Misal, BaluBiblio.com
416 résultats
réf. 6209356591.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1673réf. 134Extremely Rare Venetian Missal in a fine contemporary leather binding. No copy of this edition recorded on WorldCat Roman Church. Missale Romanum ex Decreto Sacrosancti Concilii Tridentini Restitutum Pii V Pontificis Maximi Iussu Editum Clementis VIII Urbani VIII Alexandri VII Clementis IX et SS D.N. Clemente Papa X Novissime Suis Locis. Venetiis Venezia apud Cieras MDCLXXIII 1673. Folio 384 x 258 mm full black leather binding single ruler with floral decoration on boards charming metal plaque in the centre of the front board depicting two winged cherubs; spine with seven raised bands pp. 40 422 4 423-527 1 CXX 6 CXXI-CXXIII i.e. CIII 1. Original clasps preserved. Title page in red and black ink with a beautiful engraved vignette at f. a¹ Commune sanctorum. Signature: ¹Ⱐ2⸠3² A-2K⸠a-e⸠f-gⶠ1 full-page engravings: Annunciation signed by the Sienese Engraver Giovanni Maria Ferri and four by Giacomo Piccini father of Sister Isabella. Several historiated initials. Pages of music engraved within the text in red ink. Apparently the only existing copy of this edition of the Missale Romanum. After the Council of Trent 1545-1563 liturgical norms underwent significant changes with the aim of unifying and strengthening the practice of the Catholic faith in response to the divisive tendencies of the Protestant Reformation. Among the key reforms was a revision of sacred texts particularly the Roman Missal which was standardized and promulgated by Pope Pius V in 1570 through the bull Quo Primum Tempore. This new missal known as the Tridentine Missal standardized liturgical rites across the Latin Church eliminating local variations that had developed over the centuries except those with at least 200 years of tradition. Latin was retained as the official liturgical language and the gestures prayers and readings were clearly defined establishing a strict canon. This liturgical reform endured for centuries until a new wave of changes introduced by the Second Vatican Council in 1962 which led to the creation of an updated Roman Missal with greater openness to vernacular languages and more active participation of the faithful. Imprimatur: "We Brother Bassanus Galliciolus of Brescia of the Order of Preachers Master of Sacred Theology and General Inquisitor against heretical depravity in the City of Venice and throughout its Most Serene Dominion specially delegated by the Holy Apostolic Office. We have compared the Roman Missal recently printed by Mr. Bonifacio Ciera with another already duly approved and since it is found to agree with it in all respects as well as with the Decrees of the Sacred Congregation of Rites and of the Supreme Pontiffs we therefore grant permission for it to be published. And in testimony thereof etc. Given at Venice from the offices of the Holy Inquisition on the 1st of January 1673. Thus it is Brother Bassanus as above by his own hand." Conditions: Few small wormholes along the text light marks of use. Overall a good copy. Provenance: Paper Ex libris " Luigi Carpaneto " on front pastedown. Wider description and more images: https://tinyurl.com/1673Missal-PDF apud Cieras
2002réf. 319224Collegeville MN: The Liturgical Press 2002. Second Typical Edition. Hardcover. Very Good. 1971p. A dark red cloth hardcover book in very good condition with two attached ribbon bookmarks. Spine lightly creased; otherwise text clean and binding tight. Volume 2 only Year I weekdays. All text is in English. Measures approx. 9.25" x 7.25 The Liturgical Press hardcover
réf. 1083358Encuadernación de tapa dura. Aceptable. . Sin datos. Siglo XVII. 21x13 cm. Falto de portada 32 folios 728 págs. Commune Sanctorum in Vigilia. 110 págs. 4 págs. restauradas con injertos. creo que faltan algunas páginas mas Texto a dos columnas y a dos tintas Pentagramas con letra y música 9 Láms. grabadas a plena página 15 pequeños grabados entre texto Letras Capitulares. Ejemplar restaurado encuadernado en pleno pergamino a la romana titulo manuscrito en lomera. # religión. hardcover
