1873-1954, ColetteBiblio.com
7994 risultati
rif. 1016740905.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1018635556.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1934rif. 17Nativelle, Paris, 1934, in-8 (24,5x19,5cm), 86pp., broché, couverture blanche imprimée en noir et rouge, décorée et rempliée. Quelques rousseurs.
rif. 20035BROCHE - 15 X21 - éditions AUTEUR -190 PP - 1994
1927rif. 30859Durand et Cie 1927
1967rif. 89602Edwin H. Morris 1967
1925rif. 84520Paris P.L.M, 1925, in-4 oblong (29x17cm), demi-reliure éditeur, 303p. Très bon état. Hors-texte en couleurs. Sans annotations.
1963rif. 191731963 Saint-Denis, Musée municipal d'art et d'histoire, 1963. Catalogue d'exposition, comprenant 16 pp. d'illustrations hors texte, photographies, reproductions, fac-similés. Petit in-8 broché, 16 x 16 cm., 96 pp., imprimé sur vergé ivoire. Couverture bleue à rabats. Notre exemplaire comprend un ex dono manuscrit en forme de poème et une citation manuscrite à la fin. Couverture insolée. Intérieur en très bon état.
1954rif. 82164Debresse | Paris 1954 | 14 x 19 cm | broché
1954rif. 82164Paris: Debresse 1954. Fine. Debresse Paris 1954 14 x 19 cm broché First edition printed on ordinary paper. Work illustrated with an out-of-text drawing by Fernand Léger. Precious autograph inscription signed by Luc Bérimont: ""Pour Colette de Jouvenel avec l'affectueuse pensée du grand viager 1958."" ""For Colette de Jouvenel with the affectionate thoughts of the grand viager 1958."" Debresse unknown
rif. cROU-382Paris ,Guy Le Prat,sans date (c.1960) ; in-4°,broché,couverture crème imprimée en rouge et bleu,sous chemise et étui cartonnés de papier crème (muets); 118pp., 3ff.nch. Illustré de très nombreux bois gravés en 2 tons dans et hors le texte.
1960rif. 86524Paris Atelier Arts Graphiques 1960, 26x34cm, en feuilles sous chemise rempliée, 171p. Très bon état. Complet des seize lithographies en noir. Tirage limité à 150 exemplaires. L'un des 137 ex. sur chiffon d'Arches.
1920rif. 76019Rennes: Menzil 1920. Fine. Menzil Rennes circa 1921 14.50 x 21.80 cm Rare and unpublished childhood portrait of Colette Destouches only daughter of Louis-Ferdinand Céline born in 1920 on albumen paper mounted on cardboard from the Menzil studio. Manuscript caption ""Colette Destouches"" inscribed on recto and verso with the mention ""1920"". The portrait was taken by the Menzil house 6 rue Beaumont Rennes the city where Céline met and spent several years in the company of Édith Follet his second wife and mother of Colette. This photograph of Colette Destouches who is only a few months old is to our knowledge unpublished. Céline retained throughout his life an affection for his daughter whom he saw regularly in Rennes Geneva and Paris and who was ""surely more possessive in his way with her than he had been with any of his wives his mistresses. He had dreamed for her a glorious future of a medical career as if to strengthen their complicity"" Frédéric Vitoux La Vie de Céline coll. Folio 2005 p. 636. Menzil unknown
1950rif. 103271950 (Paris,) les Heures claires, 1950; petit in-4°, demi-chagrin rouge à larges coins, dos à 2 X 2 nerfs cernant auteur et titre dorés, tête dorée, couverture et dos conservés (Barnigaud relieur); 113-(1)pp. - (3)ff. dont 2 blancs. Lettrines tirées en mauve. Illustré d'un frontispice et de 30 vignettes gravés à la pointe-sèche par Grau Sala.
in-8 etroit, 179 pages, broche, couverture illustree plastifiee. Bel exemplaire. [CA29-3] [F]
rif. 51215Souillac, Le Point 1951, 260x195mm, 48pages, cartonnage de l’éditeur sous couverture rempliée.
