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rif. ST21124c-02France or Low Countries 14th century. 270 x 461 mm. 10 5/8 x 18 1/8". Double columns 32 lines in a gothic book hand. Rubrics and staves in red three two-line initials in red or blue with contrasting penwork now quite faded. Unevenly trimmed missing at most a line of text at the bottom of each column and several words or part-words at corners of outer columns vellum with soiling browning small holes and paper residue consistent with having been used in a binding but the text entirely legible on one side and legible with effort on the other rather darkened side. From a noted Missal with large penwork initials this leaf was once used as the cover for a binding yet remains substantially complete. The text here comes from the Temporale containing the cycle of moveable feasts in the Christian year and includes Wednesday Feria IV after the fourth Sunday of Lent with a long passage from John 9. The musical notation on this leaf is highly developed consisting of a four-line staff clef marker and square neumes. unknown
1772rif. HW40 /6BMaroon calf binding with black title plate gilt decoration and title on the spine. Gilt decoration on the boards. We provide an in-depth photographic presentation of this item to stimulate your feeling and touch. More traditional book descriptions are immediately available As the photographs depict this is a lovely and well preserved book both to its binding and contents. Just fantastic. Holy Week is for Christians the week before Easter and the last part of Lent . It is intended to commemorate the Passion of Christ. The Easter Triduum of the Passion and Resurrection of Christ begins on Thursday evening of this week and ends on the evening of Easter Sunday. These three days are the high point of the liturgical year because it was by his death that Christ destroyed death and it was by rising again that he restored life. Orthodox Christians call it Great Week . Romanian Orthodox Christians most often call it the Week of Sufferings . The services of Holy Week have the particularity of beginning with Compline and Matins and ending with Vespers whereas it is normally the Vespers service that begins the liturgical day. Holy Week consists of liturgical ceremonies that take place only once a year. The first of these is Palm Sunday . Chez J Felix Faulcon. hardcover
rif. ST21124c-01France or Low Countries 14th century. 270 x 230 mm. 10 3/4 x 9". Double columns 32 lines in a gothic book hand. Rubrics and staves in red several initials measuring two or more lines in red or blue with contrasting penwork. Unevenly trimmed missing at most a line of text at the bottom of each column and several words or part-words at corners of outer columns vellum with soiling browning small holes and paper residue consistent with having been used in a binding one side quite darkened but the text there legible with effort nevertheless and entirely legible on the other side. From a noted Missal with numerous large penwork initials this leaf was once used as the cover for a binding yet remains substantially complete. The text here comes from the Temporale containing the cycle of moveable feasts in the Christian year and includes text for Tuesday and Wednesday Feria III and IV of Passion Week. The musical notation on this leaf is highly developed consisting of a four-line staff clef marker and square neumes. unknown
1770rif. 047085Angelopoli Puebla: Typis Seminarii Palafoxiani 1770. First Edition. Hardcover Full Leather. Very Good Condition. José de Nava. Contemporary full calf wear at edges surface scrapes to leather old paper spine label and private library label to spine paste paper endpapers stamp from library of Rev. L. Kenzel and a printed in Germany stamp to verso of title. SLight browning to page edges some offsetting and acidification from the ink used in the musical notation and engravings; generally a bright fresh copy internally. 8 1-137; Frontispiece 1-198 pages 133-135 incorrectly numbered 233-235 pp. Sabin 49459 Palau V195. A high point of Mexican printing. Finely printed in Puebla with 3 very fine engravings by de Nava. The Mozarabic rites were used by the Visigothic and Mozarabic Christians of medieval Spain until replaced in the the 11th century. They were reauthorized for use in Toledo in the 15th century where they continue in some form to be used. Size: Folio. Illustrator: José de Nava. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047085. Typis Seminarii Palafoxiani hardcover
1985rif. 1289428Collegeville MN: The Liturgical Press 1985. Leather. Very good. 1182p. Altar size. A large hardcover book bound in red cloth with a gilt cross on the front. Near-fine condition; unmarked save for a diocesan library stamp on title page and label on rear endpaper. Binding tight and cover in fine shape. An English sacramentary for the Novus Ordo form of the Catholic Mass. Measures approx. 11.25" x 8.5 The Liturgical Press unknown
