2,892 results
ref. 9781788738583Verso
1940ref. b21752New York 1940. First Edition . Soft cover. Near Fine. Near fine in original wrappers. Haloing. paperback
1964ref. 71789NY:: Viking Press. Very Good in Very Good dust jacket. 1964. Hardcover. B0007E9ERY . First edition. Very good in a very good a few short closed edge tears price clipped dust jacket. . Viking Press, hardcover books
1964ref. 002484New York: Vikiing Press 1964. Book. Illus. by Charlotte Erickson. Very Good. Cloth. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. Green cloth with black lettering to spine and black wild duck drawing to front. SIGNED by Edith Brecht. SCARCE as such. No other such found as of June 2022.This copy is VG in a VG clipped pictorial DJ. Exterior has modest wear around the bottom edges but cover is rich lettering / drawing is bright. Inside otherwise unmarked crisp and tight. DJ is tape supported on the verso bottom front and top spine. Modest wear around the edges. Vikiing Press Hardcover
1967ref. 114795Paris L'Arche 1967 1 vol. broché in-8, broché, 262 pp. Non coupé. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1967ref. 114795Paris L'Arche 1967 1 vol. broché in-8, broché, 262 pp. Non coupé. Exemplaire provenant de la bibliothèque d'Alain Resnais.
ref. 43775Revue trimestrielle. Paris : Le Pavillon (Roger Maria éditeur). Rédacteur en chef : Henri Deluy. Comité de rédaction : Elisabeth Roudinesco, Bernard Vargaftig, Paul Louis Rossi, Charles Dobzynski, Pierre Lartigue, Mitsou Ronat, Jacques Roubaud, Alain Lance, etc. Un volume 13x21cm broché de 80 pages. Bon état. Numéro largement consacré à la poésie de Bertholt Brecht.
1974ref. 208091974 Paris,le Pavillon-Roger Maria éditeur,1974, 13 x 21 cm, 80 pp, souple, avec une couverture illustrée,
ref. 60295Le Pavillon Roger Maria Editeur 1971 périodique revue 21*13 79 pages
ref. 43812Revue trimestrielle. Paris, rédacteur en chef : Henri Deluy. Comité de rédaction : Bernard Vargaftig, Martine Broda, Charles Dobzynski, Pierre Lartigue, Mitsou Ronat, Jacques Roubaud, Lionel Ray, Alain Lance, etc. Un volume 13x21cm broché de 208 pages. Bon état.
1947ref. 514070Urbana Illinois: Department of English of the University of Illinois 1947. Softcover. Very Good. First edition. 64pp. Stapled printed wrappers. Foredge and wrappers with small stains 2" chipped tear at spine foot covers slightly tanned about very good. Contains the first appearance of "In the Element of Antagonisms" by Wallace Stevens Edelstein C176; additional contributions by Bertolt Brecht Byron Vazakas Howard Moss Nelson Del Bittner and more. Department of English of the University of Illinois) unknown books
1947ref. 505047Urbana Illinois: Department of English of the University of Illinois 1947. Softcover. Very Good. First edition. 64pp. Stapled printed wrappers. Slightly wavy with water stains throughout darkest on first few pages about very good. Contains the first appearance of "In the Element of Antagonisms" by Wallace Stevens Edelstein C176; additional contributions by Bertolt Brecht Byron Vazakas Howard Moss Nelson Del Bittner and more. Department of English of the University of Illinois) unknown books
1946ref. 505048Urbana Illinois: Department of English of the University of Illinois 1946. Softcover. Very Good. First edition. 148-207pp. Stapled printed wrappers. Slightly wavy with moderate dampstain at spine about very good. Contains the first appearance of "Men Made Out of Words" by Wallace Stevens Edelstein C165; other contributions by Harry Levin Bertolt Brecht Howard Nutt Josephine Miles John Malcolm Brinnin S. Raiziss William Carlos Williams and more. Department of English of the University of Illinois) unknown books
ref. 3842364423.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. SLIVCN-9782851818706ARCHE EDITIONS -L'-
ref. 22001New York, Burgin, 2016. 4°, 151 Seiten. mit zahlreichen Abbildungen und Photos. Farbig illustrierter Orig.Pappband mit illustrierten Vorsätzen.
