51 results
ref. DADAX0521071208New unknown
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1880ref. 80251New York:: McLoughlin Brothers no date ca. 1880s. publisher's cloth-backed boards illustrated in color. There are a few <1/4" damage to the bottom edge of one of the color openings; inner hinges cracked; some chipping and damage to the spine; colors bright. . Large 8vo. Illustrated in color including plates of varying sizes to be flipped in sequence to visually tell the story. Pantomime Toy Books. McLoughlin Brothers, hardcover
1882ref. 70784New York:: McLoughlin Brothers no date ca. 1882. publisher's boards illustrated in color. Very slight discoloration to the first and last leaves of text; spine chipped; edges of boards rubbed. Large 8vo. Illustrated in color including plates of varying sizes to be flipped in sequence visually tell the story. McLoughlin Brothers, hardcover
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ref. 26300The Lindsay Kemp Company. The Round House London 1974. See his entry in the Oxford DNB and his Guardian obituary by Kemp’s collaborator Michael Coveney 26 August 2018. Sprawling autograph inscription in green ink ‘with love for Paul from lindsay X’ across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde with numerous photographs and illustrations: 16pp 8vo in black and white on glossy paper stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph. The Lindsay Kemp Company. The Round House [London, 1974]. unknown
1958ref. 052728USA: The Hanna Theatre 1958. Soft cover. Very Good. Original theater program signed 'Marcel Marceau' to a person named Julien. Demy 8vo. 22 x 15 cm. In English. 30 p. fully advertisements. Marceau's program: "Week of Sunday May 4 1958. Matinee Saturday May 10. Ronald A. Wilford Associates presents Marcel Marceau and hiss partners Gilles Segal and Pierre Verry. The program will consist of pantomimes selected from the following repertoire.". Notes on the last pages. Marceau was a French actor and mime artist most famous for his stage persona as "Bip the Clown". He referred to mime as the "art of silence" and he performed professionally worldwide for over 60 years. As a youth he lived in hiding and worked with the French Resistance during most of World War II giving his first major performance to 3000 troops after the liberation of Paris in August 1944. Following the war he studied dramatic art and mime in Paris. The Hanna Theatre paperback
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1863ref. 100728Boston F.A. Searle Printer 1863 1863. Very good. - A 10-1/8 inch high by 5-3/8 inch wide broadsheet playbill for the Boston performance of the "French Spy or - The Fall of Algiers" starring Isabella Cubas. The credits with her name are boldly printed on the top third of the sheet followed by an overlay boldly titled with the name of the play "The French Spy" printed on 2-3/8 inch high by 5-3/8 inch wide sheet followed by a list of the cast and concluding with the opening play "To commence with the Laughable Farce entitled Somebody Else!" This overlay is tipped over the title of another performance by Isabella Cubas "Queen of Pantomimists and Unrivaled Danseuse" in her "Third Appearance in the Unparalleled Representation of Protean Character supported by the company and auxiliaries. New Scenery and Appointments! New Dances Marches &c." Another overlay listing the prices of admission printed on 1-1/2 inch high by 5-3/8 inch wide paper is tipped over the title of the farce. The playbill is mounted onto heavier 10-5/8 inch high by 7-1/8 inch wide cream stock. There is some minor darkening and soiling. Very good. The Spanish ballerina danseuse and pantomimist Isabella Cubas 1831-1864 performed as a soloist in Madrid when she was 13 years old. Having appeared in prominent Spanish theaters and performed in Turin and Milan before she was 20 she was honored by Emperor Francis Joseph and his court at the Gello and Teatro San Benedetto. She then toured Venice Bucharest Odessa Alexandria Cairo Brussels Paris and London. She joined Ambrogio Martinez's Spanish Dance Company at the Royal Theater of Madrid and was the prima ballerina assoluta at the Naum Theatre in Istanbul. Following appearances at most of Europes' top opera houses she made her debut in Canada and performed in New York and Philadelphia before touring America with a full corps de ballet. She first decided to attempt pantomime acting performing in The French Spy at Nixon's Cremorne Garden on October 6 1862. She subsequently worked under Wyzeman Marshall at the Boston Theatre in 1863. Boston, F.A. Searle, Printer, 1863,
ref. DADAX0367530473New unknown
ref. 22936Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street New York. Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe and her work is held by several museums including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch in grey and black pencil with watercolour wash in pink light red and grey showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal Proust Sequence'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper. In fair condition despite light creasing dogeared corners and one short closed nick at edge. Inserted with tissue guard in envelope with stamps and postmarks addressed by her to 'W. Macqueen Pope Esq. Reuter News Service 85 Fleet Street London E.C. England' and marked 'Personal'. The letter has been redirected in pencil to 5 Coventry Street. The flap has Enters' embossed address. MacQueen-Pope would have had a number opportunities to become acquainted with her work. In her article 1980 article 'Agna Enters: American Dance-Mime' Ginnine Cocuzza notes that Enters made her London debut in 1928 and her television debut on the BBC in 1952. Cocuzza also notes that in 1959 on CBS's 'Camera Three' Enters performed 'three of her dance-mime compositions: 'Pierrot- Figures in Moonlight' 'Queen of Heaven' and 'Fleur du Mal - Tango Dancer''. The present costume design is from the last of these. See also 'Uncommon Eloquence: A Biography of Angna Enters Writer Dance-Mime Artist' by Dorothy Mandel 1986. The Angna Enters and Louis Kalonyme Papers are held by the Beinecke Library Yale University. Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street, New unknown
