2 863 résultats
1966réf. 587334New York: Chalk Circle Productions 1966. Softcover. Near Fine. Volume 1 Number 1 all published. Illustrated by Ed Crawford Leopoldo Mendez John Thamm John Giannetti Ed Druck Landfeld and Maro Riofrancos. Octavo. 72pp. Light wear pinhole burn mark on the lower wrap and a tiny bit of staining on the final page spread just about near fine. Prints "The Necessary Decision: 10 Working Theses of an Author in the Divided World" by Peter Weiss; "The Anachronistic Procession of Freedom and Democracy" by Bertold Brecht; "Criticism West of Suez" by John Berger; the poem "The Negros Sing" By Andrei Voznesensky; "Is Kafka Necessary" by Lee Baxandall as well as Kafka's "The Propertyless Workingmen's Association"; and Gerard Malanga's poem "The Young Mod" among other material. Although the lower wrap promises future issues featuring Carlos Fuentes on Moby Dick never-before-translated Neruda and an interview with John Berger we find no evidence of a second issue being published. Uncommon. Chalk Circle Productions unknown
1966réf. 587334New York: Chalk Circle Productions 1966. Softcover. Near Fine. Volume 1 Number 1 all published. Illustrated by Ed Crawford Leopoldo Mendez John Thamm John Giannetti Ed Druck Landfeld and Maro Riofrancos. Octavo. 72pp. Light wear pinhole burn mark on the lower wrap and a tiny bit of staining on the final page spread just about near fine. Prints "The Necessary Decision: 10 Working Theses of an Author in the Divided World" by Peter Weiss; "The Anachronistic Procession of Freedom and Democracy" by Bertold Brecht; "Criticism West of Suez" by John Berger; the poem "The Negros Sing" By Andrei Voznesensky; "Is Kafka Necessary" by Lee Baxandall as well as Kafka's "The Propertyless Workingmen's Association"; and Gerard Malanga's poem "The Young Mod" among other material. Although the lower wrap promises future issues featuring Carlos Fuentes on Moby Dick never-before-translated Neruda and an interview with John Berger we find no evidence of a second issue being published. Uncommon. Chalk Circle Productions unknown books
réf. B209211-2New York Something Else Press 1966. 15 1pp. Lrg. 8vo. Wraps. New York (Something Else Press), 1966. paperback
réf. B209211-2New York Something Else Press 1966. 15 1pp. Lrg. 8vo. Wraps. New York (Something Else Press), 1966. paperback books
2000réf. 105317Berlin, Stiftung Archiv der Akademie der Künste 2000. 2000. Gr. 8°, 95 S. mit s/w Fotos, Orig.-Karton.
1978réf. 2090202120701078Sakuto-sha 1978. Soft Cover. Fine. Number of pages: 44 pages Size: 190x260 Sakuto-sha paperback
1973réf. 184790London: Faber Music Limited 1973. Music by Benjamin Britten Words by Bertolt Brecht Illustrations by Sidney Nolan. A limited facsimile edition of the composer's manuscript. Text in English and German. Pp. xvi2342facsimile score with two smaller inserts 12 coloured plates; impl. 4to; qr. brown leather over brown papered boards spine and upper board lettered in gilt edges of boards faintly faded top fore-corner of upper board a trifle bruised; lacking the slipcase; book label of David Levine Sydney and bookseller's sticker on upper pastedown scattered foxing; Faber Music Limited/Faber & Faber Limited London 1973. Edition limited to 1000 copies this being one of 300 numbered copies signed on the limitation page by the composer and artist. Issued to mark the composer's sixtieth birthday. The illustrations are from a series of paintings by Nolan based on Children's Crusade which was composed for the Wandsworth School Boys' Choir to perform at St Paul's Cathedral on 19th May 1969 on the 50th anniversary of the Save the Children Fund. Faber Music Limited unknown
réf. 40501London: Faber Music 1973. . 4to; c. 56pp. 12 colour plates quarter brown morocco over papered boards top edge gilt. An excellent copy in slightly worn publisher's slipcase. A limited facsimile special edition of 300 copies signed on the limitation page by the composer and artist. Issued to mark the Britten's sixtieth birthday. The illustrations are from a series of paintings by Nolan based on the Children's Crusade which was composed for the Wandsworth School Boys' Choir to perform at St Paul's Cathedral on 19th May 1969 on the 50th anniversary of the Save the Children Fund. London: Faber Music, 1973. hardcover
1990réf. 1124907Frankfurt, Bern: Lang, 1990. IX, 201 S. Originalbroschur.
2008réf. __3899481070Carus 2008. Paperback. New. 280 pages. German language. 10.55x7.32x0.71 inches. Carus paperback
2016réf. 2-3899482638Carus-Verlag Stuttgart 2016. Paperback. New. German language. 12.48x8.98x0.87 inches. Carus-Verlag Stuttgart paperback
1954réf. 617072Boston: Chrysalis 1954. Softcover. Near Fine. Periodical. English version by Eric Bentley. Stapled wrappers. Staples slightly oxidized near fine. Publisher's letter with the order form detached not present laid in. A play in nine scenes. Chrysalis unknown books
1986réf. ABE-154714018585286 PAGES-21,5 CM X 30 CM-EN COUVERTURE GERARD DEPARDIEU ET PIERRE RICHARD DANS "LES FUGITIFS"-EDITORIAL: SAUVEZ LE RIRE, 2P PAR OLIVIER DAZAT-LES FUGITIFS, LA LECON, FRANCIS VEBER, 7P, PROPOS RECUEILLIS PAR OLIVIER DAZAT, 4 PHOTOS-LES FUGITIFS SOUS LE SOLEIL DE SATAN, 2P PAR GERARD DEPARDIEU, PHOTO-LA DEUXIEME CHAUSSURE NOIRE, PIERRE RICHARD, 5P-LE JOURNAL D'UN CINEPHILE, 2P PAR CLAUDE-JEAN PHILIPPE, 3 PHOTOS-L'AFFAIRE: QUAT'SOUS DE DOMMAGES ET INTERETS, BRECHT, 4P-LA VIE D'ARTISTE, CLAUDE MELKI, 4P-T'AS TOUT FAUX!, 6P PAR OLIVIER DAZAT, 8 PHOTOS-YOUSSEF CHAHINE, LE SEPTIEME JOUR, 4P-TELEVISION, PAR FRANCOIS CUEL: LE ROI DES CONS, PHOTO THIERRY ARDISSON, 2P
1962Sovra copertina con strappi e mancanze, interno molto buono.
1930réf. 3243881930. Duplicated typescript printed rectos only. Prologue and 4 acts paginated individually. 6 20 17 9 12 pp. 1 vols. 4to. Metal brads. Toned some light inking of a few pages. Duplicated typescript printed rectos only. Prologue and 4 acts paginated individually. 6 20 17 9 12 pp. 1 vols. 4to. My station in life Is that of a clerk. But privately There are two things I love Surpassingly: Good wine And the women Of other men. Acting script of the Ethel van der Veer translation of a Chinese play Circle of Chalk which tells a tale of disputed inheritance discord and murder in the tenth century C.E. The play was first popularized in the west through a German translation by Klabund Alfred Henschke produced in Berlin in 1925 and also produced in London from a script by James Laver with Anna May Wong as the heroine. Independent of these productions Ethel van der Veer's translation was published in 1933. The Circle of Chalk must be counted as a key source for Bertholt Brecht's postwar drama Die Kaukasische Kreidekreis. The present text is uncredited but follows the van der Veer with the frequent addition of stage directions many of which now seem "Brechtian" in the way characters turn to face and often directly address the audience. unknown
1930réf. 3243881930. Duplicated typescript printed rectos only. Prologue and 4 acts paginated individually. 6 20 17 9 12 pp. 1 vols. 4to. Metal brads. Toned some light inking of a few pages. Duplicated typescript printed rectos only. Prologue and 4 acts paginated individually. 6 20 17 9 12 pp. 1 vols. 4to. My station in life Is that of a clerk. But privately There are two things I love Surpassingly: Good wine And the women Of other men. Acting script of the Ethel van der Veer translation of a Chinese play Circle of Chalk which tells a tale of disputed inheritance discord and murder in the tenth century C.E. The play was first popularized in the west through a German translation by Klabund Alfred Henschke produced in Berlin in 1925 and also produced in London from a script by James Laver with Anna May Wong as the heroine. Independent of these productions Ethel van der Veer's translation was published in 1933. The Circle of Chalk must be counted as a key source for Bertholt Brecht's postwar drama Die Kaukasische Kreidekreis. The present text is uncredited but follows the van der Veer with the frequent addition of stage directions many of which now seem "Brechtian" in the way characters turn to face and often directly address the audience. unknown books
1998réf. 4970Frankfurt am Main : Suhrkamp 1998. 515 S. : Ill. ; 18 cm kart., Taschenbuch, Exemplar in gutem Erhaltungszustand, Neupreis in Euro: 15,--
1998réf. BB0001Frankfurt / Main, Suhrkamp, 1998. 515 S., Einband an Ecken teils minimal bestoßen, ansonsten wohlerhalten 8° Buch kartoniert
réf. 9780871407672hc. New. Brand New. Ships from an indie bookstore in NYC. hardcover
réf. Bloomsbury-9781472578204Methuen Drama. Hardback. New. 344 pages Methuen Drama hardcover
réf. Bloomsbury-9781472577511Methuen Drama. Paperback. New. 344 pages Methuen Drama paperback
réf. Bloomsbury-9781472578204Methuen Drama. Hardback. New. 344 pages Methuen Drama hardcover
réf. Bloomsbury-9781472577511Methuen Drama. Paperback. New. 344 pages Methuen Drama paperback
1987réf. SBBI-mon0000112561Methuen 1987. paperback. Acceptable. Integral damage to binding e.g. cover coming away no spine chunks of pages falling out. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Methuen paperback
réf. ria9781472578204_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Stravinsky - and Germany's greatest poet of the last century but the playwright was also a hardcover
