18.617 resultados
1950ref. 159305Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage double weight reference photograph from the 1950 film. With mimeo snipe and one provenance stamp on the verso. The skeleton of a woman is found on a beach in Cape Cod. Using only her bones detectives and forensic scientists have to figure out who she is and what happened to her. Set in Cape Cod shot on location in Massachusetts. 10 x 8 inches. Very Good plus with some creasing at the corners and small emulsion defect along the top of the photograph. Selby US Canon. Spicer US. Silver and Ward Classic Noir. Grant US. Metro-Goldwyn-Mayer [MGM] unknown books
1967ref. 167504Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1967. Vintage reference photograph from the 1967 film showing Richard Burton and Elizabeth Taylor literally necking in a car. Annotations in manuscript pencil and ink on the verso. Based on Graham Greene's 1966 novel. In Port-au-Prince Haiti a Welsh hotel owner begins an affair with a diplomat's wife. Set in Haiti and shot on location in Benin and the Côte d'Azur France. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1967ref. 167504Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1967. Vintage reference photograph from the 1967 film showing Richard Burton and Elizabeth Taylor literally necking in a car. Annotations in manuscript pencil and ink on the verso. Based on Graham Greene's 1966 novel. In Port-au-Prince Haiti a Welsh hotel owner begins an affair with a diplomat's wife. Set in Haiti and shot on location in Benin and the Côte d'Azur France. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1957ref. 159147Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage studio still photograph from the 1957 film. A supercomputer hopes to achieve world domination by hacking into a family's pet robot. The robot originally built for "Forbidden Planet" 1956 was reused by Metro-Goldwyn-Mayer in an attempt to defray the substantial cost of the prop. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown books
1968ref. 170550N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing Julie Christie leaning in the doorway of a cable car. Provenance stamp and label on the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. About Near Fine. Rosenbaum 1000. N.p. unknown
1968ref. 170550N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing Julie Christie leaning in the doorway of a cable car. Provenance stamp and label on the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. About Near Fine. Rosenbaum 1000. N.p. unknown books
1979ref. 157103Universal City: Universal City Studios 1979. Vintage studio still photograph from the 1981 film showing actor Richard Pryor behind the camera. Printed mimeo snipe affixed to the verso. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. 8 x 10 inches. Near Fine. Universal City Studios unknown
1979ref. 157103Universal City: Universal City Studios 1979. Vintage studio still photograph from the 1981 film showing actor Richard Pryor behind the camera. Printed mimeo snipe affixed to the verso. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. 8 x 10 inches. Near Fine. Universal City Studios unknown books
1980ref. 163633Los Angeles: Twentieth Century-Fox 1980. Seven film still photographs for the 1980 film. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. 8 x 10 inchesl Near Fine. Twentieth Century-Fox unknown
1980ref. 163633Los Angeles: Twentieth Century-Fox 1980. Seven film still photographs for the 1980 film. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. 8 x 10 inchesl Near Fine. Twentieth Century-Fox unknown books
1984ref. 148189N.p.: Embassy Pictures 1984. Eight vintage lobby cards from the 1984 film. The film that invented the "rockumentary." Rob Reiner's debut now a timeless cult classic. Film director Mary DiBergi Reiner chronicles the American comeback tour of the aging heavy-metal band Spinal Tap. Selected for the National Film Registry in 2002. 14 x 11 inches. Near Fine. Ebert II. Criterion Collection 12. Embassy Pictures unknown
1984ref. 148189N.p.: Embassy Pictures 1984. Eight vintage lobby cards from the 1984 film. The film that invented the "rockumentary." Rob Reiner's debut now a timeless cult classic. Film director Mary DiBergi Reiner chronicles the American comeback tour of the aging heavy-metal band Spinal Tap. Selected for the National Film Registry in 2002. 14 x 11 inches. Near Fine. Ebert II. Criterion Collection 12. Embassy Pictures unknown books
1954ref. 167735Beverly Hills CA: United Artists 1954. Vintage reference photograph from the 1954 Western film showing actors Gary Cooper and Burt Lancaster. After the American Civil War a pair of mercenaries travel with a wealthy countess to the harbor at Vera Cruz promising to protect a large shipment of gold she has been tasked with bringing to Emperor Maximilian. A Spaghetti Western antecedent and one of the first Hollywood films to be shot entirely on location in Mexico. Shot entirely on location in Morelos Texcoco and Distrito Federal Mexico. 10 x 8 inches. Very Good plus. Pitts 4727. United Artists unknown
1954ref. 163808Beverly Hills CA: United Artists 1954. Vintage reference photograph taken during filming on location for the 1954 Western film showing actors Burt Lancaster and Gary Cooper surrounded a camera setup and crew members. Annotations in manuscript ink on the verso. After the American Civil War a pair of mercenaries travel with a wealthy countess to the harbor at Vera Cruz promising to protect a large shipment of gold she has been tasked with bringing to Emperor Maximilian. A Spaghetti Western antecedent and one of the first Hollywood films to be shot entirely on location in Mexico. Shot entirely on location in Morelos Texcoco and Distrito Federal Mexico. 10 x 8 inches. Very Good plus. Pitts 4727. United Artists unknown
