8,123 results
First edition, 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text spotted, paper wrappers, uncut and unopened. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963". (John Carter). Bigmore & Wyman, III. p.78.
First edition, 8vo (233 x 145 mm), 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text lightly spotted, paper wrappers, orig. plain boards. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963"?John Carter. Bigmore & Wyman, III. p.78.
1897ref. 43316East Aurora New York: The Roycroft Printing Shop 1897. 120 1 colophon pp. 1 vols. 8vo. Original red cloth backed mustard boards uncut. Slight rubbing at tips minor soiling of spine some browning to text. Inscribed on ffep "For Mr. Frank W. Noxon with all good wishes from Elbert Hubbard". A very good copy. 120 1 colophon pp. 1 vols. 8vo. Ransome p. 405 no. 8 The Roycroft Printing Shop unknown books
1983ref. 18049Los Angeles: Printed by Ward Ritchie at Laguna Verde Imprenta for Dawson's Book Shop 1983 Fragment of a miniature with each page measuring 3 7/16 x 2 7/16." The published book ran to 16 pp. This fragment is half is essentially half of it but it includes the pig illustration on the title and the pig-themed decorative initial by Gloria Stuart. Printed on Tovil handmade paper. Some light soiling and staining. Very good. Inscribed in pencil by Ward Ritchie to Gloria Stuart: "To Gloria my favorite artist. Love Ward". This is one of the scarcest Laguna Verde Imprenta titles the entire edition consisting of only twenty-five copies. OCLC notes nine copies in libraries. It is also one of only two miniatures produced by the press the other being A Little Quince. Printed by Ward Ritchie at Laguna Verde Imprenta for Dawson's Book Shop, books
1910ref. 17100New York: Triune Printing ca1910. As issued. Good; some marginal finger soiling and spotting. Broadside on glazed board. It measures 362 x 284 mm. A full color lithograph that was a sample of the kind and quality of work that the Triune firm was capable of producing. They were located at the corner of Spring and Wooster in NYC. Triune Printing unknown books
1897ref. 43316East Aurora New York: The Roycroft Printing Shop 1897. 120 1 colophon pp. 1 vols. 8vo. Original red cloth backed mustard boards uncut. Slight rubbing at tips minor soiling of spine some browning to text. Inscribed on ffep "For Mr. Frank W. Noxon with all good wishes from Elbert Hubbard". A very good copy. 120 1 colophon pp. 1 vols. 8vo. Ransome p. 405 no. 8 The Roycroft Printing Shop unknown
1983ref. 18049Los Angeles: Printed by Ward Ritchie at Laguna Verde Imprenta for Dawson's Book Shop 1983 Fragment of a miniature with each page measuring 3 7/16 x 2 7/16." The published book ran to 16 pp. This fragment is half is essentially half of it but it includes the pig illustration on the title and the pig-themed decorative initial by Gloria Stuart. Printed on Tovil handmade paper. Some light soiling and staining. Very good. Inscribed in pencil by Ward Ritchie to Gloria Stuart: "To Gloria my favorite artist. Love Ward". This is one of the scarcest Laguna Verde Imprenta titles the entire edition consisting of only twenty-five copies. OCLC notes nine copies in libraries. It is also one of only two miniatures produced by the press the other being A Little Quince. Printed by Ward Ritchie at Laguna Verde Imprenta for Dawson's Book Shop,
2021ref. 9063Austin: W. Thomas Taylor 2021. First editions of 100 and unstated limitations respectively. 2 vols 28x20cm 46pp bound in green paper wraps with printed spine label green and gilt patterned endpapers photos illustrations some in color. and 25x18cm 24pp maroon paper wraps with blue and gilt paste paper jacket attached at spine title in two colors illustrations facsimiles. Both nearly fine with minimal wear. Two privately printed items from the Texas fine printer W. Thomas Taylor issued for friends and family. Both are designed by Taylor and bound at the Cloverleaf Studio in Austin. These little booklets contain various short essays and musings by Taylor often on books and printing but also about travel birding history life etc. Taylor notes in his introductory letter: "Why not in a sense 'acquire' anew the books I already have by reading them studying them and producing personal essays concerning various topics that can be illumined by the material within them. This then is the first of what I hope will be a series of such casual essays collectively titled Alibi." OCLC cites 2 and 3 holdings respectively for these publications and notes Taylor has published 5 from this series through 2024 all being naturally scarce. W. Thomas Taylor unknown
