22 460 résultats
1969réf. 78970Paris: Jérôme Martineau 1969. Fine. Jérôme Martineau Paris 1969 14.50 x 21 cm broché sous une boîte cartonnée Rare first edition of this masterpiece of erotic literature one of 120 numbered copies on pure laid paper the only deluxe copies. This issue complete with its cardboard box bears the cover of ""Fata Morgana"" editions while the ordinary issue bears the name of Jérôme Martineau editions. The covers of the ""Fata Morgana"" edition are slightly and uniformly sunned without gravity. Our copy N°22 indeed contains like the first 50 pure laid paper copies the original engraving by François Lunven which he signed in pencil. Jérôme Martineau unknown
réf. 004512Coaraze, L'Amourier, 2001. In-12 carré, 61p. Edition originale de ces lettres illustrées par l'auteur et préfacées par Noël. Chaque page de gauche illustre la lettre à droite.
1969réf. 78849Jérôme Martineau | Paris 1969 | 13.50 x 21 cm | broché
1969réf. 78970Jérôme Martineau | Paris 1969 | 14.50 x 21 cm | broché sous une boîte cartonnée
1949réf. LFA-126724493Une revue de 24 pages, format 150 x 230 mm, illustrée, brochée, publiée en 1949, bon état
1955réf. LFA-126724689Une revue de 24 pages, format 150 x 230 mm, illustrée, brochée, publiée en 1955, bon état
réf. 33468P., Paul Daffis, éditeur-propriétaire de la Bibliothèque Elzévirienne, 1874, 2 volumes in 12, reliés pleine percaline rouge de l'éditeur, dos ornés de la "sphère elzévirienne" dorée ; rares rousseurs.
réf. 201710306Paris, Edilio, 1984 ; in-4, 191 pp., br.
réf. 201222980Alger, Editions Baconnier, 1961 ; in-8, 254 pp., br. Broché en bon état.
réf. 201706729Paris, France loisirs, 2008 ; in-8, 237 pp., br.
réf. 201604966Paris, Editions alsatia, 1949 ; in-8, 134 pp., br. Dédicacé par l'auteur.
réf. 28605, Grenoble, Impr. Allier père et fils 1941, in-8, br., non coupé, bon état, 159p.
1961réf. 124087Paris, Buchet-Chastel, coll. « La Barque du soleil » 1961 In-12 19 x 14 cm. Broché, auteur & titre en noir sur le dos et le 354 pp., notes en bas de page, glossaire, table des matières. Exemplaire en bon état.
1753réf. 20716A Berlin, 1753. In-18 de frontispice, [2]-69 pages, reliure moderne papier marbré, dos muet.
réf. 62089Saint-Etienne, Société de l'Imprimerie Théolier - J. Thomas, 1899, in 4° en feuilles, sous portefeuille à lacets de l'éditeur, dos de percaline grise, VII pages - 61 planches hors-texte et un grand plan dépliante ; petite fente sans manque au plan.
réf. 69099Precy-sous-Thil, Editions de l'Armançon, 1990, grand in 8° broché, 237 pages ; couverture rempliée illustrée.
1899réf. 811571899 Autun, Dejussieu, 1899, plaquette in 8° brochée, 12 pages ; 4 planches hors-texte.
1961réf. 19905Genève, Skira, collection Le goût de notre temps, 1961. In-8, cartonnage illustré, étui de carton muet. En très belle condition. Bien complet des 53 reproductions, contrecollées.
réf. 201310547Paris, Minerva , 2001 ; in-4, 138 pp., cartonnage de l'éditeur.
1940réf. 9331New York 1940. Manila folder 9" x 12" filled with archival materials. Playbills magazines and small papers are very good. Handwritten ledgers and some typed letters are creased or torn on edges due to storage. John Chapman Wilson was an American stockbroker turned theater director and producer. Wilson met Noël Coward around 1925 and by 1930 was both his lover and his business manager. In 1934 with Coward and others Wilson established Transatlantic Productions with exclusive production rights to Coward's plays in the United States. He began producing shows on Broadway in 1935 and is probably best known for directing the original productions of Kiss Me Kate 1948 and Gentlemen Prefer Blondes 1949 Carol Channing's Broadway debut. In 1944 Wilson produced Bloomer Girl at the Shubert Theater a comedy starring a female lead character who rejects hoop skirts despite her father's ownership of a hoop skirt company and opts for more comfortable bloomers instead. The show explored feminist abolitionist and anti-slavery themes. It was choreographed by Agnes de Mille and featured a civil war ballet scene. Bloomer Girl had a successful Broadway run a national tour including a Los Angeles residency and a later TV adaptation though it is seldom revived. This archive includes: - 1938 cable from Coward to Wilson referencing Hugh French an actor that worked on their production of Operette that year and the SS Samaria - Bloomer Girl Playbills from October 1944 and March 1946 at the Shubert Theater - Three issue of The Magazine of New York City Center of Music and Drama from 1947 during the show's six week run there - Two typed copies of a review by Sidney Phillips during their preview shows at the Forrest Theatre in Philadelphia - Five copies of typed letters and one telegram sent from Wilson to the cast dated between November 1944 to June 1947 some congratulatory and some disciplinarian in nature - Several newspaper clippings some are duplicates of show reviews and a few referencing film or television adaptation possibilities - One clipping about Gentlemen Prefer Blondes - Five pages of ledgers and budgetary information both typed and handwritten referencing both the stage production and potential film. unknown
2000réf. 75583AB2000. Dublin Gill & Macmillan 2000. 16 cm x 24 cm. VIII 344 pages. Original Hardcover with original dustjacket in protective Mylar. Excellent condition with only very minor signs of external wear. Includes for example the following essays: Memory is the Place Where We Live The Angry Young Man The Fianna Fail Mother and Child Scheme The Night of the Big Wind In Labour In Vain The End of the Affair and How the Hell did He Get into Irish Politics hardcover
réf. 12641Le Messager Boiteux de Paris, 1950. Plaquette in-12 agrafée de 12 pages. Plaquette éditée par G.L.M à l'occasion de l'exposition Max Bucaille à la Galerie Rive Gauche. Textes de J.-F. Chabrun, R. Passeron et N. Arnaud. 3 images de Max Bucaille. E.O. ex. num. sur alfama.
1905réf. 7509London: Printed at the Chiswick Press 1905 First edition privately printed. Tan linen over blue paper boards printed paper spine label. . Quarto. Six engraved portraits wood-cut on title-page and eighteen leaves of facsimiles. Corners rubbed bookplate. Another bookplate removed leaving blue stains. Overall a very good clean copy. The story of Byron and his half-sister Augusta Leigh who was portrayed as Astarte in Byron's Manfred according to his grandson Ralph Milbanke who seeks to vindicate Lady Byron. Printed at the Chiswick Press, hardcover
1948réf. 221033London Michael Joseph 1948. 1948. First edition. 8vo. Author's preface and introduction. Full brown morocco by Sangorski & Sutcliffe spine with raised bands and gilt ruled compartments covers ruled in gilt gilt ruled inner dentelles a.e.g. Very good-fine. F. Hardcover. London, Michael Joseph [1948]. hardcover
1820réf. 66545London: printed by Thomas Davison Whitefriars 1820. First octavo edition following the quarto edition of the previous year; 8vo pp. 4 227 1; original gray paper-covered boards printed paper label on spine; a near fine copy. printed by Thomas Davison, Whitefriars unknown
