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1997ref. 163268N.p.: Michael Jacobs Productions / Touchstone Television 1997. Archive of eleven original scripts for two episodes of the 1997-1998 ABC television series housed in a large generic three-ring binder. Archive includes eight scripts for the fourth episode "Mind Games" which aired on October 8 1997 and the ninth episode "All in the Family Room" which aired on May 29 1998. Bound in with the scripts are six "Rehearsal and Shooting Schedules" six "Cast List Guest List and Sets" and twelve pages of "Table Draft Short Rundowns." The archive includes: Eight drafts for "Mind Games:" - A 2nd Draft dated August 24 1997. - An "Alternate" 2nd Draft dated August 24 1997. - A Revised 2nd Draft dated August 26 1997. - A Draft script with a manuscript pencil annotation of the date "8-28-97" on the top of the first page. - A Table Draft dated September 3 1997. - A Table Draft of Act Two dated 9/3/97. - A Revised Table Draft dated September 4 1997. - And a Shooting Draft dated September 8 1997. And three drafts for "All in the Family Room:" - A Table Draft dated 9/10/97. - A Revised Table Draft dated September 11 1997 with 3rd Revised Table Draft revision pages dated September 12 1997. - And a Shooting Draft on yellow leaves dated September 15 1997. A single mom Gillian and her two children Mickey and Travis reluctantly accept the help of "Genie" a genie whose been imprisoned in a magic carpet for 2000 years. ABC canceled the series after seven episodes in November 1997 and aired the remaining six episodes the following summer in 1988. In the fourth episode "Mind Games" Genie grants Gillian the power to read minds and discovers her daughter Mickey is hiding a pack of cigarettes. In the ninth episode "All in the Family Room" Gillian decorates the family room with momentos while Travis uses Genie to abscond to a pirate ship centuries earlier. "Mind Games" 2nd Draft on white leaves dated August 24 1997: Title page present dated August 24 1997 noted as 2nd Draft with credits for screenwriters David Silverman and Stephen Sustarsic. 42 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" "Alternate" 2nd Draft on white leaves dated August 24 1997: Title page present dated August 24 1997 noted as Alternative 2nd Draft with credits for screenwriters David Silverman and Stephen Sustarsic. 41 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Revised 2nd Draft on white leaves dated August 26 1997: Title page present dated August 26 1997 noted as REVISED 2ND DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 48 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Draft script on white leaves with a manuscript pencil annotation of the date "8-28-97": 41 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Table Draft on white leaves dated September 3 1997: Title page present dated September 3 1997 noted as TABLE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Table Draft of "Act Two" on white leaves dated 9/3/97: 19 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Revised Table Draft on pink leaves dated September 4 1997: Title page present dated September 4 1997 noted as REVISED TABLE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine. "Mind Games" Shooting Draft on yellow leaves dated September 8 1997: Title page present dated September 8 1997 noted as SHOOTING DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine. "All in the Family Room" Table Draft on white leaves dated 9/10/97: 52 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Near Fine. "All in the Family Room" Revised Table Draft on pink leaves dated September 11 1997: Title page present dated September 11 1997 noted as REVISED TABLE DRAFT with credits for screenwriters Linda Mathious and Heather MacGillvray. 50 leaves with last page of text numbered 43. Xerographic duplication rectos only with lilac revision pages throughout dated 9/12/97. Pages Near Fine. "All in the Family Room" Shooting Draft on yellow leaves dated September 15 1997: Title page present dated September 15 1997 noted as SHOOTING DRAFT with credits for screenwriters Linda Mathious and Heather MacGillvray. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine. All scripts bound in a Very Good plus generic three-ring binder. Michael Jacobs Productions / Touchstone Television unknown
1975ref. 171363Burbank CA: ABC Television 1975. Vintage reference photograph from a 1975 television re-release of the 1967 film showing Sean Connery and Mie Hama. Loosely based on the 1964 novel by Ian Fleming the first in the franchise to bear little likeness to its source novel. The fifth in the James Bond franchise preceded by "Thunderball" 1965 and followed by "On Her Majesty's Secret Service" 1969. 7 x 9 inches. Fine. ABC Television unknown books
1937ref. 148240Beverly Hills CA: United Artists 1937. Two vintage studio still photographs from the 1937 film "National Film Archive London" stamp on versos. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 8 x 10 inches. Near Fine. United Artists unknown books
1937ref. 135914Los Angeles: Walter Wanger Productions 1937. Vintage pressbook and matching deluxe advertising supplement with a single ad mat laid in for the 1937 film. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. Pressbook: Saddle stapled wrappers 18 pages. Some splitting at the spine heel else Near Fine unfolded. Advertiser's manual: Saddle stapled wrappers: 32 pages. One small cut-out else Near Fine and unfolded. Walter Wanger Productions unknown books
1937ref. 159941Beverly Hills CA: United Artists 1937. Vintage reference photograph of director Fritz Lang and a camera crew capturing a scene with actress Sylvia Sidney on the set of the 1937 film. National Film Archive stamp on the verso. From the archive of film historian and author Joel Finler. One of Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 10 x 8 inches. Near Fine. United Artists unknown books
1937ref. 158246Beverly Hills CA: United Artists 1937. Vintage studio still photograph from the 1937 film "National Film Archive London" stamp on versos. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 8 x 10 inches. Near Fine. United Artists unknown books
