336 resultados
1999ref. 7957Editions Nil 1999 351 pages 14x22x3cm. 1999. broché. 351 pages. Deux hommes gays Richard et Bless achètent un château dans le village anglais conservateur de Bellingford provoquant la curiosité et le choc des habitants. Leur arrivée déclenche une série de situations cocasses et loufoques qui bousculent les conventions et révèlent l'hypocrisie locale dans une comédie qui mêle humour et tendresse
1968ref. 207741968. LGBTQ Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. First edition. 256 pages. Original brown cloth binding with author title and publisher stamped on spine. Original dustjacket with black and white image of English drag performer Chris Shaw in a black sequined dress and full glam makeup and title spelled out in red sequins. Includes 92 black and white photographs and illustrations of cross-dressing performers artists and stage productions. This book by British scholar Roger Baker examines the history of drag performance dating back to ancient China Japan and Greece through the punk scene of the 1960s. Baker touches on the difference between drag as a performance art and transvestism a personal practice before delving in to the historical uses of drag by actors and impersonators. Chapters touch on famous cross-dressers including the Chevalier D'Eon Vesta Tilley Marlene Dietrichand Julian Eltinge and cross-dressing traditions on the Elizabethan stage in pantomime Kabuki vaudeville and opera among others. Wear to edges of dustjacket price clipped. Overall very good condition. A detailed history on the uses of drag in performance and entertainment across the world. unknown
1968ref. 207741968. LGBTQ Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. First edition. 256 pages. Original brown cloth binding with author title and publisher stamped on spine. Original dustjacket with black and white image of English drag performer Chris Shaw in a black sequined dress and full glam makeup and title spelled out in red sequins. Includes 92 black and white photographs and illustrations of cross-dressing performers artists and stage productions. This book by British scholar Roger Baker examines the history of drag performance dating back to ancient China Japan and Greece through the punk scene of the 1960s. Baker touches on the difference between drag as a performance art and transvestism a personal practice before delving in to the historical uses of drag by actors and impersonators. Chapters touch on famous cross-dressers including the Chevalier D'Eon Vesta Tilley Marlene Dietrichand Julian Eltinge and cross-dressing traditions on the Elizabethan stage in pantomime Kabuki vaudeville and opera among others. Wear to edges of dustjacket price clipped. Overall very good condition. A detailed history on the uses of drag in performance and entertainment across the world. unknown books
Insieme di 2 manoscritti. a) Quaderno cm. 20,5x16 composto da 2cnn. b) Quaderno cm. 20,5x16 composto da 12 cc (di cui 6 bianche). I due quaderni sono composti da molti distici ('Couplet'), Romanze ('Romance') di argomento amoroso. Il vaudeville è un genere teatrale nato in Francia a fine Settecento (primo teatro di gran successo in cui venivano rappresentate i vaudevilles, risale al 1792) . Il termine "vaudeville" stava a indicare le commedie leggere in cui alla prosa vengono alternate strofe cantate su arie conosciute (vaudevilles).
