1 527 résultats
1626réf. ST21074Antwerp: Balthasar Moretus 1626. ONE OF 50 COPIES ON VELLUM PRINTED FOR THE KING OF SPAIN and 25 copies on paper. 257 x 185 mm. 10 1/4 x 7 1/4". 8 p.l. 91 pp.Translated by Nicolas Grudius. Handsome dark brown crushed morocco tooled in gilt and blind by the Club Bindery for Robert Hoe stamp-signed and dated 1903 on front turn-in and with Hoe's monogram on front pastedown covers with frame of double gilt rules enclosing repeated blind-stamped medallions central panel with blind-ruled lozenge and rectangle the latter with oblique gilt fleurons at corners raised bands spine compartments ruled in blind with gilt fleuron centerpiece and gilt floral buds at corners gilt lettering vellum endleaves all edges gilt tiny invisible repairs at top of spine and front joint. With two full-page armorial engravings by Cornelius Galle one the arms of the Spanish monarch the other the insignia of the Order engraved head- and tailpieces. Front pastedown with morocco bookplate of Robert Hoe as well as engraved bookplates of Arthur & Charlotte Vershbow and David Godine. Bibl. Belg. I 692; Voet II 1017; Van Praet V:161-2; Brunet Supp. I:291; USTC 1007848. Boards slightly bowed as almost inevitable with vellum books text a bit wavy also as expected occasional faint smudges or dustsoiling at edges but AN EXTREMELY PLEASING COPY the vellum creamy and bright the binding very lustrous. This is the luxurious vellum printing of the rules of the Order of the Golden Fleece bound in 16th century style for the renowned bibliophile Robert Hoe by the workshop he co-founded and supervised for much of its existence. Founded in 1429 by Philip Duke of Burgundy the exclusive Order of the Golden Fleece was the most distinguished knighthood in the Holy Roman Empire being limited to just 24 members. Its primary purpose was to preserve and protect the Catholic faith as well as to uphold the 12 knightly virtues outlined by Philip: Faith Charity Justice Sagacity Prudence Temperance Resolution Truth Liberality Diligence Hope and Valor. Those deserving to be collared with the order's golden necklace featuring an appended ram that gave the group its name swore to support their monarch militarily and in return they were exempt from taxes as well as being entitled to be tried for any crimes by a jury restricted to their fellow knights. The "Rules" or "Statutes" that make up the text here dictate the very strict obligations and behavioral guidelines for its members including proscriptions against such things as fleeing a battle out of cowardice or embracing beliefs antithetical to the Church along with a number of procedural decrees governing for example how exactly to participate in ceremonial occasions. The earliest Latin edition of the "Constitutiones" translated from the French by the secretary of the Order Flemish poet Nicolaus Grudius 1504-70 was printed by Guillaume Silvius at the Plantin Press in 1566. In total four vellum editions were issued over the next 200 years all now rare. The present copy collates as the 1626 edition issued by Balthasar Moretus which the Belgian national bibliography tells us was printed for the king of Spain with 50 copies on vellum and 25 on paper. Our copy was bound in 1903 for Robert Hoe 1839-1909 a founder of the Grolier Club and one of the world's great book collectors. After Grolier was established in 1884 it soon became apparent that the country's few established hand binders were overtaxed in providing repairs and rebinding for the club members' rapidly accumulating acquisitions. As a consequence in 1895 Grolier members along with Edwin Holden and other wealthy collectors established the Club Bindery in order to attract European craftsmen to provide close to home fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909 with Hoe being its most influential manager and client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. Our volume later passed into the hands of another Grolier Club member Arthur Vershbow 1922-2012 and his wife Charlotte 1924-2000. All early editions of this work are scarce; we were able to trace just one other copy of our vellum-printed edition at auction sold for 11700 at van de Wiele in 2024. Balthasar Moretus unknown
réf. 010236Londres, Paris Barrois - Desenne 0 fort in-8 Reliure d'époque
réf. 11861Suivis d’une lettre à une jeune femme de qualité partant pour Londres au moment de la saison ; De notes pour un homme d’état français qui traverse pour la première fois la Manche. In 12 broché, couverture à rabats. Faux titre, titre, 62 pages, table des matières. Achever d’imprimer le 13 Mars 1938 Grasset éditeur édition en partie originale sur vélin de Lorraine.
