4.033 resultados
ref. 18393Programme en feuillets in octavo au format carré. Couverture contre pliée dont le motif ( logo de la maison de la radio) au centre de la lumière découpée dans le vergé du plat. Agréable exemplaire.
1954157 + 435pp.+ 56pp.buitentekstills.
1954ref. T25953Leuven, Davidsfonds 1954 157 + 435pp.+ 56pp.buitentekstills.
1945ref. 1271341945 L'intercontinentale d'Edition à Monaco - Collection "Les Roman Romantiques" - 1945 - In-8 broché, couverture illustrée, avec un emboîtage cartonné neutre - 142 pages - Ouvrage tiré à 990 exemplaires, celui-ci est l'un des 400 exemplaires sur vélin pur fil des papeteries de Rives, numéroté 10 (1er papier)
1938ref. 118893Editions de Valère 1938 Paris, Editions de Valère, 1938, 1 volume broché de 200x235 mm environ, 60 pages, (2) ff. Tirage à 550 exemplaires, un des 328 exemplaires numérotés sur Rives, illustré par Guyot. Couverture rempliée illustrée. Dos insolé, des rousseurs sur la couverture et les tranches, coutures de cahiers visibles par endroits sinon intérieur propre, bon état.
1985ref. 15811Plon, 1985, in-8°, 238 pp, 16 pl. de photos hors texte, jolie reliure demi-toile verte à coins, pièce de titre de maroquin noir, couv. conservées
ref. 106.791Paris, Albert Fontemoing, 1903. 13 x 20, 299 pp., broché, bon état.
ref. WOC-60Derniers aventures de l'Illustre Tartarin. Illustrations de Bieler, Montégut, Montenard, Myrbach et Rossi. Paris, Librairie Marpon et Flammarion, E. Flammarion, Successeur, sans date. In-12-18x12cm, relié demi chagrin rouge à coins, dos à nerfs, couvertures en couleurs par Rossi conservée. 248pp.
ref. 6237Philips Paris
ref. 20218Lyon, Cercle Lyonnais du Livre, 1955. In-4, 186 pp., en feuilles, couverture originale illustrée, chemise et étui cartonnés de l'éditeur (petites taches et frottements à la chemise et à l'étui, pâles rousseurs à la couverture).
ref. 6385, Paris, Art Leon Pichon, 1924.**, Relie de l' epoque, demi - veau rouge, dos a nerfs (5) dore, plats de papier marbre, 22,5x28,5cm, (2) couverture originale, 138pp., illustre. + Avec lettre de l' editeur original.
1959ref. 118735Heures claires 1959-1963 6 Paris, Editions d'Art Les Heures Claires, 1959-1963, 3 parties en 6 volumes in-folio de 345x280 mm environ, en feuillets libres sous couvertures rempliées, chemise et emboîtages décorés de l'éditeur. Un des 3900 exemplaires numérotés sur vélin pur chiffon de Rives, complet des 100 compositions de Salvador Dali gravées sur bois en couleurs par Raymond Jacquet, bien complet du "Catalogue des 100 illustrations [...]" rarement présent habituellement. L'Enfer, Tome I. 183 pages, 17 planches - Tome II. 189 pages, 17 planches - Le Purgatoire, Tome I. 182 pages, 16 planches - Tome II. 204 pages, 17 planches - Le Paradis, tome I. 188 pages, 16 planches - Tome II. 193 pages, 17 planches. Quelques discrets frottements sur les étuis, petites taches sur trois feuillets, rares rousseurs, sinon intérieur frais, bon état général, bel ensemble.
ref. SONG0691066094Used: Good unknown
ref. DADAX1786892537New unknown
1938Very Good Turkish Modern cloth bdg. made as saved original illustrated cover on cloth's face. Cr. 8vo. (19 x 13 cm). In Turkish. 1 Dante's portrait, [xxxii], 511 p., unnumbered 20 plts. Ilahi komedi. Cehennem - Araf - Cennet. [= La divina commedia]. Cover by Ercümend. Preface by Ibrahim Hilmi Cigiracan, M. Turhan Tan and Hamdi Varoglu. Translated to Turkish by Hamdi Varoglu. Extremely rare. Dante and Vergilius in 'Hell' on cover illustration by Turkish illustrator Ercümend. Scarce Second Edition in Turkish literature. Kader, p.9.