réf. 9788557170315BENVIRA. new. Simoni Missel acostumou-se a garimpar potencialidades identificar afinidades e n�o permitir que as empresas percam talentos por conta de problemas causados pelo estresse e pela dificuldade de relacionamento. Especialista em desenvolver pessoas tendo em vista as necessidades do neg��cio Simoni Ǹ uma defensora ferrenha do uso do feedback como ferramenta de desenvolvimento humano e profissional. Para escrever Feedback corporativo - Como saber se estǭ indo bem a autora usou como base mais de 15 pesquisas que desenvolveu e aplicou em seus mais de 30 anos de carreira alǸm de casos que p�de observar in loco com seus clientes. Para os gestores este livro servirǭ como um guia para aplicar um feedback e ciente e enriquecedor tanto para a empresa como para os funcionǭrios mostrando que o mǸtodo Ǹ uma ferramenta para ajudar seus colaboradores a se desenvolver profissional e pessoalmente. Para os funcionǭrios mostrarǭ a import�ncia do feedback e como agir perante um retorno ""positivo ou construtivo"" aprendendo a separar o pessoal do profissional. Em 2016 Simoni juntamente com sua equipe desenvolveu o Feedback Manager um software para a sistematiza��o da metodologia do Feedback Corporativo atravǸs de formulǭrios prǭticos e didǭticos totalmente adaptados �� realidade de reuni��es produtivas e com foco no desenvolvimento imediato do colaborador. BENVIRA unknown
réf. V9-N7OW-MDUPBenvir��. New. Benvir�� unknown
réf. ST20214Northern France perhaps Beauvais or Amiens late 13th or early 14th century. 286 x 199 mm. 11 1/4 x 7 3/4". Double column containing a mixture of staves and text approximately 21 lines in an excellent formal gothic book hand. Attractively matted. Rubrics in red chant text containing black penwork initials with red and yellow geometric elaboration BEAUTIFULLY ILLUMINATED with five two-line initials painted blue or pink with white tracery on a ground in the contrasting color two of the initials filled with grotesques and swirling vines and two with the filler design traced out but never completed each initial with blue and pink extensions terminating in orange leaves or spiky shapes; the verso featuring AN IMPRESSIVE SIX-LINE "N" 58 x 50 mm. in the same style filled with an intricate knotwork design and orange leaves with long extensions including a horizontal extension across the upper margin. Margins with light offsetting of the designs from the facing leaf; remnants of mounting tape on recto corners and bottom edge; verso apparently with a barely visible Medieval "14" in lower margin. An area measuring 5 mm. at edges just faintly yellowed from mat burn but IN FINE CONDITION the vellum otherwise quite bright the paint rich and the gold brightly glittering. This sumptuously decorated leaf--which is beautifully preserved and contains a particularly large and handsome initial--comes from the last volume of a three-volume Missal presented to Beauvais Cathedral by Canon Robert de Hangest d. 1356. The Missal remained at the cathedral at least through the 17th century when it is noted in an inventory but was removed from the church at some point likely in the aftermath of the French Revolution. The parent volume eventually entered the collection of Henri-Auguste Brölemann 1775-1854 of Lyon who passed it to his grand-daughter Etienne Mallet who then sold it at Sotheby's in 1926. It was then acquired for the collection of William Hearst where it remained for the next 25 years. In 1941 it was again sold at auction and subsequently dismembered. Though long thought to have been the work of famed biblioclast Otto Ege recent scholarship suggests that it was actually Phillip Duschnes who was responsible for breaking up the book keeping some leaves for himself and selling others on to his colleague Ege for inclusion in his portfolios of "Fifty Original Leaves from Medieval Manuscripts." The Beauvais Missal has been a subject of interest for many notable scholars chief among them being Christopher de Hamel--see: "Otto Ege and the Beauvais Missal" in "Gilding the Lilly: A Hundred Medieval and Illuminated Manuscripts in the Lilly Library" and it is currently the focus of a major effort to "reconstruct" the manuscript digitally--a project spearheaded by Lisa Fagin Davis. Other leaves from the parent volume are in the collections of the Morgan Library the Metropolitan Museum of Art the Cleveland Museum of Art and the Houghton Library at Harvard among many others. Although there is some dispute among art historians the illumination has been tentatively attributed to the artist of the Hours of Yolande of Soissons produced in Amiens ca. 1280 and now held by the Morgan Library MS M.729. It is worth noting that the town of Hangest home to the original owner is only 10 miles from Amiens and is a likely place of origin for the Missal. The present leaf contains a text for a major feast day and thus contains a large and extravagantly decorated initial for its opening "'Nunc scio vere." It is not too much to say that the decoration here is masterful but curiously--and of special interest to us from a modern perspective--the illuminators seem to have forgotten to put the finishing touches on the two smaller initials above which still contain sketches of the preliminary design. unknown
