3.561 resultados
ref. 82023Paris, Laplace, Sanchez, 1883. 12 x 19, 376 pp., broché, bon état (couverture légèrement défraîchie).
1867ref. 8243Librairie de L. Hachette et Cie 1867 301 pages in8. 1867. reliure editeur demi basane. 301 pages. Publié en 1867 ce roman d'aventures et de satire sociale d'Edmond About suit un jeune botaniste français en mission en Grèce vers 1850. Il se retrouve mêlé aux agissements d'Hadji-Stavros un dangereux chef de bande qui se fait appeler le 'Roi des montagnes' dans une histoire pleine de rebondissements d'humour et d'ironie
ref. 104.117Paris, Imprimerie Edouard Proux, 1847. 13 x 21, 31 pp., broché, tranches dorées, état moyen (couverture défraîchie).
1938ref. 3730INNOTHERA (Laboratoire Chantereau) 1938 92 pages in8. 1938. reliure en feuille sous chemise cartonnée. 92 pages.
2015ref. 1077564Frankfurt am Main : Peter Lang Edition, [2015]. 253 Seiten : Illustrationen ; 22 cm Festeinband
1970ref. 7568Albin Michel 1970 222 pages in8. 1970. broché. 222 pages. Eddie Brown un professeur de russe à l'université de Bristol est recruté pour devenir agent secret. Ce roman marque la première apparition de ce personnage créé par Joyce Porter
1973ref. 6381Editions Pastorelly 1973 337 pages in8. 1973. reliure editeur. 337 pages. Topaze est une pièce de théâtre de Marcel Pagnol créée en 1928 qui raconte l'histoire d'un modeste et honnête professeur Albert Topaze. Embauché comme prête-nom par un conseiller municipal véreux il se retrouve plongé dans le monde cynique de la bourgeoisie et de l'argent où il finit par adopter les méthodes de ceux qu'il méprisait initialement. C'est une comédie satirique sur la corruption et la puissance de l'argent
ref. 61250Paris, Garnier Frères, 1926. 12 x 19, 2 volumes, 543 + 439 pages, broché, bon état (couvertures défraîchies).
1967ref. CCC-215129. DEDICACE par P.Geraldy, edition stock 1967, couverture rigide avec son rhodoid, format : 14,5 cm X 20 cm, frontispice A.Dunoyer de Segonzac, edition numeroté N°15, photo possible
1919ref. 7690Ancienne Imprimerie Charles Latrobe Barrière & Cie Successeurs 1919 97 pages in8. 1919. broché. 97 pages. Les Cerises est une comédie en trois actes écrite en prose par Paul Llobet. Il s'agit d'une pièce de théâtre classée comme livre ancien
ref. 500326539Gaumont 13 6x17 2x1 2cm. Sans date. blu_ray.
1955ref. 8367Edifi 1955 240 pages in8. 1955. broché. 240 pages. Châteaux en Espagne est une comédie en quatre actes de Sacha Guitry créée en 1933. Elle met en scène un peintre-décorateur quadragénaire Jean Larmandie qui séduit et emmène en Espagne une jeune femme de vingt ans Geneviève. La pièce est structurée comme une suite de sketchs facétieux oscillant entre le vaudeville et la farce
1955ref. 8370Raoul Solar 1955 240 pages in8. 1955. broché. 240 pages. Châteaux en Espagne est une pièce de théâtre de Sacha Guitry une comédie en quatre actes créée au Théâtre des Variétés en 1933. L'œuvre est décrite comme une suite de sketchs facétieux oscillant entre le vaudeville et la farce d'atelier animée par des personnages-silhouettes
ref. 74882Paris, Casterman, 1988. 23 x 28, 91 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, bon état.
ref. 106.953Paris, Jouve et Cie, 1932. 14 x 19, 207 pp., broché, bon état.
1954ref. 928441954 N° 6 - Mars / avril 1954 - Revue bimestrielle illustrée - In-8, broché - 112 pages
2008ref. 46645Ariola, 2008. CD CD
1998ref. 30633Wolverine Records, 1998. WRR 057 1 CD CD
1972Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
19652 corners bumped. Small tear to cloth at head of spine (1 cm). Minor rubbing. ; The study of roman Comedy is a study of the work of two comic poets, Titus Maccius Plautus and Publius Terentius Afer. Looks at the twenty extant plays of Plautus and the six by Terence. Also looks at Greek Comedy and Roman Comedy's influence on later authors. ; 501 pages
1965Corners and spine ends are worn and slightly fraying. Moderate edgewear. Slight Discoloration to front board. ; The study of roman Comedy is a study of the work of two comic poets, Titus Maccius Plautus and Publius Terentius Afer. Looks at the twenty extant plays of Plautus and the six by Terence. Also looks at Greek Comedy and Roman Comedy's influence on later authors. ; 501 pages
1952Book has minor shelfwear and rubbing. Rubbing to extremities; The study of roman Comedy is a study of the work of two comic poets, Titus Maccius Plautus and Publius Terentius Afer. Looks at the twenty extant plays of Plautus and the six by Terence. Also looks at Greek Comedy and Roman Comedy's influence on later authors. ; 501 pages
1972Very light shelfwear to book. Else fine. ; Analyses the conservative imagery of Terence and of Cicero's letters, contrasting this naturalistic language with the fantasies of Plautus and the formalization of Cicero's speeches. Numerous illustrative passages from Greek New Comedy, Terence, Plautus, and Cicero are reproduced in the text. ; Phoenix supplementary volume, 10; 222 pages
1972Very light shelfwear to book else fine. Endpapers lightly tanned. Some chipping and tears to DJ. Some tear to upper edge of back panel with some loss of DJ. Shelfwear and rubbing to DJ. ; Analyses the conservative imagery of Terence and of Cicero's letters, contrasting this naturalistic language with the fantasies of Plautus and the formalization of Cicero's speeches. Numerous illustrative passages from Greek New Comedy, Terence, Plautus, and Cicero are reproduced in the text. ; Phoenix supplementary volume, 10; 222 pages