3979 resultados
1934ref. 32518Paris Grasset 1934 in-12° un impact sur le papier
ref. 106.914Paris, Arthème Fayard, s.d. (ca 1920). 12 x 19, 384 pp., broché, bon état.
ref. 96993Paris, Chez Monory, 1780. "14 x 22, xx-154 pages, nombreux culs-de lampe, broché, exemplaire non rogné à grandes marges, état moyen (couverture muette et abîmée; bords vieillis; peu de rousseurs et texte parfaitement lisible)."
ref. 51047A Amsterdam, Et se trouve à Paris Chez Monory, Libraire 1774 in 8 (23x16) 1 fascicule broché, sous couverture muette d'attente de papier marbré bleu, 33 pages, non rogné. Claude Joseph Dorat, 1734-1780. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
2015ref. 500323614Zylo 2015 13 76x1 48x18 03cm. 2015. Broché.
1766ref. 002391Paris Jorry 1766
ref. 3028Marseille Chez Jean Mossy, Imprimeur de la Marine & Libraire 1777 in 8 (22x14) 1 fascicule broché, 67 pages, non rogné, fine galerie de vers marginale sur les 6 dernières pages (infime perte de texte). Claude Joseph Dorat. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 21700Paris Chez Deterville, Libraire 1776 in 8 (19,5x12,5) 1 fascicule broché, sous couverture muette de papier marbré ancien, titre, titre frontispice gravé, 122 pages. Claude Joseph Dorat, 1734-1780. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 46132Paris Chez Delalain, Libraire 1776 in 8 (19,5x12,5) 1 fascicule broché, sous couverture muette de papier marbré ancien, titre, titre frontispice gravé, 101 pages, toute petite galerie de ver dans la marge inférieure. Claude Joseph Dorat, 1734-1780. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 052695Marseille Chez Delalain, Libraire 1777 in 8 (19,5x12) 1 fascicule broché, 79 pages. Claude Joseph Dorat. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 18407MARSEILLE, Jean Mossy - 1777 - In-8 - Broché - Sans couverture - 67 pages - Très propre
1774ref. 7432Paris chez Delalain rue et à coté de la comédire française 1774 plaquette de 37 pages
MARSEILLE, Jean Mossy - 1777 - In-8 - Broché - Sans couverture - 67 pages - Très propre
1972Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Creasing to spine. Chipping to spine ends. Tear to base of spine cover (3 cm). Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Else VG. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
ref. 0282738614.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025ref. 500394880Gaumont 2025 13 76x18 03x1 48cm. 2025. blu_ray.
ref. 6424In8 reliure amateur,demi-toile muette,plats illustrés contrecollés.Faux-titre,page de titre absente,XXXI,345 pages,non rogné,nombreuses illustrations,pleine page et dans le texte d’après les documents d’époque.Paris Eugène Fasquelle 1909.
ref. EYL-131Poitiers, E. Druineaud, 1878. In 8 (130 x 195) de 2 ff., 214 p., 1 f. Broché.
ref. 62863aafParis, Bureau général Chef-d'oeuvres dramatique, 1791, pt. in-8vo, 2 ff. + 127 p., cachet “Auguste Rouffy, Prerssy“ sur titre, reliure en veau originale. Dos orné. Tranches dorées.
ref. 106.760Paris, Editions Sansot, R. Chiberre, Editeur, 1923. 12 x 19, 39 pp., broché, non coupé, bon état.
ref. 12779Comédie-proverbe en un acte, mêlée de couplets, précédée de nouvelles et contes rémois en prose et en vers. Cet ouvrage orné de vignette, fleurons, encadrements etc. est composé (typographiquement) par l’auteur, n’a été tiré qu’à 50 exemplaires dont 25 exemplaires seulement sont en vente. In 12 cartonnage à la bradel, pièce de titre cuir, titre, 120 pages, texte encadré d’un filet noir, non rogné ; Reims H. HUET imprimeur. BRISSARD BINET libraire 1855. Deux plats de couverture conservés. Très bon état. Edition originale fort rare. Le novice de St Thierry- Fauvette et jeune fille- Pastel- récréation les rues de Reims arrangées en conte- 99 moutons… comédie proverbe en un acte.
