15 303 résultats
réf. 20810665Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151218162320212 reto contra Formist Edition 17 Power Publications Sydney 2019 hardcover
réf. 20701697Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151217444620202 nell contra Formist Edition 17 Power Publications Sydney 2019 hardcover
1583réf. 000119Laugingen (d. i. Lauingen), Leonhart Reinmichel für Georg Willers, 1583. 8 Blatt, 487 S., 27 Blatt, 1 unbedrucktes Blatt. Alter Pergamentband mit umgeschlagenen Vorderkanten. 4 Teile in einem Band. Mit 2 Titelvignetten in Holzschnitt und 42 ganzseitigen Pflanzenholzschnitten. Deutschsprachige Beschreibung von Rauwolfs Reise ins Heilige Land und den Vorderen Orient mit zahlreichen authentischen und zuverlässigen Beobachtungen. Graesse VI, 39; Brunet IV, 1122f.; Pritzel 7430; VD16: R 431; Short-Title Catalogue of German Books in the British Museum, p. 727. Die hier vorliegende zweite Auflage enthält erstmals den wichtigen vierten Teil mit den Pflanzenholzschnitten zuvor teils unbekannter orientalischer Gewächse (Nissen: Die botanische Buchillustration, Nr. 1587). Dem Autor zu Ehren wurde später die Gattung "Rauvolfia" der Pflanzenfamilie der Hundsgiftgewächse (Apocynaceae) benannt. "Mit besonderer Vorliebe hat Rauwolf alle medicinischen Dinge, Krankheiten, Heilmittel, Bäder, Speisen und Getränke und alle Industrien besprochen, nicht ohne daß durch Leichtgläubigkeit, wie sie der Zeit gegenüber den Erzählungen von fremden Ländern eigen war, auch manches Fabelhafte (s. die Schilderung des Greifes im 8. Capitel des 2. Buches) mit unterläuft. Rauwolf muß ein genaues Tagebuch geführt haben, er würde sonst nicht im Stande gewesen sein, eine solche Fülle einzelner genauer Angaben zu bieten" (F. Ratzel in ADB 27). In der Schilderung seiner dramatisch verlaufenen Reise gibt der Autor außerdem die erste Beschreibung des Kaffees und eines Kaffeehauses: "Under andern habens ein gut getränck / welliches sie hoch halten / Chaube von jnen genennet / das ist gar nahe wie Dinten so schwartz / vnnd in gebresten / sonderlich des Magens / gar dienstlich. Dises pflegens am Morgen frü / auch an offnen orten / vor jedermenigklich one alles abscheuen zutrincken / auß jrdinen vnnd Porcellanischen tieffen Schälein / so warm / alß sies können erleiden." (S. 102f.). Zwischen die 4 Teile des Textes hat der Buchbinder jeweils mehrere unbedruckte Leerseiten eingebunden. Der Vorderdeckel innen und das Titelblatt am oberen Rand mit handschriftlichen Vermerken von alter Hand zur Bedeutung des Buches. Der Rücken nachgedunkelt und der Vorderdeckel etwas fleckig, insgesamt handelt es sich jedoch um ein ordentliches, breitrandiges und weitgehend fleckenfreies Exemplar.
réf. 15402Published by Manchester: The Manchester Guardian Ltd 20 April 20 1922 – 4 January 1923 12 Bücher folio gebunden in Leinwand some pages restored professionally - unknown
1774réf. YQV-35In-4 (285 × 213 mm) de 1 portrait et [8]-liv-416 pp. ; veau fauve glacé, dos à nerfs, compartiments ornés de fleurons et fers d’angle, pièces d’armes dans les angles des plats (macle et chabot alternés), roulette intérieure, deux filets sur les coupes, tranches rouges (reliure de l’époque).
