Brautigan, RichardMareMagnum
465 résultats
1974An unmarked book with a tight binding. Small spots on front edpaper and side page ends. Tears to edge worn dust jacket. 216 ages. Appears to be a second printing.
1997Paperclip indent to first 2 pages. Else book is fine. DJ has very minor shelfwear. ; The Satyricon of Petronius, a comic novel written in the first century A. D. , is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model. At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains. ; Sather Classical Lectures 60; 224 pages
réf. 2539London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan Bookseller on Cork-Hill 1719. Hardcover. Good. . Octavo. 36pp. A8 B4-C4 D2. Third edition. Wrappers. ESTC T136523. A parody of Robinson Crusoe published the same year as that work Gildon's pamphlet contains a vitriolic attack on Defoe and his book. No love was lost between the two men who had a long-standing mutual animus: Defoe had attacked him as a rakehell and Gildon disliked Defoe's politics. Gildon was fundamentally a hack who was prosecuted for seditious libel a few years prior to this work although he avoided prison and pillory. Kate Loveman's Reading Fictions 1660-1740 contains an interesting analysis of this work noting how its critique ironically reflects both Defoe's own methods of criticism and the modes and mores of the coffee-houses. Three copies in the UK and two in North America. 0 London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan, Bookseller on Cork-Hill, 1719. hardcover
1996réf. SHERLOCK002106Hugh Boone Berkeley California. 1996. First edition. 16mo. 29 pages. Sewn wrappers. Printed at The Pequod Press. The thirtieth of these parodies.Out of a total edition of 76 copies this is letter J of 26 lettered copies signed by the author and bound in in cloth.Fine. Hugh Boone, Berkeley, California. hardcover
1974réf. 2133025Wiesbaden: Franz Steiner Verlag 1974. X, (2), 244 Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
2016ill., ril. Il mondo è alla deriva. Niente più automobili, né gente incollata al cellulare. Niente stress, né paure. Sì, perché in realtà siamo già morti tutti. In questa travolgente saga zombie Leo Ortolani risponde alla domanda che da sempre assilla l'uomo: c'è umorismo, dopo la morte?
2004Collana "Comicamente" - in collaborazione con "Comix" -
1979réf. lit1549mÉdition Christian Bourgeois. Broché, 267 pages, livre en bon état : le plastique se décolle, le livre présente des marques d usages et d humidités mais il reste tout à fait lisible.
1920réf. 51034Hamburg, Ernst Oehrlein, [ca. 1920]. 2 Bll. Mit 1 Titel-Illustr. (= Heinrich Köllisch, Nr. 30).
1920réf. 85083Hamburg, [ca. 1920]. 2 Bll. (= Heinrich Köllisch, Nr. 18).
1957réf. 1236391957 Éditions de L'Idée Libre - 1957 - In-8, broché, couverture illustrée - 368 pages - Illustrations in et hors texte en N&B
1972Decent reading copy of this "slender American classic," as the London Times words it, Brautigan being something of a counter cultural icon. No marking to text/interior, solid reading copy, small, old paperback book size, cute, pink cover. Worn cover with tears at bottom of spine. Age-toned pages.
1985réf. 62273ABMünchen, Goldmann 1985. Kl.-8°. 190, (2) S., farb. ill. OKt. Exlibris. farb. ill. OKt. Exlibris.
1992Mm 105x180 Variante del titolo in copertina: "Berlinguer ti voglio bene Tutto Benigni Cioni Mario di Gaspare fu Giulia". Collana "Geografie". Volume nella sua brossura originale, 155 pagine. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
réf. 11712In 12 broché, faux-titre, titre, 71 pages, 1 gravure, Paris J. Bonhoure & Cie éditeurs 1876. Très bon état.
réf. 17080Tresse et Stock Paris, 1890, in-16 broché, 52pp. Edition originale de cette parodie, sortie en librairie anonymement, de Huit jour chez M. Renan, texte de Barrès qui avait été publié en 1888. L'auteur en est Henri Beauclair, célèbre coauteur des Déliquescences d'Adoré Floupette (avec Gabriel Vicaire), satire parodique des poètes décadents, parue initialement en 1885. Tout petit manque en haut du dos sinon très bon exemplaire, non coupé. Peu courant.
1959réf. 100146609Clp 1959 in8. 1959. Cartonné. Usurpation d'identité est un roman de Pierre Boileau et Thomas Narcejac publié en 2000 (et initialement en 1959 selon une source). Il s'agit d'un recueil de pastiches où les auteurs imitent avec savoir-faire le style des écrivains qui ont marqué le roman policier entre 1880 et 1980. Le livre inclut une préface qui est elle-même un pastiche
1996Una parodia solo per adulti.
1995Una parodia solo per adulti.
1999réf. 100138410MIT Press 1999 367 pages in8. 1999. Broché. 367 pages.
réf. 19614Paris, Librairie Plon, 1907. In-folio, VI pp. 98 pl., bradel de demi-percaline à coins rouge de Carayon, dos long, pièce de titre brune, couverture originale conservée (frottements, dos taché et empoussiéré, rousseurs marginales, quelques taches).
1773réf. 275864Altenburg in der Richter' schen Buchhandlung, 1773. 350 Seiten, gestochenes Porträt-Frontispiz NEUER Ganzlederband mit vergoldetem Deckel- und Rückentitel, marmorierte Vorsätze. 21 cm
2020ril. I maghi della satira, da milioni di follower, che ogni giorno trovano notizie fulminanti da trasformare in una risata: questo è il Lercio che abbiamo imparato ad amare in questi anni. In un'epoca dominata dalle fake news e dalla scrittura sguaiata da clickbaiting, Lercio si confronta costantemente con una realtà che diventa sempre più paradossale della sua stessa parodia. E proprio per questo è così irresistibile. In questo libro le ventitré menti geniali dietro Lercio si sono cimentate in un giocoso esperimento e hanno rimescolato le carte: cento notizie che frullano insieme il Vero e il Lercio, tra le quali è davvero arduo districarsi. O no? La sfida è aperta: l'impresa impossibile è quella di scoprire quali sono i titoli reali e quali quelli "made in Lercio", possibilmente senza morire dalle risate. Alla fine (dove ci sono le soluzioni), ormai lo abbiamo capito: questo è un mondo dove può davvero capitare di tutto.
1866réf. 177301. Accorde: Conrad, Berlin (1868). 2. Musenklänge: Schlicke, Leipzig (1866). 121 S., 6 S. Verlagsanz. u. 192 S., beide mit zahlr. Holzschnitten. Kl.-8°. Einfaches Privat-Halbleinen. Stärkere Gebrsp. Einband beschabt u. bestoßen. Originalumschläge eingebunden. - R. Schmidt schrieb u.a. für die "Fliegenden Blätter", "Ulk" u. die von
1872réf. 15892Leipzig, Brockhaus, 1872. XXVI Seiten, 1 Bl., 200 Seiten. Original Karton (etwas bestoßen).
