1 535 résultats
1937réf. 002353Paris (Skira), Minotaure 1937 plaquette in-4 agrafé, couverture illustrée Ed. originale
réf. 14116In 8 broché, 150x220mm, couverture rempliée, faux-titre, titre, 149 pages, Presses du maître imprimeur P COULOUMA 10 septembre 1924. Exemplaire numéroté sur vélin du Marais. Les auteurs classiques Russes. Editions de la pléiade 1924. Traduction de J SCHIFFRIN et COMONNIN. Très bon état
réf. 1957In 12 carré en feuillets sous couverture imprimée rempliée. Faux-titre,titre,frontispice gravé sous serpente,12 superbes eaux-fortes sous serpentes dans et hors-texte de P.GUASTALLA.Un des exemplaires sur vélin d’Arches,avec un état d’une gravure ainsi que du dessin orignal de cette gravure,signé au crayon au bas à droite dans la marge.Chez l’auteur 1950 étui avec dos façon vélin ancien avec titre en long,emboîtage.Très bon état
1882réf. ST12705Paris: A. Quantin 1882. UNIQUE COPY ON VELLUM printed for M. A. Werlé. 206 x 140 mm. 8 1/8 x 5 1/2". xxxii 247 pp. 1 leaf colophon.With a bio-bibliographical notice by Fernand Drujon. Pleasing burgundy Jansenist crushed morocco by Canape et Corriez stamp-signed in gilt on front turn-in dated 1930 on rear turn-in raised bands turn-ins richly gilt marbled endpapers all edges gilt on the rough. Decorative head- and tail-pieces throughout and eight engraved plates comprised of a frontispiece portrait in four states one on vellum three on paper and an allegorical vignette also in four states. Verso of front free endpaper with ex-libris of Jean Furstenberg. ◆Two small dark spots to upper cover a couple of leaves with naturally occurring minor discoloration to vellum but A FINE COPY--especially clean fresh and bright internally and in a lustrous unworn binding. Given its illustrious provenance and its singular status as the only copy printed on vellum this is a quintessentially bibliophilic copy of the poems of French cleric and diplomat Cardinal François-Joachim de Pierre de Bernis 1715-94. Admired as a witty epigrammist at the court of Louis XV where Madame de Pompadour presided Bernis composed poems on such conventional themes as love and the natural world but also verses contemplating manners and mores fashion independence and love of country. Since none of his poems was published before his death he was not widely known as a poet during his lifetime but in another sphere he performed important service to his country as France's ambassador to Rome. He provided shelter and succour there for refugees from the French Revolution earning the papal epithet "Protector of the Church of France." The present work was printed for Count Alfred Werlé whose father had inherited the Veuve Clicquot Champagne house from the Widow Clicquot. Alfred took over the operation in 1884 and greatly expanded the Veuve Clicquot-Ponsardin vineyards. The volume subsequently passed into the library of the great collector Jean or Hans Furstenberg 1890-1982 who put together one of the finest collections of 18th century books ever assembled. In 1974 the Furstenberg collection was sold en bloc to Dr. Otto Schäfer whose marvelous library had already become distinguished for its fine and historic bindings. A. Quantin unknown
1941réf. 008926Paris Emile Chamontin Librairie flammarion 1941 In-8 Broché, couverture illustrée rempliée
1944réf. 000879Paris Les Editions Denoël 1944 In-8 Broché Ed. originale
1932réf. 004235Paris Nouvelle Revue Française 1932 In-12 Broché Edition originale
1927réf. 009370Paris Jean Budry 1927 Broché
1968réf. 008414Paris Editions de Minuit 1968 In-8 Broché Dédicacé par l'auteur
réf. 1466In 12 broché,faux-titre,titre,48 pages,GLM 1955.édition originale sur vélin djebel très bon état
