DiverseAntiquariat.de
1910rif. 640404München: Pulster. 1910. 134 Seiten. 30,5x24cm. Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Klammern haben min. bis geringen Rostansatz; Schnitt oben Gold / Komplettschnitt; Einband Außen hat geringe Gebrauchsspuren; Ist gering bestoßen-berieben; Schutzumschlag fehlt, oder es gibt keinen; Gewebe (Blauer Leinen)
1962rif. 89571Stuttgart, Ernst Klett-Verlag, 1962. 383 S. Gr.-8° Groß-Oktav, Leinen
1982rif. 92412Düsseldorf: Claassen 1982. 351 Seiten. 8° (17,5-22,5 cm). Orig.-Pappband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
2020rif. 51913London: White Cube 2020. First edition. Hardcover. Fine condition. Quarto. 176pp. Original teal cloth with white lettering on cover and spine. Typographic design of double title page. Floor plans of the two levels of the exhibition. Published on the occasion of the exhibition "Antony Gormley In Formation" from November 13 2019 to January 18 2020 at the White Cube Mason's Yard. "With the enormous and reductivist 'Stacke Cast Blockworks' and the more fragmented 'pixelated' 'Cast Aggregate Blockworks' Antony Gormley continues his investigation into the place of the human body in the contemporary world confronting it with the built environment as well as the ostensibly immaterial world of the digital. Originating from the artist's own body and his personal experience of its particular state attitude or posture in a given moment in time the work generates a 'confrontational presentness' for the viewer and the artist's body becomes a placeholder for human experience." Christian Berger. The preparation for the exhibition began with taking over the Davison Tine Metal foundry in 2016 and in this time the production of our castings was revolutionized. The collaboration between Mike Booth Ashley Hipkin and Adam Humphries in the evolution of forms and the intelligent rethinking of the casting process has enabled the remarkable technical results shared in this exhibition. The catalog is illustrate with forty-six full page color images eight of them on folded double pages rendered in offset lithography and b/w in-text reproductions of Gormley's work. Includes a catalog of works exhibited with specifications and thumbnail images in color. Beautifully produced publication of Gormley's landmark exhibition. White Cube hardcover books
2020rif. 51913London: White Cube 2020. First edition. Hardcover. Fine condition. Quarto. 176pp. Original teal cloth with white lettering on cover and spine. Typographic design of double title page. Floor plans of the two levels of the exhibition. Published on the occasion of the exhibition "Antony Gormley In Formation" from November 13 2019 to January 18 2020 at the White Cube Mason's Yard. "With the enormous and reductivist 'Stacke Cast Blockworks' and the more fragmented 'pixelated' 'Cast Aggregate Blockworks' Antony Gormley continues his investigation into the place of the human body in the contemporary world confronting it with the built environment as well as the ostensibly immaterial world of the digital. Originating from the artist's own body and his personal experience of its particular state attitude or posture in a given moment in time the work generates a 'confrontational presentness' for the viewer and the artist's body becomes a placeholder for human experience." Christian Berger. The preparation for the exhibition began with taking over the Davison Tine Metal foundry in 2016 and in this time the production of our castings was revolutionized. The collaboration between Mike Booth Ashley Hipkin and Adam Humphries in the evolution of forms and the intelligent rethinking of the casting process has enabled the remarkable technical results shared in this exhibition. The catalog is illustrate with forty-six full page color images eight of them on folded double pages rendered in offset lithography and b/w in-text reproductions of Gormley's work. Includes a catalog of works exhibited with specifications and thumbnail images in color. Beautifully produced publication of Gormley's landmark exhibition. White Cube hardcover
2005rif. 974103München: Siedler. 2005. 944 Seiten. 23 cm. Zustand: Gut, eher ungelesen (Innen); Einer Schrifteintrag vor dem Titelblatt; Schnitt ist nur stellenweise min. angestaubt; Schutzumschlag (hat leichte Gebrauchsspuren); 1. Aufl. Gewebe (Blauer Leinen) mit Schutzumschlag
1991rif. 95328Gütersloh : Bertelsmann-Club Wien : Buchgemeinschaft Donauland Kremayr und Scheriau [u.a.], 1991. 695 S. 8° , Leinen mit OU
rif. 285494München: btb. 2018. 317 Seiten. 19 cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Hinterdeckel hat zwei Kratzspuren; Mängelstempel auf unteren Schnitt; Broschiert
2000rif. 953365Tübingen, Basel: Francke, 2000. XI, 525 S. Broschiert.