1984rif. AOLme(HO83Berlin 1984. 1984. 4to.unpaginated. Text in English & German. profusely illus. in b/w. pages loosely inserted in paper portfolio binding extremities bit worn. Published in conjunction with an exhibition. Soft cover. Very Good. Berlin, 1984. Paperback
1903rif. ML19291903 1903 P Mercure de France 1903, in12 toile bordeaux, 291pp Langue: Français
1901rif. 85673Paris Paul Ollendorf 1901, in-12, demi-chagrin bleu à nerfs, couverture illustrée conservée, 321p. Edition originale sur papier d'édition. Dos légèrement passé. Bel exemplaire, solide et frais.
1968rif. 187961968 Paris, Lettres modernes - Minard, Bibliothèque des Lettres modernes, Thèses et Travaux de Critique et d'Histoire littéraire, 1968. In-8 broché de 301 pp., avec bibliographie in fine. Très bon état, comme neuf
1984rif. 83209Paris: Gallimard Bibliothèque de La Pléiade 1984. Fine. Gallimard Bibliothèque de La Pléiade Paris 1984 10.50 x 17.50 cm reliure de l'éditeur sous étui souple et cartonné First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with dust jacket acetate wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
1932rif. 19048Paris: Editions Surréalistes 1932. Fine. Editions Surréalistes Paris 1932 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from the author to Colette. Spine faded as usual two small glued tears to head and to foot of a joint a leave badly cut by the dedicatee with small marginal lacks. Editions Surréalistes unknown
1907rif. 77332s. l. Paris 1907. Fine. Colette the ""nude dancer"" in her stage costume s. l. Paris s. d. 1907 28.70 x 20.40 cm une photographie contrecollée sur carton Rare and superb original contemporary mounted albumen print showing Colette languidly stretched out on a lion skin and covered with a leopard skin. Photographer's penciled number and studio stamp on the back of the mount. A substantially cropped print bearing the same penciled number on the back of our photograph 11214 is in the Reutlinger archives at the Bibliothèque nationale de France Album Reutlinger de portraits divers vol. 53 p.3. We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008. A beautiful sultry shot of Colette probably taken the year of her banned dance show ""Rêve d'Egypte"" at the Moulin Rouge where she shared the bill and a scandalous kiss with her cross-dressing aristocrat lover Missy. ""Colette was a nude dancer which at the time meant that she . draped herself in vaporous veils concealing part of her anatomy under animal skins"" Paula Dumont. Colette had already used animal skins hugging her figure in this picture as a sensual costume in Charles Van Lerberghe's Pan accompanied on stage by Lugné-Poe and Georges Wague. This was the first time anyone had dared to go without a flesh-colored body suit. Justifying her choice she went on to say: ""I want to dance naked if the body suit bothers me and humiliates my plasticity"". At the time of this photograph in 1907 Colette was performing in countless shows following her debut two years earlier in Nathalie Clifford Barney's Sapphic Salon where Mata Hari also danced. For Colette dance was synonymous with emancipation in more ways than one - as a means of sustenance and liberation of her body which finally belonged to her after her separation from her abusive husband Willy in 1906. Her undulating almost gestureless dance was linked by contemporary critics to that of Loïe Fuller and Isadora Duncan; her greatest success remained ""La Chair"" a risqué mime show she performed two hundred times in Paris and was subsequently produced with a new cast in New York's Manhattan Opera House. It was also in the halls of Parisian dance venues that Colette flaunted herself freely on the arm of her lovers. Her scandalous union with Missy the virile Marquise de Morny who accompanied her on stage in male costumes contributed to the fame of her performances. This is probably the rarest photograph of Colette taken by Reutlinger who also photographed her draped in Grecian style or wearing her costume from ""Le Rêve d'Egypte"". A rare visual testimony to a revolution in dance costume brought about by Colette a key figure in twentieth-century artistic and literary Paris. unknown
1954rif. 9634Paris: C. Fremanger 1954. Fine. C. Fremanger Paris 1954 14 x 19 cm broché First edition for which there were no large paper copies. C. Fremanger unknown
1920rif. 0086896Paris: Artheme Fayard 1920. Hardcover. Fine. Large 8vo original yellow wraps bound into calf backed patterned boards very good with 16 woodcuts by Hermann Paul. Very handsome. Artheme Fayard hardcover
