3232 resultados
ref. 11179miracle de la science. Conte cinématographique. In 12 broché, faux-titre, titre, 170 pages, Editions de la Nouvelle revue Française 14 avril 1920. Edition originale numérotée sur vélin Lafuma de Voiron. Petites rousseurs en début et fin de volume. « les paries du texte encadrées, seront projetées sur l’écran. Le reste devra s’exprimer par le jeu des acteurs et les ressources de la mise en scène…
ref. 106.800Paris, Librairie Ancienne Honoré Champion, Edouard Champion, 1919. 18 x 27, 28 pp., quelques planches, broché, bon état.
1834ref. fl1654J. N. Barba, libraire Relié 1834 In-8 (13,8 x 20,7 cm), reliure demi-peau, dos lisse, titre manuscrit au dos, 204 pages, 2e édition ; frottements aux plats, coupes et dos, tampon en page 1, quelques déchirures sur les bords des pages, avec petit manque au texte page 194, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ref. 20864Paris Chez la Veuve Duchesne 1770 in 8 (20x12) 1 fascicule broché, sous couverture muette de papier marbré ancien, 36 pages. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1929ref. 911361929 A Lyon, " Les Amis de Guignol" et M. Camus & Carnet - 1929 - Fort in-8, broché - 480 pages - Tome II seul
1937ref. 1151411937 A Paris, Les Belles Editions - 1937 - Petit in-8, broché, couverture illustrée - 189 page
1943ref. 137889Stock 1943 In-8, demi-basane brune marbrée à coins, dos à nerfs, filets brune 404 pp, Portrait de Mary Marquet en frontispice par François Marquet. Reliure frottée, charnière inf. fendillée.
1992Nicolini Editore, marzo 1992. Comedia en trei ac'. Rilegato con sovraccoperta. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
ref. 1185761Oxford ; Bern ; Berlin ; Wien : Peter Lang, 2020. XVI, 533 Seiten : Illustrationen ; 23 cm, kart.
1928ref. 37781928 Paris, Delagrave, 1928, in 12 broché, 128 pages, 8 illustrations hors-texte ; couverture rempliée.
ref. 32149aafParis, Paul Ollendorff, 1898, in-8°, 2 ff. + 314 p., reliure en demi-parchemin, pièce de titre cuir au dos. Bel exemplaire
ref. 127786aafAnnecy, Gardet, 1978, in-8vo, 33 p., brochure originale.
ref. 85873aafParis, Michel-Etienne, s.d. (1720), pt. in-8vo, 65 p., ill. avec une gravure, (publié dans le tome 1 des oeuvres p. 472 à 533 + 2 ff. Privilège du Roy, de 1720) cachet “Emile Lemaitre” sur f. de titre, brochure sans couverture (sorti d’un volume des oeuvres).
ref. 76171aafParis, Plon, 1904, in-8vo, 18 dessins en noir-blanc, brochure originale illustrée rempliée. (la date 1904 en bas du dos).
ref. 3114Paris, Flammarion, 1893 ; in-16, broché, non coupé. Excellent état.
1971ref. AUB-1310Neuchâtel, éditions Ides et Calendes 1971. Bel exemplaire broché, format moyen, no 215/300 sur papier Ingres vergé pur chiffon, 120 pages.
ref. 123744aafEstavayer-Le-Lac, Imprimerie H. Butty & Cie, 1913, in-8vo, 98 p. + 1 f., brochure originale illustrée.
1958Inner hinges reinforced with clear tape (now browned). Some browning to wraps. Scholar's bookplate to inner cover (G. P. Goold). ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
1977Light shelfwear to book. DJ has a few tears and chipping. DJ is price-clipped. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
1977Light shelfwear to book. DJ spine slightly sunned. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
1990Sequel to 'Goatsong'. Eurpolis of Pallene, Athenian comic dramatist, gentlemen farmer, failed husband and now citizen soldier has survived the disastrous Sicilian campaign, only to be accused of treason on his return to Athens. Hilarious fictional autobiography of Eupolis, rival of Aristophanes inAttic Comedy, and acute observer of the vagaries of Athenian politics. Book
1989Very faint foxing else book is fine. ; 196 pages; In writing this book on the plays of New Comedy the author's aim is to fill a gap in the existing literature by concentrating on what one might look for in watching and reading these plays and why such an exercise might be pleasurable. The social comedy of Menander, Plautus and Terence provided a style of comic drama which was to prove the root of all subsequent western comedy. Dr Hunter gives a literary account of this drama, placing it in its ancient context and then ranging over a number of specific topics and themes: the dramatic craft of the poets, their exploration of how to give variety to stereotyped plots and characters, the presentation of women, the use of language and themes from tragedy, the place of moralising and philosophy. All Greek and Latin is translated.
1986Ex-library copy with usual stamps, call numbers. Pocket has been removed from ffep causing some damage. Else VG. ; Greeks divided the world into Greece vs. The land of foreigners, into Hellenes vs. Barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy—both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians’ responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long’s major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy. ; 240 pages
1880An original vintage copy NOTa reproduction (Volume I of a 2 Volume set - will NOT be sold separately) Clean, tight, unmarked text. Scuffing to head and foot of spine, corners slightly bumped Book
1925Waterstaining to spine and along edges of boards (joints). 2 corners have minor bumping. Pages tanned. ; Greek Text with German commentary and translation. ; 219 pages