Dollarhide, Colette T/ Saginak, Kelli ABiblio.com
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2017réf. 1-0133905217Pearson College Div 2017. Hardcover. New. 3rd edition. 284 pages. 10.25x8.25x0.75 inches. Pearson College Div hardcover
1978réf. G0374514585I4N00Farrar Straus & Giroux 1978. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Farrar, Straus & Giroux paperback
réf. GRP59657294Taylor & Francis Group. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Taylor & Francis Group unknown
1954réf. 82164Paris: Debresse 1954. Fine. Debresse Paris 1954 14 x 19 cm broché First edition printed on ordinary paper. Work illustrated with an out-of-text drawing by Fernand Léger. Precious autograph inscription signed by Luc Bérimont: ""Pour Colette de Jouvenel avec l'affectueuse pensée du grand viager 1958."" ""For Colette de Jouvenel with the affectionate thoughts of the grand viager 1958."" Debresse unknown
1913réf. 82308Paris: Lib. des lettres 1913. Fine. Lib. des lettres Paris 1913 16.50 x 25.50 cm relié First edition one of 20 numbered copies on Arches paper reserved for the society of bibliophiles of ""XX"" deluxe copies with 10 copies on Van Gelder reimposed. Full red morocco binding spine with five raised bands with a minor insignificant nick in the middle date at tail gilt roulettes on headcaps double gilt fillets on edges frame of gilt fillet on khaki morocco endpapers red silk doublure original covers and spine preserved top edge gilt slipcase bordered with red morocco with beige felt interior very elegant binding signed by Canape. Autograph signature of the author on the justification page. Bookplate pasted on verso of first silk endpaper. Very handsome copy superbly bound in a doublure binding signed by Canape. Lib. des lettres hardcover
1907réf. 77332s. l. Paris 1907. Fine. Colette the ""nude dancer"" in her stage costume s. l. Paris s. d. 1907 28.70 x 20.40 cm une photographie contrecollée sur carton Rare and superb original contemporary mounted albumen print showing Colette languidly stretched out on a lion skin and covered with a leopard skin. Photographer's penciled number and studio stamp on the back of the mount. A substantially cropped print bearing the same penciled number on the back of our photograph 11214 is in the Reutlinger archives at the Bibliothèque nationale de France Album Reutlinger de portraits divers vol. 53 p.3. We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008. A beautiful sultry shot of Colette probably taken the year of her banned dance show ""Rêve d'Egypte"" at the Moulin Rouge where she shared the bill and a scandalous kiss with her cross-dressing aristocrat lover Missy. ""Colette was a nude dancer which at the time meant that she . draped herself in vaporous veils concealing part of her anatomy under animal skins"" Paula Dumont. Colette had already used animal skins hugging her figure in this picture as a sensual costume in Charles Van Lerberghe's Pan accompanied on stage by Lugné-Poe and Georges Wague. This was the first time anyone had dared to go without a flesh-colored body suit. Justifying her choice she went on to say: ""I want to dance naked if the body suit bothers me and humiliates my plasticity"". At the time of this photograph in 1907 Colette was performing in countless shows following her debut two years earlier in Nathalie Clifford Barney's Sapphic Salon where Mata Hari also danced. For Colette dance was synonymous with emancipation in more ways than one - as a means of sustenance and liberation of her body which finally belonged to her after her separation from her abusive husband Willy in 1906. Her undulating almost gestureless dance was linked by contemporary critics to that of Loïe Fuller and Isadora Duncan; her greatest success remained ""La Chair"" a risqué mime show she performed two hundred times in Paris and was subsequently produced with a new cast in New York's Manhattan Opera House. It was also in the halls of Parisian dance venues that Colette flaunted herself freely on the arm of her lovers. Her scandalous union with Missy the virile Marquise de Morny who accompanied her on stage in male costumes contributed to the fame of her performances. This is probably the rarest photograph of Colette taken by Reutlinger who also photographed her draped in Grecian style or wearing her costume from ""Le Rêve d'Egypte"". A rare visual testimony to a revolution in dance costume brought about by Colette a key figure in twentieth-century artistic and literary Paris. unknown
