Ursula BrechtBiblio.com
2892 risultati
1987rif. Q-0895863308HP Trade 1987-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! HP Trade hardcover
rif. ria9781805832355_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book redefines prehistoric art arguing that true aesthetic autonomy first appeared in prehistory. Combining archaeology with philosophical aesthetics it analyses Palaeolithic tools cave art and Neolithic imagery to propose a ne hardcover
2026rif. __1805832352Archaeopress 2026. Hardcover. New. 450 pages. 7.13x1.22x9.88 inches. Archaeopress hardcover
rif. 53494197-nnew. unknown
rif. 53494197like new. unknown
Paris, L'Arche, 1980. In-8, broché, format oblong, couverture illustrée (Marilyn Monroe), 106 pp.
1957rif. 100074460Saint-Etienne. 13 5 cm x 18 cm. 1957. Broché. 20 pages. Saint-Etienne Comédie de Saint-Etienne saison 1957-58. Broché 13 5 cm x 18 cm 20 pages photos noir & blanc hors-texte. Textes de Bertold Brecht Pierre Abraham Jean Delporte photos de Ito Joshué. Débroché sinon bon état. Création mondiale de la pièce de Bertold Brecht dans une mise en scène de John Blatchey et Jean Dasté avec Françoise Bertin Gabriel Monnet Sonia Reff Gérard Lorin Prosper Diss Paul Savatier ...les décors étaient de Abd El Kader Farrah
2018rif. x-3662565544Gabler 2018. Paperback. New. 228 pages. 9.45x6.61x0.55 inches. Gabler paperback
1962rif. 40304New York: Living Theatre 1962. Very Good. New York: Living Theatre 1962. First Edition. Broadside flyer printed mimeograph on blue stock. Previous horizontal fold and light toning else Very Good and sound. Program to a Living Theatre group performance whose proceeds were used towards the publication of An Anthology "You may subscribe to an anthology in the lobby or by sending $2.98 To: La Monte Young.". Performances include Comb Music by George Brecht; Afro-American music by Henry Flynt with La Monte Young; and one of Yoko Ono's earliest American performances in both her piece The Chair #1 and her then-husband Toshi Ichiyanagi's piece Mudai #1. Living Theatre unknown
1962rif. 40304New York: Living Theatre 1962. Very Good. New York: Living Theatre 1962. First Edition. Broadside flyer printed mimeograph on blue stock. Previous horizontal fold and light toning else Very Good and sound. Program to a Living Theatre group performance whose proceeds were used towards the publication of An Anthology "You may subscribe to an anthology in the lobby or by sending $2.98 To: La Monte Young.". Performances include Comb Music by George Brecht; Afro-American music by Henry Flynt with La Monte Young; and one of Yoko Ono's earliest American performances in both her piece The Chair #1 and her then-husband Toshi Ichiyanagi's piece Mudai #1. Living Theatre unknown books
1960rif. 384904New York: Reuben Gallery 1960. Softcover. Near Fine. Single spirit-duplicated sheet. Quarto. Near fine with light wear along the foredge with a few tiny tears. A program for an early Happening performance held at the Reuben Gallery in New York by Allan Kaprow who coined the phrase to describe the emerging performance art that incorporated various forms of artistic expression such as text dialogue sounds colors music and audience participation. The pieces at this show featured: "Gossoon a chamber event movement" arranged by George Brecht with performances by James Waring John Baker and Jerry King; "E.G." by Robert Whitman starring Jim Dine Rosalyn Drexler Pat Oldenburg and Lucas Samaras; "Intermission Piece" by Kaprow; "Electronic Music" by Richard Maxfield who co-curated the Fluxus concerts at Yoko Ono's loft with LaMonte Young; and "Vaudeville Collage" written and performed by Dine. An important piece of ephemera from the then-emerging New York performance art scene of the early 1960s. OCLC locates no copies of this 1960 performance but one from 1959. Reuben Gallery unknown
1960rif. 384904New York: Reuben Gallery 1960. Softcover. Near Fine. Single spirit-duplicated sheet. Quarto. Near fine with light wear along the foredge with a few tiny tears. A program for an early Happening performance held at the Reuben Gallery in New York by Allan Kaprow who coined the phrase to describe the emerging performance art that incorporated various forms of artistic expression such as text dialogue sounds colors music and audience participation. The pieces at this show featured: "Gossoon a chamber event movement" arranged by George Brecht with performances by James Waring John Baker and Jerry King; "E.G." by Robert Whitman starring Jim Dine Rosalyn Drexler Pat Oldenburg and Lucas Samaras; "Intermission Piece" by Kaprow; "Electronic Music" by Richard Maxfield who co-curated the Fluxus concerts at Yoko Ono's loft with LaMonte Young; and "Vaudeville Collage" written and performed by Dine. An important piece of ephemera from the then-emerging New York performance art scene of the early 1960s. OCLC locates no copies of this 1960 performance but one from 1959. Reuben Gallery unknown books
1990rif. BN5627241990. 1990. Prosa 1: Dreigroschenroman Prosa 1: Dreigroschenroman Bertolt Brecht unknown
1997rif. BN5625291997. 1997. Prosa 5 Prosa 5 Bertolt Brecht unknown
1965rif. 158325Germany: Suhrkamp Verlag 1965. Light shelfwear to DJ edges. Band 1 1913-1948 - Unveröffentlichte und nicht in Sammlungen enthaltene Geschichten Eulenspiegelgeschichten ; Band 2 1930-1956 - Kalendergeschichten Geschichten vom Herrn Keuner Flüchtlingsgespräche; Band 3 1933-1934 - Dreigroschenroman; Band 4 1938-1939 - Die Geschäfte des Herrn Julius Caesar; Band 5 1934-1956 - Me-ti. Buch der Wendungen. hardcover. Very Good/Very Good. Used. Suhrkamp Verlag Hardcover
rif. BN560679Suhrkamp. Softcover. Prosa Prosa Bertolt Brecht Suhrkamp paperback
2017rif. x-3662545039Gabler 2017. Paperback. New. 2nd revised edition. 232 pages. German language. 9.45x6.61x0.71 inches. Gabler paperback
rif. BN596453Psychoanalytische Ich- Psychologie Psychoanalytische Ich- Psychologie Sibylle Drews/ Karen Brecht unknown
rif. 23309033-nnew. unknown
rif. 23309033like new. unknown
1991rif. x-3540531858Springer 1991. Paperback. New. 604 pages. German language. 9.53x6.61x1.34 inches. Springer paperback
2018br. A partire dall'analisi delle opere "L'Abicì della guerra" e "Diario di lavoro", Georges Didi-Huberman approfondisce le dinamiche, le idee e le disposizioni formali della riflessione di Bertolt Brecht sulla guerra. Un percorso che, passando in rassegna i documenti visuali e i reportage fotografici raccolti da Brecht sulla seconda guerra mondiale, attraversa alcuni motivi cruciali per il pensiero del drammaturgo tedesco, come il concetto di esilio e quelli di rilettura e di costruzione della storia attraverso il montaggio delle immagini. Obiettivo dell'opera è quello di individuare nei montaggi brechtiani un momento fondamentale della cultura europea del Novecento e un modello di intersezione tra l'esigenza dell'interpretazione della storia, la sfida del politico e lo spazio estetico. Didi-Huberman si sofferma con particolare attenzione sull'esperienza brechtiana della "messa in scena" quale processo conoscitivo in cui gli elementi del montaggio - come "le riproduzioni delle opere d'arte, le fotografie della guerra nei cieli, i ritagli di giornale, i volti di chi gli stava vicino, gli schemi scientifici, i cadaveri dei soldati sui campi di battaglia, i ritratti dei dirigenti politici, statistiche, le città in rovina, nature morte, paesaggi e le opere d'arte rese oggetto di vandalismo dalla violenza militare" - intrattengono fra loro un rapporto vivo e dialettico, che non li irrigidisce nelle strette maglie della presa di partito, ma li colloca piuttosto sul versante critico del sapere e del vedere che ogni presa di posizione necessariamente comporta.