1623réf. 51006Paris Lutetiae Parisiorum: Associated Booksellers to the Church Apud Societatum Typographicam Librorum Officij Ecclesiastici 1623. Hardcover. 12mo. Rebound in full brown velour over heavy boards likely late 19th century. 94pp 735pp 1p i-cxxxvj. Small title page engraving and single full-page engraving unnumbered p. 94. Overall very good. Binding a bit edgeworn and rubbed with a few spots but strong; text block tightly cropped as is typical but tight and quite nice with corner or edge chips on title page not affecting text unnumbered p. 33-34 slightly affecting several words and pp. 367-72 not affecting text; cloth fore-edge tabs marking leaf 363-64 and 365-66; old but neat archival paper gutter reinforcements to inner hinges; 19th c. bookplate on inner flyleaf of Wisconsin religious academy couple of pencilled 19th c. ownership signatures on facing leaf and miniscule Wisconsin convent inkstamp at bottom of title page and one text page. Fairly attractive quite handleable later printing of the Council of Trent's 1570 official issue as authorized by Pope Pius V and corrected by Pope Clement VIII in 1604 but preceding the further revisions authorized by Pope Urban VIII in 1634. The Roman Missal contains in two-column large typeface format with extensive varying-sized historiated initials numerous texts for the celebration of the most common liturgy and Mass of the Catholic Church with numerous hymns scattered throughout. Many portions throughout printed in red. Interestingly on display at Moseley Old Hall in Wolverhampton in central England is a copy of this same Paris 1623 prayer book believed to be the edition that a Father Huddleston possibly used to convert Charles II to Catholicism on his deathbed when the King summoned the Benedictine priest to his bedside at Whitehall Palace in London in 1685. Associated Booksellers to the Church [Apud Societatum Typographicam Librorum Officij Ecclesiastici] hardcover
1784réf. AQ14409Olispone i.e. Lisbon: Typographia regia et privilegio 1784. 30 672pp cxlvi 10 58. Several engraved devotional images within pagination. Contemporary red morocco richly gilt marbled endpapers and gilt gauffered edges yellow metal clasps. Rubbed small incision to lower joint paper label to upper board. Tears to FFEP occasional marginal loss/tearing some occasional marking. A handsomely bound Portuguese-printed Roman missal which despite later confusion in an inscription to a blank fly-leaf earlier manuscript letters inserted suggest that this was seized from the flagship of the usurper Dom Miguel the 80-gun Don Juan during the 1833 Battle of Cape St. Vincent passing through the hands of several clergymen before being presented to Grayfriar's Oxford. . Folio. Typographia regia, et privilegio unknown
réf. 146825Athens: Apostoaiki Ministry of Ekkaisias of Greece 1956. Hardcover 451pp. Very good no dust jacket. Card covers inserted in vinyl binding. Ribbon page marker borders headings and capitals in red index. Text in Greek Language. Religion Missal Religion. Apostoaiki Ministry of Ekkaisias of Greece Hardcover
réf. 3848483211.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3659509302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1821réf. L024972Chez J.M. Garrigan 1821. First Edition. Leather Binding. Good/No Jacket. 16mo - over 5¾" - 6¾" tall. 12mo 432pp Text in Latin and French title page in French only. Includes the Latin text of the Ordinary of the Mass and Vespers plus the litanies of the saints and other rites particularly those appropriate to the diocese of Mende in the south of France. Introductory letter and permission statement in French signed 'Jean-Francois' the bishop of Avignon. Notable for the portrait woodcut illustration of Saint Nicolas on title page verso. Bound in full contemporary dark brown calf gilt-stamped red morocco spine label plain endpapers. Good edges and corners worn and rubbed; some rubbing and staining to spine and covers; lacks front and rear preliminaries and blanks few signatures shaken some internal browning and foxing.1 b/w engr illus; title vig. Chez J.M. Garrigan unknown
réf. 818483506X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1969réf. 1206273PN. New. 1969. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1986réf. 306857Sherwood Park: St John's Lutheran Church 1986. First edition. hardcover. very good/no dustjacket. 4to. pp.232 St John's Lutheran Church hardcover
