Vaudeville en Cinq ActesBiblio.com
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ref. 0259789143.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1974ref. 21966Oxford: Oxford University Press 1974. First edition. Hardcover. Very good/very good. Octavo standard sized . Slight wear to edges and corners of boards and dust jacket. Volume 1 only. Spine of dj faded but legible. xiv 340 p. w/footnotes concordances appendix bibliography. V1 of a 2 volume work on Kabir's biography and critical translation of his poetry. Kabir is known as the revered father of Hindi poetry and respected mystic of the 15th century. c.e. section B Oxford University Press hardcover
ref. 1390453235.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1390460606.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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ref. 139042264X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1390449297.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1390466841.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1920ref. List2734Unknown location 1920. Approximately 10 x 13 inches. Some tears and chips at edges very good contrast editorial overpainting on recto overall very good. Marks on verso reading “Julian Eltinge Hippodrome March 12”. Very good. Julian Eltinge 1881/1883–1941 was an American actor and “female impersonator”—in today’s terms a drag performer—from Newtonville Massachusetts. Eltinge’s drag career began at age ten and by the early 1900s he was touring internationally performing a vaudeville act wherein the “audience was completely deceived as to Eltinge’s sex until he removed his wig”1. This portrait shows Eltinge seated in costume. On the reverse is written “Julian Eltinge Hippodrome March 12” and the front is signed “Herold Brown” this signature does not appear to belong to commercial photographer Harold M. Brown. A stamp is legible that dates the photograph to the 1920s though the exact year is not legible. Eltinge has been described as “without question the most famous female impersonator of all time” ibid. 1 Slide Anthony “Julian Eltinge” in The Vaudevillians: A Dictionary of Vaudeville Performers Westport Connecticut: Arlington House 1981 46. unknown
1899ref. List2923Portland Oregon 1899. Two double-sided clippings measuring approximately 7 ½ x 4 ¾ inches both put together with tape. Slightly wrinkled and toned; excellent. Matilda Sissieretta Jones 1869–1933 was an African-American opera singer from Portsmouth Virginia. She studied at the Providence Academy of Music and the New England Conservatory in Boston. At the start of her career Jones sang solo or in small groups touring North and South America the Caribbean and Europe. Jones’ talent was renowned; she was the first Black artist to sing at Carnegie Hall and she performed for multiple US presidents and the English royal family among many other accomplishments.1 In 1896 she formed Black Patti’s Troubadours—Jones was given the nickname “Black Patti” by a critic after famed Spanish opera singer Adelina Patti. The Troubadours would perform comical vaudeville and minstrel skits without Jones followed by Jones performing her “operatic kaleidoscope” of musical excerpts. Offered here are two magazine clippings—based on the advertisements these were printed in Portland Oregon—promoting two Black Patti’s shows: “A Rag Time Frolic at Ras-Bury Park” and “Jolly ‘Coon’-ey Island”. The latter was written by Ernest Hogan a musician widely credited with creating the ragtime genre; he would become the first African-American performer to produce and star in a Broadway show 1907’s The Oyster Man. Jones’ kaleidoscope pieces include excerpts from Faust Pirates of Penzance and others; both shows also feature an audience-judged cakewalk. Of interest to scholars of M. Sissieretta Jones and African-American entertainers at the turn of the century. 1 “Jones M. Sissieretta ‘Black Patti’” in Africana: The Encyclopedia of the African and African American Experience ed. Anthony Appiah and Henry Louis Gates Basic Civitas Books 1999 1064. unknown
ref. 0265018943.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1915ref. 2788431915. unbound. very good. Signed 1915 Columbia Records release #A - 1855 one of the earliest comedy releases ever put on phonograph discs featuring a skit titled "Trust Scene" boldly etched into the dead wax and partly on the record labels: "Joe Weber - Lew Fields." The B side of this record has mechanically etched signatures of the performers. Very good condition. Immensely popular Polish-Jewish comedy team who at the height of their stage success opened up their own Broadway venue in 1896 and booked some of the greatest talent of the early 20th century. Included in this roster are Gallagher and Sheen The Marx Brothers Ted Healy and his Three Stooges Jimmy Durante and W.C. Fields. They are also credited with recording some of the earliest known comedy phonograph records between 1912 and 1915. unknown