rif. 9789388369152Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789389432961Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789354403088Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789354409028Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9788193503300Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789389567922Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789354401497Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789389717853Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 9789354400711Fingerprint Publishing. New. New Fingerprint Publishing unknown
rif. 6209348912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 35315Milano: Tip. S. Lega Eucaristica 1912 . 8vo. 14cm x 8.2cm x 2.5cm . pp.317 . A very good original full leather binding with its original box Interior clean clasp in working order but edges rubbed and soiled. Maroon crushed morocco with gilt ruled border over thin card covers. All page edges bright gilt. Inner gilt dentelles. Fine watered silk endpapers with a couple of silk lined pockets for personal prayers etc. Toned endpapers. Black and white frontis "Sacra Famiglia". Printed title in red & black with vignette and historated capital. On last page: "Mediolani die 14 Martii 1912 Nihil obstat quominus imprimatur. P.ter Rodolphus Dossi Censor eccl. Imprimatur In Curia Arch. Med. die 17 Martii 1912 Can. Joannes Rossi Pro Vic. gen." Clean Italian text throughout. Each page within a red-ruled border with black & white illustrations to the beginning of each section. A very good book. Milano: Tip. S. Lega Eucaristica, 1912 . hardcover
rif. 3501Londoni et Leamingtoniae London : Art and Book Company 1898. Editio Tertia". pp.68. Nihil Obstat: C. J. Cronin S.T.D. Re-imprimatur: Eduardus Epus Birmingham. Die 19 Julii 1898. Latin text in double columns. Red page edges. Dark brown cloth gilt title to front board. Minor browning to endpapers. Fading to front board. G Gavantius 1569 - 1638 liturgist and member of the Barnabite order was named perpetual consultor to the Congregation of Rites by Pope Urban VIII. Londoni et Leamingtoniae ( London ) : Art and Book Company, 1898 hardcover
rif. 8755Oxford: Printed At The University Press By Samuel Collingwood And Co. Printers to the University. Sold by E. Gardner G. B. Whittaker H. Mozley 1835 . 4to. 32.5cm x 25.5cm x 2.6cm. Printed title. Pages of the Holy Communion carefully strengthened with linen not obscuring text. A few pages slightly soiled due to regular use but not detracting from the overall appearence of the book. Inner gilt dentilles. Aegfaded in places . Contemporary full calf with gilt decoration and gilt title: "Parish Church "St. Johns" Weston-Super-Mare." Spine with 5 raised bands gilt decorated compartments and gilt title: "Altar Services". Edges slightly bumped. G Oxford: Printed At The University Press, By Samuel Collingwood And Co. Printers to the University. Sold by E. Gardner, G. B. Wh hardcover
1600rif. 2945Paris: the Associated Booksellers to the Church 1600. Folio 362 x 245 mm. Collation: ã6 ê6 î4 i4 blank õ6 ũ6 ãã6 êê4; A-Z Aa-Yy6. 38 228 42 leaves. Double column printed in red and black double rule page-borders throughout. 57 pages with printed music staves red-printed. Woodcut title illustration of Saints Peter and Paul seven full-page woodcuts the first in two blocks: a woodcut border and small Annunciation cut five small woodcut vignettes including two repeats and approximately 368 historiated initials in various sizes and from various series. Small tear to corner of title-leaf occasional foxing very occasional offsetting of red ink small stains in gutters in quire O finger-soiling in Canon quire X small rust-hole in f. 212 NN2 affecting 3 letters last few leaves with narrow marginal dampstain and slight creasing to upper fore-corners. Bound in contemporary French gold-tooled and -stamped light brown goatskin covers paneled with double fillets inner panel with fleurons at outer corners inner corners with large stamp of leafy branches emerging from a small medallion with winged cherub’s head large central oval medallion of the Crucifixion on upper cover and Annunciation on lower cover smooth spine with recessed cords decorated with overall double fillet panel with tiny fleurons at corners gilt edges plain endpapers remains of numerous fore-edge tabs in paper pale green or pink silk and black silk for the Mass for the Dead. Corners bumped slight wear front cover slightly rubbed a few small holes to lower cover foxing to endpapers. Provenance: contemporary inscription in French on front flyleaf listing “Messes pour tous les iours de la sepmaine” Masses for every day of the week; loosely inserted armorial papercut unidentified arms lion rampant on a chief three roses. Unrecorded issue of an imposing post-Tridentine Missal in a fine Parisian gold-tooled binding. The woodcut illustrations of this copy differ from the other known copies of this edition which are illustrated with engravings. The