1882réf. ST12705Paris: A. Quantin 1882. UNIQUE COPY ON VELLUM printed for M. A. Werlé. 206 x 140 mm. 8 1/8 x 5 1/2". xxxii 247 pp. 1 leaf colophon.With a bio-bibliographical notice by Fernand Drujon. Pleasing burgundy Jansenist crushed morocco by Canape et Corriez stamp-signed in gilt on front turn-in dated 1930 on rear turn-in raised bands turn-ins richly gilt marbled endpapers all edges gilt on the rough. Decorative head- and tail-pieces throughout and eight engraved plates comprised of a frontispiece portrait in four states one on vellum three on paper and an allegorical vignette also in four states. Verso of front free endpaper with ex-libris of Jean Furstenberg. ◆Two small dark spots to upper cover a couple of leaves with naturally occurring minor discoloration to vellum but A FINE COPY--especially clean fresh and bright internally and in a lustrous unworn binding. Given its illustrious provenance and its singular status as the only copy printed on vellum this is a quintessentially bibliophilic copy of the poems of French cleric and diplomat Cardinal François-Joachim de Pierre de Bernis 1715-94. Admired as a witty epigrammist at the court of Louis XV where Madame de Pompadour presided Bernis composed poems on such conventional themes as love and the natural world but also verses contemplating manners and mores fashion independence and love of country. Since none of his poems was published before his death he was not widely known as a poet during his lifetime but in another sphere he performed important service to his country as France's ambassador to Rome. He provided shelter and succour there for refugees from the French Revolution earning the papal epithet "Protector of the Church of France." The present work was printed for Count Alfred Werlé whose father had inherited the Veuve Clicquot Champagne house from the Widow Clicquot. Alfred took over the operation in 1884 and greatly expanded the Veuve Clicquot-Ponsardin vineyards. The volume subsequently passed into the library of the great collector Jean or Hans Furstenberg 1890-1982 who put together one of the finest collections of 18th century books ever assembled. In 1974 the Furstenberg collection was sold en bloc to Dr. Otto Schäfer whose marvelous library had already become distinguished for its fine and historic bindings. A. Quantin unknown books
1956réf. 009258Paris Glm 1956 In-12 oblong Broché
1962réf. 005164Paris Société des Hautes Etudes Conosophiques 1962 In-12 En feuilles couverture à rabat Edition originale
1962réf. 014105Paris Jean Grassin - Collection "Théatre présent" 3 1962 plaquette in-12 Broché Dédicacé par l'auteur
1956réf. boz_006523Auteur : Serge Essenine Titre : Pougatcheff (Traduit du russe par Marie Miloslawsky & Franz Hellens). Édition : GLM (Guy Lévis Mano), Paris, 1956 Tirage : Tirage de tête, exemplaire n 13. L'un des 25 seuls exemplaires imprimés sur vélin de Renage (premier papier, tirage strictement limité avant 1175 exemplaires sur vélin Djébel). Reliure : Broché, exemplaire tel que paru, avec ses marges non coupées Dimensions : 11,3 x 19 cm État : Très bel état de conservation exemplaire complet. Intérieur frais, avec de très rares rousseurs. Voir photos pour plus de détails. Nombre de pages : 59 pages
réf. 13392AUDRAN Gérard PORUS blessé devant Alexandre. La prise de PORUS. SIC VICTUS ET VICTA PLACET La vertu plaît quoique vaincue, ou la magnanimité d’Alexandre. Estampe gravée au burin, à l’eau forte et la pointe sèche, épreuve sur vélin fort, signature de Gérard AUDRAN sculp. angle inférieur droit. 1678. Sur vélin fort, avec GOYTON en pointillé. 3 feuilles sur 4- 1060 x715mm marge inférieure et pliures renforcées. Mouillure en marge inférieure, plus visible au recto. Le milieu de la composition est occupé par PORUS blessé, que deux soldats amènent à ALEXANDRE,
1946réf. 000704Paris Librairie Grasset 1946 In-12 Broché Ed. originale