1923ref. YRG-219In-8 broché. 747 pages, partiellement coupé, couverture et 4ème de couverture jaunies, trace de stylo bille sur la couverture, intérieur légèrement jauni. Les bois qui ornent ce volume ont été gravés par Jacques Beltrand d'après Sandro Botticelli. Librairie de l'Art Catholique. Paris.
1885Very Good Greek, Modern (post 1453) Original decorative cloth bdg. with Dante's portrait gilt on front board and spine. Black cloth with red decorative borders. Gilt on spine with Greek letters 'Dantou o Paradeisos [.] Metaphrasis Konstantinou Mousourou', and gilt publisher's name in English on lower. A small etiquette on lower spine. Some little wormholes on cloth and several pages. Pages are partly opened, uncut and untrimmed. Slightly faded on cloth's board. A stamp on first page. Otherwise a very good copy. Roy. 8vo. (23 x 16 cm). In Greek (Modern). [xiv], 334 p. 14 p. 'prologos' by Musurus. Konstantinos Mousouros, also known as Kostaki Musurus Pasha, was an Ottoman Greek diplomatic official of the Ottoman Empire who served as ambassador to Greece, Austria, Great Britain, Belgium, and the Netherlands. He was born in 1807 in Constantinople (Istanbul) to a distinguished Phanariote family. His brother, Pavlos Mousouros, also became a diplomat. Mousouros became the first ambassador of the Ottoman Empire to the newly independent Kingdom of Greece in 1840, a position he kept until 1848. In 1847-48 he was a central figure in the events known as Mousourika (??????????), which led to his temporary recall and the breakdown of relations between the two states. On his return to Athens he survived an assassination attempt, leading to his transfer to Vienna. In 1850 he took up the post of Ottoman ambassador to the Great Britain and Ireland, which he kept for 35 consecutive years, until his retirement in 1885. During the same period, he also served as ambassador to the Netherlands (1861-77) and Belgium (1861-75). In 1876-78, he was ex officio a member of the short-lived Senate of the Ottoman Empire. Well educated, in 1883 Mousouros translated Dante's Divine Comedy into ancient Greek. He was married and had a son, Stephanos Mousouros, who later became Prince of Samos. (Wikipedia). He is known as the first translator of Dante's Divine Comedy into modern Greek. Musurus Pasha had an intellectual identity. One of the most important occupations of Musurus Pasha in the last years was the translation of Dante's Divine Comedy from Italian to Greek. Being able to translate a work of Italian classics and masterpieces of western literature should be an indication of Musurus Pasha's performance and intellectual dimension. Due to negative statements about Muhammad and Ali in Dante's work, the book was not allowed to be published within the Ottoman Imperial borders. Despite this, Musurus Pasha asked him to be permitted to publish his translation, but it was not accepted. (Source: Bir Tanzimat diplomati Kostaki Musurus Pasa, (1807-1891)., NURDAN SAFAK). Dante's Divine Comedy, originally called Comedia, and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. This is only 'Paradiso' book from the set. It's signed and inscribed by Musurus Pasha with a dedication in French to Monseigneur Auguste Bonetti as "A la grandeur Monseigneur Bonetti, Hommage de veneration, Musurus". Bonetti was, in 1887, after the appointment of Monsignor Rotelli to the Vatican Ambassador to Paris, the new Constantinople patriarch appointed by Rome for him. First Greek Edition. Extremely rare.