réf. 5198in 8 reliure postérieure cartonnée à la bradel pièce de titre manuscrite contrecollée.Faux-titre avec tampon de papeterie,titre avec tampon identique,329 pages,TRES RARE catalogue de 12 pages en fin de volume.non rogné,Paris Dumont éditeur 1839.Imprimerie E.Dépée à Sceaux. Deuxième plat de couverture conservé.Premier plat en fac-similé.Emboitage.Bon exemplaire à très grandes marges. EDITION ORIGINALE DE CET OUVRAGE RARE ET RECHERCHE.Elle est composée de trois nouvelles:L'Abbesse de Castro,Vittoria Accoramboni,duchesse de Bracciano et Les Cenci.TROIS CHRONIQUES ITALIENNES,ETAPES CAPITALES DANS LA GENESE DE LA CHARTREUSE DE PARME.Stendhal consacra plusieurs œuvres à cette Italie tant aimée.Quand,en 1833,il acquit à Rome des manuscrits de chroniques du XVIe siècle,il s'enthousiasma pour sa trouvaille et en tira six œuvres, dont les trois éditées ici.Déterminé à respecter strictement la vérité historique,il traduisit ses sources, strictement pour Les Cenci(écrite en avril 1837),plus librement avec Vittoria Accoramboni(écrite de mars-avril 1833 à août 1836),et de manière beaucoup plus romancée avec L'Abbesse de Castro(écrite en septembre 1838 et février 1839
réf. elala6156Mission British Columbia: Barbarian Press Crispin & Jan Elsted 1994. First Edition no. xi of 50 copies bound in leather by Hans Strohhacker at North-West Bindery Limited Surrey B.C. and with tipped-in signed and numbered wood-engraved frontispiece by Rosemary Kilbourn. The total edition consisted of 430 copies signed by the printers of which only 300 copies were offered for sale. The wood engravings were chosen by the artists and printed directly from the blocks on Zerkall mould-made white wove the text handset in Eric Gill's Joanna and Joanna Italic with Bembo for display and printed on ivory laid paper. The new press device is by Barry Moser. Only living engravers are represented including Bruno Bobak Gerard Brender à Brandis Frederick Hagan Nancy Ruth Jackson Rosemary Kilbourn Carl Schaefer Richard Yates and 42 others from Canada and 72 from the United States including Elfriede Abbe Leonard Baskin Sarah Chamberlain John DePol Barry Moser and Paul B. Ritscher. The work includes biographical notes on each artist. 4to. ff. 46 of text & ff. 121 of wood engravings one in colour. tipped-in signed & numbered wood engraving serving as frontis. wood engraving on title by Ted Staunton. biblio. tipped-in errata. laid in printed notice from the publishers concerning commissions. original blind-stamped leather. matching quarter leather drop-back box with patterned paper sides. elala6156 [Mission, British Columbia]: Barbarian Press [Crispin & Jan Elsted], 1994 hardcover
1911réf. 29219HARDBACK NODUSTJACKET 1911 On TITLE Pg 1st Edition Very Good.Small black Cloth Hardcover LITE WEAR . Signed by Author Very good condition; no tears creases or discoloration INTERIOR PGS LITE FOX Blank Endpapers 169 PGS ADS. NO JACKET Early OVAL B/W Frontispiece Portait at AGE 23 He was invited to live in San Diego by a pair of real-estate developers the High brothers who enticed him by promising to build a mansion to his specifications. The result was the Villa Montezuma AKA SPOOK HOUSE named after "The Montezuma" a migrant ship that first brought Shepard to America COMPLETE WITH DEVILFISH WEATHER VANE ATOP THE MANSION & RACOWITZA French Academy Sully Prudhomme ETC. was invited to live in San Diego by a pair of real-estate developers the High Brothers who Enticed him by promising to build a Mansion to His Specifications. The result was the Villa Montezuma BUILT IN 1887 where he Lived with his Secretary LOVER LAWRENCE TONNER named after "The Montezuma" a migrant ship that first brought Shepard to America Wrote books in TOWER ROOM OF VILLA ENTERTAINED Czar of Russia Stephen Swift, London hardcover
1992réf. 86599Random House. New. 1992. Hardcover. 0679418423 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0679418423. 384 pages; 280 photos in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Random House hardcover
1992réf. 86600Random House. New. 1992. Hardcover. 0679408045 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0679408045. 384 pages; 280 photos in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Random House hardcover
1992réf. 86598Random House. New. 1992. Hardcover. 022403605X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 022403605X. 384 pages; 280 photos in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Random House hardcover
réf. 8863Amsterdam, J. Frédéric Bernard, 1734-1739. 2 volumes in-8 (196 x 242 mm), 2 ff. n. ch., LXXVI pp., 594 pp. ; VIII pp., XXXIV pp., 806 pp. Maroquin rouge, triple filet d'encadrement avec fers, dos à nerfs orné, pièce de titre en maroquin citron, filet sur les coupes et les coiffes, roulette intérieure, tranches dorées sur marbrure, rares rousseurs (reliure de l'époque).
