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1907rif. 003117LONDON: MACMILLAN 1907. REPRINT . Hardcover. Very Good/NoNE. ALL EDGES GILT DARK BLUE LEATHER 5 BANDS GILT EDGING WEAR ALONG SPINE INTERIOR NEAR FINE LIGHT RUBBING ON ALL FOUR CORNERS SOME LIGHT STAINING ON FRONT ENDPAPERS ONLY MACMILLAN hardcover
1906rif. 50396Clarendon Press Oxford 1906. 8vo. First Edition thus with portrait frontispiece in photogravure original tissue guard present title-vignette 2 plates and double-page facsimile toned in sepia original paper guards present free endpapers lightly spotted; plum cloth vellum back riled and lettered in gilt gilt top uncut covers lightly age-soiled else a very good bright clean crisp copy. Buxton Forman's edition collects for the first time the whole of Keats's known work in verse. This Clarendon printing is the true first predating by a year the Frowde version of 1907. The plates include Severn's death-bed portrait of the poet and Haydon's life-mask; the double-page facsimile reproduces sixteen lines of a draft of 'The Eve of St. Mark' which appears here for the first time. VERY SCARCE IN THIS CONDITION. Clarendon Press, Oxford, hardcover
1923rif. 14703Gowans & Gray Glasgow 1923. 2 vols. 8vo. with decorative titles in red and black; original pale blue cloth blocked in blind fore-edges lightly spotted else a very good clean copy. Buxton Forman the elder's edition of the Complete Works was first published in five volumes in 1901. These two volumes containing the Letters are complete in themselves: Vol. IV: Letters 1814 to January 1819; Vol. V: Letters 1819 and 1820. Gowans & Gray, Glasgow, hardcover
2005rif. SBBI-mon0000151661Methuen Publishing Ltd 2005. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Methuen Publishing Ltd paperback
rif. PrakashN-9780375756696RANDOM HOUSE. PAPER BACK. New. ENGLISH RANDOM HOUSE unknown
rif. PrakashN-9780375756696RANDOM HOUSE. PAPER BACK. New. ENGLISH RANDOM HOUSE unknown
rif. B9781015626072Hardback. New. hardcover
rif. B9781017089646Hardback. New. hardcover
1971rif. 2-0333000536Palgrave Macmillan 1971. Paperback. New. 240 pages. 8.50x5.43x0.71 inches. Palgrave Macmillan paperback
1924rif. 11573Macmillan and Co. Limited. London. 1924. Reprint of 1885 extended edition originally issued in 1884. 8vo. 6.2 x 4.2 inches. Issued as part of the Golden Treasury series. Engraved vignette on title page by Stodart. Some foxing to the first and last blank endpapers and to the half title and title pages otherwise a clean copy throughout the text pages unmarked. In an attractive contemporary leather binding by Riviere and Sons London of full navy blue calf. Spine with raised bands each with gilt piping. Compartments double ruled with decorative designs in gilt. Brown title label decorated and lettered in gilt. Board edges with decorative gilt tooling. Turn-ins with elaborate gilt tooling. All edges gilt. Marbled endpapers. A little rubbing to the extremities but overall a very good copy in a lovely leather binding. Macmillan and Co., Limited. London. 1924 hardcover
1901rif. 11486George Bell & Sons. London. 1901. Reprint of the Second edition revised and with new illustrations originally published in 1898. 8vo. 7.9 x 5.3 inches. Fully illustrated throughout with dozens of full page and smaller illustrations in line. Attractive early leather binding by Riviere and Son for Henry Young and Sons of Liverpool. Full dark red morocco. Spine with raised bands each decorated in gilt using heart and cross tools. Compartments with elaborate floral gilt design. Gilt double ruled borders with floral corner pieces and intermittent dots all in gilt to the inner boards. Marbled endpapers. All edges gilt. Some light foxing to a few pages but generally very good throughout. A neat professional repair to the front hinge of the binding but still overall a near very good copy in a beautiful early 20th century binding. George Bell & Sons. London. 1901 hardcover
1897rif. 11483George Bell & Sons. London. 1897. FIRST ANNING-BELL EDITION. 1st printing of the trade edition. 8vo. 8.2 x 5.6 inches. Fully illustrated with Frontis and title page three double page section title pages printed in red and black plus twenty full page plates and dozens of smaller illustrations in line throughout the text. Decorative endpapers both sets with offsetting to the free pages. Neat previous owner name and address on the blank verso of the front free endpaper and some light foxing to a few pages but generally very good throughout. Original decorative cloth binding designed by Anning Bell. Beige cloth with Gilt lettering to spine. Red and green decorative vinyard design to front board and spine. Publishers device to rear board in red and green. Top edge gilt. Small letter P in white to the centre of the bottom quarter of the spine. Some toning to the spine but the gilt still bright and minor rubbing and bumping to the extremities. Overall a very good copy of this beautiful book. Uncommon in this first printing of the trade edition. --- A larger impression limited to 125 copies and printed on Japanese Vellum was issued simultaneously. George Bell & Sons. London. 1897 hardcover
