Locard ArnouldLivre Rare Book
8,232 results
ref. RO80207867. Non daté. In-4. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur frais. 70 pages. Absence de couverture.. . . . Classification Dewey : 686.2-Imprimerie
1892ref. 128231892 br. in-8, 63pp., Lyon Alexandre Rey, 1892,
1873ref. 147131873 P., A. Chossonnery, successeur de J.-F. Delion, 1873, 1 vol. petit in-8° (225 x 148 mm) 1/2 toile verte d'époque, dos lisse, auteur et titre dorés, plats de papier marbré noir et vert, couvertures imprimées conservées, de (2) ff. (faux-titre et titre) - 200 pp.Dos insolé, petit accroc en coiffe supérieure, reliure modeste mais solide, pas de faux-titre piquée, bel exemplaire par ailleurs.
1949ref. 100152312Imprimerie Nationale 1949 in4. 1949. Broché. Recueil des actes de Charles III le Simple roi de France de 893 à 923 publié sous la direction de Ferdinand Lot avec la collaboration de Philippe Lauer. Cet ouvrage savant compile et édite les documents diplomatiques du règne de ce souverain carolingien
ref. 144809Paris, 1889; in-8, 13 pp., dérelié. Envoi.
ref. 63-8138Paris: Imprimerie Chaix 1900. 21 x 27 cm. Receipt on Chaix letterhead filled out in ink stamped by recipient July 25 1919. Good with toning minor losses and tiny marginal tears to bottom edge. Engraved letterhead. En Francais. Paris: Imprimerie Chaix, 1900. unknown
1922ref. 608599Leipzig, 1922. 136 S. Hlwd. Gelockert. Name a. Tit.
1790ref. ST14261Paris: Drouhin 1790. FIRST EDITION. 265 x 205 mm. 10 3/8 x 8". Two volumes. VERY ATTRACTIVE CONTEMPORARY MARBLED CALF GILT IN A NEOCLASSICAL DESIGN covers with a cresting palmette frame featuring ornate urn ornaments at corners flat spine divided into compartments by Greek key roll floral spray centerpieces one green and one black label marbled endpapers. With 55 PLATES OF COSTUMES designed by Philippe Chéry and engraved by Pierre-Michel Alix 50 of these PRINTED IN COLOR five in black and white a couple of these with color highlights applied by hand and with a color portrait of the author from the 1802 edition tipped in at front. Colas 717; Hiler p. 542; Lipperheide 3203; Cohen-de Ricci 227; Brunet IV 1135. One corner worn to board joints and extremities lightly rubbed but the bindings lustrous and generally very attractive. First volume slightly browned throughout second volume occasionally so volume II with two-inch marginal stain to upper gutter affecting four quires and six plates but not touching text or images two plates with pen marks in margins touching lettering but not image other trivial defects but still an excellent copy internally the colors especially clear and pleasing. This is an elegant production with the Neoclassical binding being the perfect complement to the color engravings of ancient Greek and Roman costumes that illustrate the present history of theatrical attire. In the two volumes here theater critic and historian Jean Charles Le Vacher de Charnois 1749-92 covers Classical tragedies and comedies as well as later interpretations of these dramas by playwrights including Racine. Le Vacher de Charnois intended a series of books encompassing as the title indicates theatrical costumes from all nations and from the ancient to the modern; however the French Revolution interrupted his scheme and as a monarchist he was imprisoned in 1792 for his writings in support of the aristocracy. It was long thought that he had died in the massacres at the Abbaye prison in September of that year but later research indicates that he may have been executed during the Reign of Terror in 1794. The artists who illustrated this work were at the opposite end of the political spectrum. Painter Philippe Chéry 1759-1838 studied with Jacques-Louis David and adopted his master's passionate support for the Revolution as well as his Neoclassical style. Engraver Pierre-Michel Alix 1762-1817 was a specialist in color printing best known for his portraits of leaders of the French Revolution and later of Napoleon and First Empire dignitaries. While the handsome binding here is unsigned the palmette roll on the covers is very similar but not identical to one used by Bozerian see Culot "Jean-Claude Bozerian" roll #44 and plate #XXIV. Perhaps our binder had trained in that atelier as the design and workmanship are certainly of that level. Drouhin unknown
1799ref. 214620Brussels: Emmanuel Plon 1799. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Half morocco and marbled boards. Slight foxing. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Bigmore & Wyman I 418 "One of the monument of typographical bibliography" Emmanuel Plon unknown
1830FIRST AND ONLY EDITION of this early and important history of early printing in Spain and Portugal. 3, VIII, 67, 5 pp. Edition limited to 350 copies. Printed on good wove paper. 8vo (22 cm). UNCUT AND UNOPENED IN ORIGINAL WRAPS. Foxed (as always), some tears to extremities of wraps. Else a pristine copy of a rare book.
1845xi + 246pp. + 8 planches hors-texte, 22cm., brochure originale (dos renforcé, bien protégé par une couv. supplémentaire de papier cristal), qqs. rousseurs, B100162
1799ref. 214620Brussels: Emmanuel Plon 1799. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Half morocco and marbled boards. Slight foxing. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Bigmore & Wyman I 418 "One of the monument of typographical bibliography" Emmanuel Plon unknown books
Third Edition, 200pp., illustrated by a number of facsimiles from books printed at Troyes, these are executed on wood and printed in the text, orig. printed wrappers, spine broken, uncut.
1790ref. ST14261Paris: Drouhin 1790. FIRST EDITION. 265 x 205 mm. 10 3/8 x 8". Two volumes. VERY ATTRACTIVE CONTEMPORARY MARBLED CALF GILT IN A NEOCLASSICAL DESIGN covers with a cresting palmette frame featuring ornate urn ornaments at corners flat spine divided into compartments by Greek key roll floral spray centerpieces one green and one black label marbled endpapers. With 55 PLATES OF COSTUMES designed by Philippe Chéry and engraved by Pierre-Michel Alix 50 of these PRINTED IN COLOR five in black and white a couple of these with color highlights applied by hand and with a color portrait of the author from the 1802 edition tipped in at front. Colas 717; Hiler p. 542; Lipperheide 3203; Cohen-de Ricci 227; Brunet IV 1135. One corner worn to board joints and extremities lightly rubbed but the bindings lustrous and generally very attractive. First volume slightly browned throughout second volume occasionally so volume II with two-inch marginal stain to upper gutter affecting four quires and six plates but not touching text or images two plates with pen marks in margins touching lettering but not image other trivial defects but still an excellent copy internally the colors especially clear and pleasing. This is an elegant production with the Neoclassical binding being the perfect complement to the color engravings of ancient Greek and Roman costumes that illustrate the present history of theatrical attire. In the two volumes here theater critic and historian Jean Charles Le Vacher de Charnois 1749-92 covers Classical tragedies and comedies as well as later interpretations of these dramas by playwrights including Racine. Le Vacher de Charnois intended a series of books encompassing as the title indicates theatrical costumes from all nations and from the ancient to the modern; however the French Revolution interrupted his scheme and as a monarchist he was imprisoned in 1792 for his writings in support of the aristocracy. It was long thought that he had died in the massacres at the Abbaye prison in September of that year but later research indicates that he may have been executed during the Reign of Terror in 1794. The artists who illustrated this work were at the opposite end of the political spectrum. Painter Philippe Chéry 1759-1838 studied with Jacques-Louis David and adopted his master's passionate support for the Revolution as well as his Neoclassical style. Engraver Pierre-Michel Alix 1762-1817 was a specialist in color printing best known for his portraits of leaders of the French Revolution and later of Napoleon and First Empire dignitaries. While the handsome binding here is unsigned the palmette roll on the covers is very similar but not identical to one used by Bozerian see Culot "Jean-Claude Bozerian" roll #44 and plate #XXIV. Perhaps our binder had trained in that atelier as the design and workmanship are certainly of that level. Drouhin unknown books
THE EXTREMELY RARE ORIGINAL EDITION of this study of printing and bookselling in Orleans from the 14th century to 1850. Includes a capsule biography of each of the printers and a detailed bibliography of the books issued. 589 items described. EDITION LIMITED TO 78 NUMBERED COPIES PRINTED ON FINE WOVE PAPER. 4to. Attractively bound in recent cloth. Original wraps bound in. Uncut. Light staining to original wraps, with a small hole in the front wrap. Silverfishing to preliminary blank leaf. Else fine and bright.