1930réf. ST19362England ca. 1930. 268 x 190 mm. 10 1/2 x 7 1/2". 31 1 pp. 1 leaf colophon. LOVELY ROSE-BROWN CRUSHED MOROCCO GILT INLAID AND BEJEWELLED front turn-in stamped in gilt "Made in England" but almost certainly by Sangorski & Sutcliffe covers framed by multiple plain and dotted gilt rules sprays of tulips at corners central panel of upper cover with animated floral design of onlaid white morocco flowers each set with a petite rose-cut diamond and of onlaid lilac and green morocco thistles all on a stippled ground raised bands spine compartments with spray of onlaid purple morocco berries green morocco label turn-ins framed with gilt ribbon roll and other decorative rolls ivory watered silk endleaves all edges gilt. In the original black pebble-grain morocco case with cushioned velvet lining upper cover detached. WITH ILLUMINATED TITLE PAGE FEATURING A VIGNETTE of the Tower of London and a border with knights on chargers SIX ADDITIONAL VIGNETTES AND FOUR FULL-PAGE MINIATURES AS WELL AS 10 FULL BORDERS THREE THREE-QUARTER BORDERS two half borders AND 13 LARGE ILLUMINATED INITIALS all executed with great imagination and skill. Pages with miniatures separated by silk guards others separated by paper. Leather with very slight naturally occurring variations in hue otherwise the volume IN PRISTINE CONDITION. This is a beautifully bound and exceptionally attractive modern illuminated manuscript celebrating English poetry and culture executed by the 20th century's undisputed master of illumination Alberto Sangorski. The text contains three early English poems: "While a Prisoner" by James I of Scotland; "Merciless Beauty" by Geoffrey Chaucer; and "The Nymph's Reply" by Sir Walter Raleigh. Each poem is followed by a brief section of biographical information about the author. In addition to the many beautiful decorated initials and sparkling borders Sangorski has also painted a total of seven vignettes and four full-page miniatures. The latter include an image of a woman dressed in Medieval garb reading a small book in a courtyard; an intimate portrait of the "Merciless Beauty" herself caught in a state of half-dress; the meeting of three young peasant women in a lush rural setting; and the boldly painted coat of arms of Scotland. Complex knotwork designs and precise gilt tooling among the borders demonstrate Sangorski's range and abilities and the text and capitals could not be more perfectly executed. The color scheme in this manuscript is particularly attractive featuring dark greens dusky blues and rich purples that contrast beautifully with the bright gold applications and white highlights. Most important the vignettes and full-page miniatures are painted with exquisite taste and exacting skill; they reward repeated and protracted viewing. Alberto Sangorski 1862-1932 started his professional life as secretary to a goldsmith's firm became attracted to the book arts at the age of 43 and began doing illuminated manuscripts that were then bound by his brother Francis' firm Sangorski & Sutcliffe. Sometime around 1910 Alberto and Francis had a falling out and the artist went to work for Riviere the chief competitor to his brother's firm. The lovely jewelled binding here is not described in Ratcliffe and the signature "Made in England" offers no indication of the binder's identity. The design however clearly suggests that the creator at work here must have been familiar with the work of both Sangorski and Riviere and it is possible that our binder may have been previously employed by one of these firms. The work is clearly on par with what those workshops were producing. Whatever the case may have been the binding is an appropriately fine addition to an already beautiful manuscript. unknown books
1930réf. ST19362England ca. 1930. 268 x 190 mm. 10 1/2 x 7 1/2". 31 1 pp. 1 leaf colophon. LOVELY ROSE-BROWN CRUSHED MOROCCO GILT INLAID AND BEJEWELLED front turn-in stamped in gilt "Made in England" but almost certainly by Sangorski & Sutcliffe covers framed by multiple plain and dotted gilt rules sprays of tulips at corners central panel of upper cover with animated floral design of onlaid white morocco flowers each set with a petite rose-cut diamond and of onlaid lilac and green morocco thistles all on a stippled ground raised bands spine compartments with spray of onlaid purple morocco berries green morocco label turn-ins framed with gilt ribbon roll and other decorative rolls ivory watered silk endleaves all edges gilt. In the original black pebble-grain morocco case with cushioned velvet lining upper cover detached. WITH ILLUMINATED