8,200 results
1939ref. ST20331London: Beaconsfield Press 1939. No. 72 OF 125 COPIES SIGNED BY THE ARTIST AND THE EDITOR for sale in the British Empire. 292 x 248 mm. 11 1/2 x 9 3/4". xxvi pp. 46 leaves all leaves French fold. Edited by Cecil Roth. Elegant original blue crushed morocco by Sangorski & Sutcliffe signed on front turn-in covers with gilt French fillet border and large intricate central figure designed by Szyk of a patriarch holding a goblet and book raised bands spine gilt in double ruled compartments with ornate crown centerpiece gilt titling turn-ins with double gilt-ruled and scalloped border surrounding an illustrated silk doublure featuring a Szyk portrait of Moses with the Ten Commandments done in shades of gray within a frame of elaborate design. In an excellent velvet-lined box of blue half morocco over lighter blue cloth upper cover with central lion's head in gilt on blue morocco spine like that of the book. WITH 14 FULL-PAGE AND 32 SMALLER COLOR REPRODUCTIONS OF DESIGNS BY SZYK. English translation printed in black commentary printed in red. Front flyleaf inscribed in ink: "To Mr. and Mrs. Solomon Brachman / very cordially / Arthur Szyk / New York. April 1945." Very faint naturally occurring variations in the grain of the vellum otherwise a pristine copy. With an important Holocaust-related authorial inscription this is a very fine copy of what the London Times described as "a book worthy to be placed among the most beautiful of books that the hand of man has produced." Arthur Szyk 1894-1951 a Polish Jew is considered by scholars to be the greatest 20th century illuminator. Using the style of the Medieval illuminated manuscript artists he has here created a Haggadah for Passover that is at once a beautiful book of devotion a political protest against the rise of Nazism and a plea for England's help for the Jews of Europe. By 1939 Szyk's anti-Nazi cartoons had caused Hitler to put a price on his head forcing him to flee to England. His original illustrations for his "Haggadah" featuring the villains of the Exodus with the heads of Hitler Goebbels and other leading Nazis had to be toned down before publication. All 46 pages of the Hebrew text are illustrated with scenes from the Passover story as well as vignettes of Jewish life in modern Europe—sometimes Szyk mixes the two to great effect. Perhaps the most moving illustration in the book is the elaborately illustrated dedication to King George VI of England appealing for his mercy to European Jews. The great symbols of the British Empire—the lion and unicorn St. George defeating the dragon—surround Szyk's plea to the king: "At the feet of your most gracious majesty I humbly lay these works of my hands shewing forth the affliction of my people Israel." In the lower right corner of the painting we see Jewish refugees beside one of the ships which were usually turned away from British shores while Szyk depicts himself leaning against the painting his brush and easel in hand. The text here is enriched by the historical introduction and the commentary contributed by Cecil Roth 1899-1970 the preeminent British expert on Jewish history. This crowning achievement of Szyk's life was four years in the making and has proved to be an enduring treasure. Szyk presented this copy to Texas oilfield supply magnate Solomon "Sol" Brachman 1896-1974 and his wife Etta. The son of a Latvian Jew Brachman was the founding president of the Jewish Federation of Fort Worth in 1936 and helped arrange an emergency $100000 bank loan for Israel on the eve of statehood in 1948. His wife who served as president of the National Council of Jewish Women was known as "the mother of Hadassah." Szyk's 1945 inscription was no doubt especially meaningful to this devout family whose Latvian relatives were among the 90 percent of that country's Jews who perished in the Holocaust. Beaconsfield Press unknown
1882ref. ST16453Glasgow: Printed by Robert Anderson for Private Circulation 1882. ONE OF ONLY 50 COPIES. 195 x 122 mm. 7 3/4 x 4 7/8". 1 p.l. x 103 1 pp.From George Bannatyne's manuscript compiled A.D. 1568. BEAUTIFUL CITRON CRUSHED MOROCCO ELABORATELY TOOLED IN GILT BY RAMAGE stamp-signed on front turn-in covers with six concentric frames--intricate filigree roll pointillé-tooled floral vine and alternating small ornaments--enclosing a central panel with cornerpieces semé with rows of fleurs-de-lys large oval medallion at center radiating ornate fleurons raised bands spine compartments with large central medallion containing a vase of flowers delicate tooling in corners gilt titling turn-ins framed by filigree roll and alternating small ornaments brown and tan silk jacquard endleaves patterned in a Medieval motif top edge gilt. Printer's device on title page decorative woodcut initials and headpieces. Spines evenly sunned to a warm honey brown corners lightly rubbed short faint scratch to lower board but the binding virtually unworn and happily free of the splaying that plagues vellum books. Leaves lightly rumpled but A VERY FINE COPY the vellum leaves creamy clean and bright and the binding glittering with gold. Printed on luxurious vellum and limited to just 50 copies presumably for private circulation among friends of the printer this is a lovely edition of 16th century poems by a mysterious author believed to have been a poet and musician associated with the court of Mary Queen of Scots. This work contains all 36 extant poems attributed to Scott ca. 1520-82/3 including what is considered to be his most historically important work "Ane New Yeir Gift to Quene Mary" 1562 written in support of the young Scottish queen caught between Catholic and Protestant agendas. His other poems consist largely of lyric verses on love and sexuality which DNB describes as possessing "exceptional metrical variety and vernacular directness" with "a musician's ear for rhythm and melody." Scott's poems are known to us via the Bannatyne manuscript now held in the National Library of Scotland which ranks among the most important documents of Scottish Medieval literature. Written by George Bannatyne in 1568 during a period of confinement due to an outbreak of plague it contains a mixture of both secular and religious material including the sole extant copies of several texts. In the preface to the present work the publisher notes that Scott's poetry has been faithfully reproduced from that manuscript and thus "for the first time accurately printed." Very little is known regarding the life of Alexander Scott but he seems to have been attached to the court of Mary Stuart through John Erskine a guardian and counselor to the queen. Given the very limited number of copies made it is not surprising that this work is extremely rare on the market. Printed [by Robert Anderson] for Private Circulation unknown
1862ref. ST20857London: Edmund Evans for Sampson Low Son and Co 1862. ONE OF PERHAPS 10 COPIES PRINTED ON VELLUM. 260 x 195 mm. 10 1/4 x 7 3/4". vii 1 235 1 pp. Publisher's stiff vellum smooth spine with gilt lettering edges untrimmed. In a modern felt-lined blue buckram drop-back box. Decorative initials in red or blue title page and text leaves with full criblé border of vined foliation occasionally inhabited eight or 10 leaves with more extensive illustrations at head or foot all engraved by W. J. Linton after illustrations by John Franklin. Front pastedown with ex-libris of Marion Hope Rattey. A Large Paper Copy. McLean "Victorian Book Design" p. 184. Short thin cracks to head and tail of front joint spine vaguely soiled upper cover with two very small brown spots and one trivial red mark occasional mild rumpling or naturally occurring variations in the grain or thickness of the vellum as usual a couple of minor smudges but still a very agreeable copy the binding solid and without the splaying common in vellum books the interior clean fresh and bright and the margins extraordinarily wide. This is an infrequently encountered copy of a beautiful Victorian book on vellum issued by one of the era's top printers. The volume was printed by Edmund Evans 1826-1905 who is now best remembered for his illustrations and advances in color wood engravings. Relatively little is known about this book's production: Ruari McLean tells us that it was "entirely printed" by Evans but it is unknown whether he was responsible for the design as well McLean remarks that "if Evans was responsible for its design it shows his superiority in book-making". We also are unsure how many copies were printed on vellum although the general consensus is 10. Regardless as McLean tells us "it is one of the prettiest books of the 'sixties" with sharp deep impressions of the type on the rich creamy vellum jewel-like colored initials and elegant wood-engraved illustrations. These illustrations are the work of John Franklin ca.1800-68 a painter and draftsman who was highly respected in his own time. The precisely realized borders feature idealized human forms posed within a robust botanical largely acanthus context the figures posing with balletic grace their expressive faces often turned gently away from the reader. The size of the leaf here is significant: the untrimmed edges retain their tiny printing pinholes which would normally have been trimmed away with regrettable loss. And not surprisingly our vellum printing is almost never seen: we could trace just two copies at auction since 1924. Former owner Marion Hope Rattey 1922-97 was likely the daughter of bibliographer Clifford C. Rattey 1886-1970 whose impressive library featured incunabula and block prints. [Edmund Evans for] Sampson Low, Son, and Co unknown
ref. 134062aafLausanne, Imprimerie G. Vaney-Burnier, 1912, gr. in-8vo, 39 p. (+1), illustrée. (Les p.35 à 39: Spécimens de caractères de la Machine à composer LINOTYPE + dern. p. non num.: Vignettes) + 2 planches h.-t. de publicité ill. de l’imprimerie Veney-Burnier, Maison fondée en 1898, brochure originale illustrée.
1948ref. 028941United Kingdom: Golden Cockerel Press 1948. 112 pages; inscribed and signed by Chistopher Sandford 1902 - 1983 British typographer and publisher who ran the Golden Cockerel Press from 1933 to 1959 publishing fine books illustrated with wood engravings. 'Cockalorum' and the press catalog are both illustrated with examples of some of the most prominent engravers of the time: Robert Gibbings Eric Gill Paul Nash Dorothea Braby Mark Severin Reynolds Stone John Petts Clifford Webb and others. Volume approx. 6 1/8" x 9 7/8" size; illustrated dustjacket over hardcover burgundy boards; light wear; in very good condition. The catalog: 47 pages; illustrated; approx. 4 7/8" x 7 1/4" size; softcover; binding covers sunned lettering dulled; in very good condition. First Edition. Hard Cover. Very Good/Very Good. Golden Cockerel Press hardcover
1903ref. 26668London England: A.W. Penrose & Co. 1903. xvi 152 58 vi pages; color black & white illustrated throughout demonstrating the various processes and inventive printing & phototechnical techniques at the beginning of the 20th century. Ink uses production types illustrators printers photographic and graphic artists are noted accompanying the useful alphabetically-organized articles; with an index of illustrations colour prints supplement illustrations also indexed are the illustrations in the text engravers' addresses photographers' artists' and the publishers' addresses. Pieces include articles on Aberrations due to liquid filters American Line Zinc Etching; Colour Patch Apparatus and its Applications; Commercial and Press Photography; Finishing Photographs with the Aerograph for Process Engraving; Four-Colour Printing; Laces and Similar Materials in Facsimile; Half-Tone Theory; Trichromatic Photo-Lithography; Regularity in Screen Negatives; Three-Colour Posters; "Sinop" Collography: Working Details with Collodion Emulsifiers; and dozens more items on similar topics. Printed by Percy Lund Humphries & Co. Ltd. The Country Press Bradford & London. Approx. 7" x 9 3/4" size; bound in the original polished green cloth with illustrated paper cover & spine title labels. Edge tips wear and rubbing to the binding spine label 1/2 gone; a heavy book inner hinge papers split block remains solidly bound & the contents in good condition. A good historical perspective on the multitude of printing and graphic arts processes available & the businesses which provided them at the beginning of the 20th century and displaying their commercial and artistic application. First Edition. Hard Cover. Good. A.W. Penrose & Co. hardcover
Folio (185 x 292 mm). (2), XXIII ff. With title woodcut, 13 woodcuts in the text (one partly coloured), and one full-page woodcut on verso of final leaf. Modern boards with giltstamped red label to spine. First edition of this interesting chronicle of Ottoman history arranged as a series of short chapters, each dedicated to one of the twelve sultans who reigned up to 1543, ending with Suleiman I. The woodcut illustrations, mostly taken from Steiner's 1533 German edition of Marino Barlezio's Scanderbeg biography (and some from the 1532 "Itinerary"), show the principal events during the reign of each, mostly scenes of sieges and battles. The full-page woodcut by Leonhard Beck originates from the famous "Theuerdank", the poetic work by Emperor Maximilian I, and shows the protagonist on horseback. - From the library of Werner Habel, with his ownership stamp to flyleaf. VD 16, T 1838. Adams 1139. BM-STC German 867. Göllner I, 810. Apponyi 1726. Kertbeny 587. Riant 3522.
1910ref. 74539Valence-sur-Rhone: Imprimerie d'Art Jules Ceas & Fils ca. 1910. First edition. Oblong folio 12 1/2 x 9 1/2 inches. 8 including title pp. of text plus 34 full page illustrations each with its tissue guard. Publisher's string-tied wrappers with gilt cover lettering and inset color illustration. Some guards with fold or small tears. An excellent copy.A wonderfully vivid catalog of the printing capabilities of this venerable French printing house. Jules Ceas & Fils seem to have specialized in art books and finely printed matter including advertisements. The text speaks of their great mastery of trichromatic printing and various other advances in the art. In the main the book is a demonstration of their abilities. The first 14 full page illustrations are trichromatic color and the remaining 20 are full page monochromatic illustrations. Many of the color illustrations are for French firms and a number of fairly famous artists were used such as G. Camps M. de Juilly L. Ageron and others. No copies located by OCLC. Imprimerie d'Art Jules Ceas & Fils unknown
19274to., with numerous facsimiles, type-specimens and advertisements in the text, neat signature on front free endpaper; boards, leather label, cloth back, a little browned else a very good, clean copy. Scarce. A work of particular interest inasmuch as it appeared at the height of the revival of interest in fine printing and includes types and illustrators of the period.
1970ref. 75828Russia: N.p. C. 1970. Each icon is printed on a different color of silk. Two images in duplicate. Very good condition N.p. unknown
2004ref. ARCHITECT2220623Lyon, Mémoire Active, 2004, 21 x 27, 584 pages cousues sous couverture souple illustrée. Iconographie noir & blanc.
1607ref. 119421607 Lutetiæ, Ex Typographia Roberti Stephani, 1607; in-12 de (12) ff. (dont le titre, une étude en latin sur Scaliger et Casaubon, la table, l'extrait du privilège) - 70 ff. ch. Plein veau granité brun, fine roulettte à froid encadrant les plats, dos à nerfs orné de filets pointillés et petits fers dorés, coupes guillochées, tranches rouges ( reliure postérieure). Petit arrachage de cuir à l'angle supérieur du1er plat, sinon très bon exemplaire.
156518 ff with large woodcut armorial vignette to title. Marbled half cloth ca. 1800. Marbled edges. Coloured endpapers. 4to. Only edition of this Festschrift (dated 30th December 1565 at rear) for the Emperor's daughter, Johanna von Österreich (1547-78), who had married Francesco I de' Medici exactly two weeks previously. The scholar Francesco Sansovino (1521-83) celebrated the Renaissance princess and Grand Duchess of Tuscany by enumerating her worthy ancestral lineage, which he traced back to the Frankish King Childebert. - Rare; only 4 copies located in Italy by Edit 16. Edit 16, CNCE 47731. Adams S 362. BM-STC Italian 608.
1897ref. 43316East Aurora New York: The Roycroft Printing Shop 1897. 120 1 colophon pp. 1 vols. 8vo. Original red cloth backed mustard boards uncut. Slight rubbing at tips minor soiling of spine some browning to text. Inscribed on ffep "For Mr. Frank W. Noxon with all good wishes from Elbert Hubbard". A very good copy. 120 1 colophon pp. 1 vols. 8vo. Ransome p. 405 no. 8 The Roycroft Printing Shop unknown books
1897ref. 43316East Aurora New York: The Roycroft Printing Shop 1897. 120 1 colophon pp. 1 vols. 8vo. Original red cloth backed mustard boards uncut. Slight rubbing at tips minor soiling of spine some browning to text. Inscribed on ffep "For Mr. Frank W. Noxon with all good wishes from Elbert Hubbard". A very good copy. 120 1 colophon pp. 1 vols. 8vo. Ransome p. 405 no. 8 The Roycroft Printing Shop unknown
1983ref. ST2862York: The Ebor Press 1983. 298 x 210 mm. 11 3/4 x 8 1/4". 2 p.l. 116 pp. Green paper wrappers. ◆In fine condition. . The Ebor Press unknown books
1799ref. 26898Brussels: Flon 1799. First. hardcover. very good. Thick 8vo 500 pages. 1/2 tan calf marbled boards. Bruxelles: Flon An VII 1799. First Edition. Very good . An important study on the origin and antecedents of printing by the Belgian bibliographer who did much to establish Gutenberg as the originator of the art. Brunet VI 31191. Biog. univ. 11 66-67. Flon unknown books
1970ref. 36974Wymondham: Brewhouse Press 1970. First edition one of 250 copies printed. Illustrated with three tipped-in specimens. 64 pp. 1 vols. 4to. Morocco-backed boards by Trevor Hickman. Near fine. First edition one of 250 copies printed. Illustrated with three tipped-in specimens. 64 pp. 1 vols. 4to. Finely printed history of the first commercially viable means of making facsimile reproductions of the printed page. Brewhouse Press unknown books
1775ref. 36968Londres: Et se trouve a Paris chez D. C. Couturier père Imprimeur-Libraire aux Galeries du Louvre 1775. First edition in French. 45 1 errata pp. 1 vols. 8vo. Nineteenth-century quarter morocco and marbled boards. Minor rubbing else fine. First edition in French. 45 1 errata pp. 1 vols. 8vo. Bigmore & Wyman II p. 41 Et se trouve a Paris chez D. C. Couturier père, Imprimeur-Libraire, aux Galeries du Louvre unknown books
ref. 21879PRINTING A LIST OF BOOKS ON PRINTING.THE BOOKS AND PAPERS IN THE RALPH GREEN COLLECTION. Williamsburg: The College of William and Mary 1962. 4to. Comb-binding. 39 pages printed on the recto only. First edition. Very good. unknown books
1970ref. 36974Wymondham: Brewhouse Press 1970. First edition one of 250 copies printed. Illustrated with three tipped-in specimens. 64 pp. 1 vols. 4to. Morocco-backed boards by Trevor Hickman. Near fine. First edition one of 250 copies printed. Illustrated with three tipped-in specimens. 64 pp. 1 vols. 4to. Finely printed history of the first commercially viable means of making facsimile reproductions of the printed page. Brewhouse Press unknown
1772ref. 41089Paris 1772. Pp. 1-17 18 blank; 25 copper-engraved plates Goussier or Des Hauterayes del. Niodot Sculp. 1 vols. Folio. Disbound. A very few spots in text leaves else fine. Pp. 1-17 18 blank; 25 copper-engraved plates Goussier or Des Hauterayes del. Niodot Sculp. 1 vols. Folio. An elegant and visually appealing selection of plates from the Récueil de Planches that extraordinary illustrated supplement to the magnificent Encyclopédie of Diderot and d'Alembert. The plates depict alphabets and characters of more than 40 languages from Assyrian and Hebrew to Chinese Tibetan Japanese and Bengali; the explanatory text gives a fully detailed account of the level of scholarship current in the mid to late eighteenth century. Printing and the Mind of Man describes the Encyclopedie as "a monument in the history of European thought; the acme of the age of reason; a prime motive force in undermining the ancien régime and in heralding the French Revolution; a permanent source for all aspects of eighteenth-century civilization." PMM 200; En français dans le texte 156 unknown
1772ref. 41089Paris 1772. Pp. 1-17 18 blank; 25 copper-engraved plates Goussier or Des Hauterayes del. Niodot Sculp. 1 vols. Folio. Disbound. A very few spots in text leaves else fine. Pp. 1-17 18 blank; 25 copper-engraved plates Goussier or Des Hauterayes del. Niodot Sculp. 1 vols. Folio. An elegant and visually appealing selection of plates from the Récueil de Planches that extraordinary illustrated supplement to the magnificent Encyclopédie of Diderot and d'Alembert. The plates depict alphabets and characters of more than 40 languages from Assyrian and Hebrew to Chinese Tibetan Japanese and Bengali; the explanatory text gives a fully detailed account of the level of scholarship current in the mid to late eighteenth century. Printing and the Mind of Man describes the Encyclopedie as "a monument in the history of European thought; the acme of the age of reason; a prime motive force in undermining the ancien régime and in heralding the French Revolution; a permanent source for all aspects of eighteenth-century civilization." PMM 200; En français dans le texte 156 unknown books
1868ref. 100088ALeipzig 1868. 1462pp. Original hcloth with printed boards. 10x14cm.
1775ref. 36968Londres: Et se trouve a Paris chez D. C. Couturier père Imprimeur-Libraire aux Galeries du Louvre 1775. First edition in French. 45 1 errata pp. 1 vols. 8vo. Nineteenth-century quarter morocco and marbled boards. Minor rubbing else fine. First edition in French. 45 1 errata pp. 1 vols. 8vo. Bigmore & Wyman II p. 41 Et se trouve a Paris chez D. C. Couturier père, Imprimeur-Libraire, aux Galeries du Louvre unknown