Bouche (Honoré) :Livre Rare Book
8.123 resultados
ref. 19888Avenione (Avignon), I. Piot, 1634 ; in 8, vélin de l’époque ; [8], 287, [27] pp. (signatures : à4 ; A-Q8).
1964ref. 20478La Bastide-de-Goudargues (Gard), Guy Chambelland, 1964 ; in8, broché (249 mm), 22, [2] pp., 2 hors-texte de Luc Maize tirés sur papier glacé.
1622ref. 44896Douay, Baltazar Bellere, 1622. In-16 de (20)-699-(21) pp., vélin rigide, dos lisse, titre manuscrit au dos (reliure de l'époque).
1702ref. 19887Londini, H. Rhodes, 1702 ; grand in 8, veau brun, dos à nerfs muet, décor à froid à la duseuil sur les plats (reliure d’époque) ; portrait gravé par R. White en frontispice, XV, 151, [3] pp.
ref. 111483Lyon, Le Cercle Lyonnais du Livre, 1925, 1 volume in-folio de 320 x 255 mm environ, non paginé : (1) f. blanc, (3) ff. (faux-titre, justification, titre), (40) ff., (1) f. (justification du tirage), (1) f. (table), (3) ff. (Liste des Membres du Cercle lyonnais du livre, Achevé d'imprimé). Reliure moderne en pleine peau blonde, dos à 4 nerfs portant titres dorés, tranche de tête dorée, gardes en soie grège encadrées d'une dentelle dorée sur les contreplats, doubles gardes marbrées, couvertures et dos conservés. Tirage limité à 147 exemplaires, présent exemplaire nominatif (Mathieu Varille) complet des 12 lithographies de Charles Guérin, avec une des trentes suites tirées sur Chine et signées par l'artiste. Ex-libris de Jean Varille sur la première garde blanche. Frottements sur les coupes, petits accrocs sur le cuir, parfait état intérieur. Bel exemplaire.
1824ref. 000132Paris Lefèvre et Brière 1824
15624to. 184 unnumbered ff. (including final blank). With a historiated woodcut initial. Modern boards. First edition. - One of the numerous pamphlets produced by the fiery-tempered Hesshusen, a strict and disputatious Lutheran who never managed to settle anywhere, was evicted from Mageburg in 1562 for the present work and would be dismissed from many more positions due to his "total lack of deference" (cf. ADB). - Slight waterstaining near lower edge. A few 17th-century marginalia. Rare; no copy at postwar auctions. VD 16, H 3155. Adams H 467. Cf. ADB XII, 314. Kosch VII, 1090. Wetzer/Welte V, 1958f.
ref. 23262Lugduni, apud Seb. Gryphium, 1539. In-8, 295 pp. (a-s8 t3), veau brun, filets à froid en encadrement sur les plats, fleurons dorés au centre et dans les coins, dos à nerfs orné de filets à froid, tranches jaunes (reliure défraîchie mais solide, quelques taches et rousseurs, pâle mouillure marginale sans gravité, manque dernier f. bl. t4).
1828ref. 000714Paris Brissot-Thivars, Imprimerie de H. Balzac 1828
1805ref. 11223A Parme, imprimé par Bodoni, 1805. In-4 broché de (6)-32 pp.
1773ref. 9297Aureliae (Orléans), Couret de Villeneuve, 1773. In-16 de (4)-91-(1) pp., maroquin rouge, dos lisse orné, triple filet doré d'encadrement sur les plats, tranches dorées (reliure de l'époque).
ref. 44878Versailles, De l'Imprimerie de l'Hôtel de la Guerre, 1 janvier 1768. 2 vol. Grand in-4 broché de 4 pp.Règlement sur l'établissement d'une imprimerie dans l'Hôtel de la guerre, à Versailles. Versailles, De l'Imprimerie de l'Hôtel de la Guerre, 17 octobre, 1771. Grand in-4 broché de 4 pp.
1862ref. 21733Lyon, Scheuring (Imprimerie de Louis Perrin), 1862 ; in-8 écu, demi-maroquin rouge à coins, dos à nerfs, titre et fleurons dorés, caissons à froid, tête dorée sur témoins, couverture grise, illustrée d’un dessin de Pierre Revoil, directeur de l’Ecole des Beaux-Arts de Lyon, conservée (reliure de l’époque) ; XIX, [1 bl.], [4], 48, 33, [2] marque de Perrin N°2, frontispice dessiné par Pierre Revoil, identique à la couverture.
1827ref. 10276Paris, à la Librairie universelle, de l' Imprimerie d'Honoré de Balzac, 1827. In-12 de 122 pp., demi-basane prune, dos orné à nerfs (reliure de l'époque).
1937ref. 21634Grenoble, Arthaud (Bellegarde Ain, gravure et impression Sadag), 1937 ; in-8, demi-veau rouge à coins, dos à quatre nerfs encadrant les pièces d’auteur et de titre vert foncé, premier plat et dos en couleurs conservés, non rogné (reliure de l’époque) ; 168 pp., 5 planches hors-texte en couleurs, y compris la couverture et de très nombreuses illustrations de toutes tailles tirées en sépia.
1881ref. 21761Lyon, Imprimerie Générale, 1881 ; in-8 (200 mm), demi-chagrin bleu marine, dos à nerfs soulignés de filets à froid, titre doré (reliure de l’époque) ; XV, [1bl.], 340 pp., [1] f. de Table, 1 reproduction photographique hors-texte de l’entrée du château de l’Aubépin.
ref. 12251952 IMPRIMERIE LAFOSSE Avant propos de Monsieur Clovis BRUNEL illustration de Jean SGARD L'edition comprend 100 exemplaires , celui ci est le numero 18 specialement imprimé pour Mr DECAUX Agent general de la caisse D'EPARGNE d'ABBE VILLE composé de six feuillet sur papier de rives doubles pages comprenant un poeme et une illustration de J SGARD en face L' PICARD -CHES MOAIS-CHES GLENEUSES-DINS NO VIN PLATCHU -AU DJIGNEL ! DINS NO VIEILL' BOUTIQUE Parfait etat , extremement rare
ref. 87331860. Relié avant : Essai typographique et bibliographique sur l'histoire de la gravure sur bois par Ambroise Firmin Didot. 1863. Paris, Typographie de Firmin Didot Frères Fils ; trois tomes reliés en deux volumes ; demi-chagrin maroquiné bordeaux, dos à quatre nerfs encadrant l'auteur et le titre dorés, date en queue, les couvertures illustrées et les dos, jaune paille, ont été conservés (reliure postérieure) ; XIV col., (1) p. bl., 316 col., (1) f. bl. ; 9 pp., (1 bl.), (1) p. faux-titre, (234 au tome 1er), 513 planches en tout : les planches de costumes, gravées sur bois, sont présentées sur la page de gauche et le texte qui les accompagne, en italien et en français, en face sur la page de droite, costumes et texte sont dans de grands encadrements décoratifs gravés sur bois ; 18 et 19 pp. de table des matières finissent les tomes 1 et 2.
Second edition, 2 vols., 8vo (215 x 130 mm), xxvii, [9], 522, [10]; xiv, [14], 462, [x]pp., ownership signature torn away from outer upper bank margin of title page, final 3 leaves to vol. I and a couple of gathering from vol. II with waterstain tide mark (not unsightly), recent red half morocco, marbled boards, contrasting green morocco title label to spine, five raised bands, tooled in gilt. Robert Dossie (1717-1777) was a rigourous advocate for the advantages of improved public knowledge. With the publication of this work he provided information and instruction to the reader in a multitude of trades, many never before disclosed outside there trades. As a resource, it was well regarded by eighteenth- and early nineteenth-century artisans and became the standard work for practical techniques of that era.
4to, [xii],14,[2],142pp., engraved portrait on title and 1 engraved headpiece, nineteenth century half calf by Corfmat, marbled covers, spine gilt, t.e.g. uncut, a good copy in nice condition. The second of two editions published in 1789, though according to Brooks it was actually published in 1792. It is almost identical to the first 1789 edition which Renouard described as "l'une des plus belles ?ditions de Bodoni." Beautifully printed, partly in italic type. Brooks 379.
First Edition, 2 parts in one, xiv,[ii],308pp., title printed in red and black, enraged vignette of cherubs and type trays, engraved folding plate, 19th-century marbled boards, morocco label on spine. Reviewing the origin of printing in Italy, he provides a chronological list of books printed in Rome during the fifteenth century. "A folding-plate contains specimens of the types of Sweynheym and Pannartz, two of the earliest Roman printers... Laire was one of the most learned bibliographers of France during the 18th century... At one time he was the librarian of Cardinal Brienne; subsequently he became librarian at the Ecole centrale de l'Yonne, in which position he remained up till his death." ?Bigmore & Wyman, I. p. 416. Brunet III: 774.
First edition, 12mo (154 x 93 mm), 148pp., endpapers renewed, re-cased with new leather spine and corners, original printed boards, uncut, a very good copy. One of the great rarities of local natural history, printed on a home-made printing press at Llanrwst, Conway, Wales. John Jones (1786-1865), printer and inventor, "He kept a paper and bookshop, and printed much miscellaneous work for the locality. Sometime (? before 1817) he constructed three presses to the Ruthven design, so called after its inventor, Alexander Ruthven, which he then used for all his printing work. He also learnt to cast his own type and used many of his own letters and characters for the rest of his life."?(DWB). In 1936 the Science Museum acquired John Jones' press and equipment. Provenance: From the botanical library of Michael Walpole with his bookplate. Freeman, 4015.
ref. ORD-10950Edition dédiée aux Amateurs de l'Art Typographique. Jules Didot. Dufour et Cie. 1827-1829. 4 volumes in-8 dos basane cerise à 4 nerfs ornés, tranches marbrées. Portrait en frontispice, 5552pp. (pagination continue). Impression minuscule sur 2 colonnes et sur papier Bible. Petits défauts à la reliure et rousseurs parfois importantes. Assez rare complet.
ref. DADAX0081029934New unknown
1878ref. 58315Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin” and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles” which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover
