1404 resultados
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1989ref. 007152New York : Pantheon Books 1989 1989. Soft cover. Fine/No Jacket. 2 volumes : illustrations ; 24 cm ; ISBN: 0679726470 v. 1; 9780679726470 v. 1; 0679726489 v. 2; 9780679726487 v. 2 LCCN: 89-8614 ; LC: PN1992.77.M583; Dewey: 791.45/72 ; OCLC: 19776021 ; "Forty-five classic episodes of the most entertaining writing to have gone into television anywhere. The minister of silly walks the dead parrot banter in a cheese shop - here is every silly satirical skit every snide insult every saucy aside." ; Contents: Whither Canada ; Sex & violence ; How to recognize different types of trees from quite a long way away -- Owl-stretching time ; Man's crisis of identity in the latter half of the twentieth century ; It's the arts -- You're no fun anymore ; Full frontal nudity ; The ant an introduction -- Untitled ; The Royal Philharmonic Orchestra goes to the bathroom ; The naked ant ; Intermission -- Face the press ; The Spanish Inquisition ; Déjá vu -- The Buzz Aldrin show ; Live from the grill-o-mat ; It's a living -- The Attila the Hun show ; Archaeology today ; How to recognize different parts of the body -- Scott of the Antarctic ; How not to be seen ; Spam ; Royal episode 13 -- Whicker's world ; Mr. & Mrs. Brian Norris' Ford popular ; The money programme -- Blood devastation death war and horror ; The all-England summarize Proust competition ; The war against pornography -- Salad days ; The cycling tour ; The nude organist -- E. Henry Thripshaw's disease ; Dennis Moore ; A book at bedtime ; Grandstand -- The golden age of ballooning ; Michael Ellis ; The light entertainment war -- Mr. Neutron ; Party political broadcast ; FINE New York : Pantheon Books, 1989 paperback
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1908ref. List3623New York City: Gotham-Attucks Music Co 1908. Folio sheet music illustrated color pictorial cover with inset photographic portrait of the Robinson Trio. 5 pp. including cover. Approximately 13 ½ x 10 ½ inches. Several small edge tears and light wear to margins; good to very good overall. An early sheet music publication from the African American musical Bandanna Land the 1908 stage production starring the celebrated comedy team Bert Williams and George Walker two of the most influential Black performers in American theater at the turn of the twentieth century. The cover illustration depicts a figure gesturing across a map of the United States accompanied by the bold title “Any Old Place in Yankee Land Is Good Enough for Me” while an inset photograph identifies “The Robinson Trio” a Black vaudeville act likely consisting of James B. Robinson Stella Wiley and Dan Michael. The music was written collaboratively by two major African American composers of the ragtime era. Will Marion Cook 1869–1944 a classically trained violinist and composer who studied at the Oberlin Conservatory and later in Berlin was one of the most important musical figures in early Black musical theater. He worked closely with Williams and Walker on several productions and helped develop a distinctive style that blended ragtime rhythms with elements of operetta and popular song. Co-composer Chris Smith 1879–1949 best known for the widely popular dance song “Ballin’ the Jack” was another prominent Black songwriter associated with early twentieth-century musical theater and vaudeville. The lyrics were written by Alex Rogers 1876–1930 one of the most prolific African American lyricists of the period and a frequent collaborator with Cook. Of the handful of copies of this sheet we have been able to locate this is the only one we found with the Robinson Trio inset. Gotham-Attucks Music Co unknown
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ref. 2455616 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’ 29 Hibbert Road Leyton London E17. From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p 4to. On light-blue paper with letterhead in dark-blue and red. Signed ‘Ralom’ with ‘RALOM & ROSA’ typed beneath. In good condition lightly aged. Writing to MP at the Evening News London. ‘There has sic been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession. My Act which comprises good clean comedy and expert musicianship is one of the most successful Acts from “an audience point of view” in the business to-day and obviously what audiences want.’ MP could ‘ascertain the truth’ of this statement by visiting the forthcoming show at Collins’ Musical Hall. He concludes: ‘Owing to the “paucity” of the right recognition we are contemplating leaving the country shortly to try and find recognition on the Continent.’ 16 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’, 29 Hib unknown
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