réf. 1713268612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 381Paris, André Sauret, 1925 16 x 22, 169 pp., broché, très bon état
1740réf. ST12778-0377Rome 1740. 180 x 312 mm. 7 x 12 1/4". Single column 18 lines in an arcane "scrittura bollatica." Elaborate lettering across top line of text and at lower right corner. Lower margin with several signatures in ink; verso with brief notes in ink; remains of hemp tie for appended seal which has been cut away. With faint folds a little natural yellowing to vellum but in fine condition. Appearing almost as a dancing musical score this is Papal Bull that leaves a lot to be deciphered. The document is written in the so-called "scrittura bollatica" which the Catholic Encyclopedia calls "an archaic and very artificial type of writing . . . with manifold contractions and an absence of all punctuation which was practically undecipherable by ordinary readers." The script was used from after the Reformation until it was discontinued through papal edict by Leo XIII in 1878. Apart from the name of the issuing pope and the date the only readily identifiable part of the text here is the name of the Archbishop of Naples the addressee on the top line. We acquired this document along with several other bulls addressed to this archbishop all having to do with marriage dispensations and we suspect that the present item probably contains similar content. The esteemed polymath Pope Benedict XIV born Prospero Lorenzo Lambertini 1675-1758 headed the Catholic Church from 1740 until his death. A scholar and reformer he worked to modernize church administration promote scientific study and improve relations with secular rulers. unknown books
1740réf. ST12778-0377Rome 1740. 180 x 312 mm. 7 x 12 1/4". Single column 18 lines in an arcane "scrittura bollatica." Elaborate lettering across top line of text and at lower right corner. Lower margin with several signatures in ink; verso with brief notes in ink; remains of hemp tie for appended seal which has been cut away. With faint folds a little natural yellowing to vellum but in fine condition. Appearing almost as a dancing musical score this is Papal Bull that leaves a lot to be deciphered. The document is written in the so-called "scrittura bollatica" which the Catholic Encyclopedia calls "an archaic and very artificial type of writing . . . with manifold contractions and an absence of all punctuation which was practically undecipherable by ordinary readers." The script was used from after the Reformation until it was discontinued through papal edict by Leo XIII in 1878. Apart from the name of the issuing pope and the date the only readily identifiable part of the text here is the name of the Archbishop of Naples the addressee on the top line. We acquired this document along with several other bulls addressed to this archbishop all having to do with marriage dispensations and we suspect that the present item probably contains similar content. The esteemed polymath Pope Benedict XIV born Prospero Lorenzo Lambertini 1675-1758 headed the Catholic Church from 1740 until his death. A scholar and reformer he worked to modernize church administration promote scientific study and improve relations with secular rulers. unknown
1929réf. 004302Paris Hazan 1929 In-8 Broché Edition originale Dédicacé par l'auteur
réf. 9560Manuscrit ancien, in-8, vélin ivoire de l'époque, en deux parties de 64 et 80 pp., frontispice gravure de la Vierge à l'enfant.
1574réf. 1124921574 Genevae (Genève), Apud Eustathium Vignon (Eustache Vignon), 1574, 1 volume in-4 de 180 x 250 mm environ, (12) ff. (page de titre, Epistola, Praefatio), 440 pages, écrit en latin avec un sens de lecture de la gauche vers la droite mais texte imprimé et paginé de la droite vers la gauche. Plein vélin souple d'époque au dos muet, traces de lien. Reliure en état d'usage (quelques taches sur les plats et une étiquette papier collée sur le plat supérieur, un coin plié), tampon de bibliothèque répété, annotations à l'encre pages 40-41-57-59, légères traces de mouillures aux coins d'une dizaine de feuillets, plus importantes sur 7 feuillets (p.195 à 208), discrets trous de vers, déchirure marginale sans atteinte au texte p. 304. Bel état pour cet ouvrage d'érudition rare.
1982réf. boz_006821Auteur : Marguerite Yourcenar Titre : Comme l'eau qui coule (Anna, soror..., Un homme obscur, Une belle matinée) Édition : Éditions Gallimard (nrf), Paris, 1982 Tirage : Édition originale, exemplaire n 69, l'un des 62 exemplaires sur vélin d'Arches Arjomari-Prioux (numérotés de 43 à 104). Reliure : Broché, couverture souple imprimée. Exemplaire tel que paru, avec ses marges non coupées. Dimensions : 14,9 x 21,7 cm État : Très bel exemplaire. Intérieur d'une grande fraîcheur, couverture propre. Voir photos pour plus de détails. Nombre de pages : 266 pages.
