the middle ages of superior faculty and distinction." DNB Among his many works which include The Book of the Duchess the House of Fame the Legend of Good Women and Troilus and Criseyde he is best known today for The Canterbury Tales. Chaucer championed the use of the vernacular Middle English at a time when the dominant literary languages in England were French and Latin. In the sixteenth and seventeenth centuries he was printed more than any other English author and he was the first English author to have his works printed in single-volume collected editions. STC 5079. Pforzheimer 177. cfGrolier 1. folio. irregular foliation: ff. 1-232 232 232-235 242-243 246 243-245 241 241-246 248-300 302-308 308-309 311-314 321 317-337 340-344 339 348-358 358 360-392 395 394. lacking folio 300 Iii1 & portion of folio 301 Iii2 & last 15 leaves containing the glossary and errata. 1 leaf misbound. black letter. general title & 2 divisional titles within woodcut borders. engraved portrait of Chaucer by John Speed after Thomas Hoccleve surrounded by armorial devices & a family tree. full-page woodcut of Chaucer’s coat of arms. large woodcut headpiece of a knight on horseback. woodcut initials. full leather c1900 worn but solid some browning & occasional stains corners of several leaves torn away with slight loss repair to folio 336 with some loss outer margin of title frayed & repaired with slight loss of border several other marginal repairs first divisional title shaved at outer edge. a few old ms. notes London: Printed by Adam Islip for Thomas Wight, 1598 hardcover