1727réf. 8779Paris D'Houry 1727 1 In-12 (94 x 159 mm), 2 ff. n. ch. XIV pp., 503 pp. Maroquin citron aux armes, triple filet d'encadrement avec points, chiffres aux angles, dos à nerfs orné, pièce de titre en maroquin rouge, roulette sur les coupes et les coiffes, roulette intérieure, tranches mouchetées (reliure de l'époque).
1909réf. 29221HARDBACK NODUSTJACKET 1909 ON TITLE PG 1st Edition Very Good/GOOD NO JACKET. BLUE CLOTH Hardcover with wear rub to Spine Label & Edges cvr. Red Cvr Spine has rubbed & Worn TITLE Label Signed by Author Very good condition; no tears creases Bound in 1/4 maroon cloth atspine with dark blue boards; TTILE LABEL ON SPINE gold lettering and leather title label to spine. - no jacket. - some wear rubbing to edges of covers; bookplate on inside front cover. mild foxing to end papers. Otherwise clean and unmarked. A good copy. 278 pgs He was invited to live in San Diego by a pair of real-estate developers the High brothers who enticed him by promising to build a mansion to his specifications. The result was the Villa Montezuma AKA SPOOK HOUSE named after "The Montezuma" a migrant ship that first brought Shepard to America COMPLETE WITH DEVILFISH WEATHER VANE ATOP THE MANSION HAUNTED HOUSE Broods on a Hill Overlooking Downtown San Diego BOYHOOD GROWING UP IN ILLINOIS PRAIRIE & Missouri CIVIL WAR Related. was invited to live in San Diego by a pair of real-estate developers the High brothers who Enticed him by promising to build a Mansion to His specifications. The result was the Villa Montezuma BUILT IN 1887 where he Lived with his Secretary LOVER LAWRENCE TONNER named after "The Montezuma" a migrant ship that LONDON Archibald Constable and Company hardcover
1668réf. 243951668 Paris, Chez Charles Angot, 1668, in-4, veau brun de l'époque, dos à 5 nerfs orné de caissons et de fleurons dorés, roulette dorée sur les coupes et les coiffes, tranches mouchetées rouges, 303 pages suivies des tables (23 pages) ; 127 pages et 1 feuille.
réf. 8846Paris, Rondet, Journel, Chevillon, 1669. 3 volumes in-12 (148 x 80 mm), 34 ff. n. ch., 556 pp., 12 ff. n. ch. ; 2 ff. n. ch., 825 pp. mal chiffrées 827, 31 pp. n. ch. ; 2 ff. n. ch., 610 pp., 17 ff. n. ch. Maroquin rouge encadré d’un triple filet avec fer à chaque angle, dos lisse orné, roulette sur les coupes et les chasses, tranches dorées, fente de 4 cm au mors supérieur du tome 1, dos légèrement passés, quelques frottements (reliure anglaise du XVIIIe siècle).
1925réf. 32528Tel-Aviv: Hedim 1925. Limited First edition. Softcover. g. Baruch Agadati oman ha-rikud ha-ivri artist of Hebrew dance: 1/100. Folio. Original blue cloth gilt-lettered boards with Cubist-inspired front paste-down. Illustrated title page. Calligraphic Hebrew introductory text in black and red. The major work on the legendary Russian-born Israeli dancer illustrated with a costumed Agadati in modern dance postures a troupe of dancers with stage scenery and including Agadati's choreographic notation of the Horah. 32 tipped-in prints of elaborately overpainted photographs drawings paintings and illustrated posters advertising dance performances one of which is designed in striking constructivist style artwork presumably by Agadati. Photographs by Avraham Soskin the quintessential "Tel Aviv photographer." No. 50 of a total of 100 published. Moderate age-wear to binding spine and top sunned. Moderate and sporadic foxing in margins. Text in Hebrew. Binding rubbed with fraying at top and bottom of spine both hinges started interior in good condition overall. Plates in very good condition. Agadati the renowned dancer and choreographer known for interpreting Jewish folk dances in a uniquely expressionist style is considered to be the central figure in the development of Israeli dance. He was also a painter early filmmaker and enthusiastic organizer of Purim festivals. Born in Russia in 1895 Agadati emigrated to Palestine in the early 1900s where he studied at the Bezalel Academy. During WWI he studied classical ballet and danced with The Odessa Opera Ballet Theater. After returning to Palestine he often gave solo dance recitals and introduced the Hora originally a folk dance from the Balkans which later became the signature dance of the Jewish people. Hedim unknown
1925réf. 32528Tel-Aviv: Hedim 1925. Limited First edition. Softcover. g. Baruch Agadati oman ha-rikud ha-ivri artist of Hebrew dance: 1/100. Folio. Original blue cloth gilt-lettered boards with Cubist-inspired front paste-down. Illustrated title page. Calligraphic Hebrew introductory text in black and red. The major work on the legendary Russian-born Israeli dancer illustrated with a costumed Agadati in modern dance postures a troupe of dancers with stage scenery and including Agadati's choreographic notation of the Horah. 32 tipped-in prints of elaborately overpainted photographs drawings paintings and illustrated posters advertising dance performances one of which is designed in striking constructivist style artwork presumably by Agadati. Photographs by Avraham Soskin the quintessential "Tel Aviv photographer." No. 50 of a total of 100 published. Moderate age-wear to binding spine and top sunned. Moderate and sporadic foxing in margins. Text in Hebrew. Binding rubbed with fraying at top and bottom of spine both hinges started interior in good condition overall. Plates in very good condition. Agadati the renowned dancer and choreographer known for interpreting Jewish folk dances in a uniquely expressionist style is considered to be the central figure in the development of Israeli dance. He was also a painter early filmmaker and enthusiastic organizer of Purim festivals. Born in Russia in 1895 Agadati emigrated to Palestine in the early 1900s where he studied at the Bezalel Academy. During WWI he studied classical ballet and danced with The Odessa Opera Ballet Theater. After returning to Palestine he often gave solo dance recitals and introduced the Hora originally a folk dance from the Balkans which later became the signature dance of the Jewish people. Hedim unknown books
1985réf. 51858New York: Wildenstein Gallery. New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION.104 pages illustrated in colour and b/w 27 color plates 92 black & white -- with a bonus offer . Wildenstein Gallery paperback
réf. 6905Paris, Imprimerie impériale, 1865-1866. 2 volumes in-folio (280 x 373 mm), 2 ff. n. ch., VI pp., 1 f. n. ch. 357 pp. ; VIII pp., 515 pp. Chagrin vert, large encadrement composé de double et triple filets, dos à nerfs orné, double filet sur les coupes et les coiffes, roulette intérieure, dentelle intérieure, tête dorée, usure à deux coins (Meuthey).
1936réf. 008594London: Jonathan Cape Ltd. 1936. First edition first printing. Hardcover. This compellingly well-preserved jacketed first edition first printing was signed by Frost in Texas in 1937. Frost wrote in two lines on the front free endpaper recto: Robert Frost San Antonio 1937. This copy was signed thus within four months of publication 13 November 1936; Frost spent the winter of 1936-37 in San Antonio from December 1936 until late March 1937 taking up residence at a home close to Trinity University. Condition is near fine in a near fine dust jacket. The blue cloth binding is square clean bright and tight with sharp corners and only mild shelf wear to the bottom edges. The contents are clean with no spotting no soiling and only mild age toning. The blue-stained top edges retain even color the fore and untrimmed bottom edges are clean. Texas provenance for this British-only edition is both a bit ironic and entirely complete; the sole previous ownership mark other than the authors signature is a small booksellers sticker affixed to the lower left rear pastedown: FRANK ROSENGREN BOOKSELLER MILAM BLDG. San Antonio Texas in operation from 1935 to 1987. Willie Morris editor of Harper's called Rosengren's Books "one of the finest and most admirable bookstores in America." The white dust jacket printed in red and black is unclipped retaining the original lower front flap 5s. net price and entirely complete with no loss or tears. While the jacket shows light overall soiling we note no appreciable color shift between the covers and spine and only trivial hints of shelf wear to extremities. The dust jacket is protected beneath a clear removable archival cover. Selected Poems had first been published in 1923 with poems from Frosts first three published collections A Boys Will North of Boston and Mountain Interval. The collection was carefully calculated to present Frost as a major contemporary figure. Frosts arrival as a major contemporary figure had been imminent; that first Selected Poems was published in March 1923 preceding the November 1923 publication of New Hampshire the collection that won Frost his first Pulitzer Prize. By 1936 when this expanded Selected Poems was published by Jonathan Cape in London Frost unequivocally was a major contemporary figure. The arrangement of poems 62 rather than the 1923 editions 43 poems was not only a new and expanded arrangement but also the first book of Frosts to contain material by others with introductory essays by W. H. Auden C. Day Lewis Paul Engle and Edwin Muir. This expanded edition of Selected Poems was published first and only in England where Frosts first book A Boys Will had been published in 1913 23 years before. It had been in England that this quintessential American poet had been first published and recognized. Now preeminent in America Frost was being reintroduced to England. As explained by the publishers note on the dust jacket flap: Mr. Robert Frost is by now recognized as the outstanding poet of his generation in America and to the few but still too few in England his work has long been known as unique in its kind it is a striking tribute to the appeal of his poetry that Mr. W. H. Auden Mr. Cecil Day Lewis Mr. Paul Engle and Mr. Edwin Muir should have contributed for this volume four specially written essays of critical appreciation uniting in their admiration of an artist older in years but unageing in his sensibility and performance. Frost required little introduction for the rest of his life. The next year 1937 he won the third of his eventual and still-unequaled four Pulitzer Prizes for Poetry. He spent his final years as the most highly esteemed American poet of the twentieth century with an ever-growing hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. References: Crane A5 & A22; Parini Robert Frost: A Life; San Antonio Current Jonathan Cape Ltd. hardcover
réf. 38915New York: The Pearson Publishing Co. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - TWO 2 VOLUME SET The Pearson Publishing Co. hardcover
1984réf. 50872London England: Weidenfeld & Nicholson / Royal Academy of Arts London. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Pages unmarked tight to spine - 123 works catalogued. Many color and black & white illustrations. Among the artists represented: Edward Lear W. H. Hunt Gerome Guillaumet Fromentin and others. -- with a bonus offer-- May be either: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition . Weidenfeld & Nicholson / Royal Academy of Arts, London paperback
1961Very Good Good Turkish Original bdg. Dust wrapper. Cr. 8vo. (20 x 14 cm). In Turkish. 444, [2] p. DJ's extremities slightly chipped, fading on DJ's spine. Otherwise a good copy. Signed and inscribed by Kisakürek as 'Sevgili müdürüm Zeki Açabay'a ihtiramla, 8/3/61'. Kisakürek was a Turkish poet, novelist, playwright, and Islamist ideologue. He is also known simply by his initials NFK. He was noticed by the French philosopher Henri Bergson, who later became his teacher. In his own words, he was born in "a huge mansion in Çemberlitas, on one of the streets descending towards Sultanahmet" in 1904. His father was Abdülbaki Fazil Bey who held several posts including deputy judge in Bursa, the public prosecutor in Gebze, and finally, a judge in Kadiköy. His mother was an emigree from Crete. He was raised at the Çemberlitas mansion of his paternal grandfather Kisakürekzade Mehmed Hilmi Efendi of Maras; he was named after his great-grandfather Ahmed Necib, as well as his father, Fazil. He studied in many schools during his primary education, including the French School in Gedikpasa, Robert College of Istanbul, as well as the Naval School. He received religious courses from Ahmed Hamdi of Akseki and science courses from Yahya Kemal at the Naval School but he was actually influenced by Ibrahim Askî, whom he defined to have "penetrated into deep and private areas in many inner and outer sciences from literature and philosophy to mathematics and physics". Ibrahim Askî provided his first contact with Sufism even at a "plan of skin over skin". "After completing candidate and combat classes" of Naval School, Kisakürek entered the Philosophy Department of Darülfünûn and graduated from there (1921-1924). One of his closest friends in philosophy was Hasan Ali Yücel. He studied in Paris for one year with the scholarship provided by the Ministry of National Education (1924-1925), until the scholarship was canceled. After returning home in 1926, he worked at Holland, Osmanli and Is Banks (1926-1939), and gave lectures at the Faculty of Linguistics and History and Geography and the State Conservatoire in Ankara and the Academy of Fine Arts in Istanbul (1939-1942). Having established a relationship with the press in his youth, Kisakürek quit civil service to earn his living from writing and magazines. Necip Fazil's life took a turn in 1934 when he met Abdülhakim Arvasi, a sheik of the Sufi Naqshbandi order. He became one of his most notable disciples, remaining a follower until the sheik's death in 1943. Appropriating his anti-semitic ideas from Europe, Kisakürek regarded Jews as the corrupting element within Western civilization and described them as the originator of Marxism and capitalism. He held them responsible for the early conflicts between Muslims and the decline of the Ottoman Empire. Kisakürek's publications included the Turkish translation of The Protocols of the Elders of Zion and praise for Henry Ford's The International Jew, as well as a political program in which he wrote: "Chief among these treacherous and insidious elements to be cleansed are the Dönmes and the Jews." Necip Fazil was awarded the First Prize of C.H.P. Play Contest in 1947 with his play Sabir Tasi (Stone of Patience). Kisakürek was awarded the titles of "Great Cultural Gift" by the Ministry of Culture (25 May 1980) and "Greatest Living Poet of Turkish" by the Foundation of Turkish Literature upon the 75th anniversary of his birth. Kisakürek sought to replace the Kemalist secular notion of nationalism with an Islamist one. Within Turkish Islamism, he represented the concept of "Islamization from above" through the capture of government. Since the late 1970s, Kisakürek has been an icon for Turkish Islamists. (Wikipedia).
réf. 15939Paris, Presses de Louis Jou, 1934-1936 ; 3 tomes in-4 raisin (25 x 33 cm), brochés sous couverture crème rempliée illustrée, chemise demi-toile noire, titre repris du portefeuille d'origine or sur fond rouge, étui noir bordé de toile noire (étuis renouvelés avec titres conservés) ; composé de plus de 1200 pages, 3 couvertures, 3 titres, 3 portraits, colophons, bandeaux, lettres ornées, culs-de-lampe, etc. ; soit environ 380 gravures ; le tirage est en noir et rouge et, selon les besoins, or et camaïeu, le blason à fond bleu et meubles dorés.