binding tools appear on other books published by the same publishing consortium and have been associated with religious lay confraternities founded by Henri III in the 1580s. This exceptional copy is of interest for the history of publishing printing illustration and binding; it raises questions about the very concept of an edition about the transmission of images and about the relations between printer-publishers bookbinders and book buyers in the hand-press period. In 1570 with the papal bull “Quo primum” Pope Pius V imposed uniformity on the rites of Mass previously a hodge-podge of different local traditions. That bull was printed in all subsequent missals; it is accompanied here by papal and royal privileges which supply crucial information concerning the publishing history of this edition. Jacques Kerver was the first French libraire to obtain a privilege for the publication of liturgical works. When he died in 1583 the privilege passed to his widow who ceded it to a consortium of booksellers: Sebastian Nivelle Guillaume Chaudière Guillaume de la Noue Michel Sonnius and Thomas Brumen cf. Renouard Imprimeurs et libraires parisiens du XVIe siècle IV 22. That privilege expired on 22 December 1595. This edition includes Papal and Royal renewals of the Kerver privilege for the printing of “sacred books” Missals Breviaries and Offices of the Virgin granted respectively by Clement VIII and Henri IV both on 4 April 1596. For Thomas Brumen who had died in 1588 the Royal privilege substitutes his son-in-law and heir Jean Corbon II and adds the names of Claude Chapelet identified as bookseller to the Academy and Jamet Mettayer and Pierre L’Huillier respectively Royal printer and Royal bookseller Mettayer was also the official printer for the Royal confraternities. The preliminary matter further includes the reformed Gregorian Paschal calendar for the years 1582 to 1700 a table of moveable feasts for 1589 to 1621 the Rubricae generalis missae the Ritus servandus in celebratione Missae and an index of Saints’ names. The second part of the Missal separately paginated contains the Commune Sanctorum. The subjects of the full-page illustrations are: the Annunciation: a small cut within an historiated woodcut border in twelve compartments showing four scenes from the life of the Virgin alternating with angels and the four Evangelists fol. êê4v; the Nativity B4v Crucifixion T6v opening the Canon Resurrection X4v Pentecost AA1v Last Supper BB3r and Last Judgment PP2v. These monumental woodcuts influenced by Italian and Flemish mannerism derive from various engraved sources including at least one engraving the Resurrection used by Jamet Mettayer in an Office of the Virgin published in 1586. The five smaller woodcuts printed from three blocks include a Crucifixion showing Longinus piercing the side of Jesus repeated twice the Last Supper and a smaller primitive Crucifixion cut. Noteworthy are the many historiated initials. Ruth Mortimer describing an edition by Kerver from 1574 noted that the elaborate historiated initials containing “figures of the saints the Evangelists and . New Testament scenes may be attributed to the same artists who worked on the illustrations. The blocks are so detailed as to give the impression of additional illustrations rather than initials.” As in previous editions the initials were chosen carefully here to match the text: for example the four Rs opening the word Requiem in the Mass for the Dead incorporate a skeleton and funeral scenes. The full-page woodcuts had appeared previously in the Kerver-consortium’s 1588 edition cf. an illuminated copy offered by Breslauer in 1981 cat. 104/II no. 192. Only a few copies of these repeatedly printed Paris post-Tridentine Missals survive in public collections and precise descriptions are few. The most thorough description is that by Ruth Mortimer of the Harvard copy of the 1574 Kerver edition. Both that edition and the 1583 edition of which there is a copy at the Newberry Library are illustrated with only two full-page woodcuts including the canon cut of the Crucifixion used here and numerous smaller woodcuts. The title of the 1574 edition bears the same Peter and Paul cut while the 1583 edition has Kerver’s device. The present copy represents a previously unrecorded variant issue of the 1600 edition. I have located two other copies of the edition at the Austrian National Library digitized and with Sokol Books catalogue 65/64; they are illustrated with engravings instead of woodcuts all but one of which differ iconographically from the woodcuts in our copy. The exception is the aforementioned Resurrection woodcut which is copied in reverse from the engraving. The typesetting other than the title appears to be identical but rather than a letterpress title-page and seven woodcut full-page illustrations the other copies have an engraved title and seven full-page engravings. Another variant setting occurs in quires M and N: both issues have the