1 484 résultats
1969réf. 016315Paris Gallimard NRF - Collection "Du Monde entier" 1969 In-8 Broché, couverture à rabats
réf. 2756Un homme se penche sur son passé in 8 demi-chagrin marron à 4 nerfs,titre,fer,roulette dorés,faux-titre,frontispice en couleurs,titre,234 pages,10 bois en couleurs hors-texte y compris le frontispice.De Pierre FAlKE édition de la Revue Française A.Rédier.sans date.Exemplaire numéroté sur vélin d’Arches,couverture conservée. Très bon état
1834réf. 251221834 Planche 448 de La Caricature N° 215.La Caricature, 18 decembre 1834. Lithographie originale sur Velin blanc. . Delteil 98. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir, tache brune en marge - Delteil 98 , D'après l'explication, le titre reprend un calembour de Napoléon. Mortier, maréchal d'Empire et alors président du Conseil, homme dont la grande taille n'annonçait pas une intelligence à la hauteur - "dans les maisons fort élevées, le dernier étage est toujours fort mal meublé" selon le mot de Talleyrand rapporté dans "La Caricature" du 18 décembre 1834, p. 1720 - est représenté en mortier crachant une pluie de décorations. Louis-Philippe en artilleur déclenche le feu. La planche ridiculise le président du Conseil et dénonce un système d'achat de suffrages par distribution de "croix, de pensions, de faveurs de toute sorte" (in explication). Notons que le pantalon de Louis-Philippe est raccommodé par une pièce de tissu sur laquelle est inscrit "CHARTE" au niveau du postérieur du souverain.
réf. 0161690 En feuilles
réf. 9634P., NRF Gallimard, 1948, 1 vol. in-12 (188 x 120) broché sous couverture bleutée imprimée en noir et rouge, de 165 pp. + achevé d'imprimer. Très bel exemplaire non coupé.
1995réf. 016184Paris L'Echoppe - Collection "Envois" 1995 In-16 Broché, couverture à rabats Signé par l'auteur
THE ONLY COPY PRINTED ON VELLUM OF ANY BOOK ISSUED BY POULET-MALASSIS. In this monograph, Langlois (1829-1869), a leading Orientalist of his time (despite his short life), ingeniously uses archeological, historical, and scriptural evidence to prove the true location of Jesus' tomb. 48 pp. PRINTED ENTIRELY ON FINE VELLUM BY JOUAUST, ONE OF THE GREAT PRINTERS OF THE SECOND HALF OF THE 19TH CENTURY. to. Attractively bound in contemporary quarter morocco and decorated boards. Spine in five compartments with fleurons and raised bands. Tiny traces of wear to binding, else FINE AND BRIGHT. Launay 152; Contades, p. 39; OberlÈ 594 (this copy: "PrÈcieux exemplaire imprimÈ sur peau de vÈlin. Il est probablement unique. C'est le seul volume publiÈ par notre Èditeur qui ait ÈtÈ tirÈ sur peau de vÈlin.") Copies of this book on paper are very rare; this unique copy on vellum is A PIECE OF PUBLISHING HISTORY. Provenance: Jean-Jacques Launay, the comprehensive bibliographer of Poulet-Malassis, acquired this book after compiling his bibliography, and thus while he cites the book in his bibliography, he does not describe it (obviously because he was unable to locate any copy at all.) From him it passed to Gerard OberlÈ.
1833réf. WOC-1638Bruxelles, Imprimerie D'Adolphe Wahlen, 1833. 2 volumes in-12 (16x10cm) reliés demi cuir d'époque noir, dos à faux-nerfs orné de filets dorés et fleurons un peu passé, titre et tomaison dorés sur cuir rouge, charnières et coiffes faibles, plats marbrés et à petits coins. 304pp-1f de table + 317pp-1f de table.
