Temple, WilliamAntiquariat.de
1531 resultados
1695ref. 96348Amsterdam, Steven Swart Wwe. 1695. 4 Bll., 222 S. Kl.-8vo.16,5 cm. Mit gestochenem Titel u. Allegorie. Pgt. d. Zt. mit hs. Rückentitel u. Vollfarbschnitt.
1903ref. 72850Berlin, Bruno Cassirer, 1902/1903. [6], 492 S. Mit zahlr. s/w u. einigen farb. Abb. im Text u. auf Tafeln. 4to (32 cm). OHPgt. (Rücken mit Leinen unterfüttert).
1905ref. 2407Paris, Librairie des Amateurs, Ferroud, 1905 ; petit in-8, broché ; (3) ff. (bl., faux-titre, titre), 45 pp., (2) ff. (achevé d'imprimer, bl.) ; 10 illustrations en noir et trois états ; couverture beige à rabats imprimée en rouge et noir.
ref. 28086Gand, Snoeck - Ducaju , 1947 Jacquette originale d'editeur en carton avec chemise et etui, imprimes en noir/vert sur le dos, 28x21 cm., 349 pp. non-coupes, illustrations par le Maitre Frans Masereel, tirage limite, tirage de 1000 exemplaires sur papier Velin La Hulpe filigrane, numerotes de 101 a 1100.
1945ref. 015323Paris NRF Gallimard 1945 In-8 Broché, couverture illustrée rempliée
1933ref. 2289Paris, Plon, 1933 ; in-8, en feuillets sous chemise-étui, chemise de l'éditeur papier vert, pièce de titre au dos, étui muet ; (3) ff. (bl., faux-titre, titre), 105 pp., (2) ff. (achevé d'imprimer, bl.) ; 1 aquarelles en frontispice, 15 aquarelles in-texte ; couverture blanche à rabats illustrée en noir.
1947ref. 2286Paris, E. P. I. C., 1947 ; in-8, broché sous étui papier marron muet ; (1) f. (bl.), 223 pp., (1) f. (table) ; 13 illustrations en couleurs hors-texte ; couverture blanche à rabats imprimée en noir et marron.
1643ref. 1122Suivant la copie imprimée à Paris (Leyde, Elzevier), 1643, petit-in-12 ; plein vélin à recouvrements, titre manuscrit (reliure de l’époque) ; (18) feuillets y compris le titre gravé, 559 pages.
1942ref. 2362Paris, Flammarion, Emile Chamontin, 1942 ; in-8, pleine-basane rouge-sang, dos à quatre nerfs, titre doré, couverture conservée (reliure de l'époque) ; (4) ff. (2 bl., faux-titre, titre), 184 pp., (2) ff. (achevé d'imprimer, bl.) ; 8 illustrations en couleurs hors-texte dont une en frontispice, quelques illustrations en couleurs in-texte.
ref. ST21065DNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black one-line initials in red or blue some with contrasting penwork each leaf with one or more large initials measuring a line of text plus a full stave in blue or red with blue and red penwork often extending several lines above or below. Later ink foliation in upper right corners; some leaves with marginal notations in later hand; one specimen with older manuscript fragment enforcing the gutter. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Trimmed a little close at the top occasionally cutting into penwork decoration moderate soiling to vellum with noticeable mostly marginal condition issues including wormholes large repairs to margins and stains. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with simple but attractive lettering in blue and red with contrasting penwork; there are also some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown
ref. ST21065DNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black one-line initials in red or blue some with contrasting penwork each leaf with one or more large initials measuring a line of text plus a full stave in blue or red with blue and red penwork often extending several lines above or below. Later ink foliation in upper right corners; some leaves with marginal notations in later hand; one specimen with older manuscript fragment enforcing the gutter. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Trimmed a little close at the top occasionally cutting into penwork decoration moderate soiling to vellum with noticeable mostly marginal condition issues including wormholes large repairs to margins and stains. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with simple but attractive lettering in blue and red with contrasting penwork; there are also some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown books
1920ref. 96512Berlin, Gustav Kiepenheuer, 1920. VIII, 335; 323; 362 S. Orig.-Halbpergament m. goldgeprägt. RTitel.
1968ref. 015663Paris Georges Fall 1968 In-8 Broché, couverture illustrée Signé par l'illustrateur
1926ref. 009195Paris Nouvelle Edition Française 1926 In-12 Broché Ed. originale
1935ref. 009051[Paris] S.n. 1935 In-12 carré en feuilles, couverture rempliée, étui illustré
1951ref. 013119Paris Grasset 1951 In-12 Broché
1950ref. 007350Paris Gallimard nrf Nouvelle Revue Française, Collection "Le point du jour" 1950 In-12 Broché, couverture bleue Ed. originale Dédicacé par l'auteur
1728ref. 44798Hamburg, bei seel. Theodor Christoph Felginers Wittwe, 1729/1728. ANGEBUNDEN: Jährliche Gestalt des Hamburgischen Predig-Ampts, das ist deutliche Fürstellung was vom Anfange der Religions-Verbesserung bis auf gegenwärtige Zeiten für Männer ... aufgenommen worden. Ebda., 1728. - UND: Die Bekenntnüß der Kirchen zu Hamburg... Ebda., 1728. 14 Bll., 334 S.; 118 S.; 7 Bll., 304 S. Mit 1 Kpfr.-Frontispiz, 1 gefalt. Kpfr.-Taf. u. 3 Kpfr.-Porträts, gestochen von C. Fritzsch. Gr.-8vo. Pp. d. Zt. mit RSch.
1914ref. 96405Leipzig, Hesse & Becker, 1914. [= Deutsche Klassiker-Bibliothek]. 18 cm. Goldgeprägt. OHPgt mit goldgeprägt. Deckeln und Kopfgoldschnitt.
1921ref. 65709(Berlin, Otto von Holten, 1921). 22 S. Mit 11 Illustr. im Text. 4to (ca. 29,5 x 19,5 cm). OHPgt.
1930ref. 2370Paris, Librairie des Amateurs, 1930 ; in-4, broché ; (3) ff. (bl., faux-titre, titre), 129 pp., (3) ff. (justification, achevé d'imprimer, bl.) ; 8 illustrations hors-texte dont une en frontispice, chacune en deux états, quelques illustrations en couleurs in-texte ; couverture blanche à rabats illustrée en couleurs.
1668ref. 169[Amsterdam, Daniel Elzevier ?], 1668 ; in-16 de 332 pp., vélin ivoire de l'époque à rabats, dos lisse, titre à l'encre.
1918ref. 15751Paris, Ferroud, 1918 ; petit in-4, broché ; 59 pp., couverture crème rempliée illustrée en couleurs ; frontispice et 6 compositions à pleines pages, faux-titre, vignette de titre, lettrines et in-texte, aquarellés à la main et au pochoir par Charpentier.
1960ref. 81170Zürich, Verlag Die Waage, (1960). 16 TextS. Mit 27 Zeichn. von Otto Bachmann. Groß-4to (36 x 28 cm). Lose in OKart. mit SU, dieser in OHPgt.-Umschlag in schlichtem OPp.-Schuber.
1737ref. 57405Jena, Joh. Felix Bielck, 1737. Titel in Rot-Schwarz, 7 Bll., 489 S., 7 nn. S. (Index). Kl.-8vo. Pgt. d. Zt. mit ornamentaler Schwarzprägung.