small Longinus woodcut on M1v but the spaces here filled by 3 small woodcuts one used twice are left blank in those copies. The existence of multiple editions of these post-Tridentine Paris Missals has been documented; Mortimer for example noted that in 1574 Kerver printed two folio editions as well as quarto and octavo editions. From the early 1570s to the end of the century these liturgical books now rare were churned off the presses to meet the needs of priests and clerics throughout France and beyond several copies of the Kerver or Kerver-consortium editions survive in Spanish and Italian libraries. Under these circumstances the existence of multiple editions and variant issues is not surprising though the outright replacement of engravings with woodcuts or vice-versa seems unusual. The attractive Parisian binding shows signs of hasty finishing: the cornerpieces using a popular cherub’s head and leafy branch motif are single stamps and those on the upper cover are unevenly placed so that three of them overlap the double fillet panel. It is however a luxury binding of high-quality goatskin and its decoration is charged with meaning which remains to be completely teased out. Several variants of the Crucifixion and Annunciation medallions were used on the bindings of a number of devotional books published by the present publishing consortium or by its individual members. A few of those bindings bear a motto Spes mea Deus used by members of the Confraternity of Penitents of the Annunciation founded by Henri III in 1583. Possibly by extension the Crucifixion stamp itself has been associated with the confraternity and with the three other “congregations” established by that devout monarch in 1583-85. The same large Crucifixion and Annunciation medallion stamps were used in a similar center- and cornerpiece design on the aforementioned Breslauer copy of the 1588 edition of this Missal and in a dated binding from 1599 covering a 1508 Verard book of hours in the British Library shelfmark c29f16 reproduced in the BL Database of Bookbindings. In both cases the corner feuillage stamps are different but the central medallions appear to be identical to those on this binding. Similar but not identical stamps besides those cited in the sources below are found on: a copy of Mettayer’s 1586 Pseaultier de David recently offered by the Paris booksellers Laurent Coulet and Ariane Adeline in their catalogue “1586: Jamet Mettayer et les Confréries de Pénitents”; an Officium beatae Mariae Virginis Paris: apud Societatem Typographicum 1586 using both the Annunciation and Crucifixion medallions set within a fanfare design Bibliothèque Sainte Geneviève Réserve 8 Z 6685 INV 9940; and an Office de La Vierge published by Mettayer in 1586 BnF Réserve B. 1654 Lacombe 486. A book of hours for the use of Amiens Paris: for Guillaume de La Noue 1589 bound with several devotional tracts BnF Réserve B-27949; Lacombe 492 has a different Annunciation stamp but apparently the same Crucifixion stamp. Coulet and Adeline established a typology of 9 different Crucifixion stamps or 8 stamps and one variant the one used here being no. 8. Given these facts the possibility cannot be excluded that the publishers were involved in commissioning the bindings of this copy and of the other “Crucifixion medallion” bindings found on their imprints. USTC 137500 Austrian National Library only variant issue - not in their OPAC. Cf. Harvard/Mortimer French 378 8 June 1574 edition. Not in Weale-Bohatta or Amiet. On the binding cf. Hobson & Culot Italian and French 16th-century Bookbindings 1991 62; Claude La Charité “Henri III Le miroir des religieux 1585 de Louis de Blois et `la troisiesme couronne à frere Henri de Valois’” Revue de Bibliothèques et Archives du Québec no. 2 2010 online; Needham Twelve Centuries of Bookbindings 1979 82. the Associated Booksellers to the Church unknown
1803rif. 505666Typis Societatis 1803. Leather. VERY GOOD. Tall 12mo full brown calf with brass clasps intact; all edges gilt with neat single-line gauffering along the outer edges leather stamped in gilt with fleur-de-lis to panels and all 5 points of both covers ruled in simple single-line dots matching the gauffered edges. Printed in red and black. Missal text in Latin with Spanish afterword. Red and black title page with engraving of Lam and book with seven seals. Leather shows some light rubbing single wormhole through the center of the text; contemporary owner's inscription in Spanish to FFEP very clean and sound otherwise with tight binding fresh pages and bright gilt. A lovely copy. Typis Societatis unknown
rif. 1276555237.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 50350421like new. unknown
rif. 9395339888.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 939533987X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984rif. mon0004026883Catholic Book Publishing Company 1/1/1984 12:00:00 AM. leather_bound. Good. . Catholic Book Publishing Company hardcover
