2 898 résultats
1982réf. 018795New York: Limited Editions Club 1982. Hardcover. Fine in glassine and a Fine slipcase. Jack Levine. Tall octavo 8-1/2" x 11-1/4" bound in black linen imported from Holland and stamped in gold. English version by Desmond Vesey with English lyrics and a new introduction by Eric Bentley. Illustrated by Jack Levine including an ORIGINAL THREE-COLOR LITHOGRAPH frontispiece created for this edition. Copy #887 of 2000 SIGNED by Levine and Bentley. Monthly Letter laid in. Limited Editions Club hardcover
réf. 842066653X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2025réf. __2503607497Brepols Pub 2025. Hardcover. New. 252 pages. French language. 6.93x0.53x10.24 inches. Brepols Pub hardcover
2014réf. 555501Vandenhoeck & Ruprecht 2014. 1st. paperback. New. 93x15x141. Vandenhoeck & Ruprecht paperback
2025réf. 1891981Brepols Publishers 2025. 1st. hardcover. New. 0x0x0. Brepols Publishers hardcover
réf. B9780413708106Hardback. New. "One of the greatest poets and dramatists of our century" Observer hardcover
1994réf. BN33987Vandenhoeck & Ruprecht 1994. 1994. Softcover. 15 x 2 x 23 cm. Pietismus und Neuzeit Band 19 - 1993 von Martin Brecht Herausgeber Friedrich de Boor Herausgeber Rudolf Dellsperger Herausgeber Pietismus und Neuzeit Band 19 - 1993 von Martin Brecht Herausgeber Friedrich de Boor Herausgeber Rudolf Dellsperger Herausgeber Vandenhoeck & Ruprecht paperback
réf. 3518044893.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3834934283.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 68058Brepols - Harvey Miller 2025. Hardback 253 Pages Size:178 x 254 mm Illustrations:2 b/w 8 col. 2 tables b/w. Languages:English French new. ISBN 9782503607498. Translators are crucial to the constitution dissemination and adaptation of literatures cultures and ideas. However their presence in the historical record often proves difficult to recognise or retrace. This volume places front and centre this key problem for historians of translation as well as for historians of literature culture and ideas. It sheds new light on the much-debated invisibility of historical translators by investigating in what contexts and through what strategies translators sought to render themselves either invisible and how critics and scholars can now trace these efforts. When and how does the visible metamorphose into the invisible and vice versa The volume focuses on the long eighteenth century a period which witnesses a metamorphosis in literature and culture that tells powerfully on translators. From relatively visible cultural actors they are reduced to enforced invisibility as cultural products stabilised their meanings around singular authors. Tracing this shift across a swathe of products and practices the book conducts its investigations across a range of genres ranging from radical politics over philosophy to opera; taking in languages and cultures across Western Europe. Chapters employ case studies to develop methodological and theoretical models that will empower scholars of translation history to recover translators both from the direct evidence of their work and from the networks and tools that supported them. TABLE OF CONTENTS Brecht De Groote & Lieve Jooken Introduction. Modelling A Long History of Translation Yen-Mai Tran-Gervat Don Quichotte en ses métamorphoses. Sur les traces des traducteurs anglais et français du « long dix-huitième siècle » Raphaël Ingelbien Framing Voltaire. English Translations of French Shakespeare Criticism and the Emergence of a National Aesthetics in the Eighteenth Century Merel Weyaert Provided With Remarks and Corrections. The Translator in Their Annotations in the Late Eighteenth-Century Dutch Republic Livio Marcalemi If my Translation Sounds Here and There Quite Un-German. The Translators Visibility in Opera Libretti at the German-Speaking Courts around 7oo David Gibbons Translating Travel in Post-Restoration Milan. Chateaubriands Itinerario da Parigi a Gerusalemme Patrick Leech Translation and Methodological Nationalism. Tracing Translators in Late Eighteenth-Century Radicalism Erica J. Mannucci & Rosa Mucignat The Many Lives of Fénelon. Transformations of a Revolutionary Play in France and Italy Patrick Leech Translation and Methodological Nationalism. Tracing Translators in Late Eighteenth-Centoury Radicalism Sylvie-Kleiman-Lafon The Translators Notes. Antoine Lasalles Interventions in his Translation of Francis Bacons Complete Works 7998o3 Luisa Simonuti The Philosophical Cabinet of an Unexpected Translator. John Locke Thomas Van Binsbergen Inside the Babel of Naturalism. Spinozas Tractatus Theologico-Politicus in Translation Bibliography Index of Names Brepols - Harvey Miller 2025 hardcover
réf. 19289782like new. unknown
réf. B9780413725004Hardback. New. Gathered together in English this volume contains all of Brecht's theoretical writing about film radio broadcasting and the new media written between 1919 and 1956. hardcover
réf. 0413605108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2001réf. x-0413725006Methuen Pub Ltd 2001. Hardcover. New. 272 pages. 8.50x5.50x1.00 inches. Methuen Pub Ltd hardcover
réf. A9781837083930Hardback. New. This edited collection presents an in-depth examination of the subjective experiences of women entrepreneurs across diverse global contexts and how they navigate challenge and redefine the gendered dynamics of entrepreneurship. hardcover
2008réf. Q-0413699706Methuen Drama 2008-09-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! Methuen Drama paperback
réf. B9780413655103Hardback. New. Brecht's "Work Journals" cover the period from 1938 to 1955 the years of exile and his return to East Berlin. The accounts of his writing practice provide insight into the creation of his dramatic works the development of his political thinking and his theories about epic theatre. hardcover
réf. Z1-F-044-00830Methuen. Used - Acceptable. Used - Acceptable. 0413368408 Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Methuen unknown
réf. 53494197-nnew. unknown
réf. 53494197like new. unknown
1938réf. 13300076FIRST EDITION US almost fine in red boards lacking the dust jacket. The basis for The Threepenny Opera. Verses translated by Christopher Isherwood. Hillman-Curl, hardcover
1982réf. 172The Threepenny Opera by Bertolt Brecht is available as a luxury edition published by The Limited Editions Club in 1982. This edition is a limited print run of 2000 copies with each copy numbered and signed by the illustrator Jack Levine and the theatre critic Eric Bentley. The book is bound in full black linen stamped in gold on the front cover with gilt lettering on the spine and comes in an original black slipcase. It includes illustrations and an original lithograph by Jack Levine with the text translated by Desmond Vesey and an introduction by Eric Bentley. The Threepenny Opera is a play written by German playwright Bertolt Brecht with music by Kurt Weill. It was first performed in 1928 and is based on John Gay's 18th-century ballad opera The Beggar's Opera. The play is set in the criminal underworld of Victorian London and follows the antihero Macheath also known as "Mack the Knife" as he navigates the underworld while satirizing the bourgeois society of the Weimar Republic. This copy is in "like-new" condition This copy is in like-new condition. It is #1209 of 2.000 copies printed and is signed by the illustrator and the introducer of the book. Limited Editions Club hardcover
1982réf. 203The Limited Editions Club released a luxury collector's edition of The Threepenny Opera by Bertolt Brecht in 1982. This edition is highly sought after by collectors for its fine craftsmanship limited print run and signatures. The play itself adapted from John Gay's The Beggar's Opera premiered in Berlin in 1928 with music by Kurt Weill. This 1982 edition serves as a "First Edition Thus" for this specific luxury printing distinct from earlier trade editions. The Limited Editions Club monthly newsletter from September 1982 is often found laid into the volume. This book is bound in full black linen imported from Holland stamped in gold featuring a vignette by Levine. It includes eleven monochrome plates and an original three-color lithograph frontispiece created specifically for this edition by Jack Levine. This copy is in very good condition is still in its original slipcase and it includes a copy of "The Monthly Letter" which Limited Editions Club members received with their books frequently. This one is number 529 dated September 1982. The book itself is #1394 of 2000 and was signed by the illustrator Jack Levine and the author of the introduction and English lyrics Eric Bentley. See photos. This book will be a great addition to any collector's library! Limited Editions Club hardcover
1948réf. 25082Minneapolis: Univ of Minnesota Press 1948. First Edition. 8vo. This is the first appearance in print in any language.Vg in little chipped dj. Two Plays The Good Woman of Setzuan and The Caucasian Chalk Circle. English versions by Eric and Maja Bentleywith introductions and program notes. Univ of Minnesota Press unknown
1976réf. 6400Self-Published 1976. First Edition. Paperback. VERY GOOD. 191 pp. Scarce. Contains poems selected for the subsequent City Lights Pocket edition published in 1978. Light rubbing to extremities tips a bit bumped binding remains tight interior contents entirely clean and unmarked. Self-Published paperback