463 risultati
1696304,[xii] pp., frontispice manque (mais l'ouvrage même et le texte sont bien complet), 2e édition revue et augmentée (la première date de 1695), 16cm., reliure plein-cuir d'époque (dos à 5 nerfs avec titre et décorations dorées, coins usés, qqs. petits manques de cuir), texte frais et en bon état, rare, [Recueil de parodies musicales e.a. sur des oeuvres de J.B. Lully, Charpentier, Desmarets, etc. // contient de nombreuses partitions de musique - avec les textes de chansons], M95499
1696rif. M95499Paris, Christophe Ballard 1696 304,[xii] pp., frontispice manque (mais l'ouvrage même et le texte sont bien complet), 2e édition revue et augmentée (la première date de 1695), 16cm., reliure plein-cuir d'époque (dos à 5 nerfs avec titre et décorations dorées, coins usés, qqs. petits manques de cuir), texte frais et en bon état, rare, [Recueil de parodies musicales e.a. sur des oeuvres de J.B. Lully, Charpentier, Desmarets, etc. // contient de nombreuses partitions de musique - avec les textes de chansons], M95499
1850rif. 4212BAltona, Verlagsbüreau, ohne Jahr [1850?]. Kl.-8°. Illustriertes Frontispiz, 94 (2), 93 (3), 91 (5), 92 Seiten und 23 leere Blatt zum Schluß. Brauner Halblederband der Zeit auf 5 unechten Bünden mit gold- und blindgeprägtem ROrnamenten und goldgepr. RTitel.
rif. 108735 tomes en 5 volumes in 4 reliure éditeur plein chagrin fauve à nerfs, titre, fers dorés, filets à froid, plats estampés à froid filets dorés et filets à froid en encadrement, non rogné, tête dorée, étui cartonné. Tome 1 : GARGANTUA : la vie très horrificque du grand GARGANTUA-Jadis composée par M. Alcofibras. Abstracteur de Quint Essence. Livre plein de pantagruelisme. Préface, titre, superbe frontispice illustré en couleurs sur double page, sous serpente, 162 pages 1er juin 1964. Très bon état. Tome 2 : PANTAGRUEL titre 144 pages, 1er septembre 1964. Très bon état. Tome 3 : le Tiers livre titre 179 pages, 1er août 1964/ Très bon état. Tome 4 : Le Quart livre titre, 198 pages, 1er juin 1965. Très bon état. Tome 5 : le cinquième livre 148 pages, titre 1er janvier 1966 très bon état, 31 superbes illustrations, lettrines, en couleurs de Jehan de Génie (Pseudonyme de GRADASSI) Edition le chant des sphères Nice 1964-1966. Exemplaire numéroté 2143 sur vélin de Docelles.Très bon état.
1873rif. 18376Reading, Pa., Pilger Buchhandlung (Wackernagel & Mendel), 1873. 2 Bl., 72 S. Hlwd. d. Zt. (Reste alter Klebezettel, etwas berieben).
1848rif. 166763Druck von E. Lauter & Co., Klosterstrasse 64, 1848. 36 x 46 cm [bxh], Einblatt, 2°. Weigel 206 und 207. - Markantes Flugblatt der Märzrevolution von 1848. Warnung vor einem Wiedererstarken der Reaktion mit einem dreizehnstrophigen Gedicht in Berliner Dialekt, frei nach Goethen. Mit einer Karikatur - ein Bürger mit grosser Schere kappt den langen Zopf eines feisten Mannes in clowneskem Kleid mit Kelch und Kerzenhalter als Zepter. Die Moral der Fabel: "Denkt ihr, die Geschicht hätt' keen Dröppken Moral nich? - Ick sag euch: 'Na ob!' Begegnet euch wo een kleen Zöppken: Rutsch weg! - sonst wird's wieder'n Zopp". Der Autor dieser Goethe-Persiflage ist unbekannt, der Drucker, E. Lauter & Co, war unabhängig und hat zahlreiche weitere Flugblätter gedruckt. Anders als anderswo, waren sie hier nicht gratis zu haben. Für das vorliegende Blatt verlangte er einen Silbergroschen. Selten. Softcover Etwas gebräunt und mit Feuchtigkeitsrändern sowie Einrissen in den Rändern und Bruchstellen im Falz.