1968ref. 9887Los Angeles: Otis Art Institute of Los Angeles County 1968. First edition. 22.5x15cm 1 9pp including printed inner covers. Illustrations by Dreyfuss throughout. Staple bound in illustrated wrappers which show some faint edge toning. Near fine. Laid in is an ANS from Dreyfuss to George Skousen thanking him for a bookbinding project and gifting him the pamphlet. Very uncommon pamphlet beautifully printed by Grant Dahlstrom at his Castle Press. Prints with illustrations the speech given by Dreyfuss on May 17 1968 at the Commencement Exercise of Otis Art Institute whence he received the honorary degree of Doctor of Fine Arts. The note from Dreyfuss is very likely to George Skousen then head binder at the Huntington Library and thanks him for binding "the Russian Diary." Manuscript material from Dreyfuss is quite scarce in the trade and OCLC identifies just 2 holdings for this pamphlet at the Getty and SMU. . Otis Art Institute of Los Angeles County unknown
1930ref. 64782Philadelphia PA & Seattle WA: Dill & Collins; Carter Rice & Co. Corp. ca. 1930. Six vols. 4to. 4; 4; 4; 4; 4; 6 pp unpaginated. printed in colour inks on colour-tinted paper some w/ metallic ink and No. 9 printed in silver and black ink self-printed softcovers throughout cover art minor dustsoiling edgewear still a VG set. First editions of this series of paper and typography specimens issued by Dill & Collins touting the quality of D&C papers to hold up to metallic inks watercolour printing halftone reproduction photogravure lithography and more. No similar copies in Worldcat. Dill & Collins; Carter, Rice & Co., Corp., paperback
1949ref. 64781Bangor ME: Eastern Corporation 1949. Five vols. 4to. 8; 8; 8; 5; 7 leaves unnumbered. all containing samples of typeface and design on sample letterheads many w/ colour-tinted papers some colour-printing and also bonded paper samples as well. Portfolios all uniformly preserved in original Pee-chee style illustrated covers w/ each bearing the typefont or letterhead designs of the particular designer some dustsoiling minor shelfwear still VG group. First editions of these wonderful typpography and letterhead samples containing specimens on a variety of stationery papers invented for literary historic and imaginary figures including Gutenberg Caslon Aldus Manutius Beau Brummel Louis Pasteur Benjamin Franklin Isaac Newton Helen of Troy the Pied Piper of Hamlin and Santa Claus. Volk 1883-9162 was founder of the Kurt H. Volk Inc. typographers and for years was in charge of plant operations for N.W. Ayer & Sons advertising agency in Philadelphia and later became well-known for his typographic keepsakes often distributed at the Advertising Typographers of America conventions. Cleland 1880-1964 noted typographer art director and artist known for his elegant Cadillac & Fortune magazine advertising and created a number of typefaces. Petty although often confused with George Petty the Esquire Pin-Up artist was a noted typographer bookplate designer and private press supporter and printing traditionalist out of Indianapolis; Metzig 1893-1989 was noted typographer type designer and advertising artist who designed trademarks logos letterheads brochures and posters best remembered for his work for the Pelikan Ink Company. McMennamin was art director and owner of McMennamin Advertising Typography originally the Wood-Clarke Press and also noted member of the Art Directors Club of Boston. Worldcat locates 4 different sets of varying completeness Bancroft Yale U of IA Temple. Eastern Corporation, unknown
1896ref. mon0003532020Government Printing Office 1896. Hardcover. Acceptable. . 2 volumes heavyt. Ex-lib with the usual labeling. Backstrips have peeled off and are laid in. General shelf/handling wear. Boards scuffed. Textblocks G/VG slight tanning could be re-bound by an expert. Government Printing Office hardcover
1972ref. 12068Washington D. C.: Government Printing Office 1972. First Edition; First Printing. Stapled wraps. Book condition is Very Good in wraps. Volume IV rear panel detached from one staple. Toning and minor edgewear. No markings to text illustrated throughout. ; 4to 11" - 13" tall. Government Printing Office unknown
1942ref. 14031Washington D. C.: Government Printing Office 1942. First Edition; First Printing. Softcover. Book condition is Very Good with tan wrappers. Light stains to front wrapper. Owner name to top of front wrapper. Text is clean and unmarked. Illustrated throughout. ; 8vo 8" - 9" tall; 49 pages. Government Printing Office unknown