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ref. 11275The two letters: 'Weston Green 10th: July 1812' and 'Johnsons Coffee House Monday Evg: July 1812'. Cheque: 'London September 19th: 1817'. All three items are on stubs within a card wallet. All good on aged paper. Letter One: 'Weston Green 10th: July'. 1 p 4to. On bifolium with verso of second leaf addressed to 'Mr: Whitaker St: Pauls Church Yard London' with two postmarks one 'KINGSTON - T 12' and docketed 'Mr; T. Dibdin July 1812.' Whitaker will have 'two or perhaps all three' of the songs by Monday's post and 'with respect to the remuneration I am still from the failure of my last Opera in want of the Sum I once before mentioned to you - if you woud sic procure me the Loan of a hundred or a hundred and fifty Pounds for a few Months you shall be welcome by way of Interest to any thing my Efforts in the scribbling way can furnish'. He will send 'the Song of Mr: Spriggs' on the Monday and asks for an answer to be sent to 'Johnsons Coffee house Surrey Theater'. Letter Two: 'Johnsons Coffee House Monday Evg:'. 1 p 4to. On bifolium with recto of second leaf addressed to 'Mr: Whitaker W: Smithfield' and verso of second leaf docketed 'Mr. T. Dibdin July 1812.' He is sending 'Mr: Spriggs & nine Songs for Choice or to keep all if of any use and if there is any other Style you can point out I will gladly adopt it . there are 8 Lady's & one Sailors Song - but the latter might be sung by a Lady'. He has a farce 'accepted by Mr. Harris in which I shall introduce the Song Fawcett refused for Matthews which you I hope will publish - & if you woud sic take a Ballad in it I'll write one for you - there are no other Songs in the Piece'. Cheque: Addressed 'To Messrs. Button & Whitaker St. Pauls Church Yard' and dated 'London September 19th: 1817'. Entirely in manuscript on rectangular slip of paper 23.5 x 9.5 cm. With embossed tax stamp. 'Two Months after date please to pay me or my Order the Sum of One Hundred and Fifty Pounds Value received Signed Thos Dibdin'. Crossed endorsed and accepted by Sir John Lubbock & Co. With typed transcript of the three items. The two letters: 'Weston Green 10th: July [1812]' and 'Johnsons Coffee House | Monday Evg: [July 1812]'. Cheque: 'London Septemb unknown
1799ref. AQ25369s.i.: s.n. 1799. Single leaf handbill printed on one side only. A trifle browned manuscript price '£88-8-6' to verso presumably the evening's box office take An apparently unrecorded Regency playbill advertising a performance of Thomas Morton's 1764-1838 popular comedy The Way to Get Married to which was added an original pantomime entitled Harlequin Sailor: Or The flight from Africa which boasted the intriguing prospect of 'The Clown's Invitation or the Grand Cock Fight' as well as the perilous spectacle of 'Harlequin's surprising leap from the gallery to the stage and through a Hoghead of Fire'. According to a statement at the foot of the playbill tickets were available from Messrs. Merritt and Wright among others suggesting - via comparison with contemporary extant advertisements - that the entertainments were staged at the Theatre Royal Liverpool. This is further attested to by the presence of Mr. Bradbury in the lead role of the Harlequin likely cabinet maker turned clown Robert Bradbury d. 1831 who made his debût at the theatre. Not in ESTC. Dimensions 160 x 230 mm. [s.n.] unknown
ref. DADAX1447442628New unknown
1880ref. 21531New York: McLoughlin Bros 1880. Hardcover. Very good. Large thin 4to. Upper board in full color chromolithography; rear board in single color and listing the five books in the Pantomime Series. 10pp of text with the two remaining blanks serving as front and rear pastedowns. With a full color chromolithographed harlequinade inside with pages of varying sizes which tell the story of Aladdin as described in the text and as a stage production. Light wear to the corners; fingering soil; hinges neatly mended though there is some partial separation of the inner sections; still a very good copy. Rare. . McLoughlin Bros hardcover
1880ref. 24007New York: McLoughlin Bros 1880. Hardcover. Very good. Large thin 4to. Upper board in full color chromolithography; rear board in single color and listing the five books in the Pantomime Series. 10pp of text with the two remaining blanks serving as front and rear pastedowns. With a full color chromolithographed harlequinade inside with pages of varying sizes which tell the story of Aladdin as described in the text and as a stage production. Light wear to the corners; fingering soil; hinges neatly mended though there is some partial separation of the inner sections; still a very good copy. Rare. . McLoughlin Bros hardcover