1 538 résultats
1928réf. 65759Darmstadt, Darmstädter Verlag zu Darmstadt, 1928. 1 Bl., 29 S. Mit rot-schwarz gedrucktem Titel, 3 rotgedruckten Zier-Initialen u. 10 Original-Radierungen als Textillustr. 4to. Illustr. OHPgt in Blockbuchbindung m. orangefarb. Deckelbezügen.
1884réf. 76047Leipzig, F. A. Brockhaus, 1884. XVI, 430 S., 1 Bl. Verlagsanzeigen. Mit 18 Abb. im Text, 11 Taf. (davon 1 gefalt.) u. 1 gefalt. farb. Kte. Gr.-8vo (24 x 15 cm). Priv. HPgt. mit RSch. u. eingebund. Orig.-Umschlag.
1952réf. 2105Paris, Editions d'Art H. Piazza, 1952 ; in-8 carré, broché sous étui cartonné en papier rose décoré de fleurs argent ; 180 pp., (1) ff., 10 illustrations hors-texte en couleurs, y compris la couverture, protégées par des serpentes, couverture à rabats illustrée en couleurs.
1951réf. 012905Paris Galerie Louise Leiris 1951 en feuilles, couverture rempliée illustrée, chemise et étui éditeur
réf. 8935Paris, Flammarion, 1979 15 x 21, 214 pp., broché, non coupé, très bon état
1626réf. 0044501626 Lyon, Barthelemy Vincent, 1626. Deux ouvrages reliés en un volume petit in-8 (115 X 179 mm) vélin souple à coutures apparentes, titre calligraphié au dos à l'encre noire (Reliure de l'époque); (4) ff. dont feuillet de titre, 342 pages (dont une planche à pleine page p. 338), (1) f. de planche et privilège au verso, (7) planches dépliantes - 313 pages, (4) pages de table. Petites restaurations à la reliure et au feuillet de titre.
2019réf. BN540217M & M Limitless Online Inc. 2019. 2019. Trauma Toolbox: Techniques Your Doctor Won't Tell You About Healing Trauma Trauma Toolbox: Techniques Your Doctor Won't Tell You About Healing Trauma Vitela Michael und Lawrence Conley M & M Limitless Online Inc. unknown
1832réf. 182031832 Paris, Aubert,Galerie Vero-Dodat,1832,IN FOLIO broche,couverture imprimée illustrée,textes de BALZAC sous divers pseudonymes,paginé 531 a 537 manquants,rare tables des matieres textes,soit 4 pages et gravures sur blanc volantes,Seconde année,tome Troisieme, ,DAUMIER planche N°136 Tres humbles et tres voraces sujets du trone,Delteil 40/I(v.II),pli median normal,marges courtes.
1995réf. 015921Paris L'Echoppe 1995 In-12 Broché, couverrture à rabats
1960réf. 81170Zürich, Verlag Die Waage, (1960). 16 TextS. Mit 27 Zeichn. von Otto Bachmann. Groß-4to (36 x 28 cm). Lose in OKart. mit SU, dieser in OHPgt.-Umschlag in schlichtem OPp.-Schuber.
réf. 4559Paris, Librairie de la Revue Française, Alexis Redier, 1931 16 x 24, 129 pp., broché, non rogné, bon état
1926réf. 2394Paris, Maîtres et jeunes d'aujourd'hui, 1926 ; in-8, broché ; (1) f. (bl.), 309 pp., (4) ff. (2 ff. de table, justification, bl.) ; 4 bois gravés en couleurs hors-texte dont un en frontispice, quelques bois gravés en couleurs in-texte ; couverture beige à rabats illustrée en rouge et noir.