1920ref. 226731920. LGBTQ Drag JJimmy Slater and Rusty female impersonator photograph archive documenting early twentieth century drag performance culture and queer theatrical networks in Britain and the United States produced circa 1920s-1940s. The photographs capture two performers working within the tradition of stage female impersonation that flourished in music halls vaudeville circuits and theatrical revues during the interwar period. Jimmy Slater an English female impersonator who began performing in seaside concert parties as a teenager and later honed his craft in British Army concert parties during the First World War appears in elaborate theatrical portraits reflecting the glamorous visual language associated with drag performance of the era. The archive also includes a signed studio photograph of the American drag performer Rusty inscribed to Patsy Kelly the Hollywood actress widely recognized as one of the earliest openly lesbian figures in American film culture. Together the images document both the public stage presence of female impersonators and the personal networks connecting queer performers and entertainers across transatlantic entertainment circuits. Archive of four professional studio photographs dating from approximately the 1920s through the 1940s. Three photographs depict Jimmy Slater in highly stylized theatrical portraits taken by Debrons Theatrical Photographers of Preston. In these images Slater appears in fur-trimmed evening gowns feathered hats and elaborate stage costume emphasizing the aesthetic conventions of female impersonation performance in British theatrical culture. The fourth photograph is a professional Chicago studio portrait of the drag performer Rusty photographed wearing a cloche hat and fur stole in a style associated with Jazz Age stage glamour. The Rusty photograph bears a handwritten inscription addressed to Patsy Kelly linking the image directly to an actress whose career spanned Hollywood film Broadway theater and later television and who has been widely identified within queer cultural history. Four photographs. Silver gelatin prints. Three Jimmy Slater portraits measure approximately 8 x 10 inches and are mounted in large presentation mats measuring approximately 11.75 x 15 inches. The Rusty portrait measures approximately 8 x 10 inches. These photographs document the visual culture of female impersonation performance during a period when drag artists occupied a complex position within popular entertainment appearing in concert parties vaudeville stages and theatrical revues while also circulating within informal queer social networks. The inscription to Patsy Kelly provides documentary evidence of connections between drag performers and queer figures in early twentieth century entertainment industries in both Britain and the United States. Light surface wear and minor handling marks to prints and mats consistent with age. Images remain strong and well defined. Overall very good condition. A visually striking group preserving early drag performance aesthetics and personal connections within interwar queer entertainment culture. unknown
1920ref. 226731920. LGBTQ Drag JJimmy Slater and Rusty female impersonator photograph archive documenting early twentieth century drag performance culture and queer theatrical networks in Britain and the United States produced circa 1920s-1940s. The photographs capture two performers working within the tradition of stage female impersonation that flourished in music halls vaudeville circuits and theatrical revues during the interwar period. Jimmy Slater an English female impersonator who began performing in seaside concert parties as a teenager and later honed his craft in British Army concert parties during the First World War appears in elaborate theatrical portraits reflecting the glamorous visual language associated with drag performance of the era. The archive also includes a signed studio photograph of the American drag performer Rusty inscribed to Patsy Kelly the Hollywood actress widely recognized as one of the earliest openly lesbian figures in American film culture. Together the images document both the public stage presence of female impersonators and the personal networks connecting queer performers and entertainers across transatlantic entertainment circuits. Archive of four professional studio photographs dating from approximately the 1920s through the 1940s. Three photographs depict Jimmy Slater in highly stylized theatrical portraits taken by Debrons Theatrical Photographers of Preston. In these images Slater appears in fur-trimmed evening gowns feathered hats and elaborate stage costume emphasizing the aesthetic conventions of female impersonation performance in British theatrical culture. The fourth photograph is a professional Chicago studio portrait of the drag performer Rusty photographed wearing a cloche hat and fur stole in a style associated with Jazz Age stage glamour. The Rusty photograph bears a handwritten inscription addressed to Patsy Kelly linking the image directly to an actress whose career spanned Hollywood film Broadway theater and later television and who has been widely identified within queer cultural history. Four photographs. Silver gelatin prints. Three Jimmy Slater portraits measure approximately 8 x 10 inches and are mounted in large presentation mats measuring approximately 11.75 x 15 inches. The Rusty portrait measures approximately 8 x 10 inches. These photographs document the visual culture of female impersonation performance during a period when drag artists occupied a complex position within popular entertainment appearing in concert parties vaudeville stages and theatrical revues while also circulating within informal queer social networks. The inscription to Patsy Kelly provides documentary evidence of connections between drag performers and queer figures in early twentieth century entertainment industries in both Britain and the United States. Light surface wear and minor handling marks to prints and mats consistent with age. Images remain strong and well defined. Overall very good condition. A visually striking group preserving early drag performance aesthetics and personal connections within interwar queer entertainment culture. unknown books
1968ref. 1223462Ahn + Simrock Bühnen- und Musikverlag; Berlin, Wiesbaden, 1968. 181 Seiten; qu.-14,5 cm; kart.