réf. 40502592-6Farrar Straus & Giroux. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Farrar, Straus & Giroux unknown
1986réf. 78851s. l.: Editions Unes 1986. Fine. Editions Unes s. l. 1986 12.50 x 15 cm broché First edition one of 101 numbered copies on laid paper the only issue after 23 Rives and 1 pur fil accompanied by the manuscript and original drawings. Work illustrated with drawings by Colette Deblé. Fine copy complete with its fragile illustrated cover of crystal paper. Editions Unes unknown
1914réf. 75220Paris 1914. Fine. Paris 1914 13.60 x 21.20 cm en feuillets Autograph letter signed by Colette addressed to her friend the man of letters and lawyer Adrien Peytel two pages written in black ink in hurried handwriting on a double sheet with L'Eclair newspaper letterhead. A central fold inherent to the folding of the letter for mailing. Fine letter from Colette testimony to the confusion that seized France at the dawn of the Great War: ""Nothing is working. I am stuck here for a piece they are asking me to write."" The writer worries: ""I have no news from Sidi Henry de Jouvenel. I am creating a whole head of worries for myself. I don't know where he is he wrote to me that he was leaving with the 29th for the Somme. Ah! la la la la la la."" ""Colette a entendu sonner le tocsin en Bretagne où elle passait un séjour ensoleillé avec le baron Henry de Jouvenel et leur fille dans sa maison de Rozven. La guerre la surprend en plein bonheur à quarante et un ans. . Son mari appelé dès le 2 août devant rejoindre le 29e régiment d'infanterie à Verdun elle a aussitôt envoyé sa fille à peine âgée d'un an avec sa nurse au château de Castel Novel en Corrèze - chez sa belle-mère. Et elle est rentrée à Paris."" ""Colette heard the tocsin ringing in Brittany where she was spending a sunny stay with Baron Henry de Jouvenel and their daughter in her house at Rozven. The war surprised her in the midst of happiness at forty-one years old. . Her husband called up from August 2nd having to join the 29th infantry regiment at Verdun she immediately sent her daughter barely a year old with her nurse to the château de Castel Novel in Corrèze - to her mother-in-law's. And she returned to Paris."" Dominique Bona Colette et les siennes unknown
1923réf. 75257Marseille 1923. Fine. Marseille s. d. novembre 1923 13.70 x 18.70 cm une page sur un double feuillet Autograph letter signed by Colette addressed to her friend the man of letters and lawyer Adrien Peytel one page written in black ink on a double sheet with letterhead from the Grand Hôtel de Noailles et Métropole in Marseille. A central fold inherent to the mailing of the letter. Handsome letter addressed from Marseille while Colette was conducting a lecture tour: ""I'm finishing my tour. I'll be in Paris on Sunday and we'll take care of this matter - which I still haven't understood anything about."" ""In November 1923 she dealt with . a subject she knew by heart Le Théâtre vu des deux côtés de la rampe. Her very young lover Bertrand de Jouvenel joined her in Marseille at the Grand Hôtel de Noailles et Métropole. Scandal: Bertrand de Jouvenel was none other than the son of her second husband the diplomat Henry de Jouvenel; guaranteed uproar around the fifty-year-old writer while her husband's son had just celebrated his twentieth birthday. Colette had two years earlier initiated the future economist and political scientist into love in this scandalous liaison which provided the theme and situations for Blé en herbe published in that same year 1923."" Rémi Duchêne L'Embarcadère des lettres unknown
1920réf. 75260Marseille 1920. Fine. Marseille s. d. circa 1920 19.80 x 25.20 cm une page sur un feuillet Autograph letter signed by Colette addressed to her friend the man of letters and lawyer Adrien Peytel nine lines written in black ink. Some folding marks inherent to the mailing of the letter. ""And then damn it enough already. Here La Cigale is calling me for tomorrow evening and I haven't stolen it since I accepted and even asked to do the café-concert criticism on the same level as the other."" unknown