1884Very Good Greek, Modern (post 1453) Original decorative cloth bdg. with Dante's portrait gilt on front board and spine. Black cloth with red decorative borders. With a new cloth spine. Some little wormholes on cloth and several pages. Pages are partly opened, uncut and untrimmed. Slightly faded on cloth's board. A stamp on first page. Otherwise a very good copy. Roy. 8vo. (23 x 16 cm). In Greek (Modern). [18], 324 p., 'prologos' by Musurus. Konstantinos Mousouros, also known as Kostaki Musurus Pasha, was an Ottoman Greek diplomatic official of the Ottoman Empire who served as ambassador to Greece, Austria, Great Britain, Belgium, and the Netherlands. He was born in 1807 in Constantinople (Istanbul) to a distinguished Phanariote family. His brother, Pavlos Mousouros, also became a diplomat. Mousouros became the first ambassador of the Ottoman Empire to the newly independent Kingdom of Greece in 1840, a position he kept until 1848. In 1847-48 he was a central figure in the events known as Mousourika (??????????), which led to his temporary recall and the breakdown of relations between the two states. On his return to Athens he survived an assassination attempt, leading to his transfer to Vienna. In 1850 he took up the post of Ottoman ambassador to the Great Britain and Ireland, which he kept for 35 consecutive years, until his retirement in 1885. During the same period, he also served as ambassador to the Netherlands (1861-77) and Belgium (1861-75). In 1876-78, he was ex officio a member of the short-lived Senate of the Ottoman Empire. Well educated, in 1883 Mousouros translated Dante's Divine Comedy into ancient Greek. He was married and had a son, Stephanos Mousouros, who later became Prince of Samos. (Wikipedia). He is known as the first translator of Dante's Divine Comedy into modern Greek. Musurus Pasha had an intellectual identity. One of the most important occupations of Musurus Pasha in the last years was the translation of Dante's Divine Comedy from Italian to Greek. Being able to translate a work of Italian classics and masterpieces of western literature should be an indication of Musurus Pasha's performance and intellectual dimension. Due to negative statements about Muhammad and Ali in Dante's work, the book was not allowed to be published within the Ottoman Imperial borders. Despite this, Musurus Pasha asked him to be permitted to publish his translation, but it was not accepted. (Source: Bir Tanzimat diplomati Kostaki Musurus Pasa, (1807-1891)., NURDAN SAFAK). Dante's Divine Comedy, originally called Comedia, and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. This is only 'Purgatorio' book from the set. It's signed and inscribed by Musurus Pasha with a dedication in French to Monseigneur Auguste Bonetti as "A la grandeur Monseigneur Bonetti, Hommage de veneration, Musurus". Bonetti was, in 1887, after the appointment of Monsignor Rotelli to the Vatican Ambassador to Paris, the new Constantinople patriarch appointed by Rome for him. First Greek Edition. Extremely rare.
1828Some light foxing on title page and prelims. Wear to cover corners, spine and surfaces. Binding firm.
1823LXXII, 330 paginated pages. Some light foxing on title page and prelims. Wear to cover corners, spine and surfaces. Bookplate of John T. Betts on front pastedown. Hinge of pastedowns cracked. End free endpaper and last page loose. Tear to top joint of spine, with loss to top of spine.
1936ref. 11465München, Bachmair, 1936. 8° (18,5-22,5 cm). 266 S. OHalbpergament mit golgeprägtem Rückentitel
1971ref. LFA-1267494253 volumes de 368, 360 et 352 pages, format 145 x 210 mm, 250 illustrations de Sandro Botticelli, reliés cuir, publiés en 1971-1972, Jean de Bonnot, bon état
1879ref. 86541879 Paris Garnier 1879 grand in-8° (19 x 28 cm) Reliure demi-chagrin 592 pp Traduction et notes de Artaud de Montor. Nouvelle édition, précédée d'une préface de Louis Moland. Portrait de Dante en frontispice, illustrations de Yan' Dargent.
ref. 15786Marabout 474 pages in8. Sans date. broché. 474 pages. La Divine Comédie de Dante Alighieri est un poème épique qui décrit le voyage allégorique du poète à travers l'Enfer le Purgatoire et le Paradis guidé par Virgile et Béatrice. L'œuvre explore des thèmes théologiques philosophiques et politiques et est considérée comme un chef-d'œuvre de la littérature mondiale
1827Some light foxing on title page and prelims. Wear to cover corners, spine and surfaces. Binding firm.