1801rif. 88085London: Bulmer for J.Bell 1801. First edition. Hardcover. Additional engraved vignette title 2 hand-coloured etched plates only of 3. 1801 First edition. 8vo. Advertisement page. Contemporary mottled calf gilt rebacked in cloth preserving contemporary leather backstrip. A delightfully macabre work originally assumed to be by Matthew Gregory "Monk" Lewis but now assumed to be a parody. "The book is gruesome and in its illustrations even disgusting and it seems impossible that Lewis could have had anything to do with it. Some of the ballads are too coarse and grotesque to stand comparison with any work by M.G.Lewis." Montague Summers A Gothic Bibliography. Some foxing and marking; calf rather worn at edges. No jacket Bulmer for J.Bell hardcover
1867rif. 18178Paris, Librairie Centrale (J. Lemer, éditeur), 1867 ; in-16, bradel de vélin-parchemin rigide à recouvrement, titre manuscrit en caractères gothiques bleus, plats décorés d’un encadrement doré et rouge orné, dans les coins, d’une composition de fruits tenus par un ruban noué, dragon volant au centre du plat supérieur, d’après celui qui orne la couverture et la page de titre tête dorée, étui bordé (Levitzky) ; 36 pp. , couverture en papier sulfurisé simili parchemin, en rouge et noir, l’eau-forte serait de Delor en frontispice.
rif. Z1-J-003-02233Consejo Superior de Investigaciones Científicas. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear and may have sticker on cover but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Consejo Superior de Investigaciones Científicas unknown
1846First and only edition. A COMPLETE SET OF THIS RARE AND IMPORTANT SUITE OF SATIRICAL LITHOGRAPHS BY CHAM, devoted to British and Irish manners. Complete with lithographed title-page and 15 numbered lithographs by Cham on fine wove paper, with lithographed advertisement by Belin at the end. Folio. IN THE ORIGINAL BOARDS, WITH THE LITHOGRAPHED TITLE-PAGE REPEATED ON THE COVER. A bit of wear and soiling to boards. Internally a few specks of faint, marginal foxing, but otherwise FINE AND BRIGHT. Very rare, especially in such pristine state. Cham
1834rif. 57412NO OTHER COPY LOCATED - SATIRICAL LITHOGRAPHED PRINTS ON AN OXFORD DRUNK WITH VERSE PARODY OF WOLFE'S POEM ON A FALLEN HERO first edition folio 38.6 x 28.3 cms. 7 leaves of satirical lithographed drawings the lithographs on India paper sheets of ca. 23.5 x 19.5 cms. laid on the plain backing sheets as issued lithographed verse captions below the images buff coarse paper front wrapper with printed title as above inside a bold decorative printed border presumably lacks the rear blank wrapper slight foxing to the margins of the backing sheets four marginal splits no loss in edges of last backing sheet else very good. Lightly pencilled easily removable on each backing sheet and in places running on to the margins of the India paper are the original verses of Charles Wolfe's poem T'he Burial of Sir John Moore After Corunna' which are being parodied in the caption verses. Not located by Library Hub formerly COPAC. Library Hub does however locate a work reissue with the same title and imprint but dated 1836 in Oxford only and OCLC locates a copy in Yale of that same 1836 edition 7 plates. No other copy of this 1834 edition located. The title and date are taken from the cover. This satirical series of prints and verses describes how a drunken Oxford university official apparently the Marshal or possibly a don staggered out a drinking establishment without paying his bill pursued by the landlady and was discovered later that night lying unconscious in the gutter "with his Marshall cloak around him". The two finders and narrators carried him home on an old door undressed him and got him into bed with the help of his wife and daughter who lamented that he had spent all his money. Throughout all this the drunk remained unconscious "and we left him alone in all his glory". The verses parody those of the Irish poet Charles Wolfe's celebrated poem 'The Burial of Sir John Moore'. Wolfe's poem on the laying to rest of the military hero was in 8 verses and the parody is likewise in 8 verses one for each plate except for plate 2 which has two verses. Wolfe's original verses are lightly pencilled on the prints apparently at an early date and would be very easily removable. It seems likely that the front page of buff paper with the title was the front leaf of a bifolium with the other half folded around to create a rear wrapper but there is however no definite trace that such was the case. An interesting and very rare addition to the great corpus of British caricature in its golden age. At the lower left hand corner of each caricature is printed "Published by J. R. High St. Oxford". The title page states only "Published by J. R." without name of place. The publisher is almost certainly the printseller James Ryman who was established at 24 High Street Oxford from 1832 to 1865 or 1873. He published mezzotint portraits and views including one specially commissioned from Joseph Mallord William Turner. His coyness in not giving his full name on both prints and title page perhaps implies that the drunken figure depicted was a real and identifiable person in contemporary Oxford. The anonymity of the creator points in the same direction. The rarity may indicate that they were published only for the amusement of a small circle. Published by J. R. [James Ryman?] paperback
rif. 2539London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan Bookseller on Cork-Hill 1719. Hardcover. Good. . Octavo. 36pp. A8 B4-C4 D2. Third edition. Wrappers. ESTC T136523. A parody of Robinson Crusoe published the same year as that work Gildon's pamphlet contains a vitriolic attack on Defoe and his book. No love was lost between the two men who had a long-standing mutual animus: Defoe had attacked him as a rakehell and Gildon disliked Defoe's politics. Gildon was fundamentally a hack who was prosecuted for seditious libel a few years prior to this work although he avoided prison and pillory. Kate Loveman's Reading Fictions 1660-1740 contains an interesting analysis of this work noting how its critique ironically reflects both Defoe's own methods of criticism and the modes and mores of the coffee-houses. Three copies in the UK and two in North America. London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan, Bookseller on Cork-Hill, 1719. hardcover