1937ref. 172380N.p.: Walter Wagner 1937. Four vintage photographs including two studio still photographs and two reference photographs from the 1937 film. Studio stills with blind stamps on the verso bottom right corner. When an ex-con trying to turn his life around is wrongfully convicted of murder and sentenced to death he escapes prison and attempts to prove his innocence. 8 x 10 inches. Near Fine. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Spicer US. Weldon 1996. Walter Wagner unknown books
1937ref. 172380N.p.: Walter Wagner 1937. Four vintage photographs including two studio still photographs and two reference photographs from the 1937 film. Studio stills with blind stamps on the verso bottom right corner. When an ex-con trying to turn his life around is wrongfully convicted of murder and sentenced to death he escapes prison and attempts to prove his innocence. 8 x 10 inches. Near Fine. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Spicer US. Weldon 1996. Walter Wagner unknown
1937ref. 159941Beverly Hills CA: United Artists 1937. Vintage reference photograph of director Fritz Lang and a camera crew capturing a scene with actress Sylvia Sidney on the set of the 1937 film. National Film Archive stamp on the verso. From the archive of film historian and author Joel Finler. One of Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 10 x 8 inches. Near Fine. United Artists unknown
1937ref. 158246Beverly Hills CA: United Artists 1937. Vintage studio still photograph from the 1937 film "National Film Archive London" stamp on versos. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 8 x 10 inches. Near Fine. United Artists unknown
1937ref. 148240Beverly Hills CA: United Artists 1937. Two vintage studio still photographs from the 1937 film "National Film Archive London" stamp on versos. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. 8 x 10 inches. Near Fine. United Artists unknown
1937ref. 135914Los Angeles: Walter Wanger Productions 1937. Vintage pressbook and matching deluxe advertising supplement with a single ad mat laid in for the 1937 film. One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. Pressbook: Saddle stapled wrappers 18 pages. Some splitting at the spine heel else Near Fine unfolded. Advertiser's manual: Saddle stapled wrappers: 32 pages. One small cut-out else Near Fine and unfolded. Walter Wanger Productions unknown
ref. 70638Frankfurt: United International Pictures 1967. Movie Memorabilia A set of twelve German lobby cards from the film You Only Live Twice Man Lebt Nur Zweimal directed by Lewis Gilbert and starring Sean Connery Donald Pleasence Karin Dor Akiko Wakabayashi and Tetsur Tamba. Colour half-tone images on thin stock measuring 21 x 30cm with production credits to lower margin. Presented in a black card case with printed labels 12. A fine set. From the collection of Ian Fleming bibliographer Jon Gilbert. Note on Format: the Lobby Card is a small poster or titled still printed on card stock usually 8 x 10 inches UK and Europe or 11 x 14 inches US in a landscape view. Generally produced in sets of eight in colour for Britain and America intended for display in a cinema foyer or lobby. Frankfurt: United International Pictures, 1967 unknown
ref. 033524New Rochelle NY: Spoken Arts Inc. Recording. Very Good -. 33&1/3 LP. 33&1/3 LP record: rubbed&scuffed w/library markings. 27 poems for children by John Ciardi Spoken Arts, Inc. unknown
ref. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown books
ref. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown
2008ref. 2081502112300596Not Available 2008. Soft Cover. Fine. Number of books: 1 Not Available paperback
1961ref. 148075Beverly Hills CA: United Artists 1961. Vintage studio still photograph of Craig Hill Elaine Edwards and Willis Bouchey from the 1961 film. Dr. Frank Harlow Hill flees to another town and changes his name after witnessing a murder of a detective taking up lodging in a remote home of the wheelchair boound Colonel Maitland Bouchey and his daughter Laurie Edwards. 8 x 10 inches. Small circle in manuscript ink over the name of Craig Hill on text in margin otherwise Near Fine. United Artists unknown books
1970ref. 142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. Set in 1922 Greco-Turkish War shot on location in Turkey. Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown books
1938ref. 148755N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years. Set in New York City. 8 x 10.25 inches. Near Fine. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown books
1957ref. 132506Culver City CA: Waterlow and Sons / Columbia Pictures 1957. Vintage full-color British front-of-house card from the 1957 UK release of the 1956 US film. Based on Samuel Hopkins Adams' magazine story "Night Bus" about a woman who is kidnapped by her father after she married a gold digger. She escapes to be with her husband and on her way meets a newspaper man who discovers her secret and subsequently falls in love. 8 x 10 inches. Light toning else Near Fine. Hirschhorn p. 356. Waterlow and Sons / Columbia Pictures unknown books
1972ref. 132505London: National Screen Service / London Screen Distributors 1972. Vintage British front-of-house card from the UK release of the 1971 US film. A young American soldier wants to lose his virginity before he's shipped off to Vietnam and luck would have it as he meets a young woman with a dark secret who appears willing to help out. 8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / London Screen Distributors unknown books
1960ref. 22052101Finland: Columbia Pictures 1960. No Binding. Very Good. An original Finnish re-release poster for You Can't Take It with You 1938 the Columbia Pictures comedy directed by Frank Capra winner of the Academy Award for Best Picture and Best Director and based on the Pulitzer Prize-winning play by Moss Hart and George S. Kaufman. Starring James Stewart Jean Arthur and Lionel Barrymore. First screened in Finland in 1940 this poster dates from a further short theatrical run in 1960. Designed by R. Määttä. Approximately 60 × 40 cm. Condition: Very Good. No pinholes or adhesive marks. Handling creasing around the edges. Minor nick to paper at the bottom edge. Well preserved clean and bright throughout. Columbia Pictures unknown
1970ref. 142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. Set in 1922 Greco-Turkish War shot on location in Turkey. Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown
1938ref. 148755N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years. Set in New York City. 8 x 10.25 inches. Near Fine. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown
