2884 risultati
1962rif. 2130BNeuwied -Berlin, Hermann Luchterhand, 1962. 8°, 286 Seiten OPb. (Rücken verschossen) Papier wie meist gebräunt
1971rif. 015899Vence De La Salle - Les Paravents 1971 En feuilles
1971rif. V8844Frankfurt (Suhrkamp) 1971 (= Erste Auflage). 8°, Originalbroschur, 357 und 256 S.,
2000rif. Q-0936839252UNKNO 2000-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! UNKNO paperback
rif. 116784Toulouse, Editions Ombres et Cinémathèque Française 1992, 200x130mm, 155pages, broché. Bel exemplaire.
1978rif. 16064Bonn, Bouvier Verlag Herbert Grundmann, 1978. gr. 8°, 304 S., Abhandlungen zur Kunst- Musik- und Literaturwissenschaft, Band 267. Bezahlung per PayPal möglich, we accept PayPal, min. Gebr.sp., broschiert
1973Full white cloth boards show light wear and fraying at bottom of spine. Previous owner's name stamp inside and on bottom page ends. Slight marking. Approx. 650 pages. This anthology contains selections from the works of thirty-six authors --- critical commentaries and historical notes.
1972rif. 245989Poznan, 1972. 77 S. (Uniw. w Poznaniu/Ser. Filologia germanska 13).
1933rif. 138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short-lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown books
1933rif. 138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short-lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown
1957rif. 1477Berlin Rütten und Löhning, 1957. 628 S. gr.-8° Obrosch Ou
1997rif. 1242010Berlin: Theater der Zeit, 1997. 176 S.: Abb. Broschur.
2017rif. __1119014352Blackwell Pub 2017. Hardcover. New. 308 pages. 9.00x6.75x0.75 inches. Blackwell Pub hardcover
rif. BN596453Psychoanalytische Ich- Psychologie Psychoanalytische Ich- Psychologie Sibylle Drews/ Karen Brecht unknown
1969rif. 100304Tokyo 1969 784x446mm Affiche Tokyo, janvier 1969, 784x446mm, impression offset recto verso. Conception graphique de Sugihura, le prestigieux graphiste de " The Map " de Kawada, " Barakei " de Hosoe et " Saint Marco " de Narahara. Le festival, organisé par Kosugi et Chiomi regroupait en outre les artistes suivants :Junzo Ishiko, Tukumi Kazekara, Akimichi Takeda, Koichi Tanigawa et Li-lan qui interprétèrent des pièces de George Brecht, Dick Higgins, Jackson McLow, Name June Paik, Thomas Schmit, Ben Vautier, Emmett Williams et La Monte Young. Il eut lieu à Tokyo du 18 au 21 janvier 1969. Silverman 279 ; Fluxus-Art into Life, Urawa Art Museum 2004, n°140 reproduit au catalogue. (100304)
1953rif. 464535New York: Bobbs-Merrill Company 1953. Hardcover. Very Good/Very Good. Reprint. Octavo. 341pp. Edited and with an illustrated history of directing by Toby Cole and Helen Krich Chinoy. Illustrated with black and white plates. Ownership stamp and signature of a noted American psychologist on the front fly. Binding slightly cocked and lightly sunned at the spine and edges tiny hole on upper shoulder and a small bit of material bound in under the rear pastedown very good in a lightly toned and edgeworn very good or better dustwrapper. Contributors include George II Duke of Saxe-Meiningen Andre Antoine Otto Brahm David Belasco Adolphe Appia Gordon Craig Jacques Copeau Vsevolod Meyerhold George Bernard Shaw Eugene Vakhtangov Arthur Hopkins Louis Jouvet B.E. Zakhava Tyrone Guthrie Joshua Logan Konstantin Stanislavsky Max Reinhardt Leopold Jessner Jean-Louis Barrault Bertolt Brecht Elia Kazan and Harold Clurman. Bobbs-Merrill Company hardcover books
1969rif. 262818San Francisco: V.R.-Leviathan Publications 1969. Newspaper. 40p. un-folded tabloid underground newspaper articles news opinion interviews reviews San Francisco edition small staining & some smudging of cover and rear wrap toning on cover wrap slightly heavier on bottom eighth of cover wrap worn and toned on newsprint else in good condition. Articles on Critique of Ernest Mandel Israel in Africa Inflation and the working class "Empire in Crisis and a lot more. V.R.-Leviathan Publications unknown books
1969rif. 259089San Francisco: V.R.-Leviathan Publications 1969. Newspaper. 48p. tabloid underground newspaper articles news opinion interviews reviews San Francisco edition some smudging of cover and rear wrap worn and toned on newsprint else in good condition. Articles on SF State"Back to Skool Week" characterized Nazy soldier on front cover wrap giant two page/center fold poster of a rendering of S. I. Hayakawa SF State news Czechoslovakia military organizing and a lot more. V.R.-Leviathan Publications unknown books
1980rif. C197043London: National Theatre 1980. Hardcover Hardcover. Very Good. Large thick octavo. 36 programmes bound in original publishers yellow leather-effect hardback. Slight wear and fading to covers with some chipping to head of spine otherwise very good indeed. National Theatre, hardcover
1955rif. 74791955 broché in-octavo, dos blanc avec une illustration se continuant sur la couverture, long papier, illustrations photographiques hors-texte sur papier glacé, rares soulignures et annotations à l'encre, 160 pages, 1955 à Paris l'Arche Editeur,
1955rif. 107784Paris L'arche, coll. "Les grands dramaturges" 1955 1 vol. broché in-12, broché, couverture illustrée, 157 pp., 16 planches hors texte. Edition originale avec un envoi autographe signé à "Natacha" Sarraute.
1955rif. 107784Paris L'arche, coll. "Les grands dramaturges" 1955 1 vol. broché in-12, broché, couverture illustrée, 157 pp., 16 planches hors texte. Edition originale avec un envoi autographe signé à "Natacha" Sarraute.
rif. 10540L'Arche (Coll. Les grands dramatuges), 1955 - in-12 sous couverture illustrée, 160 pages illustrées d'un cahier illustré - bon état -
1994rif. 1216553Lübeck : Museum für Kunst- und Kulturgeschichte der Hansestadt Lübeck, 1994. [142] S. : überwiegend Illustr. ; 30 cm; fadengeh., illustr. Orig.-Pappband.
1975rif. 61337Bln., Weimar: Aufbau-Vlg. 1975. XXIX,304 Ss., 1 Bl.; 25 Ss. Beilage. Gr.8°. Ln. mit Umschl. (Umschlag etw. angestaubt).