1902rif. 23085London: Reeves and Turner 1902. An early and illustrated edition of the Forman edited Keats. With an engraved portrait frontispiece of Keats with printed autograph six other portraits and 10 other illustrations all on plates. 8vo in a handsomely presented and fine binding by Macmillan and Bowes of three-quarter crushed morocco over delicately marbled tan paper covered boards lettered in gilt on the spine and with thick raised bands beautifully gilt decorated. Gilt ruling on the covers marbled endpapers t.e.g. xxxi 597 pp. A fine copy in every way internally pristine and the binding in excellent condition. A VERY HANDSOME AND FINELY BOUND COPY of Buxton Forman’s highly important collection of Keats. The ten illustrations are lovely pre-Raphaelite plates and the seven portraits nicely round out the volume. A very pretty book well suited to the content. A BEAUTIFUL COPY OF THIS FINE BOOK. Buxton Forman’s highly important collection of Keats. With his scholarly notes and appendices. ‘In this reissue of Keats's Writings no change has been made in the general arrangement and only two words have been altered in the text of the poems.’ “The whole of Keats’s known works in verse are included in this volume; and the foot-notes contain a large selection of variorum readings. Sixteen lines of THE EVE OF ST. MARK found by the Editor in a Keats scrap-book lent to him by Mr. Frank Sabin and given in the Introduction have not been printed in any other edition.” A definitive scholarly edition with annotations. Includes a chronology of Keats’ life and short biographical description of all the correspondents. To Harry Buxton Forman in the first place and then to Sir Sidney colvin is due also the credit of gathering and arranging the mass of Keats’ correspondence. Their collection was based on the latest published work of Forman supplemented by the fruits of his subsequent research as well as from other sources. He was the most renown of all Keats scholars. Reeves and Turner hardcover
rif. 41667broche in 16 couverture a rabats legers eraflures sur la couverture
rif. B321Broché, très bon état. Edition de 1966
1965rif. 192407Robert Laffont 1965 in8. 1965. Broché.
1930rif. 511900Humbert wolfe 1930 31 pages in8. 1930. Broché. 31 pages. "The augustan books of English poetry" Second series seems to be 4th impression 1930 Used cover neutral with " John Keats" sticked onto it Good inside shape
1990rif. 148603Obsidiane Paris, Obsidiane, 1990. In-8 broché de 55 pages. Bon état
rif. 78335France, Editions Obsidiane, 1990. 14 x 21, 55 pp., broché, bon état.
rif. 101.069Paris/Bruxelles, Editions du Cercle d'Art, 1944. 16 x 22, 59 pp., broché, couverture à très larges rabats, bon état (couverture insolée).
rif. 25110<meta charset="utf-8"> <meta charset="utf-8"><meta charset="utf-8">À qui est depuis longtemps confiné dans la ville, Il est fort doux de perdre son regard Dans le beau visage ouvert du ciel — d’exhaler une prière En plein sourire du bleu firmament. John Keats « Toute quête est une fuite à rebours. Ce que recherche Keats, c’est un refuge, un espace de repli pour accueillir la beauté et la vérité de l’univers, dans la joie, par une fenêtre grande ouverte (Spinoza aurait vu dans un tel asile une allégorie du bonheur). Cette sphère protégée, circonscrite, atemporelle, secrète et sacrée, où il se livre à toutes sortes d’expériences sensorielles, c’est le sanctuaire de la poésie. » Lucien d’Azay Paris, 2021 Les Belles Lettres XXII + 238 p., Bibliographie, 1 Illustration(s) N&B, 14 Illustration(s) couleurs, broche. 12,6 x 19,2
rif. 7370Paris, L'Herne (collection L'envers, n° 4), (15 novembre) 1971. In-16 (145 x 110 mm), broché, 48 pages, couverture orange à rabats.
1907rif. 014032Paris Maison du Livre 1907 Broché, attaches métalliques
rif. EXE-843Paris, o. Lazar-Vernet, 1970. Grand in-4° en feuilles, chemise et étui de l’édition. Édition originale. Illustrée d’une aquatinte originale en couleur de Pierre Tal Coat et de 6 gravures originales. Tirage à 228 exemplaires, CELUI-CI LE NUMÉRO 22 DES 35 SUR RICHARD LE BAS COMPRENANT UNE SUITE DES GRAVURES SIGNÉES.
1944rif. 28840Couverture rigide. Broché. 33 pages. Couverture légèrement défraîchie. Nombreuses annotations au crayon.