1644ref. AQ29733Amsterdam: Ghedruckt tot Ceulen 1644. 16 232pp. Bound with: Ordonnantie ende Verhael vanden Stijl / ende Maniere van Procederen voor Amptman / Burghemeester / ende Schepenen der Stadt van Antwerpen. Amsterdam Ghedruckt in't Jaer Christi 1644. 35pp 1. And: By-Voechsel Vande costumen van antwerpen. Amsterdam Tot Ceulen in't Jaer Christi 1644. 16pp. And: Die bliide incomste den hertochdomme van Brabant in voortijden by haren Landtsheeren verleent. Amsterdam Tot Ceulen in't Jaer Christi 1644. 24pp. And: Ordonnantie ende Eeuwich Edict vande Eertz-hertoghen onse Souuereyne princen. Tot beter directie vande saken van iusticie in hunne Landen van herwertsovere. Amsterdam Tot Ceulen in't Jaer Christi 1644. 16pp. And: Interpretatie ende Verclaringhe van seeckere twijfelachticheden ende swaricheden die voorgevallen zijn inde Ordinantie ende eeuwich edict vande eerts-hertoghen onse souvereyne princen vanden XII. Julij in dit jaer M.DC.XI. Amsterdam Tot Ceulen in't Jaer Christi 1644. 16pp. And: Ordonantie albertine op de policye ende administratie vande goeden ende innekomen der stadt van Antwerpen ende t'ghene daer af dependeert. T'Antwerpen. Geeraerdt van Wolsschaten 1618. 8 102pp 2. And: Ordonnantie des coninghs onses ghenadighsten heere ende prince Op't stcuk vande Wachte soo vande Gulden als vande Borgerliicke Vendelen der Stadt van Antwerpen. T'Antwerpen. Inde Plantiinsche Druckeriie 1623. 34pp 2. And: Ordonnantie van miine heeren schouteth borger-meesteren schepenen ende raedt der stadt van antwerpen. T'Antwerpen. Inde Plantiinsche Druckeriie 1623. 34pp 2. And: Artiickelen van het bestant ghesloten ende gheconcludeert voor XII. jaren tusschen de majesteyt des konincks van Spanien. T'Antwerpen. By Joachim Trognesius 1609. 31pp 1. And: Naerder verclaringe Ende vermeerderinge vande articlen des Bestants mette interpretatien der seluer geaccordeert ende ghesloten tusschen de gecommitteerde vande ertshertoghen ende die vande Staten Generael. Tot Brussel. By Rutgeert Velpius 1610. 16pp. And: Corte wtlegginghen Van alle de Triumph-Wercken ghemaeckt ende ghestelt ter eeren den Doorluchtichsten prince cardinael ferdinandus infante van Hisp.op sijn blijde incomste binnen de stadt van Antwerpen den 17. April 1635. t'Hantwerpen. Lauwereys van Diest 1635. 38pp. And: Corte wtlegginghen ofte by-voeghsel vanden gheheelen triumph-wegh ghemaeckt ende ghestelt ter eeren des doorluchstichsten prince cardinael Ferdinandus infante van Hispanien. Op sijn blijde incomste binnen de stadt van Antwerpen den 17. april 1635. t'Antwerpen. Lauwereys van Diest 1635. 12pp. Without terminal leaf of text. And: Articulen Ende Conditien vanden Tractate / aengegaen ende ghesloten tusschen de Hoocheydt vanden Prince van Parma Plaisance &c. Stadthoudere Gouuerneur ende Capiteyn Generael vanden Lande van hervvaerts ouere inden name vande Conincklijcke Maiesteyt van Spaengien als Hertoghe van Brabant ende Marckgraue des heylichs Rijcx ter eenre ende de Stadt van Antwerpen ter ander syden: Den XVII. Augusti m.d. LXXXV. T'Hantwerpen. In de Cammerstrate inden Schild van Artoys / by my Daniel Vervliet 1585. 14pp. Quarto. Modern blind-tooled calf. Leaves browned. Central worm-track to final seven mentioned works with loss of text and sense in places. A sammelband of fourteen late sixteenth- early seventeenth-century Dutch-language pamphlets primarily concerning the administration of the city of Antwerp. The articles on customary law encompass the duties of city officials including burgomasters and justices of the peace; the conduct of criminal trials and implementation of torture; citizens’ rights including those of bastards and unmarried women; and contracts relating to property and trade. Two of the pamphlets are of particular note; firstly Artiickelen van het bestant ghesloten ende gheconcludeert voor XII a record of the proclamation of the Treaty of Antwerp issued in 1609 which initiated the Twelve Years' Peace an armistice between the Netherlands and Spain in the midst of the Eighty Years' War.; and secondly Articulen Ende Conditien vanden Tractate an official text of the condition of the 1585 surrender of Antwerp to Spanish condottiero Aleesandro Farnese following a lengthy siege. . Quarto. Ghedruckt tot Ceulen unknown
1886pp. ix; 211. Full page engraved portrait illustrations. Uncut. Small 8vo. Original half gilt decorated linen. Original marbled paper boards. Original leather spine label. XLib Fletcher/Free Library, Burlington, VT. (Withdrawn). Biographical memoir of James Lennox (1800-1880), New York merchant, real estate investor and grand bibliophile whose pioneering collections formed the original core of the New York Public Library's rare book collections. Written by Henry Stevens 'of Vermont' - a great bookseller who worked out of London. **PRICE JUST REDUCED! REF1
ref. 0365215791.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0282380388.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1878ref. 121784Chicago: The J. M. W. Jones Stationery and Printing Company 1878. Hardcover. Good . 508 p. 20 cm. Brown cloth hardcover. Stains or discolouration to cloth some small dents in edges white mark on lower spine. Ink notation on title page and tear at top. The J. M. W. Jones Stationery and Printing Company hardcover
1967236p. Illustrated. Original full cloth binding. DJ. Jackson was the founding curator of Harvard's Houghton Library. **PRICE JUST REDUCED! REF1
ref. 0341493325.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0282114033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0259855855.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0484647466.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