1965réf. boz_001600Burt BLECHMAN. Combien ?, EO 1/27 Vélin Pur Fil Seul Tirage, Coll. Du Monde Entier Auteur : Burt Blechman . Traduit de l'anglais par Pierre Singer. Titre : Combien ? (Roman par B. Halpern, tel qu'il a été raconté à Burt Blechman) Édition : Gallimard, coll. "Du Monde Entier" (CDI), Paris, 1965 Tirage : Édition originale. Un des 27 exemplaires numérotés sur vélin pur fil Lafuma-Navarre (seul grand papier), celui-ci portant le n° 11 . Reliure : Broché, couverture à rabats de l'éditeur. Dos lisse avec titres imprimés en rouge et noir. Exemplaire non coupé. Dimensions : 13 x 19,6 cm État : Très bel état de conservation, intérieur frais, marges non coupées . Dos légèrement insolé. Nombre de pages : 178 pages.
réf. 4481Paris, Nagel, 1945 17 x 25, 160 pp., broché, bon état
1942réf. 235441942 LA TRADITION 1942.reliure peinte plein velin doré,decorée sur plats et dos,tete dorée. PETIT IN-4 (18,5 X 23 X 4 CENTIMETRES ENVIRON) DE 233 + (2) PAGES, COUVERTURE ROUGE REMPLIEE, PREMIER TIRAGE LIMITE A 560 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE, TOUS SUR VELIN D'ARCHES A LA FORME, CELUI-CI PORTANT LE NUMERO 305. (CARTERET. V. 138).
réf. 009682Aux Editions du Sagittaire, Chez Simon Kra 0 36 volumes in-12 brochés, couvertures rempliées
Two volumes, complete. The "goig" is a typical Catalan art form ("gozo" in Spanish), dating back to the 16th century. It is a broadsheet with a printed poem dedicated to a specific saint, and illustrated with woodcuts or metalcuts. During the 20th century Ricard Vives Sabate was the only artist who kept this tradition alive. These two portfolios contain ten of his goigs, dedicated to those saints most venerated in Catalonia: Sant Jordi (St. George), La Nostra Senyora de Montserrat (Our Lady of Montserrat), Santa Eulalia, Santa Cecilia, Sant Ricard, La Mare de Deu de la Merce, Santa Anna, Sant Josep Oriol, Sant Oleguer, and Sant Lluis. Each of the goigs is printed by hand and illustrated with several metalcuts. From a total edition of 255 copies, each of these portfolios is one of only FIVE copies with the goigs printed on parchment and beautifully hand-illuminated in color and heightened with gold. Furthermore, each of the goigs is signed by the artist. Folio, hand-made paper wraps (also decorated with hand-illuminated metalcuts). Fine and bright, with no defects.
1920réf. 010841Paris Aux éditions du Sagittaire 1920 In-8 Broché
1997réf. 016185Paris L'Echoppe 1997 In-16 Broché, couverture à rabats Signé par l'auteur
réf. 26065Paris, Bernard Grasset, 1928 14.1x20.3 cm., 291 pp., relie demi-maroquin brun a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos a 5 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Tirage limite. Tirage de 40 exemplaires sur velin pur chiffon lafuma numerotes de I a XL.
réf. 4774poèmes,in 8 broché faux-titre,titre,50 pages,1 feuillet de table.Edition originale numérotée sur vélin blanc Sequana 12 novembre 1943.Très bon état
1913réf. 2396Paris, Maurice Glomeau, 1913 ; petit in-8, demie-basane aubergine, dos lisse, titre doré, dos décoré de deux importants fleurons dorés, filet doré sur les plats et les coins, couverture conservée (reliure de l'époque signée Flammarion Vaillant) ; VIII pp. (faux-titre, titre, note), 51 pp. (1) f. (imprimeur) ; 1 illustration en couleurs en frontispice.
1924réf. 74643(Chemnitz, Druck von Otto v. Holten, 1924). 81 S. Gr.-8vo (26 x 17 cm). OHPgt. mit mit durchgezog. Bünden u. goldgeprägtem RTitel u. Kopfgoldschnitt.
1927réf. 21568Strasbourg, Collection de la vie en Alsace, 1927 ; in-8 (242 mm), demi-veau fauve à coins, dos à larges nerfs soulignés de filets à froid, titre diré, couverture illustrée et dos conservés, non rogné (Madelain) ; XII, 166, [2] pp., nombreuses gravures en noir et blanc.
1927réf. 014807Paris Gallimard NRF 1927 In-8 Broché
1930réf. 005238Paris Jacques Bernard La Centaine 1930 In-12 Broché Edition originale