1950réf. 010299Paris Louis Broder 1950 En feuilles, couverture rempliée, chemise et étui éditeur
1991réf. 014406Réville Editions de la C.R.E.M. - Collection "Pronto Epidémia 47" 1991 In-8 carré Broché, couverture illustrée
1842réf. 009117Paris Desenne 1842 In-4 <Demi basane fauve d'époque
réf. awd-1066Painting poem, technique mixte signée sur vélin d’Arches. Collage rehaussé et texte à l’aquarelle calligraphié en noir (25,4/32,5 cm). t
réf. 009900Paris Edition Sagesse, Librairie Tschann 0 In-8 En feuilles Ed. originale
1834réf. 251211834 Planche 437 de La Caricature N° 209.La Caricature, 6 novembrebre 1834. Lithographie originale sur Velin blanc. . Delteil 94. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 94 ,
1957réf. 004100Paris Denoel 1957 In-12 Broché Edition originale
1936réf. 16477Paris, Calmann-Lévy, 1936 ; in-4 ; plein chagrin rouge cerise, triple filet doré (gras, moyen et fin) vertical sur les plats et à chaque extrémité du dos, tête dorée, couverture conservée (reliure de l'éditeur).
réf. 25626Paris, Bibliotheque Grasset, 1929 13.8x20.2 cm., 219 pp., relie, demi-maroquin bleu, filet dore cernant les plats de pap., dos a 5 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Relie par Laurent Peeters - Anvers. Tirage limite. Tirage de 40 ex. numerotes velin pur chiffon Lafuma I a XL.
réf. 3957In 12 broché,couverture illustrée de Jean TREYNIER.Faux-titre,titre,201 pages,1 feuillet de table des matières, illustrations en couleurs Bandeaux,lettrines,hors-texte de jean TRAYNIER.Editions de la Nouvelle France Paris 28 février 1943.collection la Main d’Or.exemplaire numéroté sur vélin chiffon blanc, 2ème grand papier.Très bon état Ex-libris,avec un papillon:"les noirs profonds des illustrations séchant lentement il est recommandé de ne pas enlever les serpentes qui les protègent"
réf. 1409Paris, Calmann-Lévy, 1931 14 x 20, 191 pp., non coupé, broché, très bon état
1926réf. 2394Paris, Maîtres et jeunes d'aujourd'hui, 1926 ; in-8, broché ; (1) f. (bl.), 309 pp., (4) ff. (2 ff. de table, justification, bl.) ; 4 bois gravés en couleurs hors-texte dont un en frontispice, quelques bois gravés en couleurs in-texte ; couverture beige à rabats illustrée en rouge et noir.
réf. 4559Paris, Librairie de la Revue Française, Alexis Redier, 1931 16 x 24, 129 pp., broché, non rogné, bon état
1896réf. ST17129-026Paris 1896. 200 x 135 mm. 7 7/8 x 5 3/8". 11 leaves. Single column 16 lines plus headline in a thin graceful italic script. Attractive red crushed morocco by Marcellin Lortic stamp-signed on front doublure covers framed by multiple-rule gilt strapwork raised bands spine compartments with gilt French fillet gilt titling vellum doublures with gilt frame in the Romantic style leather hinges vellum endleaves all edges gilt. In matching morocco-trimmed slipcase. Title in burnished gold embellished with red and blue penwork text with red-ruled border and burnished gold stars at corners numerous one-line burnished gold initials with red or blue penwork two-line opening initial in burnished gold on a blue white and pink background and A HALF-PAGE MINIATURE measuring 71 x 64 mm. SHOWING A COURTROOM SCENE. Front free endleaf with morocco bookplate of Robert Hoe. ◆Just the slightest hint of rubbing to joints but A VERY FINE SPECIMEN entirely fresh bright and clean inside and out. This elegant little manuscript in French recounts Guy de Maupassant's satirical tale of a trial in the provinces; it was created by a man who knew the inside of a courtroom all too well. Bouton 1819-1901 was a young rebel during the 1848 Revolution who spent five years in jail for his participation in a bombing in Paris. Oddly enough the dedicated republican was also an expert on heraldry and paleography publishing pamphlets on those subjects as well as on politics and producing manuscripts like the present one. De Maupassant 1850-1893 is generally acknowledged as one of the great masters of the short story. In the present tale a wealthy older woman who had tried to buy a young peasant's love by giving him land sues unsuccessfully for the return of her property when the object of her affection forsakes her for a younger woman. According to Beverly Chew the library of Robert Hoe 1839-1911 founding member and first president of the Grolier Club was "the finest America has ever contained." Hoe acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Hoe owned several Bouton manuscripts of de Maupassant stories and the Morgan Library also has Bouton creations. The Lortic name was made famous in the history of French binding by Pierre Marcellin Lortic 1822-92 a leading Parisian binder for 40 years; the binder here was Lortic's son Marcellin or "Lortic Fils" 1852-1928. unknown books
1896réf. ST17129-026Paris 1896. 200 x 135 mm. 7 7/8 x 5 3/8". 11 leaves. Single column 16 lines plus headline in a thin graceful italic script. Attractive red crushed morocco by Marcellin Lortic stamp-signed on front doublure covers framed by multiple-rule gilt strapwork raised bands spine compartments with gilt French fillet gilt titling vellum doublures with gilt frame in the Romantic style leather hinges vellum endleaves all edges gilt. In matching morocco-trimmed slipcase. Title in burnished gold embellished with red and blue penwork text with red-ruled border and burnished gold stars at corners numerous one-line burnished gold initials with red or blue penwork two-line opening initial in burnished gold on a blue white and pink background and A HALF-PAGE MINIATURE measuring 71 x 64 mm. SHOWING A COURTROOM SCENE. Front free endleaf with morocco bookplate of Robert Hoe. ◆Just the slightest hint of rubbing to joints but A VERY FINE SPECIMEN entirely fresh bright and clean inside and out. This elegant little manuscript in French recounts Guy de Maupassant's satirical tale of a trial in the provinces; it was created by a man who knew the inside of a courtroom all too well. Bouton 1819-1901 was a young rebel during the 1848 Revolution who spent five years in jail for his participation in a bombing in Paris. Oddly enough the dedicated republican was also an expert on heraldry and paleography publishing pamphlets on those subjects as well as on politics and producing manuscripts like the present one. De Maupassant 1850-1893 is generally acknowledged as one of the great masters of the short story. In the present tale a wealthy older woman who had tried to buy a young peasant's love by giving him land sues unsuccessfully for the return of her property when the object of her affection forsakes her for a younger woman. According to Beverly Chew the library of Robert Hoe 1839-1911 founding member and first president of the Grolier Club was "the finest America has ever contained." Hoe acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Hoe owned several Bouton manuscripts of de Maupassant stories and the Morgan Library also has Bouton creations. The Lortic name was made famous in the history of French binding by Pierre Marcellin Lortic 1822-92 a leading Parisian binder for 40 years; the binder here was Lortic's son Marcellin or "Lortic Fils" 1852-1928. unknown
1960réf. 81170Zürich, Verlag Die Waage, (1960). 16 TextS. Mit 27 Zeichn. von Otto Bachmann. Groß-4to (36 x 28 cm). Lose in OKart. mit SU, dieser in OHPgt.-Umschlag in schlichtem OPp.-Schuber.
1832réf. 182031832 Paris, Aubert,Galerie Vero-Dodat,1832,IN FOLIO broche,couverture imprimée illustrée,textes de BALZAC sous divers pseudonymes,paginé 531 a 537 manquants,rare tables des matieres textes,soit 4 pages et gravures sur blanc volantes,Seconde année,tome Troisieme, ,DAUMIER planche N°136 Tres humbles et tres voraces sujets du trone,Delteil 40/I(v.II),pli median normal,marges courtes.