8,091 results
1972ref. ABE-3905728013Macmillan New York 1972 Wonderful and fascinating history of the great Atlantic ocean liners from the Mauretania to the Queen Elizabeth 2. Beautifully written account that was published with a fold out jacket which reveals a 19" x 24" poster chart of all the main express liners suitable for framing. Along with the fascinating photgraphs and anecdotes this is THE book for anyone who has an interest in this unique period of maritime history. There is a neat inscription on the front end paper but other than that this copy is highly collectable. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. Near Fine/Near Fine. Macmillan New York hardcover
1774ref. 7047London: W. Bowyer and J. Nichols 1774. Half Leather. Very Good binding. Octavo. xvi 144 2 adverts pp. First edition. In 19th century half speckled calf with corners and marbled papers over boards. Joints are moderately rubbed but sound; light shelfwear; a very few instances of early ink corrections or brief annotations in addition to Bowyer's name being added in ink to the title page in an early hand; additionally a 20th word in green ink on p. 1; one leaf M4 has been excised likely at the time of printing as the text is complete and the pagination is correct matching catalogued and digitized copies. In content this work comprises an abridged reprinting of Conyer Middleton's Dissertation 1734-5 correctly arguing that contrary to popular opinion William Caxton was the first printer in England. The second essay is an English translation of Gerard Meerman's Origines Typographicase in which the Dutch collector argues that the first printing was done by Laurentius in Harleim improved upon by Gutenberg and then Schoeffer in Mainz. Both essays are accompanied by intelligent commentary by the printers in addition to appendices on early Greek Hebrew and polyglot books. Bigmore and Wyman state "The book although it has been robbed of its authority by modern researchers at the time of its publication brought in great praise to its compilers the 'learned printers' of the age" p. 75. An important book delving into the history of printing in Europe that was reprinted several times in the 18th century. This copy of the first edition is from the library of American collector Albert A. Howard with his small monograph plate on the rear pastedown. Bigmore and Wyman p. 74-5; ESTC N10660; Oxford Dictionary of National Biography. W. Bowyer and J. Nichols unknown
2003ref. ABE-1641916274402Everyman 2003 Superb copy of this important and riveting classic. This is the first printing of the Everyman Edition. Protected perfect unclipped jacket. Gorgeous binding elegant typography; a book to treasure. With an enthralling chronology and a first rate introduction by Richard Dawkins this a perfect example of what John Updike said 'This Everyman series is the edition of record.' Today this still reads like a thriller. Okay it is a cerebral thriller but in combination with the Voyage Of The Beagle it is still a stirring account and a vitally important text. 1st Edition. Hardcover. As New/As New. Everyman hardcover
2010ref. ABE-2676800439Penguin London 2010 SEALED PENGUIN CLASSICS EDITION.David Lodge wrote a brilliant review of this essential book. I would like to quote a section from it and I hope David Lodge will not mind me doing so: "The way the manuscript has been ingeniously edited and reproduced overcomes to a large extent the disappointment and frustration inherent in reading an unfinished and disconnected narrative and achieves an interesting aesthetic effect unintended by the author. If the manuscript had been printed in the conventional way we would have hurried through it vainly seeking some coherent plot or hint of its ultimate direction. As it is the book invites us to linger over the text's quiddity relishing not just its stylistic feats but also the physical marks on the index cards the poignantly shaky hand of an ailing author his revisions and insertions and smudged rubbings out and the tantalising space he left to be filled in later when he found the right word. 'The only way he could posse! ss her was in the most position of copulation'. Few readers will probably read the whole text continuously from the cards but the matching printed text underneath also has a defamiliarising effect on the act of reading when quite often the last line does not extend to the margin. Page 7 for instance ends 'when they and their dog do not happen' and by habit one's brain tries to make sense of this as a complete clause before turning the page to find 'to need it.' This is an effect akin to a caesura in poetry and indeed the structure of the work as a whole is more akin to modern poetry of the Eliot-Pound kind than a conventional novel shifting from one voice to another without explanatory links. Towards the end these jump cuts become more abrupt and there are more cards which bear just a few lines sometimes evidently Nabokov's notes to himself. A line from The Waste Land 'These fragments I have shored against my ruins' might have been a suitable epigraph for The Original of Laura but the last lines of page 21 would make a better one: 'Only by identifying her with an unwritten half-written rewritten difficult book could one hope to render what'. Is it as the blurb claims Nabokov's 'final great book' No. Does it contain brilliant funny astonishing sentences only Nabokov could have written Yes. Should it have been preserved and published Definitely." This new copy is still sealed. It is a heavy volume and it is undoubtedly a typical Nabokov conundrum. To all addicts of this extraordinary writer this is utterly essential. Extra postage may be needed depending on destination. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. New/New. Penguin London hardcover
Small 4to, [2], [4, list of members of the Philobiblon Society], 3-108pp., limited to 80 copies, with a presentation inscription from the author to Joseph Techener, a leading Paris bookseller at the time, orig. quarter calf, lightly rubbed otherwise a nice copy. Bohn's only direct contribution to typographical history. Bigmore & Wyman I, p.70.