1896réf. AQ28784Mechliniae i.s. Mechelen: H. Dessain 1896. xli 502 60 24pp 2. With a half tile. Printed in red and black. Elaborately bound in contemporary richly gilt-tooled red morocco device of seated christ proffering book with Greek letters alpha and omega within ornate border to both boards A.E.G. with eight divisional red moire cloth tabs one partially perished gilt dentelles decorated endpapers. Slightest of rubbing to extremities. Internally immaculate. An exquisitely bound late nineteenth-century Continental edition of the Roman Missal. The Roman Missal with origins in the high middle ages is the liturgical book from which the text and rubrics for the celebration of Catholic Mass with both prayers and music. One of the major advances of the Council of Trent the Catholic counter to the Protestant Reformation was to standardise the Missal. Pope Pius V acting on the concilliar deciion formalised this in his Quo Primum on 14 July 1570 - insisting that the standard form of the Missal was used throughout the Church except where a local missal could be proved to be of two centuries antiquity. Perhaps one of the most controversial Counter-Reformation decisions made at Trent the use of a standard Missal prevented the celebration of the Mass in vernacular languages and signified a further strengthening of Papal authority: particularly as all printed editions were prefaced by the Pope's order of standardisation. The Missal of Pius V was further edited by Clement VIII in 1604 and later by Urban VIII in 1634. . Large 8vo. H. Dessain hardcover
réf. a29572Rome 1794 Exudebant Joachim et Michael Puccinelli Fratres. Restitutum Sancti PII V. Pontificis Maximi Jussu editum Clementis VIII. et Urbani VIII actoritate recogniutm; nunc denuo sub auspiciis Sancitissimi Domini nostri PII Sexti Pont. Max. Folio 26x38x4 cm. Hardcover. Title in red and black with 1/4 page vignette. Text in double columns. Two fullpage engravings. About 20 pages have lower blank corner cut off and cloth tabs have been added to 6 pages 2 tabs have since worn off. Rebound in early or mid 20thc to brown paper-covered boards with green cloth spine. Includes much black block letter music scoring. One text page has lower corner torn off just into text loss of about 4 lines of words and one bottom line of music is torn off on another page. Occasional spotting and foxing throughout. Binding very secure. near Good. . hardcover
réf. 3011P.Mellottée editeur 448 pages in12. Sans date. plein basane tranches dorées. 448 pages.
1806réf. 15727A Lyon Chez M.-P. Rusand, Imprimeur-Libraire 1806, in-12 (10 x 18,5 cm), reliure de l'époque, pleine basane rouge, dos long, pièce de titre cuir, plats décorés d'un encadrement de roulettes et filet, fer au centre, chant et chasse décorés, toutes tranches dorées, 408p. Marques du temps sur la reliure, manques de cuir en tête et queue du dos. Gravure en frontispice. Prières imprimées en gros caractères. Intérieur frais.
1775réf. 63305Orléans, Chez la Veuve Rouzeau-Montaut, Imprimeur du Roi, de Mgr l'Eveque & de la Ville., 1775, Plein maroquin rouge. Roulette florale en encadrement cernée de dents de rats sur les plats. Coupes décorées. Toutes tranches dorées. Dos long à motif étoilé. Signets., 568 pages. Elégants exemplaires présentant une usure d'usage. Intérieur frais présentant de rares rousseurs.
1730réf. 70245Paris, Chez François Jouenne, sd 1720-1730, in-12, plein veau d'époque, dos à nerfs, caissons ornés. , 80 pages. Ouvrage, intégralement gravé pour le texte et les images par Landry, orné de 33 gravures à pleine page avec en regard une prière. Condition médiocre. Reliure usée, coins émoussés,mouillures sur qq. pages, gardes partiellement déchirées. Néanmoins peu courant.
1911réf. 85368Tours Maison Alfred Mame et Fils 1911, 9x12cm, pleine reliure ornée d'une plaque à la fanfare, roulette sur chasses et sur chants, toutes tranches dorées, sous double emboîtage, 482p. Parfait état.
1921réf. 87176Turnhout Etablissements Brepols 1921, 10,5x14cm, pleine reliure mosaïquée, dentelle intérieure, coupes ciselées, tranches dorées, 400p. Elégante reliure ouvragée, chanières et coiffes légèrement épidermées.
réf. 002552Dijon, Pellion et Marchet frères, 1885. In-16 (98*70mm), 512p. Petite édition bourguignonne ornée d'une gravure en frontispice illustrant la Sainte Trinité. Reliure en celluloïd, premier plat gaufré d'une grande croix en relief, fermoir en métal argenté, tranches dorées. Premier plat un peu jauni, plats comme toujours un peu gondolé.