ref. 45817708like new. unknown
ref. 45817708-nnew. unknown
ref. 1784273015.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1938ref. 576859New York: Hillman-Curl 1938. Hardcover. Fine/Near Fine. First American edition. Translated by Desmond I. Vesey. Verse translation by Christopher Isherwood. Tiny stamped initials on half-title and copyright page else fine in handsome near fine dust jacket with a light toning on the spine. A novel later re-issued as Threepenny Novel loosely based on John Gay's The Beggar's Opera filtered through Brecht's experiences among the criminal fringe elements of the Weimar Republic. A novelization by Brecht of his famous collaboration with Kurt Weill the 1928 musical drama The Three-Penny Opera the opera had not previously appeared in America. The play continues to be widely performed was filmed on many occasions and provided the popular hit song "Mack the Knife." A nick copy of an important title. Hillman-Curl hardcover books
1938ref. 18323New York: Hillman-Curl Inc. Very Good in Poor dj. 1938. 1st U.S. edition. Hardcover. book itself is solid and internally clean some soiling and light shelfwear to top and bottom edges; the jacket however has had about as many bad things done to it as you can imagine: it's been laminated which has resulted in considerable yellowing/discoloration trimmed a bit along the top and bottom edges and the flaps are glued to the pastedowns; some of the laminate has also been peeled away which doesn't help matters much. A novelization essentially of Brecht and Kurt Weill's "The Threepenny Opera." Jacket-blurbed as "an unashamed and outrageous epic of roguery triumphant -- a rollicking full-blooded story whole-hearted in its descriptions of rascality and corruption" this translation was first published in England in 1937 by Robert Hale. A not-especially-pretty example of a fairly scarce book. . Hillman-Curl, Inc. hardcover books
1938ref. 2268New York: Hillman Curl 1938. First American edition. Hardcover octavo red cloth boards black spine and cover titles lacking dust jacket 396 pp. Fair condition spine cocked and loose at backstrip dampstaining to board edges resulting in some color bleed to edges of endpapers and tops of last few leaves. From the library of New York School poet publisher and librettist Kenward Elmslie. Written in blue ink on front free endpaper:"Kenward Gray Elmslie / April 27 1947" in his hand. Adaptation of Brecht's famous The Threepenny Opera translated by Desmond I. Vesey ad Christopher Isherwood. Brecht is cited as an important influence not just on Elmslie but also his partner of the 1950s librettist and lyricist John La Touche for whom the goal of translating The Threepenny Opera was an unrealized fixation. Hillman, Curl hardcover
1938ref. 112233445566782The First USA Printing published by Hillman-Curl Inc. New York in 1938. The BOOK is in near Fine condition. 8vo. bright red publisher's cloth lettered lined and decorated with hand and arm devices in black to upper cover and spine; yellow top-stain remains bright. else untrimmed; together in the vibrant pictorial wrapper featuring a man with one leg to the upper panel and spine unclipped displaying the correct price of $2.50 to the front flap; An excellent bright copy with just a couple of tiny marks to the rear board; light offsetting and toning to the blank end-papers ; with a small shop sticker of Miller & Rhoads to the lower rear paste-down. The WRAPPER also in excellent Very Good or better condition retaining much of its original colour with just a hint of sunning to the spine; light edge-wear to the spine tips and one small closed tear to the rear flap fold; aside from marginal shelf wear a very attractive example. The wrapper is protected in a removable Brodart archival cover. First USA printing translated from the German by Desmond I. Vesey with the chapter-head verses translated by Christopher Isherwood. A novel based on the author's famous 1928 musical play 'A Threepenny Opera' later re-issued as 'Threepenny Novel' which he co-wrote with Kurt Weill itself loosely based on John Gay's 'The Beggar's Opera'. The play was filtered through Brecht's experiences among the criminal fringe elements of the Weimar Republic. It was the first of Brecht's plays to appear in English. Bertolt Brecht was born in 1898 in Augsburg Germany and was 16 when the First World War broke out. Exploiting a loophole which allowed medical students to be deferred from the army he enrolled at Munich University and began to study theatre under the guidance of Arthur Kutscher. His first works of theatre criticism began to appear as early as 1919 and over the following few years he took part in a political cabaret of the Munich comedian Karl Valentin. Valentin became a huge influence for the young writer and he wrote his first full-length play Baal in response to an argument he had with Kutscher during one of his drama seminars. This re-writing of other's work - as well as his own - would become a key theme in his writings. As he claimed "Anyone can be creative.it's rewriting other people that's a challenge." Over the following years of the 1920s Brecht began studying Marxism and Socialism in earnest. By the 1930s he had formed a writing collective which was composed of such names as Elisabeth Hauptmann Margarete Steffin and Ruth Berlau. Together they adapted John Gay's 'The Beggar's Opera' into 'The Threepenny Opera' with Brecht's lyrics set to music by Kurt Weill. The resulting opera was a huge hit in Berlin and helped to renew public interest in the musical genre worldwide. Set in Victorian London the plot follows Macheath the leader of a criminal gang who marries Polly Peachum at the displeasure of her father. In revenge he seeks out Macheath's death - but is hindered by the chief of police Tiger Brown. ""You are about to hear an opera for beggars" Brecht famously narrates ahead of the performance "Since this opera was intended to be as splendid as only beggars can imagine and yet cheap enough for beggars to be able to watch it is called the Threepenny Opera." Fearing persecution Brecht fled Nazi Germany in February 1933 and after stints in Denmark and Finland he settled in California to continue his career as a screenwriter. Very scarce with the wrapper. More images available on request. Ashton Rare Books welcomes direct contact. Hillman-Curl, Inc., New York hardcover
1938ref. 576859New York: Hillman-Curl 1938. Hardcover. Fine/Near Fine. First American edition. Translated by Desmond I. Vesey. Verse translation by Christopher Isherwood. Tiny stamped initials on half-title and copyright page else fine in handsome near fine dust jacket with a light toning on the spine. A novel later re-issued as Threepenny Novel loosely based on John Gay's The Beggar's Opera filtered through Brecht's experiences among the criminal fringe elements of the Weimar Republic. A novelization by Brecht of his famous collaboration with Kurt Weill the 1928 musical drama The Three-Penny Opera the opera had not previously appeared in America. The play continues to be widely performed was filmed on many occasions and provided the popular hit song "Mack the Knife." A nick copy of an important title. Hillman-Curl hardcover
1938ref. 13300076FIRST EDITION US almost fine in red boards lacking the dust jacket. The basis for The Threepenny Opera. Verses translated by Christopher Isherwood. Hillman-Curl, hardcover