réf. 0671733346.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1940réf. 02064328 - 29 January 1940. Manuscript. Paperclip impression at corners old horizontal crease. Near Fine. A six-page TYPED MANUSCRIPT in French SIGNED "Colette" at the conclusion on 8-1/4" x 10-3/4" sheets of paper. One of several lectures Colette gave on Radio Mondial. This one concerns her views of mondanité or worldliness. unknown
réf. 020642n.p. n.d. Letter. Near Fine. A two-page AUTOGRAPH LETTER SIGNED "Colette" written in French on both sides of one 8-1/4" x 5-1/4" piece of blue paper to Monsieur and Madame Albert neighbors to whom she gives thanks. unknown
1920réf. 76019Rennes: Menzil 1920. Fine. Menzil Rennes circa 1921 14.50 x 21.80 cm Rare and unpublished childhood portrait of Colette Destouches only daughter of Louis-Ferdinand Céline born in 1920 on albumen paper mounted on cardboard from the Menzil studio. Manuscript caption ""Colette Destouches"" inscribed on recto and verso with the mention ""1920"". The portrait was taken by the Menzil house 6 rue Beaumont Rennes the city where Céline met and spent several years in the company of Édith Follet his second wife and mother of Colette. This photograph of Colette Destouches who is only a few months old is to our knowledge unpublished. Céline retained throughout his life an affection for his daughter whom he saw regularly in Rennes Geneva and Paris and who was ""surely more possessive in his way with her than he had been with any of his wives his mistresses. He had dreamed for her a glorious future of a medical career as if to strengthen their complicity"" Frédéric Vitoux La Vie de Céline coll. Folio 2005 p. 636. Menzil unknown
réf. 0374513082.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1935réf. 74179s. l. Paris 1935. Fine. s. l. Paris s. d. circa 1935 17.70 x 22.50 cm 2 pages sur un feuillet Beautiful autograph letter signed by Colette addressed to her friend Bolette Natanson. Two pages written in ink on blue paper. Transverse creases inherent to the folding of the missive. This letter was probably addressed to Bolette following a gift made to her ""old friend"": ""Ah! dangerous Bolette! I can say nothing in front of you. Here are the two charming thick little vessels that emigrate to my home."" This is an opportunity for Colette very pleased with this new gift to humorously devalue the designer's previous works: ""From now on your frames are ugly your mirrors troubled like an honest man's conscience and your butterflies are - horror! - faithful!"" The famous ""butterflies"" naturalized and enclosed in glass frames are visible in several photographs of the writer in her home. Having evolved since her earliest childhood in artistic circles - she is the daughter of Alexandre and niece of Thadée Natanson the creators of the famous Revue Blanche - Bolette Natanson 1892-1936 became friends with Jean Cocteau Raymond Radiguet Georges Auric Jean Hugo and also Colette. Passionate about sewing she left Paris for the United States with Misia Sert great friend of Coco Chanel and was hired by Goodman. With her husband Jean-Charles Moreux they created in 1929 the gallery Les Cadres on boulevard Saint-Honoré and frequented numerous artists and intellectuals. Their success was immediate and they multiplied projects: the creation of the fireplace for Winnaretta de Polignac the decoration of the château de Maulny the arrangement of Baron de Rothschild's private mansion the creation of frames for industrialist Bernard Reichenbach and finally the realization of Colette's beauty institute storefront in 1932. Bolette Natanson also framed the works of her prestigious painter friends: Bonnard Braque Picasso Vuillard Man Ray André Dunoyer de Segonzac etc. Despite this meteoric rise she would end her life in December 1936 a few months after her father's death. unknown