1954ref. 167735Beverly Hills CA: United Artists 1954. Vintage reference photograph from the 1954 Western film showing actors Gary Cooper and Burt Lancaster. After the American Civil War a pair of mercenaries travel with a wealthy countess to the harbor at Vera Cruz promising to protect a large shipment of gold she has been tasked with bringing to Emperor Maximilian. A Spaghetti Western antecedent and one of the first Hollywood films to be shot entirely on location in Mexico. Shot entirely on location in Morelos Texcoco and Distrito Federal Mexico. 10 x 8 inches. Very Good plus. Pitts 4727. United Artists unknown books
1954ref. 163808Beverly Hills CA: United Artists 1954. Vintage reference photograph taken during filming on location for the 1954 Western film showing actors Burt Lancaster and Gary Cooper surrounded a camera setup and crew members. Annotations in manuscript ink on the verso. After the American Civil War a pair of mercenaries travel with a wealthy countess to the harbor at Vera Cruz promising to protect a large shipment of gold she has been tasked with bringing to Emperor Maximilian. A Spaghetti Western antecedent and one of the first Hollywood films to be shot entirely on location in Mexico. Shot entirely on location in Morelos Texcoco and Distrito Federal Mexico. 10 x 8 inches. Very Good plus. Pitts 4727. United Artists unknown books
1970ref. 157621N.p.: Abrams and Parish 1970. Vintage studio still photograph from the 1970 film. A sexploitation melodrama about the cruelties and perversities of a group of politicians in the days leading up to an election. 10 x 8 inches. Near Fine. Abrams and Parish unknown books
1971ref. 162328N.p.: N.p. 1971. Vintage reference photograph from the 1971 film showing actor Michael Brandon in the back of a taxi driven by a scruffy-looking bearded Robert De Niro. Based on Roger L. Simon's 1968 novel "Heir" about a wealthy American couple whose relationship is gradually soured by the woman's increasing drug use. Set and shot on location in Oyster Bay and New York City and in Venice. 10 x 8 inches. Near Fine. N.p. unknown
1971ref. 162328N.p.: N.p. 1971. Vintage reference photograph from the 1971 film showing actor Michael Brandon in the back of a taxi driven by a scruffy-looking bearded Robert De Niro. Based on Roger L. Simon's 1968 novel "Heir" about a wealthy American couple whose relationship is gradually soured by the woman's increasing drug use. Set and shot on location in Oyster Bay and New York City and in Venice. 10 x 8 inches. Near Fine. N.p. unknown books
1965ref. 162280N.p.: Adelphia Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. The fourth film directed by Robert Downey Sr. immediately preceding his 1966 experimental underground comedy "Chaffed Elbows." Downey reportedly only agreed to make the film because he was broke and his wife was pregnant with his son Robert Downey Jr. A young woman arrives in New York and must fend off perverted advances from every man she meets. Shot on location in New York City. 8 x 10 inches. Very Good with a diagonal crease to the top right with two accompanying small closed tears and light chipping with several pinholes. Adelphia Pictures unknown
1965ref. 162280N.p.: Adelphia Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. The fourth film directed by Robert Downey Sr. immediately preceding his 1966 experimental underground comedy "Chaffed Elbows." Downey reportedly only agreed to make the film because he was broke and his wife was pregnant with his son Robert Downey Jr. A young woman arrives in New York and must fend off perverted advances from every man she meets. Shot on location in New York City. 8 x 10 inches. Very Good with a diagonal crease to the top right with two accompanying small closed tears and light chipping with several pinholes. Adelphia Pictures unknown books
1973ref. 161971Los Angeles: Paramount Pictures 1973. Three vintage studio still photographs from the 1973 film. Each photograph with printed mimeo snipe affixed to the verso and one provenance stamp on the verso. A gritty crime thriller about a racist Irish cop who is forced to turn in his badge after killing a Puerto Rican suspect while in pursuit of the man that killed his former partner. The second film based on the experiences of real-life New York policeman Eddie Egan following William Friedkin's 1971 film "The French Connection" two years prior. Set and shot on location in New York. 8 x 10 inches. Very Good plus. Paramount Pictures unknown
1973ref. 161971Los Angeles: Paramount Pictures 1973. Three vintage studio still photographs from the 1973 film. Each photograph with printed mimeo snipe affixed to the verso and one provenance stamp on the verso. A gritty crime thriller about a racist Irish cop who is forced to turn in his badge after killing a Puerto Rican suspect while in pursuit of the man that killed his former partner. The second film based on the experiences of real-life New York policeman Eddie Egan following William Friedkin's 1971 film "The French Connection" two years prior. Set and shot on location in New York. 8 x 10 inches. Very Good plus. Paramount Pictures unknown books