1896réf. ST17129-026Paris 1896. 200 x 135 mm. 7 7/8 x 5 3/8". 11 leaves. Single column 16 lines plus headline in a thin graceful italic script. Attractive red crushed morocco by Marcellin Lortic stamp-signed on front doublure covers framed by multiple-rule gilt strapwork raised bands spine compartments with gilt French fillet gilt titling vellum doublures with gilt frame in the Romantic style leather hinges vellum endleaves all edges gilt. In matching morocco-trimmed slipcase. Title in burnished gold embellished with red and blue penwork text with red-ruled border and burnished gold stars at corners numerous one-line burnished gold initials with red or blue penwork two-line opening initial in burnished gold on a blue white and pink background and A HALF-PAGE MINIATURE measuring 71 x 64 mm. SHOWING A COURTROOM SCENE. Front free endleaf with morocco bookplate of Robert Hoe. ◆Just the slightest hint of rubbing to joints but A VERY FINE SPECIMEN entirely fresh bright and clean inside and out. This elegant little manuscript in French recounts Guy de Maupassant's satirical tale of a trial in the provinces; it was created by a man who knew the inside of a courtroom all too well. Bouton 1819-1901 was a young rebel during the 1848 Revolution who spent five years in jail for his participation in a bombing in Paris. Oddly enough the dedicated republican was also an expert on heraldry and paleography publishing pamphlets on those subjects as well as on politics and producing manuscripts like the present one. De Maupassant 1850-1893 is generally acknowledged as one of the great masters of the short story. In the present tale a wealthy older woman who had tried to buy a young peasant's love by giving him land sues unsuccessfully for the return of her property when the object of her affection forsakes her for a younger woman. According to Beverly Chew the library of Robert Hoe 1839-1911 founding member and first president of the Grolier Club was "the finest America has ever contained." Hoe acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Hoe owned several Bouton manuscripts of de Maupassant stories and the Morgan Library also has Bouton creations. The Lortic name was made famous in the history of French binding by Pierre Marcellin Lortic 1822-92 a leading Parisian binder for 40 years; the binder here was Lortic's son Marcellin or "Lortic Fils" 1852-1928. unknown
1896réf. ST17129-026Paris 1896. 200 x 135 mm. 7 7/8 x 5 3/8". 11 leaves. Single column 16 lines plus headline in a thin graceful italic script. Attractive red crushed morocco by Marcellin Lortic stamp-signed on front doublure covers framed by multiple-rule gilt strapwork raised bands spine compartments with gilt French fillet gilt titling vellum doublures with gilt frame in the Romantic style leather hinges vellum endleaves all edges gilt. In matching morocco-trimmed slipcase. Title in burnished gold embellished with red and blue penwork text with red-ruled border and burnished gold stars at corners numerous one-line burnished gold initials with red or blue penwork two-line opening initial in burnished gold on a blue white and pink background and A HALF-PAGE MINIATURE measuring 71 x 64 mm. SHOWING A COURTROOM SCENE. Front free endleaf with morocco bookplate of Robert Hoe. ◆Just the slightest hint of rubbing to joints but A VERY FINE SPECIMEN entirely fresh bright and clean inside and out. This elegant little manuscript in French recounts Guy de Maupassant's satirical tale of a trial in the provinces; it was created by a man who knew the inside of a courtroom all too well. Bouton 1819-1901 was a young rebel during the 1848 Revolution who spent five years in jail for his participation in a bombing in Paris. Oddly enough the dedicated republican was also an expert on heraldry and paleography publishing pamphlets on those subjects as well as on politics and producing manuscripts like the present one. De Maupassant 1850-1893 is generally acknowledged as one of the great masters of the short story. In the present tale a wealthy older woman who had tried to buy a young peasant's love by giving him land sues unsuccessfully for the return of her property when the object of her affection forsakes her for a younger woman. According to Beverly Chew the library of Robert Hoe 1839-1911 founding member and first president of the Grolier Club was "the finest America has ever contained." Hoe acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Hoe owned several Bouton manuscripts of de Maupassant stories and the Morgan Library also has Bouton creations. The Lortic name was made famous in the history of French binding by Pierre Marcellin Lortic 1822-92 a leading Parisian binder for 40 years; the binder here was Lortic's son Marcellin or "Lortic Fils" 1852-1928. unknown books
1957réf. 004100Paris Denoel 1957 In-12 Broché Edition originale
réf. 3957In 12 broché,couverture illustrée de Jean TREYNIER.Faux-titre,titre,201 pages,1 feuillet de table des matières, illustrations en couleurs Bandeaux,lettrines,hors-texte de jean TRAYNIER.Editions de la Nouvelle France Paris 28 février 1943.collection la Main d’Or.exemplaire numéroté sur vélin chiffon blanc, 2ème grand papier.Très bon état Ex-libris,avec un papillon:"les noirs profonds des illustrations séchant lentement il est recommandé de ne pas enlever les serpentes qui les protègent"
réf. 1409Paris, Calmann-Lévy, 1931 14 x 20, 191 pp., non coupé, broché, très bon état
1936réf. 16477Paris, Calmann-Lévy, 1936 ; in-4 ; plein chagrin rouge cerise, triple filet doré (gras, moyen et fin) vertical sur les plats et à chaque extrémité du dos, tête dorée, couverture conservée (reliure de l'éditeur).
réf. 25626Paris, Bibliotheque Grasset, 1929 13.8x20.2 cm., 219 pp., relie, demi-maroquin bleu, filet dore cernant les plats de pap., dos a 5 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Relie par Laurent Peeters - Anvers. Tirage limite. Tirage de 40 ex. numerotes velin pur chiffon Lafuma I a XL.
1834réf. 251211834 Planche 437 de La Caricature N° 209.La Caricature, 6 novembrebre 1834. Lithographie originale sur Velin blanc. . Delteil 94. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 94 ,
réf. 009900Paris Edition Sagesse, Librairie Tschann 0 In-8 En feuilles Ed. originale
réf. awd-1066Painting poem, technique mixte signée sur vélin d’Arches. Collage rehaussé et texte à l’aquarelle calligraphié en noir (25,4/32,5 cm). t
1842réf. 009117Paris Desenne 1842 In-4 <Demi basane fauve d'époque
1991réf. 014406Réville Editions de la C.R.E.M. - Collection "Pronto Epidémia 47" 1991 In-8 carré Broché, couverture illustrée
1950réf. 010299Paris Louis Broder 1950 En feuilles, couverture rempliée, chemise et étui éditeur