ref. 16-6529Lille: Martin-Delahaye circa 1830's. Woodcut on laid paper with a pitcher or gourd watermark. 36.5 x 30cm.L'estampe populaire « Les malheurs de Pyrame et Thisbé dans leurs amours » est une gravure sur bois du XIXe siècle vers 1825–1830 imprimée par Martin-Muiron à Lille et souvent attribuée au graveur Henri-Josué Porret. Elle illustre le célèbre mythe antique tiré des Métamorphoses d'Ovide.Origine : Imagerie populaire de Lille éditée par Martin-Delahaye et exécutée sur les presses de Martin-Muiron.Technique : Gravure sur bois bois de fil sur papier vergé. Woodcut attributed to Henri-Josué Porret 1768†1844. . L'imprimerie Martin-Muiron était un atelier d'impression et d'imagerie populaire lillois actif au XIXe siècle notamment entre 1820 et 1833 qui collaborait avec l'éditeur et libraire lillois Martin-Delahaye situé rue des Arts. C'est un nom historique du patrimoine graphique et des estampes anciennes de la région et non une entreprise active aujourd'hui.There is no widely published dedicated English translation for the 17th-century French play Les Amours tragiques de Pyrame et Thisbé 1621 by Théophile de Viau. However the underlying classical myth of the star-crossed Babylonian lovers was originally written by Ovid in his Latin epic poem Metamorphoses Book IV lines 55–166 which has many accessible English translations. Lille: Martin-Delahaye, circa 1830's unknown
2017ref. BN243906Forgotten Books 2017. 2017. Softcover. A Compilation of the Messages and Papers of the Presidents Vol. 2 A Compilation of the Messages and Papers of the Presidents Vol. 2 Joint Committee on Printing Forgotten Books paperback
1963ref. 8297London: Ernest Benn 1963. First edition. 377 plates of books dating from 1450 to 1935. 2 wood engraved title pages and engraved initial by Reynolds Stone. Introductory essay by Stanley Morison. 4to. original black cloth lettered in gilt grey endpapers in original printed dust jacket. Housed in original brown textured paper slipcase. Small tear to the jacket spine and a mark to rear panel otherwise a bright fresh copy in a worn slipcase.A superb and important examination of typography. With many fine examples of typography Ernest Benn hardcover
ref. 65746Birmingham School of Printing. Birmingham. 1929. 4to. ff. 6. Decorated wrappers a very good copy. SCARCE - COPAC records the V&A and University of Birmingham only. Birmingham School of Printing. [Birmingham]. [1929]. 4to. unknown
1998ref. ABE-5858626889Bloomsbury London 1998 Harry and Meghan have bought the Santa Barbara home that was the subject of this superb novel Riven Rock. The intriguing tale of a trailblazing women s rights activist who married the youngest son and heir to a vast family fortune may be of great interest to the Duke and Duchess of Sussex. Not only does the relationship between Katharine and Stanley McCormick draw the odd parallel with their own but the royal couple s new Santa Barbara home is built on what was once McCormick family land. The fabled 87-acre estate in Montecito California boasts a fascinating history - the place where Mr McCormick was confined for 40 years due to mental illness while a string of eminent psychiatrists were employed in a desperate but ultimately fruitless bid to cure him. The 19th century family saga is documented in this 1998 novel Riven Rock by the award winning American author TC Boyle. The villa also featured in an episode of The Sopranos. This perfect Signed on the title page. No other marks. This copy looks unread and the perfect jacket is protected. Tight binding no damaged corners. A collectable copy especially in its much scarcer London edition. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. Fine/Fine. Bloomsbury London hardcover
2022ref. ABE-1677491906616Dark Horse ComicsU.S. 2022 A superb copy of the first printing of this REVISED Second Edition. I know this sounds a bit contradictory; but such was the success of the First Edition it was decided to issue this revised version. It has a stunning extra section showing how the celebrated first printing was developed. It's therefore the edition to collect. New and unread first printing of this superb second edition. The great Dave McKean has arguably excelled himself with this wonderful book. He should be given a retrospective instead of all the over familiar 'artists' who keep circulating around the world's auction houses and galleries. McKean is so far ignored by the art establishment like so many others who can actually draw and paint and use their skills and imagination ; instead of merely conforming to a the establishment crap that subverts sensibility. Illus. by McKean Dave. 2nd Edition. Soft cover. New. Dark Horse Comics,U.S. paperback
1970ref. ABE-2588006367Simon & Schuster New York 1970 Stated First Printing 1970. Bound in black cloth with olive endpapers and bright gilt lettering to the spine and front board. The top of the text block is stained yellow. Illustrated with monochrome drawings and photographs. A near fine copy with a small black mark on the front end paper and some tiny hints of yellowing to the white areas of the jacket. Front black board with a slight 'ding'. Code on back is 1521. No names no writing no bent corners not an ex library book. Gorgeous strong binding no stress to the end paper gutters and the spine exhibits no lean. The pictorial dust wrapper retains the publisher's price of $7.95 in the lower right of the front flap.Top of the flap says 'Book of the month selection'. A very exceptional book. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. Near Fine/Dust Jacket Included. Simon & Schuster New York hardcover
1994ref. ABE-1415997718Viking London 1994 Near Fine book in a VG protected jacket. This was signed on the title page at the Charleston Festival. Earlier novel hard to find in a signed collectable state. This is the true world first hardback. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. Fine/Very Good. Viking London hardcover
1987ref. 000041London: Chatto and Windus 1987 1987 Cloth. Fine/Fine First Edition First Impression. UNREAD COPY. Signed by Author. A SIGNED clean tight copy of this world first hardback edition in a perfect and protected jacket. The pages are yellowing a bit; why do publishers issue books on such poor paper The book has a blind stamp of the former owner on the half title. An unread copy with the clear signature of the author on the title page in a perfect unclipped protected jacket makes this essential to Murdoch collectors and needless to say such copies are becoming increasingly rare. 0.0 0.0 0.0. Signed by Author. 1st Edition. Hardcover. Fine/Fine. London: Chatto and Windus, 1987 hardcover
2007ref. ABE-1120275891Harper Voyager London 2007 SIGNED on the title page. The fourth in this superlative series. Films are being planned and this could be a huge opportunity to obtain the true world first edition hardback in this ideal state. Protected jacket unread first printing world first edition hardback SIGNED!!! Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. New/New. Harper Voyager London hardcover
1970ref. ABE-1356456827Heinemann London 1970 This first printing of the ground breaking examination of some of the greatest and most moving poetry in English is a beautiful volume. It will interest all who love Keats perhaps through the sensitive and wonderful film recently made by Jane Campion. He is a poet who leaves a strong taste and you either love it or not. Jane Campion's new film 'BRIGHT STAR' will no doubt turn many more people towards this wonderful Londoner's youthful genius and we must hope it does. This great and accessible book presents the five immortal ODES of KEATS which are his best-known work. Fourteen original manuscripts are reproduced in fascsimile enabling the reader to see how Keats conceived and then improved these extraordinary poems. This is all introduced with notes by Robert Gittings who was the great Keats scholar of modern times. If you wish to find out how Ode to a Nightingale Ode on a Grecian Urn Ode to Psyche To Autumn and Ode on Melancholy were originally presented in 1820 along with the facsimiles of the earliest known manuscripts this will satisfy your curiosity. A brilliant and satisfying volume and this copy is certainly a collectable one. The buckram binding is near perfect tight and square no bent corners. The elegantly laid out text is printed on good art paper without foxing. The book is not inscribed or written upon and bears no abuses by a library. The elusive jacket although neatly price clipped is almost perfect with a slighly sunned spine and is now protected within a mylar sleeve. There are a few very tiny tears at the top of the spine but nothing live on the jacket is affected. Immortal words from an all too mortal writer invite one to speculate on how much was lost when this man died in his prime at only twenty five. We can ask this question when we have studied these fabulous and deeply moving works. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. Fine/Near Fine. Heinemann London hardcover