20,916 results
1951ref. 142076Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali." Set and shot on location in India. 10 x 8 inches. Slight wear around the edges else Near Fine. BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown books
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown books
1987ref. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown
1968ref. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown
1968ref. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown books
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown books
1987ref. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown books
1959ref. 144939Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. Two young men wander around Paris attempting to pick up women. 6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown
1959ref. 144939Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. Two young men wander around Paris attempting to pick up women. 6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown books
1932ref. 171386Los Angeles: Paramount Pictures 1932. Vintage studio still photograph from the 1932 pre-Code film musical showing Jeanette MacDonald coyly looking toward Joseph Cawthorn. Based on Paul Armont and Léopold Marchand's 1924 play "Le Tailleur au Château" about a tailor who poses as a nobleman and falls in love with a young widowed princess. Rodgers and Hart's second motion picture following "Spring Is Here" 1930. 8 x 10 inches. Very Good plus. Paramount Pictures unknown
1932ref. 171386Los Angeles: Paramount Pictures 1932. Vintage studio still photograph from the 1932 pre-Code film musical showing Jeanette MacDonald coyly looking toward Joseph Cawthorn. Based on Paul Armont and Léopold Marchand's 1924 play "Le Tailleur au Château" about a tailor who poses as a nobleman and falls in love with a young widowed princess. Rodgers and Hart's second motion picture following "Spring Is Here" 1930. 8 x 10 inches. Very Good plus. Paramount Pictures unknown books
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown books
1971ref. 144361Los Angeles: Twentieth Century-Fox 1971. Vintage photograph of director Jerry Schatzberg and cinematographer Adam Holender on the set of the 1971 film. A note affixed to the top edge with scotch tape with manuscript annotations on the verso. An important film of the New Hollywood movement and one of the best and least moralistic ones made on the subject of drug abuse in this case heroin. Groundbreaking as a major motion picture in that it used no music was shot in a "cinema verite" style and was the first popular film to show actual drug injection. Nominated for the Palme d'Or. Shot on location in New York City. 10 x 8 inches. Wide bottom margin. Near Fine. Grant US. Twilight Time 221. Twentieth Century-Fox unknown
1971ref. 145842Gadd Productions 1971. Vintage borderless photograph from the 1971 film. Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby Pacino an addict and drug dealer and Helen Winn who is drawn into heroin use through her relationship with Bobby. Nominated for the Palme d'Or at Cannes and Kitty Winn received the award for Best Actress there as well. Set in and shot on location in New York City. 9.5 x 7 inches. Very Good Plus small bruise on lower right faint line rub on top right and very light wear to edges. Twilight Time 221. Grant US. Gadd Productions unknown
1971ref. 144361Los Angeles: Twentieth Century-Fox 1971. Vintage photograph of director Jerry Schatzberg and cinematographer Adam Holender on the set of the 1971 film. A note affixed to the top edge with scotch tape with manuscript annotations on the verso. An important film of the New Hollywood movement and one of the best and least moralistic ones made on the subject of drug abuse in this case heroin. Groundbreaking as a major motion picture in that it used no music was shot in a "cinema verite" style and was the first popular film to show actual drug injection. Nominated for the Palme d'Or. Shot on location in New York City. 10 x 8 inches. Wide bottom margin. Near Fine. Grant US. Twilight Time 221. Twentieth Century-Fox unknown books
1971ref. 145842Gadd Productions 1971. Vintage borderless photograph from the 1971 film. Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby Pacino an addict and drug dealer and Helen Winn who is drawn into heroin use through her relationship with Bobby. Nominated for the Palme d'Or at Cannes and Kitty Winn received the award for Best Actress there as well. Set in and shot on location in New York City. 9.5 x 7 inches. Very Good Plus small bruise on lower right faint line rub on top right and very light wear to edges. Twilight Time 221. Grant US. Gadd Productions unknown books
1970ref. 144949UK: Connoisseur Films 1970. Five vintage borderless photographs from the 1970 film noir. Each with the stamp of French magazine "Telecine" on the verso. A teenage boy takes a job at a local swim club becoming obsessed with his older coworker trying to sabotage her engagement to another man. 9.5 x 7.25 inches. Near Fine. Grant UK. Connoisseur Films unknown
1970ref. 144949UK: Connoisseur Films 1970. Five vintage borderless photographs from the 1970 film noir. Each with the stamp of French magazine "Telecine" on the verso. A teenage boy takes a job at a local swim club becoming obsessed with his older coworker trying to sabotage her engagement to another man. 9.5 x 7.25 inches. Near Fine. Grant UK. Connoisseur Films unknown books
1986ref. 150006N.p.: Whitehorse 1986. Second Draft script for the 1986 comedy short here under the working title "Is Anybody Listening" originally aired on August 2 on Cinemax. With a manuscript pencil annotation to the title page reading "Second Draft" and copied manuscript annotations throughout the script. A cynical beleaguered salesman for a sporting-goods store decides to take a road trip on his birthday to reconnect with his college gym coach. Self wrappers. Title page integral with front wrapper dated Monday February 10 1986 noted as Second Draft with credits for screenwriters James Belushi Fred Kaz and Marjorie Bransfield. 34 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Full provenance available. Whitehorse unknown
1986ref. 150006N.p.: Whitehorse 1986. Second Draft script for the 1986 comedy short here under the working title "Is Anybody Listening" originally aired on August 2 on Cinemax. With a manuscript pencil annotation to the title page reading "Second Draft" and copied manuscript annotations throughout the script. A cynical beleaguered salesman for a sporting-goods store decides to take a road trip on his birthday to reconnect with his college gym coach. Self wrappers. Title page integral with front wrapper dated Monday February 10 1986 noted as Second Draft with credits for screenwriters James Belushi Fred Kaz and Marjorie Bransfield. 34 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Full provenance available. Whitehorse unknown books
1995ref. 150027Santa Monica CA: Steven Bochco Productions 1995. Draft script for the sixth episode of season three of the 1993-2005 television series originally aired on November 28 1995 on ABC. A wealthy Indian woman is discovered dead with many potential culprits. Meanwhile two detectives investigate a case involving a man left to die of an overdose. The popular television series ran for 12 seasons and followed the detective squad of Manhattan's fictional 15th precinct. Set in Manhattan. Self wrappers. Title page integral with front wrapper dated Sep. 26 1995 noted as Script No. 6 with credits for director Jim Charleston screenwriter Leonard Gardner and other crew members. 66 leaves with last page of text numbered 63. Xerographic duplication rectos only with blue pink and green revision pages throughout dated variously between 09/28/1995 and 10/04/1995. Pages Near Fine bound with two gold brads. Full provenance available. Steven Bochco Productions unknown
1995ref. 150027Santa Monica CA: Steven Bochco Productions 1995. Draft script for the sixth episode of season three of the 1993-2005 television series originally aired on November 28 1995 on ABC. A wealthy Indian woman is discovered dead with many potential culprits. Meanwhile two detectives investigate a case involving a man left to die of an overdose. The popular television series ran for 12 seasons and followed the detective squad of Manhattan's fictional 15th precinct. Set in Manhattan. Self wrappers. Title page integral with front wrapper dated Sep. 26 1995 noted as Script No. 6 with credits for director Jim Charleston screenwriter Leonard Gardner and other crew members. 66 leaves with last page of text numbered 63. Xerographic duplication rectos only with blue pink and green revision pages throughout dated variously between 09/28/1995 and 10/04/1995. Pages Near Fine bound with two gold brads. Full provenance available. Steven Bochco Productions unknown books