1936réf. 74160Paris 1936. Fine. Paris s. d. 12 mars 1936 17.80 x 22.60 cm 2 pages sur un feuillet Fine autograph letter signed by Colette addressed to her friend Bolette Natanson. Two pages written in ink on blue headed paper from the Marignan building the writer's residence between 1936 and 1938. Transverse folds inherent to the folding of the letter for mailing. Moving letter addressed by Colette to her close friend following the death of her father Alexandre Natanson: "". ce dimanche va être un dimanche bien pénible. Je t'écris à l'heure juste où tu conduis ton père."" ""this Sunday is going to be a very painful Sunday. I am writing to you at the very moment when you are laying your father to rest."" Conscious of the suffering and ""chagrin"" ""grief"" of her ""chère Bolette"" ""dear Bolette"" she affectionately offers her support ""On croit toujours que la pensée qui est une force touche son but aussi bien qu'un message écrit."" ""We always believe that thought which is a force reaches its target as well as a written message."" ending her letter with a very beautiful declaration: ""Beaucoup de visages humains se penchent vers le tien et tu ne les aimes pas tous. Le mien que tu ne verras pas te suit de loin et s'inquiète de toi."" ""Many human faces lean toward yours and you do not love them all. Mine which you will not see follows you from afar and worries about you."" Bolette would commit suicide a few months later. Having evolved since her earliest childhood in artistic circles - she was the daughter of Alexandre and the niece of Thadée Natanson the creators of the famous Revue Blanche - Bolette Natanson 1892-1936 became friends with Jean Cocteau Raymond Radiguet Georges Auric Jean Hugo and also Colette. Passionate about couture she left Paris for the United States with Misia Sert a great friend of Coco Chanel and was hired at Goodman. With her husband Jean-Charles Moreux they created in 1929 the gallery Les Cadres on boulevard Saint-Honoré and frequented numerous artists and intellectuals. Their success was immediate and they multiplied their projects: the creation of the fireplace for Winnaretta de Polignac the decoration of the château de Maulny the arrangement of Baron de Rothschild's private mansion the creation of frames for industrialist Bernard Reichenbach and finally the creation of the storefront for Colette's beauty institute in 1932. Bolette Natanson also framed the works of her prestigious painter friends: Bonnard Braque Picasso Vuillard Man Ray André Dunoyer de Segonzac etc. Despite this meteoric rise she would end her life in December 1936 a few months after her father's death. unknown
réf. 31384Henri Jonquières et Cie éditeur N° 3 de collection "Les beaux romans" 1922. in/8 reliure en plein maroquin rouge dos à 4 nerfs dos et couvertures conservées doré sur tête 251 pages. Illustré de trente-cinq compositions de Chas. Laborde. Exemplaire numéroté sur papier de rives. unknown
réf. 30573Paris Société Littéraires et Artistiques Librairie Paul Ollendorff 1903 huitième édition in/8 reliure en demi-basane marbré dos orné guirlande de fleurs couverture en couleurs conservée couverture illustrée par Pascau 319 pages. unknown
1935réf. 71604Paris: Ferenczi 1935. Fine. Ferenczi Paris 1935 12 x 19 cm broché First edition one of 30 numbered copies on bibliophile vellum the only deluxe copies. Handsome copy. Ferenczi hardcover
1941réf. 72180Paris: Aux armes de France 1941. Fine. Aux armes de France Paris 1941 14 x 22.50 cm broché Illustrated edition with a portrait of Colette by Luc-Albert Moreau one of 300 numbered hors commerce copies on Ivoirine paper. Restorations to spine and joints small corner lacks filled on boards handsome interior condition. Exceptional and precious autograph inscription signed by Colette: ""Pour Drieu La Rochelle en souvenir de Colette."" ""For Drieu La Rochelle in memory of Colette."" Aux armes de France hardcover
réf. 3868503-75Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1961réf. 70445Paris: Flammarion 1961. Fine. Flammarion Paris 1961 15.50 x 21.50 cm broché First edition one of 35 numbered copies on pure Arches laid paper deluxe issue. Iconography. Light crease without significance to front cover handsome copy. Flammarion unknown
réf. 98001Paris Éditions Excelsior 1926. . Limited edition number 307 of 425 numbered copies; 4to; 20 colour plates by Icart and a facsimile letter by Colette on blue paper tipped-in opposite the limitation page text in French near-contemporary binding by A. Szekely in half morocco over marbled boards gilt marbled endpapers and top edge gilt a little rubbed at extremities otherwise very good. Paris, Éditions Excelsior, 1926. hardcover