TITLE PAGE FEATURING A VIGNETTE of the Tower of London and a border with knights on chargers SIX ADDITIONAL VIGNETTES AND FOUR FULL-PAGE MINIATURES AS WELL AS 10 FULL BORDERS THREE THREE-QUARTER BORDERS two half borders AND 13 LARGE ILLUMINATED INITIALS all executed with great imagination and skill. Pages with miniatures separated by silk guards others separated by paper. Leather with very slight naturally occurring variations in hue otherwise the volume IN PRISTINE CONDITION. This is a beautifully bound and exceptionally attractive modern illuminated manuscript celebrating English poetry and culture executed by the 20th century's undisputed master of illumination Alberto Sangorski. The text contains three early English poems: "While a Prisoner" by James I of Scotland; "Merciless Beauty" by Geoffrey Chaucer; and "The Nymph's Reply" by Sir Walter Raleigh. Each poem is followed by a brief section of biographical information about the author. In addition to the many beautiful decorated initials and sparkling borders Sangorski has also painted a total of seven vignettes and four full-page miniatures. The latter include an image of a woman dressed in Medieval garb reading a small book in a courtyard; an intimate portrait of the "Merciless Beauty" herself caught in a state of half-dress; the meeting of three young peasant women in a lush rural setting; and the boldly painted coat of arms of Scotland. Complex knotwork designs and precise gilt tooling among the borders demonstrate Sangorski's range and abilities and the text and capitals could not be more perfectly executed. The color scheme in this manuscript is particularly attractive featuring dark greens dusky blues and rich purples that contrast beautifully with the bright gold applications and white highlights. Most important the vignettes and full-page miniatures are painted with exquisite taste and exacting skill; they reward repeated and protracted viewing. Alberto Sangorski 1862-1932 started his professional life as secretary to a goldsmith's firm became attracted to the book arts at the age of 43 and began doing illuminated manuscripts that were then bound by his brother Francis' firm Sangorski & Sutcliffe. Sometime around 1910 Alberto and Francis had a falling out and the artist went to work for Riviere the chief competitor to his brother's firm. The lovely jewelled binding here is not described in Ratcliffe and the signature "Made in England" offers no indication of the binder's identity. The design however clearly suggests that the creator at work here must have been familiar with the work of both Sangorski and Riviere and it is possible that our binder may have been previously employed by one of these firms. The work is clearly on par with what those workshops were producing. Whatever the case may have been the binding is an appropriately fine addition to an already beautiful manuscript. unknown
1944réf. 001628Paris Seuil 1944 In-4 Broché, couv. rempliée Ed. originale
1967réf. boz_006673Auteur : Pierre Reverdy Titre : Plupart du temps, poèmes 1915-1922 Édition : Flammarion, Paris, 1967 Tirage : Édition originale. Exemplaire n 500, un des 1000 exemplaires numérotés de 26 à 1025 sur Vélin Alfa Reliure : Couverture d'éditeur imprimé. Exemplaire tel que paru, avec ses marges non coupées Dimensions : 12,5 x 19,7 cm État : Complet, très bel état de conservation. Intérieur très frais et propre. Voir photos pour plus de détails. Nombre de pages : 449 pages
1975réf. 2206Seyssinet-Pariset, André Philippe, Editions du Grésivaudan, 1975 ; in-folio, en feuillets sous chemise-étui de l'éditeur tissu marron, titre bleu au dos de la chemise, étui muet ; 245 pp., 16 lithographies en couleurs hors-texte ; couverture blanche à rabats imprimée bleu.
1942réf. 013833Paris Gallimard NRF 1942 In-12 Broché Edition originale
réf. 1286petit in 8 broché,faux-titre,titre,88 pages,éditions de minuit 1964 édition originale numérotée sur vélin alfa mousse navarre,très bon état
réf. 1396Paris, Calmann-Lévy, 1927 14 x 20, 326 pp., non coupé, broché, très bon état