ref. 1390661547.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Barcelona, Establecimiento Tipografico de Felix Costa, 1914, in-16, br. edit., pp. 84, (4).
ref. 139042264X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3214Tresse. 1840. ,1 vol. In-8. br. 120pp., quelques rousseurs
ref. 3215Tresse. 1840. ,1 vol. In-8. br. 120pp., texte trés frais ,envoi autographe auteur sur la page de faux titre
ref. 0259221392.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 17877(Ecrit sous le pseudonyme de Paul Smith). Paris, Labitte. 1844. Deux volumes in-8 (21x13). 384-366 pages. Demi-chagrin prune, dos à nerfs ornés de fleurons dorés (reliure fin 19°).
1959ref. 66599Pondichery, 1959, in-8, 125pp, broché, Très bel exemplaire! Attention! Texte en Hindi. 125pp
1955ref. 132760Librairie d'Amérique et d'Orient Adrien-Maisonneuve 1955 In-8 broché, XXIII - 337pages,
ref. 33252Paris, Librairie d’Amérique et d’Orient Adrien-Maisonneuve 1955, 275x180mm, XXIII - 337pages, broché. Bel exemplaire.
1924ref. 0071978New York: Dancey-Davis Press 1924. Paperback. Good. Program for the 1923-24 theatrical season featuring the famous Chauve-Souris stage group led by Nikita Balieff. 31 pp. ads. Softcover original wraps with bright puppeteering image on the front wrap and the company's bat logo on the rear. A Good copy: rear wrap soiled and stained; light wear to logo. Front wrap creased along edges; light wear to corners; image still bright and clean. Light soil to title page. Pencil checking to the names around the center caricature drawing. Contents otherwise unmarked. Illustrated throughout. Old program from one of the company's performances in Pittsburgh is tipped-in to the inside of the front wrap. Dancey-Davis Press paperback
1971pp. xxiii, 163. Illustrated with photos from Field's movies, state acts, and vaudeville routines. Fist issued in 1940, a presidential year, and Fields at the height of his popularity. The incumbent, President Franklin D. Roosevelt, had very little to worry about from Fields the candidate. But Fields certainly offered a few nuggets of political wisdom in his book for the public to chew on. For example, he poked fun at one of FDR's major policies with this statement: "I shall, my fellow citizens, offer no such empty panaceas as a New Deal, or an Old Deal, or even a Re-Deal. No, my friends, the reliable old False Shuffle was good enough for my father and it's good enough for me." The book's chapters closely followed the typical issues that the on-screen Fields delighted in: 'My Views on Marriage'; 'How to Beat the Federal Income Tax - and What to See and Do at Alcatraz'; 'My Rules of Etiquette'; 'The Care of Babies'; 'How I have Built Myself into a Physical Marvel'; 'How to Suceed in Business'; Etc. An example from 'The Care of Babies': "I always carried a number of sterilized blindfolds, which I would casually place over a baby's eyes before I kissed it. This prevented its growth from being stunted through terror." The photos in this edition are quite remarkable. First photo illustrated edition. HUMOR 8
français Sans date (circa 1835). Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Un duel sous le Cardinal de Richelieu, par Lockroy et Edmond Badon. - Michel et Christine, par Scribe et Dupin. - Le mariage de raison, par Scribe et Varner. - Le budget d'un jeune ménage, par Scribe et Bayard. - Une faute, par Scribe. - La dame blanche, opéra comique, paroles de Scribe, musique de Boyeldieu. - La chanoinesse, Par Scribe et Francis Cornu. - Le philtre champenois, par Mélesville et Brazier. - Zoé, ou l'amant prêté, par Scribe et Mélesville. - Louis XI, par Casimir Delavigne. - Estelle ou le père et la fille, par Scribe. - Le pré-aux-clercs, parles de Planard, musique de Hérold. - La tour de Nesle, par Frédéric Gaillardet et Alexandre Dumas. - Fra-diavolo, ou l'hotellerie de Terracine, par Scribe. - Robert-le-diable, par Scribe et Delavigne. - Les projets de mariage, ou les deux officiers, par Alexandre Duval. - Un premier amour, par Bayard et Emile Vander-Burch. - Elle est folle, par Mélesville. - Catherine ou la croix d'or par Brazier et Mélesville. - Le diner de Madelon, ou le bourgeois du Marais, par Désaugiers. - Le Barbier de Séville, ou la précaution inutile, par Beaumarchais. - Marie, par Planard. - Don Juan d'Autriche, ou la vocation, par Casimir Delavigne. - Le chalet, par Scribe et Mélesville. - Fanchon la vieilleuse, par Bouilly et Pain. - Texte sur deux colonnes, quelques tâches, petit accroc au mors inférieur.
français Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron à coins, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Les huguenots, par Scribe. Chez Barba, 1837. Cinquième édition. - L'oraison de S. Julien, par St Amand et Villeran. Chez Marchant, Paris. - Turiaf-le-pendu, par Dumanoir et Mallian. Chez Marchant, 1834. - Le capitaine Roland, par Varin, Desvergers et Edouard. - Le commis et la grisette, par Paul de Kock et Charles Labie. Chez Marchant, 1834. - Une passion, par Varin, Desvergers. - Antony, par Alexandre Dumas. - Les enfans d'Edouard, par Casimir Delavigne. - Catherine Howard, par Alexandre Dumas. Imprimerie de Dondey-Dupré. - Être aimé ou mourir! Par Scribe et Dumanoir. - Le cheval de bronze, par Scribe. - Le père Goriot, par Théaulon, Decomberousse et Jaime. - La berline de l'émigré, par Mélesville et Hestienne. - Le pauvre Jacques, par Cogniard Frères. - Le gamin de Paris, par Bayard et Vanderbuch. - Chut! Par Scibe. - Une Saint-Barthelemy, ou les huguenots de Touraine, par Dumanoir et Cogniard Frères. - Le luthier de Venise, par Saint-Georges et de Leuven. - Kean, ou désordre et génie, par Alexandre Dumas. - Marie, ou trois époques, par Ancelot. - L'ambassadrice, par Scribe et de Saint-Georges. - Le matelot à terre, par Chabot de Bouin et Alboize. Chez Marchant, 1837. Texte sur deux colonnes, quelques tâches et légères rousseurs.
ref. 12427Monologues.In 12 demi-chagrin vert à nerfs, tire doré. Faux-titre, titre, 281 pages, 1 page de table, illustrations dans le texte de MOLOCH. Couverture illustrée en couleurs de MOLOCH conservée. Paris Librairie Flammarion, collection les auteurs gais, sans date. Bon exemplaire. Rare.
ref. 13514GAUMONT PALACE réunion de trois programmes : 1) GUAMONT PALACE Hippodrome Programme saison 1912 1913 160x240mm. 16 pages illustrées sur papier couché. 2) GAUMONT PALACE CLEOPATRE 160x240mm.(1912) 3) les millions de la bonne GAUMONT PALACE les millions de la bonne vaudeville. 16 pages illustrées
ref. 17424Lauder undated; Logan Stonehaven 1987. Page detached from an autograph album 17.5 x 11cm good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso the following by Logan "To Archie Many Happy memories of Lauder and Jimmy Logan his signature Stonehaven 1987." Note: Logan "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder was called Lauder 1976.5 Logan collected Lauder memorabilia which is now housed in the Scottish Theatre Archive at the University of Glasgow.". Lauder undated; Logan, Stonehaven 1987. unknown
196095pp.+ 3 platen buiten tekst, gesigneerd met opdracht door auteur, 25cm., gebroch., overdruk uit "De Fonteine", goede staat, T95481