8 377 résultats
1958réf. 071947London: Andre Deutsch 1958. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾" - 9¾" tall. Red cloth spine panel lettered in gilt light blue topstain. 1st British edition 2nd ptg.: Sept. 1958. Minor foxing/tanning to text block fore-edge otherwise about as issued. Color illus. dust jacket is foxed and tanned with chipped corners and spine extremities small chip along bottom front edge price-clipped front flap now in mylar. 288 pp. illus. Andre Deutsch Hardcover
réf. 2226478647.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 663043689X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1853716936.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021réf. __0137282834New Riders Pub 2021. Paperback. New. 400 pages. 9.02x7.05x0.75 inches. New Riders Pub paperback
réf. 51-7059Paris: Chez l'artiste 1932. 4to. 25.5 x 33cm. Original blank wraps repaired.Presented in a linen and goatskin slipcase by the artisan binder Sasha Mosalov. . Illustrée de 36 eaux-fortes originales par Dunoyer de Segonzac. Tirage à 150 ex. numérotés n°72. .References: Aimée Lioré & Pierre Cailler "Catalogue de l'oeuvre gravé de Dunoyer de Segonzac. Tome III " nos. 596-631; Nicolas Rauch Les Peintres et le Livre Alan Wofsy Fine Arts 1991 no. 120; Monod no. 3047; The Artist & The Book 1860-1960 no. 280. Expertise by Danyela PETITOT. Membre du Syndicat Français des Experts Professionnels. 40 Avenue de Ségur 75015 PARIS Paris: Chez l'artiste, 1932 paperback
réf. 1792406-nnew. unknown
réf. A9781035313983Hardback. New. This innovative book provides valuable insights into the processes and methodologies of interpretive research. Colette Einfeld and Helen Sullivan bring together contributors at different stages of their careers to share their experiences of writing supervising and examining both interpretive and critical PhDs. Chapters analyse how to approach an interpretive research path demonstrating how this can differ from conventional dissertations and projects. Academics discuss the experiences and challenges of fieldwork including detailed case studies such as indigenous land claims in Cambodia and research ‘by proxy’ in Myanmar. Einfeld and Sullivan emphasise the importance of flexibility in interpretive approaches and challenge the traditional narrative that emotions are separate from research advocating for a thoughtful and rigorous approach to produce stronger results. The book also assesses the expectations of supervisors and examiners and explores what a career as an interpretive researcher can look like. How to Conduct Interpretive Research is a vital resource for academic researchers and students particularly new PhD students who are considering different research paths. Its focus on political science international relations and social sciences also make this prime readership for scholars of these disciplines. hardcover
réf. 69-6083Detroit Michigan: Contemporary Authors Gale Research Co 1960. Original Photograph. 12.5 cm x 10 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner Jr the founder of Gale Research Detroit. Detroit, Michigan: Contemporary Authors Gale Research Co, [1960] unknown
réf. 69-3667Paris France: Galerie Colette DuBois 1999. 63 x 43 cm. Offset Color Lithograph. Very Good. Paris, France: Galerie Colette DuBois, 1999 unknown
réf. 0933951159.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 16-5241Paris: Éditions Excelsior 1926. Large 4to. 26 x 33.5 cm. Original paper wraps time stained as usual One of 546 numbered copies with 20 color etchings by Icart.Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3011.With a facsimile of a letter by Colette: : “De deux romans Minne et Les égarements de Minne qui ne portèrent pas ma signature j’en ai fait un seul : l’Ingénue libertine. La première partie trouve encore grâce à mes yeux ; je suis plus sévère pour la deuxième et dernière mot rayé superflue et qui sent le travail. Cette libertine aurait bien dû en rester à l’ingénuité. — Colette”Broché sous couv. rempliée 33.5 x 26.5 cm.Édition limitée à 546 exemplaires celui-ci un des ex. num. du tirage principal survergé à la forme de Rives BFK. Le texte de Colette est illustré de 20 eaux-forteshors texte de Louis Icart 1888-1950 quelques-unes à caractère érotique et mises en couleur au pochoir et d’un fac-similé d’une lettre de Colette. Défauts mineurs. Paris: Éditions Excelsior, 1926 paperback
réf. 75-0252Berlin Germany: Eigenverlag / Dirty Windows Gallery 1994. Includes Artist's Signature and Original Writing and Correspondence from the Artist to Peter Selz. 8vo. Soft Covers. 64 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Berlin, Germany: Eigenverlag / Dirty Windows Gallery, 1994 paperback
réf. 75-0279Cologne Germany: Kunstforum International 1994. Assorted Newspaper Clippings about the Artist Colette in German Media. 4to. Soft Covers. 6 pp. Very Good. Black and White Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Text in German. Cologne, Germany: Kunstforum International, 1994 paperback
réf. 75-0278n.d: Arts Magazine 1983. Printed Chapter about Colette's New Paintings by Art Historian Jonathan Crary. Staple Bound. 4to. Soft Covers. 5 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. n.d: Arts Magazine, 1983 paperback
réf. 75-0277Germany: Viva Kunststuck n.d. Large Poster Print by Colette. Folio. Soft Covers. 1 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz. Germany: Viva Kunststuck, n.d. paperback
réf. 16-5482Paris: Robert Léger 1961. Folio. 29.5 x 39cm. Sheets loose as issued in original wrappers with color lithograph.14 original color lithographs. Presentation copy from the artist to the art biographer Jean-Paul Crespelle 1910 - 1994 for whom this copy was specially printed outside the edition of 151 numbered copies. Loosely inserted is a signed gouache portrait of Colette 38.8 x 28cm. Monod no. 3049. In- folio illustré de 14 lithographies originales en couleur. Dédicace à pleine page à Jean-Paul Crespelle avec portrait gouaché de Colette à pleine page signé Terechkovitch. Tirage spécifique pour Jean-Paul Crespelle.Provenance: Archive Jean ROBIN. Jean Robin : impressario of the dance administrator and Director of tours of the ballets of the Champs-Elysées from 1945 to 1951 creator and director of the Festival International de Danse de Paris from 1963 to 1989 artistic director of the theater of the Champs-Elysées from 1954 to 1967 creator and director of the festival "Mai de Versailles" from 1961 to 1977 general secretary of the Orchestra of Paris from 1967 to 1976 director of the theater of the Gaité Lyrique from 1967 to 1973 vice-president of the International Center of the dance . Jean Robin is considered a pioneer for having established an annual event of truly international scope dedicated to dance in all its forms. He collaborated with many artists Cocteau Boris Kochno Sauguet Auric Roland Petit Jean Babilée Maurice Béjart Rudolf Noureev. Paris: Robert Léger, 1961. unknown
réf. 73-2537Paris: 20th Century French Publisher circa 19100s-1990s. 52x45 cm. Color poster. Very Good. Text in FrenchProvenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 [Paris?: 20th Century French Publisher, circa 19100s-1990s] unknown
réf. B9780994062505Paperback. New. paperback
réf. 51-4198Paris: Chez l'artiste 1932. 4to. Fine. 320 x 266mm. Green morocco binding with gilt and black stamped motifs of leaves circles and curlicues signed by the binder. Dentelles of light green suede; matching half morocco chemise with spine slightly darkened in matching slipcase. This binding is correctly reproduced in "Georges Cretté. Études par Harry Vinckenbosch" which shows 3 bindings for this title at nos. 113-115. It is however reproduced as a binding for "Les Géorgiques" also illustrated by the artist. One of 150 numbered copies on Van Gelder with 36 incl. 13 hors texte etchings.References: Aimée Lioré & Pierre Cailler "Catalogue de l'oeuvre gravé de Dunoyer de Segonzac. Tome III " nos. 596-631; Nicolas Rauch Les Peintres et le Livre Alan Wofsy Fine Arts 1991 no. 120; Monod no. 3047; The Artist & The Book 1860-1960 no. 280.COLETTE. La Treille muscate. S.l.n.d. Paris 1932. Grand in-4° maroquin vert entièrement orné sur lesplats et le dos d’un décor personnalisé doré et à froid tranches dorées doublure et gardes de chamois beigecouverture conservée chemise en demi-maroquin vert à petits recouvrements et étui Georges Cretté.ÉDITION ORIGINALE & PREMIER TIRAGE.36 eaux-fortes par André DUNOYER de SEGONZAC la moitié à pleine page dont un frontispice et un portrait de Colette.Tiré à 165 exemplaires sur hollande Van Gelder celui-ci n° 94.Dos de la chemise passé.Expert Emmanuel de BROGLIECabinet Revel57 rue de Verneuil - 75007 Paris33 01 42 22 17 13 Paris: Chez l'artiste, 1932 unknown
réf. 51-4197Bruxelles: Editions de la Mappemonde 1943. 4to. 28.1 x 22.1 cm. Half morocco and paper boards in matching slipcse. 85 1pp. One of 50 numbered copies on Japan nacré from the total edition of 450 copies. Monod no. 3025 Bruxelles: Editions de la Mappemonde, 1943 hardcover
réf. 13-1417Paris: Chez l'artiste 1932. 4to. Fine. 320 x 266mm. Green morocco binding with gilt and black stamped motifs of leaves circles and curlicues signed by the binder. Dentelles of light green suede; matching half morocco chemise with spine slightly darkened in matching slipcase. This binding is correctly reproduced in "Georges Cretté. Études par Harry Vinckenbosch" which shows 3 bindings for this title at nos. 113-115. It is however reproduced as a binding for "Les Géorgiques" also illustrated by the artist. One of 150 numbered copies on Van Gelder with 36 incl. 13 hors texte etchings.References: Aimée Lioré & Pierre Cailler "Catalogue de l'oeuvre gravé de Dunoyer de Segonzac. Tome III " nos. 596-631; Nicolas Rauch Les Peintres et le Livre Alan Wofsy Fine Arts 1991 no. 120; Monod no. 3047; The Artist & The Book 1860-1960 no. 280.COLETTE. La Treille muscate. S.l.n.d. Paris 1932. Grand in-4° maroquin vert entièrement orné sur lesplats et le dos d’un décor personnalisé doré et à froid tranches dorées doublure et gardes de chamois beigecouverture conservée chemise en demi-maroquin vert à petits recouvrements et étui Georges Cretté.ÉDITION ORIGINALE & PREMIER TIRAGE.36 eaux-fortes par André DUNOYER de SEGONZAC la moitié à pleine page dont un frontispice et un portrait de Colette.Tiré à 165 exemplaires sur hollande Van Gelder celui-ci n° 94.Dos de la chemise passé.Expert Emmanuel de BROGLIECabinet Revel57 rue de Verneuil - 75007 Paris33 01 42 22 17 13 Paris: Chez l'artiste, 1932 unknown
réf. 16-3928Paris: 1954. 4pp. Contract for stage productions of Gigi througout the world. Signed 3 months before she died. Galas Karsenty. Saison 1954-1955. Authentication by Jean Raux Saint-German-en-Laye. Paris: 1954 unknown
réf. 17-2936Paris : Michel 2017. 8vo. 248 pp. Good. Soft Cover. Illustrated paper wraps. Creasing near spine. Text in French.ISBN: 2253010898 9782253010890.From the Collection of the Art Historian Peter Selz 1919-2019. Paris : Michel, [2017]. paperback
réf. 51-4102Paris: Les Amis de Colette Atelier de Daragnès 1935-1936. 4to. 31 x 24 cm. 4 volumes. Original wraps and glassine. Very good. in-4 broché. Copies uniformly numbered no. 11 of 175 printed for la princesse Edmond de Polignac née Winnaretta Singer. Collection complète contenant :- N°1 : Clouk et Chéri ornés de 6 eaux-fortes hors texte de Dignimont.- N°2 : Notes marocaines et La Décapitée ornés de 6 eaux-fortes hors texte de Daragnès.- N°3 : En tournée et Music-Hall ornés de 6 lithographies hors texte de Luc-Albert Moreau.- N°4 : Portraits et Paysages ornés de 6 eaux-fortes hors texte de Dunoyer de Segonzac. .Tirage à 175 exemplaires tous signés par l'auteur ceux-ci imprimé pour la princesse Edmond de Polignac.Princesse Edmond de Polignac :The Queen of Paris’s Lesbian Community!Winnaretta Singer had married Prince Louis de Scey-Montbéliard to gain access to Paris’s elite artistic circles but everybody knew that she preferred the company of women. Not surprising their marriage went unconsummated and was annulled in 1892. One year later Winnaretta married Prince Edmond Melchior Jean Marie de Polignac an aristocrat and amateur composer 30 years her senior. He was openly gay and both had a deep passion for music. He died eight years after their marriage and Winnaretta never remarried although she had plenty of affairs with married women. On one occasion an enraged husband yelled up at Winnaretta’s apartment “If you are half the man I think you are you will come out here and fight me.”Monod nos. 2982-2985 Paris: Les Amis de Colette [Atelier de Daragnès] 1935-1936, paperback
