2014Best.-Nr. 32175Hilton Head Island SC: Inglett Publishing 2014. 1st. Hardcover. Near Fine/Fine. 9.3x12.3x0.6in. Signed by Authors. signed by photographer and author; gift inscription on front endpaper. Dust jacket in clear protector. 112pp 2.22lb 9.3x12.3x0.6in Inglett Publishing hardcover
1996Best.-Nr. 32165Andover MA: Addison Gallery of American Art 1996. 1st. Hardcover. Near Fine/Near Fine. 11.8x9.8x1.8in. name at top of front endpaper dust jacket with small tear at foot of spine at front edge. Dust jacket in clear protector. Published to accompany the exhibition at the Addison Gallery Andover Massachusetts 13 April - 31 July 1996. Contents: Portraits of Patronage: The History of the Addison Gallery's Collection and Its Donors by Susan C. Faxon; Creating a Tradition: The Addison and the Artist by Avis Berman; The End Depends on the Beginning: Some Reflections on Teaching by Jock Reynolds. The text is illustrated with 140 plates many in color. 313 works are described and illustrated in color and duotone. Overall 388 color illustrations 60 full page 65 duotones 67 halftones. 512pp 6.90lb 11.8x9.8x1.8in EXTRA SHIPPING CHARGES NECESSARY Addison Gallery of American Art hardcover
1991Best.-Nr. 74577-A-66823Aperture Foundation 1991. Oblong half-cloth binding with dustjacket. Profusely illustrated with full-page photographs in color. . -Soem shelf-wear and sunning to the dj but otherwise the book is in very good condition. Aperture Foundation hardcover
1997Best.-Nr. 89168Minocqua WI: Willow Creek Press 1997. Hardcover. Fine/Fine. Chet Reneson paintings and drawings. 23.5 x 31 cm. Oblong. 128pp. Blue boards in dust jacket. Limited to 200 copies signed by Chet Reneson along with a large pencil sketch covering the front endpapers this being copy 111. Third volume in the "Images" series. Willow Creek Press hardcover
2001Best.-Nr. 73976-A-65310Bialystok: Galeria Arsenal 2001. Oblong paperback 16x24 cm. Ills in color of works by: Olivier Mosset Wojciech Lazarcyk Byron Kim Leon Tarasewicz Mikolaj Smoczynski Steven Parrino Robert Maciejuk Odili Donald Odita. -Some minor rubbing to the cover but otherwise in very good condition. Galeria Arsenal paperback
1992Best.-Nr. 75080Bonn & Los Angeles:: Kunstmuseum Bonn - Museum of Contemporary Art 1992. SIGNED hardcover first edition -. Very near fine in a like dustjacket. First edition. Catalogue for the 1992-93 exhibitions in Bonn and Los Angeles. Includes three essays on the work of Laib plus 51 full-color plates. SIGNED by Laib on the title page. Bilingual edition with the text in German and English. Includes a biography listings of solo and group exhibitions and selected bibliography. Large square format. 145 pp. Kunstmuseum Bonn - Museum of Contemporary Art, hardcover
1992Best.-Nr. 75516Connecticut: Easton Press 1992. Collector's Edition. Full Leather. fine. Bound in navy blue leather. Gilt design to covers. Three raised bands.209pp. AEG. Ribbon. Moire endpapers.Color frontispiece. Loosely laid in is Notes for this volume from Easton Press. Easton Press unknown
2003Best.-Nr. 73616New York: Rizzoli 2003. Hardcover. near fine/very good. Quarto. 11 1/2" x 12' 371pp. pp.very nice sharp hardcover copy in dust jacket and slipcase. Limited to 6000 copies. Signed and inscribed to previous owner by Jamali and dated 2004 on half-titl page. Sun-toning to spine of dust jacket. Rizzoli hardcover
2004Best.-Nr. LCB82989London: Gagosian Gallery. Very Good with no dust jacket. First Edition. Hardcover Original Cloth . Light wear to spine covers and corners. 2 water marks on spine edge front please see pictures. Exhibition Gagosian Gallery - October 14 - November 27 2004. ".the most heavy-duty pieces are Vera Lutter's monumental studies of Battersea power station. Lutter uses a converted shipping container as a camera obscura: alchemical it may be but you'd have difficulty slipping one of those into your handbag." Alfred Hickling 25 Jan 2007 The GuardianGagosian Gallery is pleased to announce an exhibition of Vera Lutter's monumental camera obscura photographs. The exhibition features the highly anticipated Battersea Power Station project as well as significant projects completed over the past eight years.Battersea Power Station designed by Giles Gilbert Scott is a remarkable relic of the Industrial Age having provided London with electricity for nearly 50 years until its closure in 1982. Since then this historical landmark has stood dormant for over two decades until now as construction is currently underway to redevelop the site into an entertainment and leisure destination. Fascinated by the future duality of the Power Station Lutter has selected the site a remnant of the past before its impending transformation. Using room-sized structures Lutter often inhabits the camera during the long exposures which can last hours days or even weeks. The camera obscura works with the premise that when light passes through a small hole into a darkened chamber it produces an inverted image on the opposite wall and projects Lutter's inverted subjects onto photographic paper allowing each photograph to be developed as a unique negative. The ethereal images that result from this process allow an extraordinary interpretation of the industrial landscape for the viewer. Vera Lutter's photographs have been exhibited at the Kunsthaus Graz Austria; the Kunsthalle Basel; Dia Art Foundation New York; Museum of Modern Art New York; Whitney Museum of American Art New York among other locations here and abroad." Gagosian Gallery; 33.5 x 28.5cm; 66 pages; Exhibition Gagosian Gallery - October 14 - November 27 2004. ".the most heavy-duty pieces are Vera Lutter's monumental studies of Battersea power station. Lutter uses a converted shipping container as a camera obscura: alchemical it may be but you'd have difficulty slipping one of those into your handbag." Alfred Hickling 25 Jan 2007 The GuardianGagosian Gallery is pleased to announce an exhibition of Vera Lutter's monumental camera obscura photographs. The exhibition features the highly anticipated Battersea Power Station project as well as significant projects completed over the past eight years.Battersea Power Station designed by Giles Gilbert Scott is a remarkable relic of the Industrial Age having provided London with electricity for nearly 50 years until its closure in 1982. Since then this historical landmark has stood dormant for over two decades until now as construction is currently underway to redevelop the site into an entertainment and leisure destination. Fascinated by the future duality of the Power Station Lutter has selected the site a remnant of the past before its impending transformation. Using room-sized structures Lutter often inhabits the camera during the long exposures which can last hours days or even weeks. The camera obscura works with the premise that when light passes through a small hole into a darkened chamber it produces an inverted image on the opposite wall and projects Lutter's inverted subjects onto photographic paper allowing each photograph to be developed as a unique negative. The ethereal images that result from this process allow an extraordinary interpretation of the industrial landscape for the viewer. Vera Lutter's photographs have been exhibited at the Kunsthaus Graz Austria; the Kunsthalle Basel; Dia Art Foundation New York; Museum of Modern Art New York; Whitney Museum of American Art New York among other locations here and abroad." Gagosian Gallery . 2004. 1932598073 . Gagosian Gallery hardcover
1994Best.-Nr. 66193Random House 1994. First edition. Hardcover. near fine/very good. Quarto. 14 1/2" x 11" 183pp. There is some edge toning to front of dust jacket. Otherwise a very nice copy. Random House hardcover
1987Best.-Nr. 68374New York:: The Studio Museum in Harlem / Harry N. Abrams 1987. Hardcover first edition -. Fine in fine dust jacket. First printing. A beautifully produced book large format with 140 illustrations including 55 plates in full color. Included are the words of painters Aaron Douglas Palmer Hayden and William H. Johnson sculptor Meta Warrick Fuller and photographer James Van Der Zee and much more. Chronology of the Harlem Renaissance from 1919 to 1929 chronologies of the artists and an index. 200 pp The Studio Museum in Harlem / Harry N. Abrams, hardcover
1989Best.-Nr. 60116Minneapolis: Walker Art Center 1989. First edition. Hardcover. fine/near fiune. Exhibition catalogue. Small quarto. 10": x 10" 225pp. This catalogue features over 250 illustrations many in color of works from all phases of Broodthaer's career including the first comprehensive photographic documentation of his museum "fictions Walker Art Center hardcover
1994Best.-Nr. 20020202Eugene OR: University of Oregon 1994. 1st Edition 1st Printing. Soft cover. As New. Exhibition Catalog. Magazine size First Printing. 20 pages staple bound with full color illustrations two essays regarding the artist and checklist. AS NEW. All corners pointed. Binding firm without stress creasing and square. Without tears creases bumps or chips. Not marked in any way and very clean glossy and bright. All items carefully wrapped and sent boxed. University of Oregon paperback
1997Best.-Nr. 001447France: Éditions de l'Atelier - Les Éditions Ouvrières Collection Vivre croire célébrer série Recherches 1997 « Le présent ouvrage de Louis-Marie Chauvet propose une réflexion sur la théologie la célébration et la pastorale des sacrements. Pourquoi l'Eglise depuis qu'elle existe a-t-elle célébré des sacrements notamment le baptême et l'eucharistie Pourquoi depuis les origines la foi au Christ qui se traduit dans une existence humaine libre juste fraternelle vécue à la lumière de l'évangile s'est-elle exprimée aussi par le langage des rites A ces questions les théologiens n'ont cessé de répondre au long des vingt siècles du christianisme. A chaque époque ils ont déployé les ressources de leur intelligence sans craindre d'employer les instruments de pensée de leur temps. Sans rien oublier de leur réflexion Louis-Marie Chauvet s'efforce à son tour de dialoguer avec elle mais aussi " avec les nouveaux acquis des disciplines contemporaines qui se partagent le champ du savoir exégèse philosophie histoire anthropologie. ". Le titre de l'ouvrage indique bien le fil conducteur qu'il a choisi : pas de parole humaine sans le corps qu'il soit corps de nature de culture de tradition. Pour ceux qui confessent une Parole de Dieu faite chair en Jésus de Nazareth mort et ressuscité les sacrements se présentent comme les passages obligés de la foi les actes symboliques où cette parole de Dieu prend le risque du corps de chacun du corps de l'Eglise du corps de l'humanité par la puisssance de l'Esprit du ressuscité.». Couverture souple. Neuf. Éditions de l'Atelier - Les Éditions Ouvrières (Collection Vivre, croire, célébrer, s&eac paperback
Best.-Nr. 2897312 pp.; 171 illus. including 99 in colour & 72 in duotone glossary bibliography. Exh. catalogue New York & Amsterdam. Standard work. New York 1990. Pbk. KEYWORDS: 016 Indonesia: Indo Java unknown
Best.-Nr. 13237318 pp.; 113 colour plates 15 text illus. bibliography. Exh. catalogue. Asian Art Museum San Francisco 2003 Pbk. KEYWORDS: 068 Korea - algemeen unknown
Best.-Nr. 1358312 pp.; 180 illus. including 106 in colour & 72 in duotone glossary bibliography. Exh. catalogue New York & Amsterdam. New York 1990. Hbk. Standard work on Indo-Javanese sculpture. KEYWORDS: 016 Indonesia: Indo Java unknown
2002Best.-Nr. 37085Washington & London:: Smithsonian Institution Press 2002. SIGNED hardcover first edition -. Very near fine in a near fine dustjacket. small nick to bottom edge of front cover of dj and at fold. First printing. A beautiful and lavishly produced exhibition catalogue for The Grolier Club exhibition from May to August 2001 entitled "Voyages: A Smithsonian Libraries Exhibition " and the same exhibition at the Smithsonian Libraries Gallery from May 2002 to May 2003 under the title used in this book. Includes a foreword by Nancy E. Gwinn essays by Michael Dirda and Storrs Olson. The exhibition and this book is divided into three major sections - Journeys over Land and Sea Journeys of the Mind Journeys of the Imagination - and features book about flight travel exploration natural history children's books book arts architecture and more fully illustrated in black and white sepia tone and full color - sometimes with 2 or more photographs for one book. INSCRIBED on the title page by Thomas the curator of the show who also wrote an essay on the history of the Smithsonian Libraries for this book. Index. Large format. 179 pp. Map illustrated endpapers ribbon marker bound in. Smithsonian Institution Press, hardcover
Best.-Nr. BN390698Architectuurboek 16 Antwoorden in verantwoordelijkheid - Architectuurboek Vlaanderen N°16 Architectuurboek 16 Antwoorden in verantwoordelijkheid - Architectuurboek Vlaanderen N°16 by Eds: Sofie De Caigny Dennis Pohl. With essays by Sofie De Caigny Hülya Ertas Klaske Havik Petrus Kemme Saar Meganck Carlo Menon Els Nulens Evelien Piete unknown
Best.-Nr. BN385143Eshu. The Divine Trickster. Eshu. The Divine Trickster. George Chemeche with essays by Vagner Goncalves da Silva and Donald J. Cosentino unknown
Best.-Nr. BN391009Mark Rothko Toward Clarity. Mark Rothko Toward Clarity. Edited by Sabine Haag and Jasper Sharp; With an introduction by Christopher Rothko and essays by Thomas E. Crow and Jasper Sharp unknown
Best.-Nr. BN388144Bellezza e Bruttezza Lidéal le réel et le caricatural à la Renaissance Bellezza e Bruttezza Lidéal le réel et le caricatural à la Renaissance Chiara Rabbi Bernard Ed Chiara Rabbi Bernard avec des essais de Cristina Acidini Christophe Brouard Elena Capretti Maria Clelia Galassi Yves Hersant Koenraad Jonckheere Catherine Lanoë Pietro C. Marani et Giandomenico Spinola. unknown
2015Best.-Nr. BN425637Amsterdam : Reflex Editions 2015. 2015. Hardcover. Todd Hido: Khrystyna's World Todd Hido: Khrystyna's World Tylevich Katya essays by Amsterdam : Reflex Editions hardcover
1991Best.-Nr. BN428067Houston : Contemporary Arts Museum 1991. 1991. Softcover. South Bronx Hall of Fame: Sculpture of John Ahearn and Rigoberto Torres South Bronx Hall of Fame: Sculpture of John Ahearn and Rigoberto Torres Goldstein Richard & Michael VenturaMarilyn A. Zeitlin essays Houston : Contemporary Arts Museum paperback
1996Best.-Nr. BN469434Hudson Hills Press 1996. 1996. The Sculpture of Ursula von Rydingsvard. The Sculpture of Ursula von Rydingsvard. Ashton Dore / Marek Bartelik / Matti Megged Essays. Hudson Hills Press unknown