1863rif. 71277Frankfurt, Verlag von Heyder & Zimmer, 1863. XL + 908 S. 12° Duodez, Halbleder
1927210 p. Hardcover Good condition
1972rif. 41368ABFrankfurt am Main, Suhrkamp (= suhrkamp taschenbuch - st 77), 1972. 8°, 156 S., original Kartonage (Paperback), deutsche Erstausgabe leichte papierbedingte Nachdunklung, sonst ein schönes, textsauberes Exemplar (L)
2009During the 1960s and 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world including Stanley Brouwn, Gilbert & George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg, and LawrenceWeiner. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. As a result of this new mobility, a dynamic cross-pollination of ideas and influences took place between artists of different nationalities, and many produced works directly related to the notion of travel and the city that fostered them. In & Out of Amsterdam presents more than 120 works including works on paper, installations, photographs and films by artists who were part of this remarkable creative culture. Essays, accompanied by lively illustrations and documentary photographs, illuminate the significance of these works as well as the unprecedented role that prints, bulletins, posters, mail art, artists books and ephemera played in the artists discourse. A brief essay or interview introduces each artist, and an extensive chronology, bibliography and illustrated checklist round out this unique volume. — Testi: van den Bossche Phillip, Cherix Christophe. pagg. 170; rileg. rigida. Editore: MoMA Museum of Modern Art, New York, 2009.
rif. 47546, Brepols, 1999 Paperback X+206 PAGES., + ill., 210 x 297 mm. ISBN 9782503507460.
Sevilla, 1952, 22 x 16 cm., 103 pags. ? 1 h. ? 15 retratos y láminas. (Tirada de 300 ejemplares numerados).
1955rif. 460634München: Gesellschaft Der Bibliophilen. 1955. zahlr.Abb., 259 S. Zustand: Gut gering gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Ist stellenweise etwas lichtrandig; Schnitt oben und seitlich in einigen Bereichen etwas fleckig; Schutzumschlag fehlt, oder es gibt keinen; OLwd
1914Previous owners' names on front end paper. Tape marks to end papers. No other marks or inscriptions. Clean pages in a tight binding with slightly marked boards and bumping to corners. A batch of six pages are torn at the spine about halfway up the page but there is no loss. Some pages with uncut edges. 247pp. This is a collection of essays on literature, writers, poets, actresses, the theater and salons from the end of the 19th century.
rif. 1334905258.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Málaga, Viuda e Hijos de J. Giral, 1903, 21 x 13,5 cm., dedicatoria manuscrita del autor, 90 págs.
Paris, Téqui, 1992. In-8, broché, couverture jaune illustrée d'un dessin humoristique, 143 pp. Edition originale, envoi autographe de l'auteur.
1950Testi: Ornano Alfredo. F.to: 12x17; pagg. 124; BN; rileg. brossura. Editore: Poligono Società Editrice, Milano, 1950.
2002rif. 100123859Sciences po 2002 153 pages in8. 2002. Broché. 153 pages.
1991rif. RO80211292Folio Essais. 27-03-1991. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 219 pages.. . . . Classification Dewey : 844-Essais
rif. 17675Paris, Téqui, 1992. In-8, broché, couverture jaune illustrée d'un dessin humoristique, 143 pp.
1993Book is in excellent condition with slightly scuffed pictorial covers, bumped a few places. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. About 80 pages, unpaginated with b&w photography and essay at back in English and Japanese. "First Edition." is on title page.