ref. 0282514929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0365208930.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008ref. ABE-2644648438Chatto & Windus 2008 A SIGNED and DATED NEW and UNREAD first printing first edition. It is in a fine protected dust jacket. The winner of the 'Costa First Novel Award' 2008 and long listed for the Orange Broadband Prize 2008. A stunning new voice in fiction in its absolutely ideal state. Stored in a low light book room since publication and it is PERFECT. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. New/New. Chatto & Windus hardcover
First Edition, 4to, xiii,69pp., plates and illustrs., throughout (some coloured), orig. cloth, d.w. This volume celebrates the quincentenary of the introduction of printing at Oxford with a pictorial history of its subsequent progress, illustrated by the books, documents, and pictures which are its tangible record.
First edition, 4to, xiii, 69pp., plates and illustrs., throughout (some coloured), orig. cloth, d.w. This volume celebrates the quincentenary of the introduction of printing at Oxford with a pictorial history of its subsequent progress, illustrated by the books, documents, and pictures which are its tangible record.
1978No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with unmarked black cloth boards, very slight dustiness to page edges and no bumping to corners. Dust jacket not price clipped or marked with single tiny tear and slight creasing to upper edge. Now protected in a fully-removable transparent sleeve. 303pp. The history of one of the great publishing houses of Great Britain with over 500 years to its story.
1905pp. xii, 52. Title page printed in red and black. Uncut. Tall 32mo. Original printed paper wraps, lettered and decorated in red. Nice copy. Bishop 283. PRESS/W39
1996ref. ABE-2837702654Thames & Hudson London 1996 The UK first printing bought from the publisher and stored ever since in a low light book room. Perfect unread and unopened new copy of the first printing in a protected jacket. A completely new and thought provoking exploration of this crucial time when the world as we now know it was being formed. Stunningly collated and illustrated. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. New/New. Thames & Hudson, London hardcover
1934ref. 64780Chicago IL Holyoke MA New York NY: The Paper Demonstrator 840 N. Michigan Ave. 1934. Two vols. 4to. 11 1; 11 1 pp. Illustrated colour-illustrated on colour-tinted paper stock. Self-printed colour-illustrated softcovers minor dustsoiling still NF pair. First editions of these very uncommon original printing and advertising paper sample serial brochures issued 6 times a year by the Paper Demonstrator including tips on layouts colour-printing and even a rather racist short story about an African-American janitor in dialect “The Mystery in 2603.” Of particular interest are the advertising inserts including the poster and artwork by Edgar Miller 1899-1993 one of Chicago’s foremost artist’s in design paint stained glass and more and whose works contributed to the 1934 Century of Progress World’s Fair in Chicago. The second includes a gallery of Soviet Graphic arts printed on colour-tinted Dullchrome Duplex Book Tan & White paper stock reproducing illustrations from modern U.S.S.R. publications in 1934 “now that U.S.S.R. is recognized politically.” Worldcat locates 1 library w/ these publications U of MN Minneapolis. The Paper Demonstrator, 840 N. Michigan Ave., paperback
1998ref. 161010Peabody, MA: Hendrickson Publishers 1998. 272 Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
194721 p. + Frontis and text illustrations. 12mo. Original full cloth binding, stamped in gold. Original dust jacket. Privately printed for George Zabriskie as a Christmas greeting presented to Mrs. (David) Van Dusen, signed by Zabriskie. George Albert Zabriskie (1860-1954) was President of the New York Historical Society from 1939-1947, and Honorary President from 1948 until his death in 1954. He was a great enthusiast of fine books and book binding, and an expert amateur hand-tooler and finisher of books. Though he lived in New York City, he "wintered" in Florida, and issued these charming Christmas keepsakes from his home: "The Doldrums" a Mission-Spanish Revival residence designed by Albert Pierce. This tale of John Charles Fremont (1813-1890) was from a paper for the New York Historical Society. A bright copy of a nice little keepsake. W69.
ref. 026729106X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0267578261.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
12mo, 8pp., woodcut title-vignette, 3 further woodcuts within the text, a couple of light ink spots, stitched as issued, uncut. An extremely rare provincial poem by James Hadfield, described on the title-page as a schoolmaster. A search of Copac finds that a J. Crome of Sheffield was printing from 1791 to 1825. No other copy located.
