8,065 results
2000ref. 636097Frankfurt/M. Stiftung Buchkunst, 2000. M. zahlr. farb. Abb. 152 S. Farb. ill. OBr.
1993ref. 636651Frankfurt/M. Stiftung Buchkunst, (1993). M. zahlr. farb. Abb. 143 S. Farb. ill. OBr.
1959ref. 213263Leipzig, 1959-88. M. zahlr. Abb. Hlwd. u. OU.
198130x21.5cm. 10+724 pages. Hardcover with dust-jacket. Pen inscription on first whitepage. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1936ref. 810764Berlin, Büchergilde Gutenb. (1936). M. 1 Faks. 261 S. OLwd. Einbd. angeschmutzt. Priv. Widmung a. Vorsatz.
1958ref. 635801München, Prestel, (1958). Kl.-8°. Mit über 100 Abb. u. 9 Falttaf. 471 S. OLwd. m. Rtit. Schnitt leicht angeschmutzt.
1953ref. 609362Leipzig, Fachbuchvlg. 1953-54. 8° u. 4°. M. 14 Taf., 100 Abb. u. 1 (st. 4) Beil. OHlwd. St. a. Tit.
1951ref. 213048Leipzig, Fachbuchvlg. 1951. M. 1 Beil., 13 Taf. u. 100 Abb. 168 S. OHlwd.
1929ref. 608918Berlin, Wasmuth, (1929). 4°. 240 Taf. XXXVII S. Hldr. (Wasmuths Werkkunst-Büch. 6).
1958ref. 212681Berlin, Dt. Vlg. d. Wiss. 1958. 4°. M. 587 Abb. 583 S. OLwd.
1935ref. 403562Glückstadt, Augustin, (1935). 4°. M. 444 Abb. VIII, 418 S. OLwd. Berieben, angestaubt u. etwas begriffen.
1969ref. 142186Frankfurt am Main. (Ohne Jahr. Um 1969). 16 Seiten. Originalbroschur. 21x12 cm
1961RARE LIMITED EDITION OF 150 COPIES - COPY No.79 SIGNED BY ARTIST MAX HUNZIKER and printed on special and precious Japanese paper. This book contains the Ring Parable, the famous key scene of Lessing's play "Nathan the Wise". This text is amongst the most important and best known texts of the Age of Enlightenment. The parable is accompanied by two etchings by the Swiss artist Max Hunziker (1901-1976). 205x235mm. Unpaginated. Brown softcover. Cover edges worn and wavy. Hunziker's signature on last page. This beautifully illustrated book is in very good condition.
1908ref. 402612Berlin, Duncker, 1908. LVIII, 113 S. Bibl.-Einbd. St. a. Tit. (Archiv f. Kulturgesch. Erg.-H. 3).
1912ref. 824029Heidelberg, 1912. 4 Bl., 70 S. Bibl.-Br. m. Sign. St. verso Tit.
1926RARE FACSIMILE EDITION of one the first known printed Passover Haggadah, printed by Gerschom Kohen probably in 1526 or 1527. Includes a 16-page softcover introduction supplement in German (305x230mm). [FACSIMILE]: 315x240mm. Haggadah unpaginated. Hardcover. Cover rubbed, dirty/slightly stained and curved. Cover upper corners bumped and worn. Cover corners and edges slightly bumped. Spine edges and hinges partly peeling and glued. Supplement title-page fore and bottom edges slightly wrinkled. [SUMMARY]: This rare facsimile edition of possibly the first printed Haggadah is otherwise in good condition.
1912ref. 202111Gießen, Töpelmann, 1912. 26 S. OBr. Unaufgeschn. Ex. Umschlag angestaubt. (Vorträge der theologischen Konferenz zu Gießen, Folge 34).
1916ref. 608630Leipzig, Poeschel, 1916. 2 Bl., 198 S. Hlwd. St. a. Tit.
1940ref. 20817ABZürich, Orell Füssli, 1940. 4°. 215 S. Mit 92 Textillustr. Illustr. orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1940ref. 12425ABZürich; Leipzig, Orell Füssli Verlag, 1940. 4° (30x21),, 215 S., mit 91 Abb. sowie zahlr. Initialen, ill OPbd, gering angestaubt, rückseitig etwas Abrieb, Rücken etwas randig, fest sauber und gepflegt,
1970ref. 35299Kassel: Internationale Gesellschaft für Musikwissenschaft 1970. Softcover. Good. Octavo. Wrappers. 336 pp. Catalogus musicus 5. Internationale Gesellschaft für Musikwissenschaft unknown books
1982ref. ST16482Bayreuth: Printed by Chr. Scheufele Offizin Stuttgart for Bear Press 1982. No. 1 OF 10 COPIES ON VELLUM plus a "special" edition of 25 copies and 185 copies on Kochi Japanese paper. 223 x 148 mm. 8 7/8 x 5 3/4". 50 pp. 2 leaves.Translated and with an afterword by Wolfram Benda. Publisher's fine burgundy morocco by Erwin Lehr upper cover with gilt rose in recessed square flat spine with gilt titling turn-ins with gilt fillet frame pale yellow silk pastedowns. In the original burgundy suede slipcase. With three large initials in burnished gold and four signed and numbered original etchings by Peter Klitsch. Printed in red and black. Signed in the colophon by the artist the binder and the publisher/translator. In mint condition. This is the splendid deluxe version of a finely crafted private press edition of Wilde's fairy tales "The Nightingale and the Rose" "The Happy Prince" and "The Selfish Giant." It is the third work issued by the Bear Press founded in 1979 by literary scholar Wolfram Benda and still in operation. According to the firm's website "at a time when the craftsmanship and ethos of the artisan in bookmaking have been damaged by ever-increasing industrialization and neglect . . . The Bear Press . . . tries to achieve the highest possible degree of technical and artistic perfection in its printed works." The font used to print the text and the artist chosen to illustrate each work are carefully selected to express "the individual author's personality and intention." Even the discriminating aesthete Wilde 1854-1900 would be pleased with the choices here especially for the luxurious vellum printing: the type is set in refined Walbaum Antiqua and shown off with special effect by the creamy leaves; the etchings by Austrian artist Peter Klitsch b. 1934 are meticulous detailed and reminiscent of the work of Wilde's friend Aubrey Beardsley; and the binding is the epitome of tasteful restraint flawlessly executed with premium materials. The three tales here first appeared in 1888 and are bittersweet in their themes of love and self-sacrifice. His stories for children were one of Wilde's early successes and DNB notes "Their permanent place in child affections refutes the vulgarism that Wilde's literary reputation arose from his legal notoriety. In all cases the fairy tales are on the child's side celebrating the courage and generosity of the poor and vulnerable while their satire mocks the kind of pomposity and hypocrisy children can recognize." We have been able to trace just two other copies of the vellum printing at auction in ABPC and RBH. [Printed by Chr. Scheufele Offizin, Stuttgart, for] Bear Press unknown books
1982ref. ST16482Bayreuth: Printed by Chr. Scheufele Offizin Stuttgart for Bear Press 1982. No. 1 OF 10 COPIES ON VELLUM plus a "special" edition of 25 copies and 185 copies on Kochi Japanese paper. 223 x 148 mm. 8 7/8 x 5 3/4". 50 pp. 2 leaves.Translated and with an afterword by Wolfram Benda. Publisher's fine burgundy morocco by Erwin Lehr upper cover with gilt rose in recessed square flat spine with gilt titling turn-ins with gilt fillet frame pale yellow silk pastedowns. In the original burgundy suede slipcase. With three large initials in burnished gold and four signed and numbered original etchings by Peter Klitsch. Printed in red and black. Signed in the colophon by the artist the binder and the publisher/translator. In mint condition. This is the splendid deluxe version of a finely crafted private press edition of Wilde's fairy tales "The Nightingale and the Rose" "The Happy Prince" and "The Selfish Giant." It is the third work issued by the Bear Press founded in 1979 by literary scholar Wolfram Benda and still in operation. According to the firm's website "at a time when the craftsmanship and ethos of the artisan in bookmaking have been damaged by ever-increasing industrialization and neglect . . . The Bear Press . . . tries to achieve the highest possible degree of technical and artistic perfection in its printed works." The font used to print the text and the artist chosen to illustrate each work are carefully selected to express "the individual author's personality and intention." Even the discriminating aesthete Wilde 1854-1900 would be pleased with the choices here especially for the luxurious vellum printing: the type is set in refined Walbaum Antiqua and shown off with special effect by the creamy leaves; the etchings by Austrian artist Peter Klitsch b. 1934 are meticulous detailed and reminiscent of the work of Wilde's friend Aubrey Beardsley; and the binding is the epitome of tasteful restraint flawlessly executed with premium materials. The three tales here first appeared in 1888 and are bittersweet in their themes of love and self-sacrifice. His stories for children were one of Wilde's early successes and DNB notes "Their permanent place in child affections refutes the vulgarism that Wilde's literary reputation arose from his legal notoriety. In all cases the fairy tales are on the child's side celebrating the courage and generosity of the poor and vulnerable while their satire mocks the kind of pomposity and hypocrisy children can recognize." We have been able to trace just two other copies of the vellum printing at auction in ABPC and RBH. [Printed by Chr. Scheufele Offizin, Stuttgart, for] Bear Press unknown
1938ref. 205107Berlin, 1938. M. 24 Taf. 102 S. OBr. Unaufgeschn. Ex. Umschlag min. am Rand angeschmutzt. (Abhandlungen der Preuß. Akademie der Wissenschaften Phil.-hist. Kl. 1937/9).
1982ref. 139455Berlin, Evangelische Verlagsanstalt, 1982. 65 S., 1 Bl. Mit 48 Abbildungen. Originalleinen mit Schutzumschlag, dieser mit wenigen Läsuren.