1964278 p. + Illustrations. 8vo. Original coarse linen cloth binding. Important information on the Virginia Germans, including details of their fraktur, folk art, and imprints. Also issued as: Pennsylvania German Folklore Society. Volume XXVI. **PRICE JUST REDUCED! BEFORE ORDERING PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
18914to., First Edition, LARGE PAPER, with a frontispiece, decorative and printed titles, and numerous plates (a number folding) and illustrations in the text; publisher's binding of boards, calf back gilt, gilt top, covers lightly rubbed and age-marked else a very good, clean copy. EDITION LIMITED TO 100 COPIES SIGNED BY THE PUBLISHER. Sold from an institution with its stamps and accession data. 'The best brief outline of the history of printing. This was the first comprehensiove primer in the English language on the subject and it may still be considered invaluable to the student of historical typography. As the title suggests, the history of the chosen art is traced in its various stages as the great Pentateuch traced the origin and wanderings of the chosen people.'. W. Turner Berry, 1924
1906ref. 51148liNew York, Charles'Scribners Sons, 1906. privates Kaliko, mit Rückenprägung, ca. DinA 6, kleineres Format, 47 Seiten, Bibliotheksexemplar: Einband mit einigen Gebrauchsspuren, stärker beschabt, berieben und bestoßen, Schnitt bestempelt, Schnitt und Seiten papierbedingt stark gebräunt und fleckig, einige Flecke, Einträge und Anstreichungen, eckgeknickt, minimale Einrisse, Einbandinnenseiten/Vorsatzblatt beklebt, bestempelt, wenige Seiten von Kinderhand bemalt und mit Knickspuren, mit Stempel gelochtes Titelblatt auf der Rückseite auch bestempelt und beschrieben, 1 Seite mit kleiner Eckfehlstelle, STARKE Gebrauchs- und/oder Altersspuren / very used [5 Warenabbildungen]
1935ref. 003336Oxford the Clarendon Press 1935 RARE to find this in a complete dustwrapper. Undamaged but there is a stain on the front of the jacket measuring a couple of centimetres or so. Exceptionally clean and undamaged book fortunately printed on very fine quality paper. A great success this is the first reprint one month after the book's appearance. Still provocative today especially in the highly emotive present day when a religious and reactionary backlash is making far too much noise. The case for a reasonable and logical atheism is clearly espoused here in wonderful language. 0.0 0.0 0.0. 1st Edition. Hardcover. Very Good/Very Good. Oxford, the Clarendon Press hardcover
2003ref. ABE-2667542866Penguin Viking London 2003 SIGNED on the title page. No other marks no bent corners not an ex library book. This a perfect collectable copy of this seductive and brilliant novel. Protected jacket. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. Fine/Fine. Penguin Viking London hardcover
1882ref. ST16453Glasgow: Printed by Robert Anderson for Private Circulation 1882. ONE OF ONLY 50 COPIES. 195 x 122 mm. 7 3/4 x 4 7/8". 1 p.l. x 103 1 pp.From George Bannatyne's manuscript compiled A.D. 1568. BEAUTIFUL CITRON CRUSHED MOROCCO ELABORATELY TOOLED IN GILT BY RAMAGE stamp-signed on front turn-in covers with six concentric frames--intricate filigree roll pointillé-tooled floral vine and alternating small ornaments--enclosing a central panel with cornerpieces semé with rows of fleurs-de-lys large oval medallion at center radiating ornate fleurons raised bands spine compartments with large central medallion containing a vase of flowers delicate tooling in corners gilt titling turn-ins framed by filigree roll and alternating small ornaments brown and tan silk jacquard endleaves patterned in a Medieval motif top edge gilt. Printer's device on title page decorative woodcut initials and headpieces. Spines evenly sunned to a warm honey brown corners lightly rubbed short faint scratch to lower board but the binding virtually unworn and happily free of the splaying that plagues vellum books. Leaves lightly rumpled but A VERY FINE COPY the vellum leaves creamy clean and bright and the binding glittering with gold. Printed on luxurious vellum and limited to just 50 copies presumably for private circulation among friends of the printer this is a lovely edition of 16th century poems by a mysterious author believed to have been a poet and musician associated with the court of Mary Queen of Scots. This work contains all 36 extant poems attributed to Scott ca. 1520-82/3 including what is considered to be his most historically important work "Ane New Yeir Gift to Quene Mary" 1562 written in support of the young Scottish queen caught between Catholic and Protestant agendas. His other poems consist largely of lyric verses on love and sexuality which DNB describes as possessing "exceptional metrical variety and vernacular directness" with "a musician's ear for rhythm and melody." Scott's poems are known to us via the Bannatyne manuscript now held in the National Library of Scotland which ranks among the most important documents of Scottish Medieval literature. Written by George Bannatyne in 1568 during a period of confinement due to an outbreak of plague it contains a mixture of both secular and religious material including the sole extant copies of several texts. In the preface to the present work the publisher notes that Scott's poetry has been faithfully reproduced from that manuscript and thus "for the first time accurately printed." Very little is known regarding the life of Alexander Scott but he seems to have been attached to the court of Mary Stuart through John Erskine a guardian and counselor to the queen. Given the very limited number of copies made it is not surprising that this work is extremely rare on the market. Printed [by Robert Anderson] for Private Circulation unknown